{"id":41986,"date":"2019-06-26T12:22:35","date_gmt":"2019-06-26T15:22:35","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=expo&#038;p=41986"},"modified":"2023-12-05T16:24:58","modified_gmt":"2023-12-05T16:24:58","slug":"nadia-taquary-and-ayrson-heraclito","status":"publish","type":"expo","link":"https:\/\/galerialeme.com\/en\/expo\/nadia-taquary-and-ayrson-heraclito\/","title":{"rendered":"N\u00e1dia Taquary and Ayrson Her\u00e1clito"},"content":{"rendered":"","protected":false},"featured_media":51309,"template":"","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","footnotes":""},"expo_year":[81],"class_list":["post-41986","expo","type-expo","status-publish","has-post-thumbnail","hentry","expo_year-2019-en"],"acf":[],"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1701793902:4"],"_edit_last":["4"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["translation-editor"],"leme_artist":[""],"_leme_artist":["field_6436bf3605737"],"expo_description":["Galeria Leme\/AD is pleased to announce the first exhibition in partnership with Paulo Darz\u00e9 Galeria: \u201c<strong>N\u00e1dia Taquary and Ayrson Her\u00e1clito<\/strong>\u201c. The show brings a range of works that gather Afro-Brazilian poetic references that have close links with the religiosities, insurgencies and black disputes in Brazil.\r\n\r\nThe work of N\u00e1dia Taquary raises questions related to the knowledge and practices of the traditions of Creole jewellery. For the works, she uses wood \u2013 whether demolished or certified \u2013 as well as gold, silver, beads, straw, and other objects representative of the history of the black population in Brazil, such as the \u201cBalangand\u00e3s\u201d, fundamental concept of her research. These objects, that have lost their own meaning with the time, meant freedom for many enslaved black women, and today are revisited and empowered by the artist, composing an affirmative sculptural look to the need of continuation of contemporary racial struggles.\r\n\r\nLike Taquary, Her\u00e1clito develops an investigation that tensions the relations between Bahia and Africa. For this, the artist employs organic materials \u2013 such as\u00a0<em>dend\u00ea<\/em>\u00a0oil, sugar and\u00a0<em>charque\u00a0<\/em>(dried beef) \u2013 emblematizing cultural signs related to the colonial past and to slavery. In the series \u201cSacudimentos\u201d (2015), the artist exorcises, through rituals of healing, two important architectural monuments associated with the slave trade. The show also features the installation \u201cSegredos Internos\u201d (1995\/2010), where Her\u00e1clito takes a broken boat to criticised the Colonial economic and social systems with its broken structures and social stratification. As for the \u201cDesenhos da Liberdade\u201d [Letters of Liberty], he performs interventions with Indian ink on slavery emancipation letters.\r\n\r\nThrough artistic action, both Taquary and Her\u00e1clito implement a poetic-political practice that takes on the responsibility of narrating historical and social processes from a non-Eurocentric point of view. Images, actions and speeches are produced with the aim of composing an anti-colonial criticism and combating the policies of erasure and of supposed racial democracy.\r\n\r\n<strong>About the artists:<\/strong>\r\n\r\n<strong>N\u00e1dia Taquary<\/strong>.\u00a0Salvador, Bahia, Brazil, 1967. Lives and works in Salvador, Bahia, Brazil.\r\n\r\nGraduated in Languages at UCSal (Universidade Cat\u00f3lica de Salvador-BA), post-graduated in Aesthetics, Semiotics and Culture at EBA-UFBA (Escola de Belas Artes da Universidade Federal da Bahia). Exhibitions: \u201cV\u00e9rtice\u201d, Museu de Arte Moderna da Bahia (2019, Salvador, Bahia, Brazil); \u201cHist\u00f3rias Afro-atl\u00e2nticas\u201d, MASP (2018, S\u00e3o Paulo, Brazil); \u201cMulheres no MAR\u201d, MAR (2018, Rio de Janeiro, Brazil); \u201cAx\u00e9 Bahia: The Power of Art in an Afro-Brazilian Metropolis\u201d, Foweler Museum (2017, Los Angeles, USA); \u201cTempo e Linguagens\u201d, Paulo Darz\u00e9 Galeria de Arte (2015, Salvador, Bahia, Brazil); III Bienal da Bahia (2014). In 2011, has featured her first solo show: \u201cA Bahia Tem\u2026\u201d, at Museu Carlos Costa Pinto (Salvador, Bahia, Brazil).\r\n\r\n<strong>Ayrson Her\u00e1clito<\/strong>.\u00a0Maca\u00fabas, Bahia, Brazil, 1968. Lives and works between Cachoeira and Salvador, Bahia, Brazil.