{"id":48948,"date":"2021-11-09T20:44:59","date_gmt":"2021-11-09T23:44:59","guid":{"rendered":"https:\/\/galerialeme.com\/nao-categorizado\/em-exposicao-no-ccsp-rebeca-carapia-apresenta-sua-nova-serie-um-barco-feito-para-afundar\/"},"modified":"2023-07-25T16:56:31","modified_gmt":"2023-07-25T16:56:31","slug":"on-view-at-ccsp-rebeca-carapia-presents-her-new-series-um-barco-feito-para-afundar","status":"publish","type":"post","link":"https:\/\/galerialeme.com\/en\/exposicoes-en\/on-view-at-ccsp-rebeca-carapia-presents-her-new-series-um-barco-feito-para-afundar\/","title":{"rendered":"ON VIEW AT CCSP, REBECA CARAPI\u00c1 PRESENTS HER NEW SERIES UM BARCO FEITO PARA AFUNDAR"},"content":{"rendered":"<figure id=\"attachment_48653\" aria-describedby=\"caption-attachment-48653\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-48653 size-full\" src=\"https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1.jpg 1024w, https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1-300x200.jpg 300w, https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-48653\" class=\"wp-caption-text\">Photo: Filipe Berndt<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Rebeca Carapi\u00e1 is one of participating artists in the 31st exhibition program at Centro Cultural S\u00e3o Paulo, which remains on view until February 27.<\/p>\n<p>The artist presents the installation <em>Topografias da Mar\u00e9 Soterrada [Buried Tide Topographies]<\/em>, a set of 15 iron sculptures and three canvases. &#8220;This work is the beginning of the research <em>Um barco feito para afundar [A boat made to sink]<\/em>, which proposes a perspective view of Itapagipe Peninsula territory, in Salvador&#8217;s Cidade Baixa, Bahia&#8221;, says Carapi\u00e1.<\/p>\n<figure id=\"attachment_48655\" aria-describedby=\"caption-attachment-48655\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-48655 size-full\" src=\"https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3925-copy-1024x683-1.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3925-copy-1024x683-1.jpg 1024w, https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3925-copy-1024x683-1-300x200.jpg 300w, https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3925-copy-1024x683-1-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-48655\" class=\"wp-caption-text\">Foto Filipe Berndt<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>Itapagipe is a basin in Tainheiros inlet where the first Industrial Pole of Salvador was built, later becoming a sanitary landfill, where people \u2013 mostly migrants from the Rec\u00f4ncavo Baiano \u2013 lived and still live in unhealthy conditions in buildings known as Stilts. It was only in the 50s, after many deaths from poisoning, that the region began to be grounded because of the popular pressure. Faced with environmental and structural crime, its biome and its histories are drowned. In the depths of this land violated by the state and industrialization, there is a daily tension, especially between its residents and the flooding, which happens with any rain.<\/p>\n<figure id=\"attachment_48657\" aria-describedby=\"caption-attachment-48657\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img alt=\"\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-48657 size-full\" src=\"https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3940-copy-1024x683-1.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3940-copy-1024x683-1.jpg 1024w, https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3940-copy-1024x683-1-300x200.jpg 300w, https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3940-copy-1024x683-1-768x512.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-48657\" class=\"wp-caption-text\">Foto Filipe Berndt<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>When I dive myself in the territory where I was born and raised, I try to listen to the tide and the terrain to create, through the encounter between body, memory, ancestry and materialities, topographies, surfaces and cracks, where the twisted iron and the copper of the canvases tell stories and reflect the Environmental Racism suffered by vulnerable territories that constitute the peripheries \u2013 at their material and sensitive level\u201d, says the artist.