“Invisible Baggage” Exhibition with Tiago Sant’Ana at the Historic Hampton House during Miami Art Week
Group Exhibition
The Historic Hampton House, a landmark of the Civil Rights Movement, will host the 2nd edition of the Invisible Baggage exhibition during Miami Art Week. Curated by women artists, the show explores the invisible burdens faced in themes such as social justice and immigration.
The exhibition features a diverse range of works, including paintings, sculptures, and installations, with contributions from artist Tiago Sant’Ana, who delves into issues of identity and Afro-descendant memory.
Celebrating the resilience and strength of individuals, Invisible Baggage connects contemporary art to the rich historical legacy of the Hampton House. The event reflects values such as resistance, refuge, and community while paying tribute to artists who continue to challenge the status quo.
Exposição Individual
Candida Höfer’s solo exhibition, titled “Europe/America,” is currently on view at the renowned Sean Kelly Gallery, located in Los Angeles, USA. Curated by Sharon Johnston and Mark Lee, this solo exhibition will be open to the public until January 11, 2025. The exhibition presents a selection of 10 photographs that Höfer created between 1993 and 2015. These works explore how architecture reflects the cultural history of different places and times, thereby offering a unique perspective on the impact of built environments.
Moreover, the photographs in this solo exhibition are notable for their symmetrical compositions, capturing interiors intended for entertainment, study, and worship. Consequently, these images create a fascinating visual dialogue between North American and European spaces. They highlight both the similarities and differences between the societies that inhabit them. Furthermore, the choice to exclude human figures from the photographs allows viewers to contemplate more deeply the impact of spaces on their occupants. This, in turn, encourages reflection on the relationship between architecture and cultural identity.
Additionally, the solo exhibition “Europe/America” invites the audience to consider how architectural spaces can serve as silent witnesses to cultural and social evolution. Through her lens, Höfer offers us an opportunity to explore the beauty and complexity of the environments that shape our daily lives. Moreover, the absence of human figures in the images not only intensifies attention to architectural details but also suggests an open narrative. Thus, the viewer is free to imagine the stories these spaces could tell.
Finally, this solo exhibition encourages reflection on cultural identity through architecture and highlights the differences and similarities between North American and European societies, using compelling, symmetrical photographs that offer unique insights into built environments. By examining these striking visuals, audiences are encouraged to think about how architecture shapes not only physical spaces but also the cultural and historical narratives that define a society. The interplay between light, form, and structure in Höfer’s work therefore adds depth to this exploration, inviting a more profound appreciation of the spaces we inhabit and their role in our collective experience.
Group Exhibition
Curator: Orlando Maneschy
The Pinacoteca of Ceará, in Fortaleza, presents the exhibition “Tropical Delight,” curated by Orlando Maneschy. The show highlights the connections between art, culture, and the environment, celebrating the richness of tropical regions. Among the participating artists, Luiz Braga stands out with works that capture the essence of the Amazon and resonate with the exhibition’s theme. Since its opening in 2022, the Pinacoteca has become a reference in contemporary art. Its diverse programming reflects Brazil’s cultural and environmental diversity.
Group Exhibition
Curator: Raphael Fonseca
Felipe Rezende Mercosur Biennial is the highlight of Galeria Leme in its 14th edition.
The event will take place from March 27 to June 1, 2025, in Porto Alegre, Brazil. With this in mind, the Biennial reinforces its importance as one of the most prestigious art events in Latin America. Furthermore, this year’s theme, “Flash,” curated by Raphael Fonseca, delves into moments of inspiration and transformation. The event will feature 76 artists, many of whom, will present works specially commissioned for the Biennial.
For instance, Felipe Rezende, one of Brazil’s most prominent contemporary artists, is set to deliver a piece that aligns perfectly with the theme “Flash.” In fact, the Felipe Rezende Mercosur Biennial participation is a testament to his contribution to contemporary art. The Mercosur Biennial is well-known for bringing together artists from various countries, fostering deep reflections through art. As a result, Felipe Rezende’s participation highlights his significance in the contemporary art world.
Since its establishment in 1997, the Mercosur Biennial has grown into a crucial platform for promoting artists and their creations. Thus, the inclusion of Felipe Rezende Mercosur Biennial emphasizes the global relevance of Brazilian art, marking a milestone for both the artist and the event.
Finally, Galeria Leme encourages everyone to visit the 14th Mercosur Biennial and experience the remarkable work of Felipe Rezende. Don’t miss this opportunity to appreciate the talent of an exceptional artist at one of the largest art events in Latin America.
Group Exhibition
Curator: Nina Matos
The Museum of Art of Belém (MABE) presents the exhibition “New Perspectives on MABE – Museum/Community Exchange [Ver-O-Peso],” highlighting the culture of Ver-O-Peso. Featuring 43 works, including those by Luiz Braga, it portrays the Amazon. Free of charge, the exhibition takes place at the Antonieta Santos Feio Room and highlights the museum’s artistic and historical collection.
Group Exhibition
Curator: Carles Guerra
The exhibition “Radically Unique, Radically Different” celebrates the 35th anniversary of Galeria Mayoral in Barcelona, bringing together 23 artists from different generations, including José Carlos Martinat, in a dialogue about creativity, differences, and connections in the art world. Works by iconic names like Dalí and Miró contrast with contemporary proposals.
Group Exhibition
The exhibition “Among Us: Ten Years of the ZUM/IMS Grant” celebrates a decade of support for contemporary Brazilian production, showcasing photographs, videos, and various media exploring themes such as slavery, racism, and social roles. Tiago Sant’Ana, one of the featured artists, delves into the legacy of slavery in Brazil. His work seeks to shed light on historical traumas and erased identities, while also reclaiming and affirming collective memories and Black resistance, connecting past and present in a critical and poetic way.
Group Exhibition
The exhibition Ancestral: Afro-Americas [United States and Brazil], at the Museum of Brazilian Art at FAAP, explores the cultural connections between the two countries through the African diaspora. Curated by Ana Beatriz Almeida and Lauren Haynes, it features 132 works by 73 Afro-descendant artists that investigate identity, body, dream, and space. The exhibition celebrates decolonial art and the resilience of African peoples in shaping contemporary cultural identities. Brazilian artist Heloisa Hariadne stands out with her work The strength that is to feed myself from you while I am with myself, a piece that emphasizes themes of affection and ancestry, adding an intimate and poetic perspective to the exhibition’s collective narrative.
Solo Exhibition
Texto: Luis Sandes
Gabriela Giroletti’s solo exhibition at Galeria Leme, Mil Manhãs, presents both small and large works that explore the possibilities of painting in terms of poetry, technique, and concept. Her work reflects a deep appreciation for nature and its lyrical potential….
Curated by: Dulcina Abreu
José Carlos Martinat, a Peruvian artist, intricately explores the intersections of technology, politics, and human existence in “Esencia: Artefacto.” His work transforms everyday objects into profound commentaries on societal mechanisms. A standout piece is a mechanical bed, coated with ayahuasca and yampo, animated by the COVID-19 genetic code. This exhibition reflects on cultural and spiritual dimensions of loss, creating a space for contemplation and healing.
