{"id":40886,"date":"2012-01-25T13:44:41","date_gmt":"2012-01-25T15:44:41","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=40886"},"modified":"2026-08-06T13:36:34","modified_gmt":"2026-08-06T16:36:34","slug":"david-batchelor","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/david-batchelor\/","title":{"rendered":"David Batchelor"},"content":{"rendered":"","protected":false},"featured_media":52194,"template":"","class_list":["post-40886","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"Dundee, Scotland, 1955.<\/strong>\r\nLives and works in London, England.\r\n

David Batchelor is an artist and writer based in London. He studied Fine Art at Trent Polytechnic, Nottingham (1975-78), and Cultural Theory at Birmingham University (1978-80). For thirty years Batchelor has been concerned, above all, with all things colour. His work explores the experience of colour within a modern urban environment, and its historical conceptions within Western culture. Transiting between sculpture, installation, drawing, painting, photography and animation, Batchelor has exhibited widely in the UK, continental Europe, the Americas and, more recently, the Middle East and Asia. He is also a renowned writer, having written a number of books and essays on colour theory, including Concretos (2022), The Luminous and the Grey (2014), Found Monochromes (2010), Colour (2008), and Chromophobia (2000).<\/p>","description":"

\n

Dundee, Scotland, 1955. \r\nLives and works in London, England<\/p>\n\n

EDUCATION<\/h2>\n

1978-80<\/p>\n

MA Cultural Studies Centre of Contemporary Cultural Studies University of Birmingham, Birmingham, England<\/p>\n

1975-78<\/p>\n

BA (Hons) Fine Art Trent Polytechnic, Nottingham, England<\/p>\n

1973-75<\/p>\n

Foundation Course Watford College of Art, Hertfordshire, England<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2026<\/p>\n

Chromocopia, Mandranova Societ\u00e0 Agricola, Palma di Montechiaro, Italy<\/p>\n

2024<\/p>\n

Woven Things, Cecilia Brunson Projects, London, England<\/p>\n

Transparent Things, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2023<\/p>\n

I-Cons and Ex-Cons, Kestle Barton, England<\/p>\n

2022<\/p>\n

Colour is, Compton Verney, England<\/p>\n

David Batchelor | Alfredo Volpi, Cecilia Brunson Projects, England<\/p>\n

Disco Mecanique, Salisbury Cathedral, England<\/p>\n

2020<\/p>\n

New Work, Waddington Custot, Londond, England<\/p>\n

2019<\/p>\n

My Own Private Bauhaus, Ingleby Gallery, Edinburgh, Scotland<\/p>\n

2018<\/p>\n

Psychogeometry 2 (curated by David Thomas), Site Eight Gallery, RMIT University, Melbourne, Australia<\/p>\n

2017<\/p>\n

Psychogeometry, Matt's Gallery, London, England<\/p>\n

Chromatology, Ab-Anbar Gallery, Tehran, Iran<\/p>\n

2016<\/p>\n

Reef, Handel Street Projects, London, England<\/p>\n

Glowsticks, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2015<\/p>\n

Monochrome Archive 1997-2015, Whitechapel Gallery, London, England<\/p>\n

Flatlands Remix,Virginia Commonwealth University in Qatar, Doha, Qatar<\/p>\n

2014<\/p>\n

Chromolocomotion, Terrace Wires Commission, St Pancras Station, London, England<\/p>\n

David Batchelor:Concretos, New Art Centre, Wiltshire; Salisbury, England<\/p>\n

2013<\/p>\n

Wall to Wall (curated by Jo\u00e3o Bandeira), Centro Universit\u00e1rio Maria Antonia, S\u00e3o Paulo, Brazil<\/p>\n

Flatlands, Fruitmarket Gallery, Endiburgh, Scotland; Spike Island, Bristol, England<\/p>\n

