{"id":52017,"date":"2024-01-17T13:44:04","date_gmt":"2024-01-17T16:44:04","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=52017"},"modified":"2026-04-15T17:32:26","modified_gmt":"2026-04-15T20:32:26","slug":"germana-monte-mor","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/germana-monte-mor\/","title":{"rendered":"Germana Monte-M\u00f3r"},"content":{"rendered":"","protected":false},"featured_media":58277,"template":"","class_list":["post-52017","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"Rio de Janeiro, Brazil, 1958.<\/strong>\r\nLives and works in S\u00e3o Paulo, Brazil.\r\n

Germana Monte-M\u00f3r is a graduate in Fine Arts from FAAP (1989), in Anthropology from IFCS-UFRJ (1982), and holds a master's degree in Visual Poetics from ECA-USP (2002). Despite the strong experimental character of her works, Monte-M\u00f3r remains faithful to the exploration of form. The relationship between figure and ground, chromatic contrasts, and the different textures of the materials used are explored by the artist through the unprejudiced use of techniques and materials.<\/p>\r\n

For the past ten years, her production has focused on painting. In some works, she overlays one perforated canvas onto another, creating a play of light and shadow within her compositions. Monte-M\u00f3r has held solo and group exhibitions in the S\u00e3o Paulo, Rio de Janeiro, and Belo Horizonte circuits since the 1990s.,\/p><\/p>","description":"

\n

Rio de Janeiro, Brazil, 1958. Lives and works in S\u00e3o Paulo, Brazil.<\/p>\n\n

EDUCATION<\/h2>\n

2002<\/p>\n

Master degree in Visual Poetics, at ECA-USP, S\u00e3o Paulo, Brazil<\/p>\n

1989<\/p>\n

Fine Arts, FAAP, S\u00e3o Paulo, Brazil<\/p>\n

1981<\/p>\n

Social Sciences, UFRJ, Rio de Janeiro, Brazil<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2024<\/p>\n

Pinturas (curated by Ana Avelar), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2023<\/p>\n

I'm alive (curated by Taisa Palhares), Galeria Albuquerque Contempor\u00e2nea, Belo Horizonte, Minas Gerais, Brazil<\/p>\n

2022<\/p>\n

(curated by Camila Bechelany), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2020<\/p>\n

Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2017<\/p>\n

Percursos da Imagina\u00e7\u00e3o (curated by Rodrigo Naves), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2013<\/p>\n

Da cabra (curated by Tiago Mesquita), Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2010<\/p>\n

Carminha Macedo Galeria de Arte, Belo Horizonte, Brazil<\/p>\n

2009<\/p>\n

Luz negra, Anita Schwartz Galeria, Rio de Janeiro, Brazil<\/p>\n

2008<\/p>\n

Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2005<\/p>\n

Entrantes, Esta\u00e7\u00e3o Pinacoteca, S\u00e3o Paulo, Brazil<\/p>\n

2004<\/p>\n

Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2002<\/p>\n

Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2001<\/p>\n

Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Projeto Arte em Londrina, Universidade Estadual de Londrina, Paran\u00e1, Brazil<\/p>\n

Capela do Morumbi, S\u00e3o Paulo, Brazil<\/p>\n

1998<\/p>\n

Mar\u00edlia Razuk Galeria de arte, S\u00e3o Paulo, Brazil<\/p>\n

1997<\/p>\n

Quase desenhos, AS Studio, S\u00e3o Paulo, Brazil<\/p>\n

1995<\/p>\n

Guest artist, Centro Cultural S\u00e3o Paulo, Brazil<\/p>\n

1994<\/p>\n

Guest artist, Ita\u00fa Galeria, S\u00e3o Paulo, Brazil<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2022<\/p>\n

Bai\u00e3o de Dois, conversa entre artistas (curated by Vilma Eid), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

Abstra\u00e7\u00e3o: a realidade mediada (curated by Rodrigo Naves), Galeria Millan, S\u00e3o Paulo, Brazil<\/p>\n

2021<\/p>\n

De terra e G\u00e1s, Germana Monte-M\u00f3r, Paulo Monteiro e Solange Pessoa (curated by Cl\u00e1udio Cretti), Casa de Cultura do Parque, S\u00e3o Paulo, Brazil<\/p>\n

