The first panoramic exhibition dedicated to Sandra Gamarra Heshiki brings together around 80 works produced over 25 years. Since the late 1990s, the artist has developed an institutional critique, exemplified by the creation of the fictional museum LiMac. Through the critical appropriation of paintings and sculptures—particularly from the colonial period—she employs the “replica” as a strategy to question established narratives and the supposed neutrality of museums. Organized in partnership with the Museu de Arte de Lima, the exhibition also challenges the traditional chronology adopted by Latin American museums.