{"id":42483,"date":"2017-05-18T12:03:19","date_gmt":"2017-05-18T15:03:19","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=expo&#038;p=42483"},"modified":"2023-12-05T16:49:59","modified_gmt":"2023-12-05T16:49:59","slug":"planares","status":"publish","type":"expo","link":"https:\/\/galerialeme.com\/en\/expo\/planares\/","title":{"rendered":"Planares"},"content":{"rendered":"","protected":false},"featured_media":33646,"template":"","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","footnotes":""},"expo_year":[79],"class_list":["post-42483","expo","type-expo","status-publish","has-post-thumbnail","hentry","expo_year-2017-en"],"acf":[],"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1701794999:4"],"_edit_last":["4"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["native-editor"],"leme_artist":["Osmar Dalio"],"_leme_artist":["field_6436bf3605737"],"expo_description":["<div id=\"content\" class=\"clr\">\r\n<div class=\"text-wrap borderless topping\">\r\n\r\nGaleria Leme presents the first solo exhibition by Osmar Dalio in its space. Entitled \u201cPlanares\u201d, the exhibition features four large-scale sculptures of corten steel that create a tension with the exhibition space and a balanced dialogue between each other. This show is the result of a long period of research and maturation of the artist since the last time that his work was presented to the public in an individual exhibition in the year 2000.\r\n\r\nOsmar Dalio is part of an important generation of artists from S\u00e3o Paulo trained at the Faculty of Fine Arts of the Armando Alvares Penteado Foundation in the 1980s. His research on the balance and tension between forms and the space that contains them, as well as between the interplay between materiality and void within a sculpture, has interesting parallels with important artistic researches in the history of Brazilian art, such as those of Franz Weissmann, Willys De Castro and Jos\u00e9 Resende. Initially working with perishable materials, making rubber and wood pieces, among others, Osmar Dalio began transitioning his research to metallic structures in 1988. Which guarantees him a great ease in working with this material acquired over the years.\r\n\r\nThe sculptures especially designed for Galeria Leme\u2019s exhibition display a kind of inherent monumentality. The \u201carchitecture\u201d of each piece is articulated from operations that explore the materiality, weight, strength and balance of the corten steel. The artist\u2019s creation process starts from a first idea developed through drawing. Then he elaborates a small model in which he tests the shapes and proportions of each sculpture. Then the piece is manufactured industrially through a strong collaboration between the artist and a group of engineering technicians. Intersections, cuts and juxtapositions are carefully calculated in a process that combines mathematical precision with an intuitive impetus. Some cuts mirror themselves while others enter the volume, creating cavities and recesses that exert a magnetic attraction on the viewer\u2019s body. This careful balance between matter and emptiness gives the tons of metal a feeling of lightness and movement. The materiality of the pieces is also carefully worked, these are induced to oxidation processes by means of special chemicals, which gives them a perfect finish, an intriguing hue and a velvety texture. Its manufacture denies any kind of manual trace of the artist\u2019s work, which seems to emphasize the nature of iron. Commonly used in architecture and engineering, this material symbolically represents the historical quest for a human \u201corder\u201d over the natural, strongly allied to the importance of technological progress. This historical heritage seems to impregnate the geometric forms of Osmar Dalio\u2019s sculptures, who gain even more symbolic importance when they enter into dialogue with the architecture of the Galeria Leme\u2019s building.\r\n\r\n&nbsp;\r\n\r\nAbout the artist:\r\n\r\nOsmar Dalio, S\u00e3o Paulo, Brazil, 1959. Lives and works in S\u00e3o Paulo, Brazil.\r\n\r\nBachelor of Fine Arts from FAAP, S\u00e3o Paulo, in 1982, having studied with Regina Silveira, J\u00falio Plaza and Nelson Leirner. Masters degree at Chelsea College of Art ad Design, London, on the guidance of Helen Chadwick, Cornelia Parker and Richard Deacon.\r\n\r\nMain solo exhibitions: Galeria Millan, S\u00e3o Paulo, Brazil (2000); Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro, Brazil (1991); Galeria Macuna\u00edma, Funda\u00e7\u00e3o Nacional de Arte \/ Instituto Nacional de Artes Pl\u00e1sticas, Rio de Janeiro, Brazil; Museu de Arte Moderna de S\u00e3o Paulo, S\u00e3o Paulo, Brazil; Gabinete de Arte Raquel Arnaud, S\u00e3o Paulo, Brazil (1990).