{"id":44018,"date":"2012-10-01T10:26:00","date_gmt":"2012-10-01T10:26:00","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=expo&p=44018"},"modified":"2023-05-23T13:17:46","modified_gmt":"2023-05-23T13:17:46","slug":"ex-libris","status":"publish","type":"expo","link":"https:\/\/galerialeme.com\/en\/expo\/ex-libris\/","title":{"rendered":"Ex-Libris"},"content":{"rendered":"","protected":false},"featured_media":51409,"template":"","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","footnotes":""},"expo_year":[74],"class_list":["post-44018","expo","type-expo","status-publish","has-post-thumbnail","hentry","expo_year-2012-en"],"acf":[],"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1684847869:2"],"_edit_last":["2"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["native-editor"],"leme_artist":[""],"_leme_artist":["field_6436bf3605737"],"expo_description":["Matter for the images and the exhibition, the penumbra is the element that unites the four groups of works presented by Patr\u00edcia Osses in Ex-Libris.\r\n\r\nEx-libris is a Latin expression that literally means \u201cfrom the books\u201d, and it may be inscribed in a vignette in the inside cover of a book to show who is its owner. There are no books in the exhibition or in the images, but is through its absence that the visual thinking of the works is constructed. It is due to this absence that this element becomes potent and makes itself present.\r\n\r\nGrenier (S\u00f3t\u00e3o), work that opens the exhibition, consists in a series of 18 images in small size, made in the attic of an old farmhouse in the French countryside. The light, faded and warm, over the forgotten objects, led the artist to photograph as someone that carries out a painting. In the images the place is dense, the objects have no outline and their presence is doubtful. In Ex-libris this image-objects are unattached and disposed in a shelve just as in a library or a collection.\r\n\r\nBiblioth\u00e8que (Biblioteca) e \u00c9tag\u00e8re (Estantes) has its origin in the same Auvergne farm that lodges an 1800\u2019s grange in its almost original conditions. The ceiling, with nearly ten meters high and all made in wood, is where the artist constructs a fictional version of the place, turning it into a library. The wooden tiles are transformed into thousands of old books that require long stairs to be reached. To read them the artist seats in the high binding beams of the grange.\r\n\r\nLibrary (Biblioteca) is composed by images of an actual library, which is deprived of its meaning once it is completely empty. Located in the darkest room of writer John Osborne\u2019s (1929-1994) house, in Shropshire, England, the library sheltered an uncommon type of matter. The artist photographed the shelves under the action of fog and light, filling them without occupying, preserving its emptiness.\r\n\r\nFor last, the video Dormit\u00f3rio once again counts on forgotten places and objects of strange collections always kept in shade. Created from photographs of a performative action, the result situates us between photography and film, inducing a permanent and practically imperceptible movement. The soundtrack following the work, recorded by the musician Thomas Rohrer inside Galeria Leme, emits a fiddle sound throughout the exhibition.\r\n\r\nAbout the artist:\r\nPatr\u00edcia Osses (Santiago do Chile, 1971). Lives and works in S\u00e3o Paulo, Brazil.\r\nAmongst her solo exhibitions stand out: Vigne-m\u00e8re (Videira-m\u00e3e), Centro Universit\u00e1rio Maria Antonia, S\u00e3o Paulo (2012), CaSAPINA, Pr\u00eamio Funarte de Arte Contempor\u00e2nea 2010 \u2013 Ocupa\u00e7\u00e3o dos Espa\u00e7os, Galeria Mario Schenberg, Funarte, S\u00e3o Paulo (2010), Programa de Exposi\u00e7\u00f5es 2004, Centro Cultural S\u00e3o Paulo, S\u00e3o Paulo, Brasil (2004) and the group shows: Instituto Cervantes, Alhambra, ou dos edif\u00edcios que falam, S\u00e3o Paulo (2010), Trilhas Metragens, SESC Paulista, S\u00e3o Paulo (2006). 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