{"id":41858,"date":"2020-09-15T14:54:12","date_gmt":"2020-09-15T17:54:12","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=expo&p=41858"},"modified":"2023-12-05T15:26:02","modified_gmt":"2023-12-05T15:26:02","slug":"terra-de-ninguem","status":"publish","type":"expo","link":"https:\/\/galerialeme.com\/en\/expo\/terra-de-ninguem\/","title":{"rendered":"Terra de Ningu\u00e9m"},"content":{"rendered":"","protected":false},"featured_media":51306,"template":"","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_uag_custom_page_level_css":"","footnotes":""},"expo_year":[82],"class_list":["post-41858","expo","type-expo","status-publish","has-post-thumbnail","hentry","expo_year-2020-en"],"acf":[],"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1701789967:4"],"_edit_last":["4"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["native-editor"],"leme_artist":["Frederico Filippi"],"_leme_artist":["field_6436bf3605737"],"expo_description":["Saturday, September 19th, 2020, virtually opens the solo exhibition\u00a0Terra de Ningu\u00e9m\u00a0by artist Frederico Filippi at Galeria Leme. Curated by Thais Rivitti, the exhibition shows a selection of recent works by the artist, divided into three groups: eight untitled paintings, works from the\u00a0Seiva\u00a0series and the installation\u00a0Carne de Ca\u00e7a. The first exhibition to open in the gallery space after the closure due to the Covid-19 pandemic \u2013 and still under special conditions of visitation \u2013 the exhibition reflects on the relationship of man with the environment in which he lives, focusing, above all, on Brazilian issues within this context.\r\n\r\nThe eight new paintings, with varying dimensions, bring small landscapes that show a changing nature. They are somewhat nebulous images, made with the mediation of photographic reproductions, which open on a black background. The support for the paintings is not the white canvas commonly used by painters, but a black rubber plate. The material brings with it, at the same time, the memory of natural latex and the industrial process that transforms the raw material into a product ready for consumption.\r\n\r\nThe works in the\u00a0Seiva\u00a0series show trucks\u2019\u00a0lameir\u00f5es\u00a0(also made with the same black rubber as the paintings) that the artist orders with the words \u201cfire\u201d, \u201cgold\u201d and \u201cmercury\u201d. They are \u201cobjects-paintings\u201d that are born with the vocation of traveling Brazil in trucks that travel along the highways, transporting the most diverse loads. In the gallery, these objects condense, in some way, the route of the roads making us think about the possible encounters of these \u201cwords \u2013 signs \u2013 elements\u201d with the landscape they cross.\r\n\r\nThe installation\u00a0Carne de Ca\u00e7a, gathers parts of a burnt car on which the artist draws with asphalt. This dismembered carcass is recomposed again in the gallery, somewhat reminiscent of the montages of extinct animals in Natural History museums. The designs of these patterns on the surface of the pieces evoke the skin of some mammals, creating, again, an unexpected intersection between the machine (the car, the industry) and the living body (the animal, nature).\r\n\r\nOne of the most provocative artists of his generation, Frederico Filippi has built a work that asks about the consequences of predatory actions on nature, about the annihilation of traditional ways of life, about a narrowing of the world view resulting from the hegemony of white thought, western and scientific in different fields of knowledge. His work links current events with long historical processes, such as the colonization of the American territory. Articulating economic, symbolic and political processes, the artist\u2019s work brings to light the main impasses placed to think about the present.