{"id":69154,"date":"2025-10-27T10:04:57","date_gmt":"2025-10-27T13:04:57","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&#038;p=69154"},"modified":"2026-07-01T15:23:54","modified_gmt":"2026-07-01T18:23:54","slug":"jorge-enciso","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/jorge-enciso\/","title":{"rendered":"Jorge Enciso"},"content":{"rendered":"","protected":false},"featured_media":68942,"template":"","class_list":["post-69154","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"<strong>Asunci\u00f3n, Paraguay, 1972.<\/strong>\r\nLives and works in Asunci\u00f3n, Paraguay.\r\n<p style=\"text-align: justify;\">Since 2014, Jorge Enciso has devoted himself exclusively to ceramic production, creating pieces using ancestral Guarani techniques taught to him by ceramists from It\u00e1, where he worked with clay for over five years. He later began developing his own body of work in the cities of Aregu\u00e1 and Asunci\u00f3n. His practice draws from the shapes and foundations of Guarani utilitarian pottery, transforming them into sculptures defined by their curves and by geometric or freehand sgraffito in high and low relief, with slips and polish. Conceptually, his work explores themes such as mestizo ceramics, identity, and animism. He works with black, red, and white clay.<\/p>","description":"<div style=\"font-family: 'D-DIN Condensed', 'Arial Narrow', Arial, sans-serif; max-width: 900px; margin: 0 auto; padding: 20px; line-height: 1.4;\">\n<strong>Asunci\u00f3n, Paraguay, 1972.<\/strong>\r\nLives and works in Asunci\u00f3n, Paraguay.\n\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">EDUCATION<\/h2>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">1990\u20131995<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Law, Faculty of Law and Social Sciences \u2013 Universidad Nacional de Asunci\u00f3n<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">1991\u20131994<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Bachelor's Degree in French Language, Faculty of Philosophy and Letters \u2013 Universidad Nacional de Asunci\u00f3n<\/p>\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">SOLO EXHIBITIONS<\/h2>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2025<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Vig\u00edlia (curator Tiago Sant'Ana), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2024<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Cuentos Mestizos (curator Tiago Sant'Ana), Galeria Casa Mayor, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2022<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tierra Fr\u00e1gil (curator Fernando Moure), Galeria Ver\u00f3nica Torres, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2019<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Surcos de Barro, Galeria Ver\u00f3nica Torres, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2018<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Intromisiones, Centro Cultural del Lago, Aregu\u00e1, Paraguay<\/p>\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">GROUP EXHIBITIONS<\/h2>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2026<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">TODO lo ILUMINADO, Galer\u00eda Ver\u00f3nica Torres, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Los museos se muestran. El puerto como punto de encuentro, (curated by Alicia Elias, Leticia Alvarenga and Javier Palma), Spanish Cultural Center in Asunci\u00f3n, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2025<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">MBA\u2019E OJE JUHU. EL OBJETO ENCONTRADO (curated by Leticia Alvarenga), Centro Cultural Carlos ColombinoAsunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2024<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Escuchar el Barro (curated by Joaqu\u00edn S\u00e1nchez), Galeria C\u00edrculo de la Uni\u00f3n, La Paz, Bolivia<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Sauvegarde, Rendre Visible l'Invisible, Salle Miro \u2013 UNESCO \u2013 Tekoharte, Paris, France<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Lentos Presentimientos Claros Horizontes (curated by Luis Ocampos Pompa and Leticia Alvarenga), Centro Cultural Juan de Salazar, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Huellas de Livio Abramo (curated by Carlo Spatuzza), Cultural Center of the Embassy of Brazil, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2023<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Art et Transmission, Galerie Pal Projet \u2013 Tekoharte Project, Paris, France<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Elogio al Tiempo \u2013 Homenaje a Juana Marta Rodas (curated by Gustavo Insaurralde), Ver\u00f3nica Torres Galer\u00eda de Arte, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2022<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">La Piel: El Cuerpo del Arte (curated by Osvaldo Salerno and Alb\u00e1n Martinez Gueiraud), Galeria Matices, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">25 A\u00f1os GDA (curated by Mar\u00eda Eugenia Ruiz), Centro Cultural Manzana de la