\r\n\r\nResearcher, Curator and Professor, he has a post-graduation-Doctorate in Communications and Semiotics as PUC\/SP. Exhibitions: \u201c\u00c0 Nordeste\u201d, Sesc 24 de Maio (2019, Sao Paulo, Brazil); \u201cArte-democracia-utopia: quem n\u00e3o luta t\u00e1 morto\u201d, MAR (2018, Rio de Janeiro, Brazil); 57<sup>a<\/sup>\u00a0Venice Biennale (2017, Italy); 2<sup>a<\/sup>\u00a0Changjiang International Photography and Video Biennial (2017, Changjiang, China); X Bienal do Mercosul (2015, Brazil); Hist\u00f3rias Mesti\u00e7as (2014, Tomie Ohtake, Sao Paulo, Brasil); 7th Berlin International Directors Lounge (2011, Berlin, Germany); Luanda Triennale (2010, Angola), MIP2 Manifesta\u00e7\u00e3o Internacional da Performance (2009, Belo Horizonte, Minas Gerais, Brasil), among others."],"_expo_description":["field_64442aea60f9a"],"gallery":["a:12:{i:0;s:5:\"41987\";i:1;s:5:\"41989\";i:2;s:5:\"41991\";i:3;s:5:\"41993\";i:4;s:5:\"41995\";i:5;s:5:\"41997\";i:6;s:5:\"41999\";i:7;s:5:\"42001\";i:8;s:5:\"42003\";i:9;s:5:\"42005\";i:10;s:5:\"42007\";i:11;s:5:\"42009\";}"],"_gallery":["field_6436be9722a75"],"videos":[""],"_videos":["field_644491b47cb7e"],"leme_visit":[""],"_leme_visit":["field_6436bb780169e"],"text_expo":[""],"_text_expo":["field_6436bf9def280"],"files":[""],"_files":["field_64453629d51d1"],"leme_begin":["20190629"],"_leme_begin":["field_64442ce3d3a50"],"leme_end":["20190810"],"_leme_end":["field_64442d00d3a51"],"_thumbnail_id":["51309"],"expo_catalog_expo_catalog_text":[""],"_expo_catalog_expo_catalog_text":["field_6447bb26033f7"],"expo_catalog_expo_catalog_file":[""],"_expo_catalog_expo_catalog_file":["field_6447bb3f033f8"],"expo_catalog":[""],"_expo_catalog":["field_6447bac1033f6"],"leme_artist_coletivo":["0"],"_leme_artist_coletivo":["field_649b22d81cddd"],"_uag_css_file_name":["uag-css-41986.css"],"_uag_page_assets":["a:9:{s:3:\"css\";s:263:\".uag-blocks-common-selector{z-index:var(--z-index-desktop) !important}@media (max-width: 976px){.uag-blocks-common-selector{z-index:var(--z-index-tablet) !important}}@media (max-width: 767px){.uag-blocks-common-selector{z-index:var(--z-index-mobile) !important}}\n\";s:2:\"js\";s:0:\"\";s:18:\"current_block_list\";a:7:{i:0;s:11:\"core\/search\";i:1;s:10:\"core\/group\";i:2;s:12:\"core\/heading\";i:3;s:17:\"core\/latest-posts\";i:4;s:20:\"core\/latest-comments\";i:5;s:13:\"core\/archives\";i:6;s:15:\"core\/categories\";}s:8:\"uag_flag\";b:0;s:11:\"uag_version\";s:10:\"1776282153\";s:6:\"gfonts\";a:0:{}s:10:\"gfonts_url\";s:0:\"\";s:12:\"gfonts_files\";a:0:{}s:14:\"uag_faq_layout\";b:0;}"]},"uagb_featured_image_src":{"full":["https:\/\/galerialeme.com\/wp-content\/uploads\/2019\/06\/nadia-taquary-and-ayrson-heraclito-2019_exhibition-view_photo-filipe-berndt_view-1_72.jpg",1200,800,false],"thumbnail":["https:\/\/galerialeme.com\/wp-content\/uploads\/2019\/06\/nadia-taquary-and-ayrson-heraclito-2019_exhibition-view_photo-filipe-berndt_view-1_72-150x150.jpg",150,150,true],"medium":["https:\/\/galerialeme.com\/wp-content\/uploads\/2019\/06\/nadia-taquary-and-ayrson-heraclito-2019_exhibition-view_photo-filipe-berndt_view-1_72-300x200.jpg",300,200,true],"medium_large":["https:\/\/galerialeme.com\/wp-content\/uploads\/2019\/06\/nadia-taquary-and-ayrson-heraclito-2019_exhibition-view_photo-filipe-berndt_view-1_72-768x512.jpg",640,427,true],"large":["https:\/\/galerialeme.com\/wp-content\/uploads\/2019\/06\/nadia-taquary-and-ayrson-heraclito-2019_exhibition-view_photo-filipe-berndt_view-1_72-1024x683.jpg",640,427,true],"1536x1536":["https:\/\/galerialeme.com\/wp-content\/uploads\/2019\/06\/nadia-taquary-and-ayrson-heraclito-2019_exhibition-view_photo-filipe-berndt_view-1_72.jpg",1200,800,false],"2048x2048":["https:\/\/galerialeme.com\/wp-content\/uploads\/2019\/06\/nadia-taquary-and-ayrson-heraclito-2019_exhibition-view_photo-filipe-berndt_view-1_72.jpg",1200,800,false]},"uagb_author_info":{"display_name":"Cheyenne","author_link":"https:\/\/galerialeme.com\/en\/author\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo\/41986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo"}],"about":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/types\/expo"}],"version-history":[{"count":0,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo\/41986\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/media\/51309"}],"wp:attachment":[{"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/media?parent=41986"}],"wp:term":[{"taxonomy":"expo_year","embeddable":true,"href":"https:\/\/galerialeme.com\/en\/wp-json\/wp\/v2\/expo_year?post=41986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}