<\/p>\n<p><strong data-rich-text-format-boundary=\"true\">Servi\u00e7o<\/strong><\/p>\n<p><em><strong><a href=\"http:\/\/centrocultural.sp.gov.br\/2021\/11\/05\/31o-programa-de-exposicoes\/\" data-rich-text-format-boundary=\"true\">31\u00ba programa de exposi\u00e7\u00f5es do Centro Cultural S\u00e3o Paulo<\/a><\/strong><\/em><\/p>\n<p>Dates: 11.06.2021 a 02.27.2022 \/ Tuesday to friday, from 10 am to 8 pm \/ saturday, sunday and holidays, from 10 am to 6 pm.<\/p>\n<p>Where: Rua Vergueiro 1000, S\u00e3o Paulo, Brasil<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Rebeca Carapi\u00e1 is one of participating artists in the 31st exhibition program at Centro Cultural S\u00e3o Paulo, which remains on view until February 27. The artist presents the installation Topografias da Mar\u00e9 Soterrada [Buried Tide Topographies], a set of 15 iron sculptures and three canvases. &#8220;This work is the beginning of the research Um [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":48654,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","footnotes":""},"categories":[44],"tags":[],"class_list":["post-48948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposicoes-en"],"acf":[],"spectra_custom_meta":{"_pingme":["1"],"_encloseme":["1"],"_wpml_word_count":["{\"total\":332,\"to_translate\":{\"en\":332}}"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_wp_old_date":["2023-07-18"],"_thumbnail_id":["48654"],"_edit_lock":["1690304069:2"],"_edit_last":["2"],"_wp_old_slug":["em-exposicao-no-ccsp-rebeca-carapia-apresenta-sua-nova-serie-um-barco-feito-para-afundar"],"_last_translation_edit_mode":["native-editor"],"_uag_css_file_name":["uag-css-48948.css"],"_uag_page_assets":["a:9:{s:3:\"css\";s:0:\"\";s:2:\"js\";s:0:\"\";s:18:\"current_block_list\";a:7:{i:0;s:11:\"core\/search\";i:1;s:10:\"core\/group\";i:2;s:12:\"core\/heading\";i:3;s:17:\"core\/latest-posts\";i:4;s:20:\"core\/latest-comments\";i:5;s:13:\"core\/archives\";i:6;s:15:\"core\/categories\";}s:8:\"uag_flag\";b:0;s:11:\"uag_version\";s:10:\"1776444491\";s:6:\"gfonts\";a:0:{}s:10:\"gfonts_url\";s:0:\"\";s:12:\"gfonts_files\";a:0:{}s:14:\"uag_faq_layout\";b:0;}"],"_seopress_search_console_analysis_clicks":["0"],"_seopress_search_console_analysis_ctr":["0"],"_seopress_search_console_analysis_impressions":["26"],"_seopress_search_console_analysis_position":["9.9230769230769"]},"uagb_featured_image_src":{"full":["https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1.jpg",1024,683,false],"thumbnail":["https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1-150x150.jpg",150,150,true],"medium":["https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1-300x200.jpg",300,200,true],"medium_large":["https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1-768x512.jpg",640,427,true],"large":["https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1.jpg",640,427,false],"1536x1536":["https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1.jpg",1024,683,false],"2048x2048":["https:\/\/galerialeme.com\/wp-content\/uploads\/2023\/07\/mg_3927-copy-1024x683-1.jpg",1024,683,false]},"uagb_author_info":{"display_name":"Cheyenne","author_link":"https:\/\/galerialeme.com\/en\/author\/cheyenne\/"},"uagb_comment_info":0,"uagb_excerpt":"&nbsp; Rebeca Carapi\u00e1 is one of participating artists in the 31st exhibition program at Centro Cultural S\u00e3o Paulo, which remains on view until February 27. The artist presents the installation Topografias da Mar\u00e9 Soterrada [Buried Tide Topographies], a set of 15 iron sculptures and three canvases. &#8220;This work is the beginning of the research Um&hellip;","_links":{"self":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/posts\/48948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/comments?post=48948"}],"version-history":[{"count":0,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/posts\/48948\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/media\/48654"}],"wp:attachment":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/media?parent=48948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/categories?post=48948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/tags?post=48948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}