Rivera, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tembe'y \u2013 Orilla: Di\u00e1logo con el arte ind\u00edgena, Popular y contempor\u00e1neo del Paraguay (curated by Caro Urresti), Cultural Center of the Embassy of Paraguay, Buenos Aires, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tembe'y \u2013 Orilla: Di\u00e1logo con el arte ind\u00edgena, Popular y contempor\u00e1neo del Paraguay (curated by Caro Urresti), Museo de Artesan\u00edas Tradicionales y Museo Bellas Artes Juan Ram\u00f3n Vidal and Centro Cultural Universitario dependiente de la Universidad Nacional Nordeste, Corrientes, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tembe'y \u2013 Orilla: Di\u00e1logo con el arte ind\u00edgena, Popular y contempor\u00e1neo del Paraguay (curated by Caro Urresti), Museu Regional Anibal Cambas, Posadas, Misiones, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2021<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">El Vientre de Fuego (curated by Fernando Moure), Centro Cultural del Lago, Aregu\u00e1, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tembe'y \u2013 Orilla: Di\u00e1logo con el arte ind\u00edgena, Popular y contempor\u00e1neo del Paraguay (curated by Caro Urresti), Espacio Cultural Universitario, Universidad Nacional de Rosario, Santa Fe, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2020<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">De lo Ancestral a lo Urbano (curated by Mar\u00eda Eugenia Ruiz), Galeria Pablo Avila Arte Contempor\u00e1neo, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2019<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Soplar el Arte, Centro Cultural de Espa\u00f1a Juan de Salazar, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2018<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Memorias de Barro \u2013 Escencia y Mutaciones, Museo de Bellas Artes Juan Ram\u00f3n Vidal, Corrientes, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Memorias de Barro \u2013 Escencia y Mutaciones, Centro Cultural del Nordeste, Resistencia, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">BarroVivo, Galeria Ver\u00f3nica Torres, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2017<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Cer\u00e1mica Convergente, Alliance Fran\u00e7aise, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Barro Combinado, Galeria Monocromo, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Escultores y Ceramistas, Casa Hassler, San Bernardino, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2016<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">10 a\u00f1os Casa Museo Juana Marta Rodas, Casa Arte en Barro, Taller Julia Isidrez, Ita, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">P\u00e1jaros Sonoros, Centro Cultural del Lago, Aregu\u00e1, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2015<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Julia Isidrez y sus Alumnos, Casa Arte en Barro \u2013 Asunci\u00f3n Biennial Project, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2014<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Preservaci\u00f3n de la Cultura en Barro en Paraguay, Centro Cultural de Espa\u00f1a Juan de Salazar, Asunci\u00f3n, Paraguay<\/p>\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">AWARDS<\/h2>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2024<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Acquisition Award \u2013 Colecci\u00f3n Mendonca de Arte Contempor\u00e1neo<\/p>\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">COLLECTIONS<\/h2>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Colecci\u00f3n Mendonca de Arte Contempor\u00e1neo<\/p>\n<\/div>","curriculo":73978,"gallery":[68903,68887,68885,68883,68881,68879,68877,68875,68873,68871,68869,68867,68865,68863,68861,68859,68857,68855,68853,68851,68849,68847,68845,68843],"videos":null,"text_artist":"","files":[{"file_title":"Los \"cuentos mestizos\" de Jorge Enciso.","file_item":69146},{"file_title":"Jorge Enciso","file_item":69149},{"file_title":"Arte que acontece - Outubro 2025","file_item":69151},{"file_title":"ABC En el Este_Outubro_2025","file_item":69153}],"artist_works":"","artist_expo":[{"artist_expo_title":"","artist_expo_description":"","artist_expo_gallery":[69114,69124,69122,69120]}]},"spectra_custom_meta":{"_edit_lock":["1770835356:7"],"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":4,\"pt-br\":4}}"],"_edit_last":["7"],"use_new_template":["1"],"_use_new_template":["field_6752e381f9464"],"bio":["<strong>Asunci\u00f3n, Paraguay, 1972.<\/strong>\r\nLives and works in Asunci\u00f3n, Paraguay.\r\n<p style=\"text-align: justify;\">Since 2014, Jorge Enciso has devoted himself exclusively to ceramic production, creating pieces using ancestral Guarani techniques taught to him by ceramists from It\u00e1, where he worked with clay for over five years. He later began developing his own body of work in the cities of Aregu\u00e1 and Asunci\u00f3n. His practice draws from the shapes and foundations of Guarani utilitarian pottery, transforming them into sculptures defined by their curves and by geometric or freehand sgraffito in high and low relief, with slips and polish. Conceptually, his work explores themes such as mestizo ceramics, identity, and animism. He works with black, red, and white clay.