\r\n\r\nMain group exhibitions: Panorama da Arte Atual Brasileira, Formas Tridimensionais, Museu de Arte Moderna de S\u00e3o Paulo, S\u00e3o Paulo, Brazil; 21st S\u00e3o Paulo International Biennial, curated by Jo\u00e3o Candido Galv\u00e3o. Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo, S\u00e3o Paulo, Brazil (1991); Macuna\u00edma 89, Funda\u00e7\u00e3o Nacional de Arte \/ Instituto Nacional de Artes Pl\u00e1sticas, Rio de Janeiro, Brasil; 11th Sal\u00e3o Nacional de Artes Pl\u00e1sticas, Funda\u00e7\u00e3o Nacional de Arte \/ Instituto Nacional de Artes Pl\u00e1sticas, Rio de Janeiro, Brazil (Acquisition Award) (1989); Anathemata, curated by Aracy Amaral. Museu de arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo, S\u00e3o Paulo, Brazil; Arte na Rua 2. Museu de Arte Contempor\u00e2nea da Universidade de S\u00e3o Paulo, Central de Outdoor, S\u00e3o Paulo, Brazil (1984), among others.\r\n\r\nHis work is part of the public collections: Ferrovia Paulista FEPASA, J\u00falio Prestes Station, S\u00e3o Paulo, Brazil and the Brasilia Art Museum, Bras\u00edlia, Brazil.\r\n\r\n<\/div>\r\n<\/div>"],"_expo_description":["field_64442aea60f9a"],"expo_catalog_expo_catalog_text":[""],"_expo_catalog_expo_catalog_text":["field_6447bb26033f7"],"expo_catalog_expo_catalog_file":[""],"_expo_catalog_expo_catalog_file":["field_6447bb3f033f8"],"expo_catalog":[""],"_expo_catalog":["field_6447bac1033f6"],"gallery":["a:8:{i:0;s:5:\"42484\";i:1;s:5:\"42486\";i:2;s:5:\"42488\";i:3;s:5:\"42490\";i:4;s:5:\"42492\";i:5;s:5:\"42494\";i:6;s:5:\"42496\";i:7;s:5:\"42498\";}"],"_gallery":["field_6436be9722a75"],"videos":[""],"_videos":["field_644491b47cb7e"],"leme_visit":[""],"_leme_visit":["field_6436bb780169e"],"text_expo":[""],"_text_expo":["field_6436bf9def280"],"files":[""],"_files":["field_64453629d51d1"],"leme_begin":["20170601"],"_leme_begin":["field_64442ce3d3a50"],"leme_end":["20170729"],"_leme_end":["field_64442d00d3a51"],"_thumbnail_id":["33646"],"leme_artist_coletivo":["0"],"_leme_artist_coletivo":["field_649b22d81cddd"],"_uag_css_file_name":["uag-css-42483.css"],"_seopress_search_console_analysis_clicks":["0"],"_seopress_search_console_analysis_ctr":["0"],"_seopress_search_console_analysis_impressions":["127"],"_seopress_search_console_analysis_position":["9.755905511811"],"_uag_page_assets":["a:9:{s:3:\"css\";s:260:\".uag-blocks-common-selector{z-index:var(--z-index-desktop) !important}@media(max-width: 976px){.uag-blocks-common-selector{z-index:var(--z-index-tablet) !important}}@media(max-width: 767px){.uag-blocks-common-selector{z-index:var(--z-index-mobile) !important}}\";s:2:\"js\";s:0:\"\";s:18:\"current_block_list\";a:7:{i:0;s:11:\"core\/search\";i:1;s:10:\"core\/group\";i:2;s:12:\"core\/heading\";i:3;s:17:\"core\/latest-posts\";i:4;s:20:\"core\/latest-comments\";i:5;s:13:\"core\/archives\";i:6;s:15:\"core\/categories\";}s:8:\"uag_flag\";b:0;s:11:\"uag_version\";s:10:\"1776891104\";s:6:\"gfonts\";a:0:{}s:10:\"gfonts_url\";s:0:\"\";s:12:\"gfonts_files\";a:0:{}s:14:\"uag_faq_layout\";b:0;}"]},"uagb_featured_image_src":{"full":["https:\/\/galerialeme.com\/wp-content\/uploads\/2017\/05\/view3.jpg",705,470,false],"thumbnail":["https:\/\/galerialeme.com\/wp-content\/uploads\/2017\/05\/view3-150x150.jpg",150,150,true],"medium":["https:\/\/galerialeme.com\/wp-content\/uploads\/2017\/05\/view3-300x200.jpg",300,200,true],"medium_large":["https:\/\/galerialeme.com\/wp-content\/uploads\/2017\/05\/view3.jpg",640,427,false],"large":["https:\/\/galerialeme.com\/wp-content\/uploads\/2017\/05\/view3.jpg",640,427,false],"1536x1536":["https:\/\/galerialeme.com\/wp-content\/uploads\/2017\/05\/view3.jpg",705,470,false],"2048x2048":["https:\/\/galerialeme.com\/wp-content\/uploads\/2017\/05\/view3.jpg",705,470,false]},"uagb_author_info":{"display_name":"Cheyenne","author_link":"https:\/\/galerialeme.com\/en\/author\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo\/42483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo"}],"about":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/types\/expo"}],"version-history":[{"count":0,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo\/42483\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/media\/33646"}],"wp:attachment":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/media?parent=42483"}],"wp:term":[{"taxonomy":"expo_year","embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo_year?post=42483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}