Artist Heloisa Hariadne takes part in the 16th Gwangju Biennale, South Korea, as part of "Devorations of Tomorrow – Brazil in Bloom", the first-ever Brazil Pavilion in the event's history. Curated by Aldones Nino and Bruna Levi, the exhibition gathers 35 artists who draw on anthropophagic thought to revisit cultural heritage and imagine possible futures. Hariadne developed her work during a residency in Seoul, exploring body, memory, nature and ancestry. September 5 to November 15, at the Gwangju History & Folk Museum.

Galeria Leme presents "Control| Corrosion| Dispersion", a solo exhibition by Beto Shwafaty, on view from September 3 to October 2. Bringing together around 15 works, the show examines contemporary society through everyday objects and their materialities. The artist reveals how historical, economic and political processes are inscribed in things — making visible the tensions of control, decay and dispersion that run across the world. Visit us in São Paulo.

The exhibition “Tempos Fraturados” (“Fractured Times”), held at the Museum of Contemporary Art of the University of São Paulo — MAC USP, in São Paulo, revisits the museum’s permanent collection through historical, political, and social issues of the 20th and 21st centuries. With special emphasis on the participation of Luiz Braga, represented by photographs that highlight Brazilian landscapes, colors, and everyday life, the exhibition brings together around 300 works from the collection and is organized into sections such as Resistance, Exodus, Portrait, Appropriation, and Violence. The exhibition is a long-term show, inaugurated on March 18, 2023, and is expected to remain on view for five years.

The exhibition “Delírio Tropical – Recanto” (“Tropical Delirium – Retreat”), held at Sesc Pinheiros, presents a broad overview of contemporary Brazilian visual production, bringing together around 280 works by approximately 130 artists from all regions of the country. Curated by Orlando Maneschy, with associate curatorship by Keyla Sobral, the show features the participation of Tiago Sant’Ana and proposes reflections on identity, memory, territory, gender, the environment, and Brazil’s imaginaries.