2012<\/p>\n

Magic Hour, GEM, Gemeentemuseum, Den Haag, The Netherlands<\/p>\n

Brighton-Palermo ReMix, Brighton Festival, Brighton, England<\/p>\n

Slugfest, Galeria Leme, S\u00e3o Paulo, SP, Brazil<\/p>\n

Magic Pavement , Pavement Gallery, Manchester, England<\/p>\n

2011<\/p>\n

2D3D, Karsten Schubert, London, England<\/p>\n

2010<\/p>\n

Chromophilia, Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2008<\/p>\n

The Backlights, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2007<\/p>\n

Unplugged, Talbot Rice Gallery, University of Edinburgh, Scotland<\/p>\n

Unplugged (Remix) Wilkinson Gallery, London, England<\/p>\n

David Batchelor & Nikolai Suetin, Ingleby Gallery,Edinburgh, Scotland<\/p>\n

2006<\/p>\n

Festival Remix (Christmas Lights Commission), South Bank Centre, London, England<\/p>\n

Candela V & VI, Ingleby Gallery (off-site) Old Royal High School, Edinburgh, Scotland<\/p>\n

Candela 7\/450 (For the Death Star), Victorian Palmhouse, Royal Botanic Garden, Edinburgh, Scotland<\/p>\n

Wilkinson Gallery, London, England<\/p>\n

2005<\/p>\n

Ten Silhouettes, Gloucester Road Undergound Station, London, England<\/p>\n

2004<\/p>\n

Shiny Dirty, Ikon Gallery, Birmingham, England<\/p>\n

2003<\/p>\n

Spectrum of Hackney Road, Wilkinson Gallery, London, England<\/p>\n

2002<\/p>\n

Barrier, 38 Langham Street, London, England<\/p>\n

2001<\/p>\n

Shiny Dirty, Habitat, London, England<\/p>\n

2000<\/p>\n

Electric Colour Tower, Sadlers Wells Theatre, London, England<\/p>\n

Apocalypstick, Anthony Wilkinson Gallery, London, England<\/p>\n

1998<\/p>\n

Monochromobiles, The Economist Plaza, London, England<\/p>\n

1997<\/p>\n

Shelf-Like, Frame-Like, Note-Like, Byam Shaw School of Art, London, England<\/p>\n

Polymonochromes, Henry Moore Institute, Leeds, England<\/p>\n

1996<\/p>\n

Polymonochrome Drawings, Soho House, London, England<\/p>\n

1995<\/p>\n

Serial Color, Curtain Road Arts, London, England<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

Notes on Colour, Robert Cripps Gallery, Cambridge, United Kingdom<\/p>\n

Turner: The Enchantment of Lake Como and the Italian Landscape (Curator Elizabeth Brooke), Palazzo Volpi, Como, Italy<\/p>\n

Jim Lambie and David Batchelor - Feeling Colour, Contemporary Works from the Tate Collection, San Pietro in Atrio, Como, Italy<\/p>\n

videoAR (curator Ana Carolina Ralston), Galeria Leme and Trianon, M\u00e1rio Covas and Alexandre Gusm\u00e3o parks, S\u00e3o Paulo, Brazil<\/p>\n

Atrav\u00e9s (curator Lara Maia), Galeria MITS, S\u00e3o Paulo, Brazil<\/p>\n

2025<\/p>\n

Lo tienes que ver \u2014 La autonom\u00eda del color en el arte abstracto, Fundaci\u00f3n Juan March, Madrid, Spain<\/p>\n

2024<\/p>\n

Positions, part three (Curated by John Slyce), Alma Pearl, London, UK<\/p>\n

Summer Exhibition (Curated by Cornelia Parker), Royal Academy, London, UK<\/p>\n

2023<\/p>\n

Light: Works from the Tate Collection, The National Art Centre, Japan<\/p>\n

Colours in the Air (with Richard Deacon), Handel Street Projects, England<\/p>\n

Modern and Contemporary, Waddington Custot, England<\/p>\n

2022<\/p>\n

Hello MONO-HA!, White Conduit Projects, Inglaterra<\/p>\n

Chromophilia (curated by Tanya Barson), Hauser and Wirth, Switzerland<\/p>\n

Art is the Antidote, Museum Voorlinden, Netherlands<\/p>\n

2021<\/p>\n

Colour Space, Galleria Mucciaccia, Rome, Italy.<\/p>\n

House Share, Firstsite, Colchester, England.<\/p>\n

2018<\/p>\n

PRISM (curated by Chris Clarke and Fiona Kearney), Lewis Glucksman Gallery, Cork, Ireland<\/p>\n

