VIEWING ROOM

Entre hoje e ontem para dizer sobre amanhã | Rebeca Carapiá

28/10/2023 - 24/01/2024

Entre hoje e ontem para dizer sobre amanhã

Galeria Leme presents ‘Entre hoje e ontem para dizer sobre amanhã’ [Between today and yesterday to tell about tomorrow], the second solo show by Rebeca Carapiá at its space. The exhibition brings together experimental works from the last few years, such as suspended sculptures, drawings, and oxide iron on canvas, incorporating previous researches and pointing to possible developments in the artist’s poetics. On the opening day, 28 October, at 1pm, the artist will give a guided tour open to the public. The exhibition remains on display until 24 January, 2024.

In her body of work, Carapiá presents sinuous sculptures that reunite experiments and point to the complexity of her creative process. The artist creates her own imagery vocabulary, in Japanese ink drawings, which reverberates throughout the various series presented at this show.

“This exhibition is an encounter with materiality, the body in the world, tiredness, desire, and how all these elements are placed in the present moment,” says the artist.

The arrangement of the works in the exhibition space resembles a studio environment and promotes dialogue between different forms and languages. A large horizontal iron sculpture stretches across one of the gallery’s walls, while vertical and smaller ones are suspended. They are interposed by small canvases that translate the time of materiality present in the artist’s creative process.

“In ‘Entre hoje e ontem para dizer sobre amanhã’, I open and exhibit my process and path. It’s an exercise of an artist, that insists on the prevalence of the lived experience in the studio, which was founded so recently. I explore here the concepts of tiredness, excess, and matter, which are so present in this exhibition,” complements Carapiá.

Maré Cheia 1, 2023

Maré Cheia 1, 2023

Rebeca Carapiá

Twisted iron
420 x 19 cm
Photo: Filipe Berndt
Grafias, geografias e algum cansaço 1, 2023

Grafias, geografias e algum cansaço 1, 2023

Rebeca Carapiá

Twisted iron
19 x 400 cm
Photo: Filipe Berndt
Sustento 1, 2023

Sustento 1, 2023

Rebeca Carapiá

Twisted iron
82 x 42 cm
Photo: Filipe Berndt
Sustento 2, 2023

Sustento 2, 2023

Rebeca Carapiá

Twisted iron
131 x 34 cm
Photo: Filipe Berndt
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Sustento 3, 2023

Sustento 3, 2023

Rebeca Carapiá

Twisted iton
142 x 28 cm
Photo: Filipe Berndt
Sustento 4, 2023

Sustento 4, 2023

Rebeca Carapiá

Twisted iron and copper
88 x 31 cm
Photo: Filipe Berndt
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Água e Negrume 2, 2023

Água e Negrume 2, 2023

Rebeca Carapiá

Japanese ink on paper
70 x 115 cm
Água e Negrume, 2023

Água e Negrume, 2023

Rebeca Carapiá

Japanese ink on paper
66 x 103 cm
Água e Negrume 3, 2023

Água e Negrume 3, 2023

Rebeca Carapiá

Japanese ink on paper
66 x 103 cm
Brasagem, 2023

Brasagem, 2023

Rebeca Carapiá

Twisted copper
Edition: A.P.
14 x 68 cm
Photo: Márcio Lima
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Para o medo que vocês tem de se machucar – Suspensão 4, 2023

Para o medo que vocês tem de se machucar – Suspensão 4, 2023

Rebeca Carapiá

Twisted iron
273 x 94 cm
Photo: Filipe Berndt
Para o medo que vocês tem de se machucar – Suspensão 5, 2023

Para o medo que vocês tem de se machucar – Suspensão 5, 2023

Rebeca Carapiá

Twisted iron
276 x 51 cm
Photo: Filipe Berndt
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Para o medo que vocês tem de se machucar – Suspensão 6, 2023

Para o medo que vocês tem de se machucar – Suspensão 6, 2023

Rebeca Carapiá

Twisted iron
268 x 84 cm
Photo: Filipe Berndt
Brasagem, 2023

Brasagem, 2023

Rebeca Carapiá

Twisted copper
Edition: A.P.
14 x 68 cm
Photo: Márcio Lima
Sold
Armas para atravessar o invisível 1, 2020

Armas para atravessar o invisível 1, 2020

Rebeca Carapiá

Iron and stagnant oxidation
90 x 52 cm
Photo: Filipe Berndt
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Armas para atravessar o invisível 3, 2023

Armas para atravessar o invisível 3, 2023

Rebeca Carapiá

Iron and stagnant oxidation
81 x 44 cm
Photo: Filipe Berndt
Sold
Folha, 2023

Folha, 2023

Rebeca Carapiá

Iron and stagnant oxidation
146 x 50 cm
Photo: Filipe Berndt
Paisagens da casa Alagada 1, 2023

Paisagens da casa Alagada 1, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Sold
Paisagens da casa Alagada 2, 2023

Paisagens da casa Alagada 2, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Sold
Paisagens da casa Alagada 3, 2023

Paisagens da casa Alagada 3, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Sold
Paisagens da casa Alagada 4, 2023

Paisagens da casa Alagada 4, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Sold
Paisagens da casa Alagada 5, 2023

Paisagens da casa Alagada 5, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Paisagens da casa Alagada 6, 2023

Paisagens da casa Alagada 6, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Paisagens da casa Alagada 7, 2023

Paisagens da casa Alagada 7, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Sold
Paisagens da casa Alagada 8, 2023

Paisagens da casa Alagada 8, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima
Sold
Paisagens da casa Alagada 9, 2023

Paisagens da casa Alagada 9, 2023

Rebeca Carapiá

Iron oxide on canvas
35 x 35 cm
Photo: Márcio Lima