2020<\/p>\n

Triangular: arte deste s\u00e9culo (curated by Ana Candida de Avelar), Museu Casa de Niemeyer, Bras\u00edlia, Brazil<\/p>\n

2019<\/p>\n

Da tradi\u00e7\u00e3o \u00e0 experimenta\u00e7\u00e3o, Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil<\/p>\n

2017<\/p>\n

MAC USP no s\u00e9culo XXI: a era dos artistas (curated by Katia Canton), MAC USP, S\u00e3o Paulo, Brazil<\/p>\n

Modos de ver o Brasil: Ita\u00fa cultural 30 anos (curated by Paulo Herkenhoff), Oca, Ibirapuera, S\u00e3o Paulo, Brazil<\/p>\n

2016<\/p>\n

Coletiva (curated by Maneco Muller), Galeria A2 + M\u00faltiplo Espa\u00e7o de Arte, Vale das Videiras, Petr\u00f3polis, Brazil<\/p>\n

Na soleira da noite (curated by Claudio Cretti), Galeria Sancovsky, S\u00e3o Paulo, Brazil<\/p>\n

BR 2016, Galeria Virg\u00edlio, S\u00e3o Paulo, Brazil<\/p>\n

2015<\/p>\n

O esp\u00edrito de cada \u00e9poca (curated by Rejane Cintr\u00e3o), Instituto Figueredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

2014<\/p>\n

Coletiva de Fotografias, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2012<\/p>\n

Superf\u00edcie de contato, Galeria Penteado, Campinas, Brazil<\/p>\n

[algunsde] N\u00d3S (curated by Claudio Cretti), Marilia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Colecionador de sonhos (curated by Agnaldo Farias), Instituto Figueredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Entre colchetes, Espa\u00e7o cole\u00e7\u00e3o particular - Oswaldo Correa da Costa, S\u00e3o Paulo, Brazil<\/p>\n

Desenhos e di\u00e1logos, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2011<\/p>\n

Arte Brasileira: al\u00e9m do sistema (curated by Sergio Duarte), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

Novas aquisi\u00e7\u00f5es, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2010<\/p>\n

Notas de acervo, curadoria Guilherme Bueno, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2009<\/p>\n

Modernstarts-Arte contempor\u00e2nea na cole\u00e7\u00e3o S\u00e9culo XX de Pila Citoler, C\u00f3rdoba, Spain<\/p>\n

Desenhos de lugares, Marilia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2008<\/p>\n

Ano_01, Anita Schwartz Galeria, Rio de Janeiro, Brazil<\/p>\n

Arte Contempor\u00e2nea, aquisi\u00e7\u00f5es recentes do acervo da Pinacoteca do Estado, Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

2007<\/p>\n

I Circuito de Fotografia I contempor\u00e2neo, S\u00e3o Paulo, Brazil<\/p>\n

2006<\/p>\n

Impress\u00f5es originais; a gravura desde o s\u00e9culo XV, Centro Cultural do Banco do Brasil, S\u00e3o Paulo, Rio de Janeiro, Brazil<\/p>\n

Brazilian Art, S\u00e3o Paulo, Brazil<\/p>\n

Designu desdobramentos, Museu de arte contempor\u00e2nea, Centro Drag\u00e3o do Mar, Fortaleza, Brazil<\/p>\n

II Bienal internacional Cear\u00e1 de gravura, Fortaleza, Brazil<\/p>\n

Singular e Plural (curated by Cau\u00ea Alves), Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Mostra da cole\u00e7\u00e3o de gravuras do Museu Ch\u00e1cara do C\u00e9u, Sesc, Rio de Janeiro, Brazil<\/p>\n

2005<\/p>\n

Bienal do Mercosul (curated by Paulo Sergio Duarte), Porto Alegre, Brazil<\/p>\n

2004<\/p>\n

Arte contempor\u00e2nea no acervo municipal, Centro Cultural S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

2003<\/p>\n

Layers of Brazilian Art, Falcouner Gallery, Grinnell, Iowa, United States<\/p>\n

2002<\/p>\n

Genius Loci - O esp\u00edrito do lugar (curated by Lorenzo Mamm\u00ec), Centro Cultural Maria Ant\u00f4nia, S\u00e3o Paulo, Brazil<\/p>\n