The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne, UK<\/p>\n

The Monochrome: New Beginnings, JPNF Museum, Dubai, United Arab Emirates<\/p>\n

Criminal Ornamentation (curated by Yinka Shonibare), Attenborough Arts Centre, Leicester, UK<\/p>\n

Great Artists | Great Teachers, The Levinsky Gallery, Plymouth, UK<\/p>\n

Una Cierta Oscuridad (curated by Alexandra Laudo), CaixaForum Barcelona, Barcelona, Spain<\/p>\n

The Everyday and Extraordinary, Birmingham Museum and Art Gallery, Birmingham, England<\/p>\n

Royal Academy Summer Exhibition, Royal Academy, London, England<\/p>\n

Sette Opere per la Misericordia (curated by Mario Codognato), Capella del Pio Monte della Misericordia, Naples, Italy<\/p>\n

Monochrome: Empty & Full (curated by David Sequeira), Victorian College of the Arts, Faculty of Fine Arts and Music, University of Melbourne, Melbourne, Australia<\/p>\n

2017<\/p>\n

Ingleby Gallery Presents, Fitzrovia Chapel, London,England<\/p>\n

Totem: Spirit Beings & Sacred Objects, Saatchi Gallery, London, England<\/p>\n

Art of the Postcard, Handel Street Projects, London, England<\/p>\n

Roesler Hotel: Purity is a Myth, (curated by Michael Asbury), Nara Roesler, S\u00e3o Paulo, Brazil<\/p>\n

Between Poles and Tides, Talbot Rice Gallery, Edinburgh, Scotland<\/p>\n

Seven Works for Mercy, Italian Cultural Institute, London, England<\/p>\n

colour is, Waddington Custot, London, England<\/p>\n

A Certain Kind of Light, Towner Gallery, Eastbourne, England<\/p>\n

2016<\/p>\n

5 Years at Heddon Street, Pippy Houldsworth Gallery, Londres, Inglaterra<\/p>\n

Three Triptychs (curated by Mario Codognato), Galleria d'arte contemporanea a Napoli, Naples, Italy<\/p>\n

Night in the Museum, The Gas Hall, Birmingham Museum and Art Gallery, Birmingham, England<\/p>\n

NEON: The Charged Line, Grundy Art Gallery, Blackpool, England<\/p>\n

Seeing Round Corners, Turner Contemporary, Margate, England<\/p>\n

Light Show, CorpArtes, Santiago, Chile<\/p>\n

FOUND, The Foundling Museum, London, England<\/p>\n

2015<\/p>\n

Drawing Biennial 2015, Drawing Room, London, England<\/p>\n

In Light of the Monochrome, Dye House Gallery, Bradford, England<\/p>\n

Trial\/Error\/Art, The Holden Gallery, University of Manchester, Manchester, England<\/p>\n

Sprayed, Gagosian Gallery, London, England<\/p>\n

Light Show International Tour, Auckland Art Gallery Toi o T\u0101maki, New Zealand; Museum of Contemporary Art, Sydney, Australia; Sharjah Art Foundation, Sharjah, UAE; Benaki Museum's, Pireos St Annexe, Athens, Greece<\/p>\n

Adventures of the Black Square: Abstract Art and Society 1915-2015, Whitechapel Gallery, London, England<\/p>\n

2014<\/p>\n

Colour on Paper, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

50 Years On: The Centre of Contemporary Cultural Studies, MAC Birmingham, England<\/p>\n

Black and White (curated by Cornelia Parker), Royal Academy Summer Exhibition, London, England<\/p>\n

Somewhat Abstract, Nottingham Contemporary, Nottingham, England<\/p>\n

Uniquo, Galeria Carbono, S\u00e3o Paulo, Brazil<\/p>\n

Shelf Show, Galerie Tom Christoffersen, Copenhagen, Denmark<\/p>\n

Abstract Drawing (curated by Richard Deacon), The Drawing Room, London, England<\/p>\n