<\/p>"],"_bio":["field_6752e3cff9466"],"description":["<div style=\"font-family: 'D-DIN Condensed', 'Arial Narrow', Arial, sans-serif; max-width: 900px; margin: 0 auto; padding: 20px; line-height: 1.4;\">\n<strong>Asunci\u00f3n, Paraguay, 1972.<\/strong>\r\nLives and works in Asunci\u00f3n, Paraguay.\n\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">EDUCATION<\/h2>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">1990\u20131995<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Law, Faculty of Law and Social Sciences \u2013 Universidad Nacional de Asunci\u00f3n<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">1991\u20131994<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Bachelor's Degree in French Language, Faculty of Philosophy and Letters \u2013 Universidad Nacional de Asunci\u00f3n<\/p>\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">SOLO EXHIBITIONS<\/h2>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2025<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Vig\u00edlia (curator Tiago Sant'Ana), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2024<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Cuentos Mestizos (curator Tiago Sant'Ana), Galeria Casa Mayor, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2022<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tierra Fr\u00e1gil (curator Fernando Moure), Galeria Ver\u00f3nica Torres, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2019<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Surcos de Barro, Galeria Ver\u00f3nica Torres, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2018<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Intromisiones, Centro Cultural del Lago, Aregu\u00e1, Paraguay<\/p>\n<h2 style=\"font-size: 18px; font-weight: bold; text-decoration: underline; margin-top: 25px; margin-bottom: 10px;\">GROUP EXHIBITIONS<\/h2>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2026<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">TODO lo ILUMINADO, Galer\u00eda Ver\u00f3nica Torres, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Los museos se muestran. El puerto como punto de encuentro, (curated by Alicia Elias, Leticia Alvarenga and Javier Palma), Spanish Cultural Center in Asunci\u00f3n, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2025<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">MBA\u2019E OJE JUHU. EL OBJETO ENCONTRADO (curated by Leticia Alvarenga), Centro Cultural Carlos ColombinoAsunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2024<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Escuchar el Barro (curated by Joaqu\u00edn S\u00e1nchez), Galeria C\u00edrculo de la Uni\u00f3n, La Paz, Bolivia<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Sauvegarde, Rendre Visible l'Invisible, Salle Miro \u2013 UNESCO \u2013 Tekoharte, Paris, France<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Lentos Presentimientos Claros Horizontes (curated by Luis Ocampos Pompa and Leticia Alvarenga), Centro Cultural Juan de Salazar, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Huellas de Livio Abramo (curated by Carlo Spatuzza), Cultural Center of the Embassy of Brazil, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2023<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Art et Transmission, Galerie Pal Projet \u2013 Tekoharte Project, Paris, France<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Elogio al Tiempo \u2013 Homenaje a Juana Marta Rodas (curated by Gustavo Insaurralde), Ver\u00f3nica Torres Galer\u00eda de Arte, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: bold; margin-top: 12px; margin-bottom: 4px;\">2022<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">La Piel: El Cuerpo del Arte (curated by Osvaldo Salerno and Alb\u00e1n Martinez Gueiraud), Galeria Matices, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">25 A\u00f1os GDA (curated by Mar\u00eda Eugenia Ruiz), Centro Cultural Manzana de la Rivera, Asunci\u00f3n, Paraguay<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tembe'y \u2013 Orilla: Di\u00e1logo con el arte ind\u00edgena, Popular y contempor\u00e1neo del Paraguay (curated by Caro Urresti), Cultural Center of the Embassy of Paraguay, Buenos Aires, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tembe'y \u2013 Orilla: Di\u00e1logo con el arte ind\u00edgena, Popular y contempor\u00e1neo del Paraguay (curated by Caro Urresti), Museo de Artesan\u00edas Tradicionales y Museo Bellas Artes Juan Ram\u00f3n Vidal and Centro Cultural Universitario dependiente de la Universidad Nacional Nordeste, Corrientes, Argentina<\/p>\n<p style=\"font-size: 16px; font-weight: normal; margin-top: 0; margin-bottom: 3px; padding-left: 0;\">Tembe'y \u2013 Orilla: Di\u00e1logo con el arte ind\u00edgena, Popular y contempor\u00e1neo del Paraguay (curated by Caro Urresti), Museu Regional Anibal Cambas, Posadas, Misiones, Argentina<\/p>\n<p style=\"font-size: 16px; 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