10 anos, Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

1997<\/p>\n

Galerie Douyon, Miami, United States<\/p>\n

Bienal Nacional de Santos, Santos, Brazil<\/p>\n

25\u00ba Sal\u00e3o Nacional de Arte de Belo Horizonte, Brazil<\/p>\n

1996<\/p>\n

HABITAR, Conjunto Cultural da Caixa Economica Federal, S\u00e3o Paulo, Brazil<\/p>\n

III Sal\u00e3o MAM - Bahia, Salvador, Brazil<\/p>\n

1995<\/p>\n

Works on Paper, Casa tri\u00e2ngulo Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

8, Solar Grandjean de Montigny, Rio de Janeiro, Brazil<\/p>\n

19\u00ba Sal\u00e3o Carioca de Arte, Parque Laje, Rio de Janeiro, Brazil<\/p>\n

15\u00ba Sal\u00e3o Nacional de Artes Pl\u00e1sticas, FUNART, Rio de Janeiro, Brazil<\/p>\n

Coletiva 34, Adriana Penteado Escrit\u00f3rio de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Tradi\u00e7\u00e3o e Pionerismo, Museu de Arte Moderna, S\u00e3o Paulo, Brazil<\/p>\n

1994<\/p>\n

8, Centro Cultural da UFMG, Belo Horizonte, Brazil<\/p>\n

1993<\/p>\n

Desenhos, Manoel Macedo Galeria de Arte, Belo Horizonte, Brazil<\/p>\n

Bienal Nacional de Santos, Santos, Brazil<\/p>\n

1990<\/p>\n

Treze Artistas, Centro Cultural S\u00e3o Paulo, Brazil<\/p>\n

Treze Artistas, Grande Galeria, Pal\u00e1cio das Artes, Belo Horizonte, Brazil<\/p>\n

5 Artistas de S\u00e3o Paulo, Galeria Angelus, Bel\u00e9m, Brazil<\/p>\n

A Presen\u00e7a do Desenho, Pa\u00e7o das Artes, S\u00e3o Paulo, Brazil<\/p>\n

1989<\/p>\n

XIV Sal\u00e3o de Arte de Ribeir\u00e3o Preto, Brazil<\/p>\n

XXII Sal\u00e3o de Arte de Piracicaba, Brazil<\/p>\n

I Pr\u00eamio Canson Arte Contempor\u00e2nea com Papel, MAM, S\u00e3o Paulo, Brazil<\/p>\n

1988<\/p>\n

6\u00ba Sal\u00e3o Paulista de Arte Contempor\u00e2nea, S\u00e3o Paulo, Brazil<\/p>\n

XIII Sal\u00e3o de Arte de Ribeir\u00e3o Preto, Brazil<\/p>\n

Exposi\u00e7\u00e3o coletiva (curated by Nelson Leirner), FAAP, S\u00e3o Paulo, Brazil<\/p>\n

RESIDENCIES<\/h2>\n

2014<\/p>\n

Engraving studio at Iber\u00ea Camargo, Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil<\/p>\n

AWARDS<\/h2>\n

2004<\/p>\n

Bolsa Vitae de Artes, Funda\u00e7\u00e3o Vitae, S\u00e3o Paulo, Brazil<\/p>\n

1993<\/p>\n

Acquisition award, Bienal Nacional de Santos, Santos, Brazil<\/p>\n

1989<\/p>\n

Bolsa Ateli\u00ea II, Oficina Cultural Oswald de Andrade, S\u00e3o Paulo, Brazil<\/p>\n

Acquisition award, I Pr\u00eamio Canson Arte Contempor\u00e2nea com Papel, MAM, Brazil<\/p>\n

COLLECTIONS<\/h2>\n

Pinacoteca do Estado de S\u00e3o Paulo, Brazil<\/p>\n

Universidade Estadual de Londrina, UEL, Paran\u00e1, Brazil<\/p>\n

Cole\u00e7\u00e3o Ita\u00fa, S\u00e3o Paulo, Brazil<\/p>\n

Pinacoteca Municipal de S\u00e3o Paulo, Brazil<\/p>\n

Funda\u00e7\u00e3o Biblioteca Nacional, Rio de Janeiro, Brazil<\/p>\n

Museu Ch\u00e1cara do C\u00e9u, Rio de Janeiro, Brazil<\/p>\n

Museu de Arte Contempor\u00e2nea, Centro Drag\u00e3o do Mar, Fortaleza, Brazil<\/p>\n