2013<\/p>\n

Why Painting Now?, Vienna, Austria<\/p>\n

White, Nederlands Fotomuseum, Rotterdam, the Netherlands<\/p>\n

Touching Colour, Hatton Gallery, Newcastle Upon Tyne, England<\/p>\n

Fragile?, Le Stanze del Vetro, Venice, Italy<\/p>\n

Tell me whom you haunt: Marcel Duchamp and the contemporary readymade, London, England<\/p>\n

Light Show, Hayward Gallery, London, England<\/p>\n

2012<\/p>\n

Illuminated - QUAD Gallery, Derby, England<\/p>\n

Luz na Cidade, Centro Cultural Justi\u00e7a Federal, Rio de Janeiro, Brazil<\/p>\n

Royal Academy Summer Exhibition, Royal Academy, London, England<\/p>\n

The Curator's Egg Altera Pars, Anthony Reynolds Gallery, London, England<\/p>\n

Phantom Limb, LiMAC, Museo de Arte Contemporaneo de Lima, Lima, Peru<\/p>\n

2011<\/p>\n

Gravity's Rainbow, Ingleby Gallery, Edinburgh, Scotland<\/p>\n

Lumiere, various venues, Durham, England<\/p>\n

Richard Of York Gave Battle In Vain, Whitechapel Gallery, London, England<\/p>\n

The Shape of Things to Come: New Sculpture Part 1, The Saatchi Gallery, London, England<\/p>\n

A Painting Show, Autocentre, Berlin, Germany<\/p>\n

2010<\/p>\n

Kupferstichkabinett: Between Thought and Action, White Cube, London, England<\/p>\n

Fast Forward \u2013 Arte Contempor\u00e2nea Brit\u00e2nica no Brasil, Espa\u00e7o David Ford, Centro Brit\u00e2nico Brasileiro, S\u00e3o Paulo, Brazil<\/p>\n

Biennale f\u00fcr Internationale Lichtkunst, Unna, Germany<\/p>\n

FIAT LUX, Museo de Arte Contempor\u00e1neo Gas Natural de La Coru\u00f1a, Spain<\/p>\n

Open Light in Private Spaces: Biennale fur Internationale Lichtkunst, multiple venues, Unna, Germany<\/p>\n

The Gathering, Longside Gallery, Yorkshire Sculpture Park, England<\/p>\n

Party, New Art Gallery, Walsall, England<\/p>\n

2009<\/p>\n

Almost Nothing, Laure Genillard Gallery, London, England<\/p>\n

Boule to Braid, Lisson Gallery, London, England<\/p>\n

Repeat Please, Stedelijk Museum's, Hertogenbosch, Holland<\/p>\n

Presque Rein III, Laure Genillard Gallery, London, England<\/p>\n

Colour Chart: Reinventing Colour, 1950 to Today,Tate Liverpool, Liverpool, England<\/p>\n

The Sculpture Show, V22, London, England<\/p>\n

Kaleidoscopic Revolver, Hanjiyun Contemporary Space, Beijing, China<\/p>\n

Better than Grey, Bury St Edmunds Art Gallery, London, England<\/p>\n

A Twilight Art, Harris Lieberman Gallery, New York, USA<\/p>\n

London Calling, Total Museum of Contemporary Art, Seoul, South Korea<\/p>\n

2008<\/p>\n

Sculpture from the Scrapyard, Henry Moore Institute, Leeds, England<\/p>\n

Conversations, Kettle's Yard Museum & Art Gallery, Cambridge, England<\/p>\n

The Color Chart, MoMA, New York, USA<\/p>\n

1st Folkestone Triennial \u2013 Tales of time and space, Folkestone, England<\/p>\n

2007<\/p>\n

Passion Complex \u2013 Selected Works from the Albright-Knox Art Gallery, 21st Century Museum of Contemporary Art, Kanazawa, Japan<\/p>\n

Art Car Boot Fair 2007, London, England<\/p>\n

Front Room \/ Killing Room, David Risley Gallery, London, England<\/p>\n

Rummage: Sculptors' Drawings, The Winchester Gallery, Winchester, England<\/p>\n

Light, Winchester Cathedral, Winchester, England<\/p>\n

David Batchelor & Nikolai Suetin, Ingleby Gallery, Edinburgh, Scotland<\/p>\n

Echo Room, Alcala 31 (organized in collaboration with the British Council), Madrid, Spain<\/p>\n

