Germana Monte-Mór takes part in "Revolta em preto e branco" (Black-and-White Revolt), an exhibition curated by Max Perlingeiro and Shannon Botelho, on view from September 11 to November 21, 2026 at Pinakotheke Cultural, Rua São Clemente, 300, Botafogo, Rio de Janeiro.

The show revisits a pivotal episode in Brazilian art: the 1954 Black-and-White Salon, held at the Palácio Capanema. Faced with restrictions on the import of art materials such as paints, pigments and canvases, artists including Iberê Camargo, Milton Dacosta and Djanira turned the salon into a collective protest, presenting works made entirely in black and white. More than an aesthetic choice, the absence of color became a demand for better working conditions and a statement by artists before the public authorities.

Bringing together 61 works by 50 artists, including eight shown in the original salon, along with documents, photographs and newspapers from the period, the exhibition draws this historical moment closer to the present. It is within this dialogue that Germana Monte-Mór takes part, as one of the artists in the section devoted to contemporary practices and to the questions the 1954 gesture still raises today.

Artist Heloisa Hariadne takes part in the 16th Gwangju Biennale, South Korea, as part of "Devorations of Tomorrow – Brazil in Bloom", the first-ever Brazil Pavilion in the event's history. Curated by Aldones Nino and Bruna Levi, the exhibition gathers 35 artists who draw on anthropophagic thought to revisit cultural heritage and imagine possible futures. Hariadne developed her work during a residency in Seoul, exploring body, memory, nature and ancestry. September 5 to November 15, at the Gwangju History & Folk Museum.

The exhibition “Tempos Fraturados” (“Fractured Times”), held at the Museum of Contemporary Art of the University of São Paulo — MAC USP, in São Paulo, revisits the museum’s permanent collection through historical, political, and social issues of the 20th and 21st centuries. With special emphasis on the participation of Luiz Braga, represented by photographs that highlight Brazilian landscapes, colors, and everyday life, the exhibition brings together around 300 works from the collection and is organized into sections such as Resistance, Exodus, Portrait, Appropriation, and Violence. The exhibition is a long-term show, inaugurated on March 18, 2023, and is expected to remain on view for five years.

The exhibition “Mais Belo é o Rio que Corre” (“More Beautiful Is the River That Flows”), organized by Centro Cultural Sesc Quitandinha, is curated by Marcelo Campos, with assistant curatorship by Rodrigo Duarte. The show brings together works by around 40 South American artists in different media, with the participation of artist Sandra Gamarra, proposing reflections on waters, confluences, environmental urgencies, and continuities in Latin America.

The exhibition “Die Welt im Geld – Globale Ereignisse im Spiegel Frankfurter Finanzobjekte”, held at the Historisches Museum Frankfurt in Frankfurt, presents the history of globalization through coins, medals, shares, banknotes, and other financial objects connected to the city. The show features the participation of Brazilian artist Tiago Sant’Ana and addresses themes such as colonialism, power, memory, inequality, and the circulation of wealth.

Luiz Braga at Paris Photo 2026, one of the leading international fairs dedicated to photography and the image. Held from November 12 to 15 at the Grand Palais in Paris, the 29th edition celebrates the bicentennial of photography. Renowned for developing a singular vision of the Amazon, Braga moves between the documentary and the abstract, exploring the equatorial light, the vibrant colors, and the everyday life of the region. His participation reaffirms the relevance of a body of work that expands the possibilities for representing the Amazonian landscape and culture on the international stage today.