Banco Esp\u00edrito Santo, Brazil<\/p>\n

Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Museu de Arte Contempor\u00e2nea, MAC-USP, S\u00e3o Paulo, Brazil<\/p>\n

Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil<\/p>\n

Museu Nacional de Belas Artes, Rio de Janeiro, Brazil<\/p>\n<\/div>","curriculo":69361,"gallery":[59222,59259,59255,59289,59229,59239,59237,59281,59263,59268,59277,59285,59293,59272],"videos":[{"video_title":"Ateli\u00ea do Artista:Germana Monte-Mo\u0301r | Revista Bravo!","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=64njsk8NbFk"},{"video_title":"ArtRio, 2021","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=duadfLiX8ng"}],"text_artist":[52027,52030,52054,52056,52041,52062,52038],"files":null,"artist_works":"","artist_expo":[{"artist_expo_title":"","artist_expo_description":"","artist_expo_gallery":[69618,69616,69614,69612,69610,69608]}]},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1773951853:7"],"_edit_last":["7"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["translation-editor"],"description":["

\n

Rio de Janeiro, Brazil, 1958. Lives and works in S\u00e3o Paulo, Brazil.<\/p>\n\n

EDUCATION<\/h2>\n

2002<\/p>\n

Master degree in Visual Poetics, at ECA-USP, S\u00e3o Paulo, Brazil<\/p>\n

1989<\/p>\n

Fine Arts, FAAP, S\u00e3o Paulo, Brazil<\/p>\n

1981<\/p>\n

Social Sciences, UFRJ, Rio de Janeiro, Brazil<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2024<\/p>\n

Pinturas (curated by Ana Avelar), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2023<\/p>\n

I'm alive (curated by Taisa Palhares), Galeria Albuquerque Contempor\u00e2nea, Belo Horizonte, Minas Gerais, Brazil<\/p>\n

2022<\/p>\n

(curated by Camila Bechelany), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2020<\/p>\n

Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2017<\/p>\n

Percursos da Imagina\u00e7\u00e3o (curated by Rodrigo Naves), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2013<\/p>\n

Da cabra (curated by Tiago Mesquita), Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2010<\/p>\n

Carminha Macedo Galeria de Arte, Belo Horizonte, Brazil<\/p>\n

2009<\/p>\n

Luz negra, Anita Schwartz Galeria, Rio de Janeiro, Brazil<\/p>\n

2008<\/p>\n

Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2005<\/p>\n

Entrantes, Esta\u00e7\u00e3o Pinacoteca, S\u00e3o Paulo, Brazil<\/p>\n

2004<\/p>\n

Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2002<\/p>\n

Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2001<\/p>\n

Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Projeto Arte em Londrina, Universidade Estadual de Londrina, Paran\u00e1, Brazil<\/p>\n

Capela do Morumbi, S\u00e3o Paulo, Brazil<\/p>\n

1998<\/p>\n

Mar\u00edlia Razuk Galeria de arte, S\u00e3o Paulo, Brazil<\/p>\n

1997<\/p>\n

Quase desenhos, AS Studio, S\u00e3o Paulo, Brazil<\/p>\n

1995<\/p>\n

Guest artist, Centro Cultural S\u00e3o Paulo, Brazil<\/p>\n

1994<\/p>\n

Guest artist, Ita\u00fa Galeria, S\u00e3o Paulo, Brazil<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2022<\/p>\n

Bai\u00e3o de Dois, conversa entre artistas (curated by Vilma Eid), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

Abstra\u00e7\u00e3o: a realidade mediada (curated by Rodrigo Naves), Galeria Millan, S\u00e3o Paulo, Brazil<\/p>\n

2021<\/p>\n

De terra e G\u00e1s, Germana Monte-M\u00f3r, Paulo Monteiro e Solange Pessoa (curated by Cl\u00e1udio Cretti), Casa de Cultura do Parque, S\u00e3o Paulo, Brazil<\/p>\n