Shifting Ground, Angel Row Gallery, Nottingham, England<\/p>\n

Abstraction: Extracting from the World, Millenium Galleries, Sheffield, England<\/p>\n

2006<\/p>\n

A noir, E blanc, l rouge, u vert, o bleu \u2013 Farben, Kunstmuseum Magdeburg \u2013 Germany<\/p>\n

off-site projects at the Palm House, Botanic Gardens and Old School, Edinburgh<\/p>\n

Thread, Ingleby Gallery, Edinburgh, England<\/p>\n

Backdrop, Bloomberg Space, London, England<\/p>\n

Multiplication, Museo de Arte Contempor\u00e1neo, Universidad de Chile, Santiago, Chile<\/p>\n

Materical World \u2013 Sculpture from the Arts Council Collection, Gallery of Modern Art, Glasgow, Scotland<\/p>\n

2005<\/p>\n

Radiance, Off-site projects in the Merchants' Quarter, Glasgow, Scotland<\/p>\n

Double Meaning, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Extreme Abstraction, Albright Knox Art Gallery, Buffalo, New York, USA<\/p>\n

Contrabandistas de Imagenes, Museum of Contemporary Art, Santiago, Chile<\/p>\n

Untitled, Marc Selwyn Gallery, Los Angeles, USA<\/p>\n

David Batchelor e Joao Paulo Feliciano, curadoria de Jacopo Crivelli Visconti, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

The Art of White, The Lowry, Salford, England<\/p>\n

Tall Stories, MOT, London, England<\/p>\n

Colour my World, Riflemaker, London, England<\/p>\n

2004<\/p>\n

26th Bienal de Sao Paulo, Sao Paulo, Brazil<\/p>\n

Sodium and Asphalt, Museo Rufino Tamayo, Mexico City, Mexico<\/p>\n

Chromosexuals, Galleri Bouhlou, Bergen, Norway<\/p>\n

Some Versions of Light, The Telephone Repeater Station, Richmond, North Yorkshire, England<\/p>\n

One Night Stand, PEARL at El Montan Motor Hotel, M\u00e9xico<\/p>\n

2003<\/p>\n

In Good Form: Recent Sculpture from the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park, England<\/p>\n

Embargo, Aubery Square, London, England<\/p>\n

Primary Colours, City Gallery, Leicester, England<\/p>\n

Days Like These \u2013 Tate Triennial of Contemporary British Art, Tate Gallery, London, England<\/p>\n

2002<\/p>\n

Furori Uso, Ferrotel, Pescara, Italy<\/p>\n

Colour Love, Johnson County Community College, Kansas, USA<\/p>\n

New Religious Art, Liverpool Biennial, Liverpool, England<\/p>\n

Henry Peacock Gallery, London, England<\/p>\n

2001<\/p>\n

Ruby, PEARL, London, England<\/p>\n

The Magic Hour: Art and Las Vegas, Neue Galerie, Graz, Austria<\/p>\n

Another Britannia, Tecla Sala, Barcelona touring to Foundacion Marcelino Botin, Santander, Spain<\/p>\n

Amidst Concrete, Clay and General Decay, Konstfack Gallery, Stockholm, Sweden<\/p>\n

2000<\/p>\n

Perfidy, Monastere de la Tourette, France and Kettles Yard, Cambridge, England<\/p>\n

British Art Show 5, Edinburgh, Southampton, Cardiff and Birmingham, England<\/p>\n

Fact and Value, Charlotttenberg Palace, Copenhagen, Denmark<\/p>\n

Give and Take, Jerwood Space, London, England<\/p>\n

1999<\/p>\n

NINENINENINETYNINE, Wilkinson Gallery, London, England<\/p>\n

Postmark \u2013 An Abstract Effect, Site Santa Fe, Santa Fe, USA<\/p>\n

Limit Less, curated by Matthew Higgs, Galerie Krinzinger, Vienna, Austria<\/p>\n

East Wing, Courtauld Institute, London, England<\/p>\n

1998<\/p>\n

Then and Now, Lisson Gallery, London, England<\/p>\n

One Wheel on my Monochromobile, Limited Edition for Camden Arts Centre, London, England<\/p>\n