\r\n________________________________________________________________________\r\n\r\nAbout the artist:<\/strong>\r\nFrederico Filippi. S\u00e3o Carlos, Brazil, 1983. Lives and works in S\u00e3o Paulo, Brazil.\r\n\r\nWith various procedures and scattered techniques, the centrality of these images in his investigations often arise from the influence received from anthropological topics \u2013 specifically the Amerindian ethnology \u2013 as a field of research, imagistic waste from the meeting of different worlds and the diagramming of apparently chaotic information in a new context. For this, while focusing on objects and materials to produce paintings, drawings and installations he also carries out more extensive research on displacement processes and residencies that end up producing an action on reality, even if very small, so to introduce a noise in the overall image. Increasingly the invisible agency of objects and information have become a meeting point in his process, so that the artist does not befalls vertically on a technique but moves according to his survey and finds in different materials and actions ways to make visible these procedures.\r\n\r\nSolo shows:\u00a0Cobra Criada, Galeria Athena, Rio de Janeiro, Brazil\u00a0 (2019); O sol, o jacar\u00e9 albino e outras muta\u00e7\u00f5es, Galeria Athena Contempor\u00e2nea, Rio de Janeiro, Brazil; Fogo na Babil\u00f4nia, Piv\u00f4, S\u00e3o Paulo, Brazil; Desv\u00edo, KIOSKO, Santa Cruz de la Sierra, Bol\u00edvia (2015); Deuses Impostores, IBEU- Rio de Janeiro, Brazil (2014).\r\n\r\nGroup shows: Triangular: arte deste s\u00e9culo, Casa Niemeyer, Bras\u00edlia, Brazil; O Que N\u00e3o \u00c9 Floresta \u00c9 Pris\u00e3o Pol\u00edtica, Galeria Reocupa \u2013 Ocupa\u00e7\u00e3o 9 de Julho, S\u00e3o Paulo, Brazil (2019); \u29bf, Galeria Leme, S\u00e3o Paulo, Brazil; Com o ar pesado demais para respirar, Galeria Athena Contempor\u00e2nea, Rio de Janeiro, Brazil; Caixa-Preta, Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil; Que barra, Ateli\u00ea 397, S\u00e3o Paulo, Brazil; ROCESSOS EM TR\u00c2NSITO | Livros de Artista 2018, Galeria da C\u00e2mara de Matosinhos, Matosinhos, Portugal (2018); IN MEMORIAM, Caixa Cultural, Rio de Janeiro, Brazil (2017); Pr\u00f3prio-impr\u00f3prio, Galeria Leme, S\u00e3o Paulo, Brazil; Photo Biennale, Cities and Memory, Bienal de Fotografia e Filme, Brandts, Denmark; Totemonumento, Galeria Leme, S\u00e3o Paulo, Brazil (2016); Apari\u00e7\u00e3o, Caixa Cultural, Rio de Janeiro, Brazil; At\u00e9 Aqui Tudo Bem, Inside the White Cube, White Cube, S\u00e3o Paulo, Brazil (2015);\u00a0among others.\r\n\r\nAwards and artistic residencies: Intervalo-Escola: Intervalo em curso, Casa do Rio e Reserva de Desenvolvimento Sustent\u00e1vel Igap\u00f3 A\u00e7u, Amaz\u00f4nia, Brazil (2017); Kiosko, Santa Cruz de la Sierra, Bol\u00edvia; El Ranchito Matadero, Madrid, Spain (2015); Bolsa Pampulha, Museu da Pampulha, Belo Horizonte, Brazil; Pr\u00eamio Nov\u00edssimos, Galeria IBEU, Rio de Janeiro, Brazil; La Ene, Buenos Aires, Argentina (2013); 5\u00ba RedBull House of Art, S\u00e3o Paulo, Brazil (2011).\r\n\r\nHis work is part of the collection of\u00a0MAR \u2013 Museu de Arte do Rio, Rio de Janeiro, Brazil and Casa da Cultura da Am\u00e9rica Latina na Universidade de Bras\u00edlia, Brazil."],"_expo_description":["field_64442aea60f9a"],"gallery":["a:22:{i:0;s:5:\"41859\";i:1;s:5:\"41861\";i:2;s:5:\"41863\";i:3;s:5:\"41865\";i:4;s:5:\"41867\";i:5;s:5:\"41869\";i:6;s:5:\"41871\";i:7;s:5:\"41873\";i:8;s:5:\"41875\";i:9;s:5:\"41877\";i:10;s:5:\"41879\";i:11;s:5:\"41881\";i:12;s:5:\"41883\";i:13;s:5:\"41885\";i:14;s:5:\"41887\";i:15;s:5:\"41889\";i:16;s:5:\"41891\";i:17;s:5:\"41893\";i:18;s:5:\"41895\";i:19;s:5:\"41897\";i:20;s:5:\"41899\";i:21;s:5:\"41901\";}"],"_gallery":["field_6436be9722a75"],"videos":[""],"_videos":["field_644491b47cb7e"],"leme_visit":["