2020<\/p>\n

Triangular: arte deste s\u00e9culo (curated by Ana Candida de Avelar), Museu Casa de Niemeyer, Bras\u00edlia, Brazil<\/p>\n

2019<\/p>\n

Da tradi\u00e7\u00e3o \u00e0 experimenta\u00e7\u00e3o, Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil<\/p>\n

2017<\/p>\n

MAC USP no s\u00e9culo XXI: a era dos artistas (curated by Katia Canton), MAC USP, S\u00e3o Paulo, Brazil<\/p>\n

Modos de ver o Brasil: Ita\u00fa cultural 30 anos (curated by Paulo Herkenhoff), Oca, Ibirapuera, S\u00e3o Paulo, Brazil<\/p>\n

2016<\/p>\n

Coletiva (curated by Maneco Muller), Galeria A2 + M\u00faltiplo Espa\u00e7o de Arte, Vale das Videiras, Petr\u00f3polis, Brazil<\/p>\n

Na soleira da noite (curated by Claudio Cretti), Galeria Sancovsky, S\u00e3o Paulo, Brazil<\/p>\n

BR 2016, Galeria Virg\u00edlio, S\u00e3o Paulo, Brazil<\/p>\n

2015<\/p>\n

O esp\u00edrito de cada \u00e9poca (curated by Rejane Cintr\u00e3o), Instituto Figueredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

2014<\/p>\n

Coletiva de Fotografias, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2012<\/p>\n

Superf\u00edcie de contato, Galeria Penteado, Campinas, Brazil<\/p>\n

[algunsde] N\u00d3S (curated by Claudio Cretti), Marilia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Colecionador de sonhos (curated by Agnaldo Farias), Instituto Figueredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Entre colchetes, Espa\u00e7o cole\u00e7\u00e3o particular - Oswaldo Correa da Costa, S\u00e3o Paulo, Brazil<\/p>\n

Desenhos e di\u00e1logos, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2011<\/p>\n

Arte Brasileira: al\u00e9m do sistema (curated by Sergio Duarte), Galeria Esta\u00e7\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

Novas aquisi\u00e7\u00f5es, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2010<\/p>\n

Notas de acervo, curadoria Guilherme Bueno, Anita Schwartz Galeria de Arte, Rio de Janeiro, Brazil<\/p>\n

2009<\/p>\n

Modernstarts-Arte contempor\u00e2nea na cole\u00e7\u00e3o S\u00e9culo XX de Pila Citoler, C\u00f3rdoba, Spain<\/p>\n

Desenhos de lugares, Marilia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

2008<\/p>\n

Ano_01, Anita Schwartz Galeria, Rio de Janeiro, Brazil<\/p>\n

Arte Contempor\u00e2nea, aquisi\u00e7\u00f5es recentes do acervo da Pinacoteca do Estado, Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

2007<\/p>\n

I Circuito de Fotografia I contempor\u00e2neo, S\u00e3o Paulo, Brazil<\/p>\n

2006<\/p>\n

Impress\u00f5es originais; a gravura desde o s\u00e9culo XV, Centro Cultural do Banco do Brasil, S\u00e3o Paulo, Rio de Janeiro, Brazil<\/p>\n

Brazilian Art, S\u00e3o Paulo, Brazil<\/p>\n

Designu desdobramentos, Museu de arte contempor\u00e2nea, Centro Drag\u00e3o do Mar, Fortaleza, Brazil<\/p>\n

II Bienal internacional Cear\u00e1 de gravura, Fortaleza, Brazil<\/p>\n

Singular e Plural (curated by Cau\u00ea Alves), Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Mostra da cole\u00e7\u00e3o de gravuras do Museu Ch\u00e1cara do C\u00e9u, Sesc, Rio de Janeiro, Brazil<\/p>\n

2005<\/p>\n

Bienal do Mercosul (curated by Paulo Sergio Duarte), Porto Alegre, Brazil<\/p>\n

2004<\/p>\n

Arte contempor\u00e2nea no acervo municipal, Centro Cultural S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

2003<\/p>\n

Layers of Brazilian Art, Falcouner Gallery, Grinnell, Iowa, United States<\/p>\n

2002<\/p>\n

Genius Loci - O esp\u00edrito do lugar (curated by Lorenzo Mamm\u00ec), Centro Cultural Maria Ant\u00f4nia, S\u00e3o Paulo, Brazil<\/p>\n

10 anos, Mar\u00edlia Razuk Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

1997<\/p>\n

Galerie Douyon, Miami, United States<\/p>\n

Bienal Nacional de Santos, Santos, Brazil<\/p>\n

25\u00ba Sal\u00e3o Nacional de Arte de Belo Horizonte, Brazil<\/p>\n

1996<\/p>\n

HABITAR, Conjunto Cultural da Caixa Economica Federal, S\u00e3o Paulo, Brazil<\/p>\n

III Sal\u00e3o MAM - Bahia, Salvador, Brazil<\/p>\n

1995<\/p>\n

Works on Paper, Casa tri\u00e2ngulo Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

8, Solar Grandjean de Montigny, Rio de Janeiro, Brazil<\/p>\n

19\u00ba Sal\u00e3o Carioca de Arte, Parque Laje, Rio de Janeiro, Brazil<\/p>\n

15\u00ba Sal\u00e3o Nacional de Artes Pl\u00e1sticas, FUNART, Rio de Janeiro, Brazil<\/p>\n

Coletiva 34, Adriana Penteado Escrit\u00f3rio de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Tradi\u00e7\u00e3o e Pionerismo, Museu de Arte Moderna, S\u00e3o Paulo, Brazil<\/p>\n

1994<\/p>\n

8, Centro Cultural da UFMG, Belo Horizonte, Brazil<\/p>\n

1993<\/p>\n

Desenhos, Manoel Macedo Galeria de Arte, Belo Horizonte, Brazil<\/p>\n

Bienal Nacional de Santos, Santos, Brazil<\/p>\n

1990<\/p>\n

Treze Artistas, Centro Cultural S\u00e3o Paulo, Brazil<\/p>\n

Treze Artistas, Grande Galeria, Pal\u00e1cio das Artes, Belo Horizonte, Brazil<\/p>\n

5 Artistas de S\u00e3o Paulo, Galeria Angelus, Bel\u00e9m, Brazil<\/p>\n

A Presen\u00e7a do Desenho, Pa\u00e7o das Artes, S\u00e3o Paulo, Brazil<\/p>\n

1989<\/p>\n

XIV Sal\u00e3o de Arte de Ribeir\u00e3o Preto, Brazil<\/p>\n

XXII Sal\u00e3o de Arte de Piracicaba, Brazil<\/p>\n

I Pr\u00eamio Canson Arte Contempor\u00e2nea com Papel, MAM, S\u00e3o Paulo, Brazil<\/p>\n

1988<\/p>\n

6\u00ba Sal\u00e3o Paulista de Arte Contempor\u00e2nea, S\u00e3o Paulo, Brazil<\/p>\n

XIII Sal\u00e3o de Arte de Ribeir\u00e3o Preto, Brazil<\/p>\n

Exposi\u00e7\u00e3o coletiva (curated by Nelson Leirner), FAAP, S\u00e3o Paulo, Brazil<\/p>\n

RESIDENCIES<\/h2>\n

2014<\/p>\n

Engraving studio at Iber\u00ea Camargo, Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil<\/p>\n

AWARDS<\/h2>\n

2004<\/p>\n

Bolsa Vitae de Artes, Funda\u00e7\u00e3o Vitae, S\u00e3o Paulo, Brazil<\/p>\n

1993<\/p>\n

Acquisition award, Bienal Nacional de Santos, Santos, Brazil<\/p>\n

1989<\/p>\n

Bolsa Ateli\u00ea II, Oficina Cultural Oswald de Andrade, S\u00e3o Paulo, Brazil<\/p>\n

Acquisition award, I Pr\u00eamio Canson Arte Contempor\u00e2nea com Papel, MAM, Brazil<\/p>\n

COLLECTIONS<\/h2>\n

Pinacoteca do Estado de S\u00e3o Paulo, Brazil<\/p>\n

Universidade Estadual de Londrina, UEL, Paran\u00e1, Brazil<\/p>\n

Cole\u00e7\u00e3o Ita\u00fa, S\u00e3o Paulo, Brazil<\/p>\n

Pinacoteca Municipal de S\u00e3o Paulo, Brazil<\/p>\n

Funda\u00e7\u00e3o Biblioteca Nacional, Rio de Janeiro, Brazil<\/p>\n

Museu Ch\u00e1cara do C\u00e9u, Rio de Janeiro, Brazil<\/p>\n

Museu de Arte Contempor\u00e2nea, Centro Drag\u00e3o do Mar, Fortaleza, Brazil<\/p>\n

Banco Esp\u00edrito Santo, Brazil<\/p>\n

Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Museu de Arte Contempor\u00e2nea, MAC-USP, S\u00e3o Paulo, Brazil<\/p>\n

Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre, Brazil<\/p>\n

Museu Nacional de Belas Artes, Rio de Janeiro, Brazil<\/p>\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["69361"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:14:{i:0;s:5:\"59222\";i:1;s:5:\"59259\";i:2;s:5:\"59255\";i:3;s:5:\"59289\";i:4;s:5:\"59229\";i:5;s:5:\"59239\";i:6;s:5:\"59237\";i:7;s:5:\"59281\";i:8;s:5:\"59263\";i:9;s:5:\"59268\";i:10;s:5:\"59277\";i:11;s:5:\"59285\";i:12;s:5:\"59293\";i:13;s:5:\"59272\";}"],"_gallery":["field_6436c1e6d2529"],"videos":["2"],"_videos":["field_6436c1e6d252d"],"text_artist":["a:7:{i:0;s:5:\"52027\";i:1;s:5:\"52030\";i:2;s:5:\"52054\";i:3;s:5:\"52056\";i:4;s:5:\"52041\";i:5;s:5:\"52062\";i:6;s:5:\"52038\";}"],"_text_artist":["field_6436c1e6d2536"],"files":[""],"_files":["field_6436c231c9725"],"artist_works":[""],"_artist_works":["field_64c2815cc6039"],"videos_0_video_title":["Ateli\u00ea do Artista:Germana Monte-Mo\u0301r | Revista Bravo!"],"_videos_0_video_title":["field_64441a69b18df"],"videos_0_video_description":[""],"_videos_0_video_description":["field_644423879b4e4"],"videos_0_video_utl":["https:\/\/www.youtube.com\/watch?v=64njsk8NbFk"],"_videos_0_video_utl":["field_64441a77b18e0"],"_thumbnail_id":["58277"],"_yoast_indexnow_last_ping":["1740669685"],"use_new_template":["1"],"_use_new_template":["field_6752e381f9464"],"bio":["Rio de Janeiro, Brazil, 1958.<\/strong>\r\nLives and works in S\u00e3o Paulo, Brazil.\r\n

Germana Monte-M\u00f3r is a graduate in Fine Arts from FAAP (1989), in Anthropology from IFCS-UFRJ (1982), and holds a master's degree in Visual Poetics from ECA-USP (2002). Despite the strong experimental character of her works, Monte-M\u00f3r remains faithful to the exploration of form. The relationship between figure and ground, chromatic contrasts, and the different textures of the materials used are explored by the artist through the unprejudiced use of techniques and materials.<\/p>\r\n

For the past ten years, her production has focused on painting. In some works, she overlays one perforated canvas onto another, creating a play of light and shadow within her compositions. Monte-M\u00f3r has held solo and group exhibitions in the S\u00e3o Paulo, Rio de Janeiro, and Belo Horizonte circuits since the 1990s.,\/p><\/p>"],"_bio":["field_6752e3cff9466"],"videos_1_video_title":["ArtRio, 2021"],"_videos_1_video_title":["field_64441a69b18df"],"videos_1_video_description":[""],"_videos_1_video_description":["field_644423879b4e4"],"videos_1_video_utl":["https:\/\/www.youtube.com\/watch?v=duadfLiX8ng"],"_videos_1_video_utl":["field_64441a77b18e0"],"artist_expo":["1"],"_artist_expo":["field_6752e404f9468"],"_yoast_wpseo_content_score":["30"],"_yoast_wpseo_focuskeywords":[""],"_yoast_wpseo_keywordsynonyms":[""],"_yoast_wpseo_estimated-reading-time-minutes":["9"],"_oembed_daabf7e7aa1e03f1ce24cbfb64f62e9a":["