1997<\/p>\n

East International, The Sainsbury Centre \/ Norwich School of Art, Norwich, England<\/p>\n

1996<\/p>\n

Station Transformation, Central Bus Station, Tel Aviv, Israel<\/p>\n

Abstractions, Byam Shaw, Concourse Gallery, London, England<\/p>\n

1993<\/p>\n

Victoria Miro Gallery, London, England<\/p>\n

1991<\/p>\n

Approaches to Realism, Bluecoat Gallery, Liverpool; Goldsmiths Gallery, London, England<\/p>\n

1990<\/p>\n

Rotation, Esther Schipper Gallery, Cologne, Germany<\/p>\n

COMMISSIONS<\/h2>\n

2019<\/p>\n

King's Xmas, Temporary site specific installation, Granary Square, England<\/p>\n

2018<\/p>\n

Richard Of York Gave Battle In Vain, Site specific sculpture, Eddington, England<\/p>\n

Homage to Doctor Mirabilis, Site specific sculpture, Westgate Centre, England<\/p>\n

2017<\/p>\n

Sixty Minute Spectrum, Hayward Gallery, London, England<\/p>\n

P-A-R-A-D-E, Summer in the Square, John Hansard Gallery, University of Southampton, Southampton, England<\/p>\n

2015<\/p>\n

Lyric Hammersmith, London, England<\/p>\n

2014<\/p>\n

Chromolocomotion, comissioned by Terrace Wires, ST. Pancras International Station, London, England<\/p>\n

2010<\/p>\n

Spectrum on the Hill, site specific installation, Haman the Hill, Seoul, South Korea<\/p>\n

Big Rock Candy Fountain, site specific installation, Archway Tower, London, England<\/p>\n

2009<\/p>\n

Spectrum of 1st Street, site specific installation, 1011 1st Street, Washington D.C., USA<\/p>\n

Walldella, Dundee, site specific installation, McManus Galleries, Dundee, Scotland<\/p>\n

2008<\/p>\n

Hong Kong Fesdalla, site specific installation, The British Council, Hong Kong, China<\/p>\n

2005<\/p>\n

Against Nature, site specific installation, University of Warwick, Coventry, England<\/p>\n

2004<\/p>\n

Treasury Magic Hour, site specific installation, The Treasury, London, England<\/p>\n

West Wing Spectrum, site specific installation, St Bart's Hospital, London, England<\/p>\n

2003<\/p>\n

Evergreen, site specific outdoor work, More London, Tower Bridge, London, England<\/p>\n

2001<\/p>\n

Electric Colour Picture, edition of 75 three-dimensional works, The Multiple Store, London, England<\/p>\n

1999<\/p>\n

Chromodesks, site specific installation, Pier Trust, London, England<\/p>\n

Quick Change Room, site specific installation, Sadler's Wells Theatre, London, England<\/p>\n

COLLECTIONS<\/h2>\n

Aberdeen Art Gallery, Scotland<\/p>\n

British Council, England<\/p>\n

Government Art Collection, England<\/p>\n

Leeds City Art Gallery, England<\/p>\n

The Saatchi Gallery, England<\/p>\n

TATE, England<\/p>\n<\/div>","curriculo":74278,"gallery":[40893,40895,40897,40899,40901,40903,40905,40907,40909,40911,40913,40915,40917,40919,40921,40923,40925,40927,40929,40931,40933,40935,40937,40939,40941,40943,40945,40947,40949,40951,40953,40955,40957,40959,40961,40963,46898],"videos":[{"video_title":"Winter Light: David Batchelor, Sixty Minute Spectrum","video_description":"Southbank Centre\r\n\r\n","video_utl":"https:\/\/youtu.be\/LDTJfmQkYsU"},{"video_title":"Discover : David Batchelor on the fear of color","video_description":"","video_utl":"https:\/\/youtu.be\/BvGvbH22rbo"},{"video_title":"Gemeentemuseum Den Haag & GEM: David Batchelor Inspired by Mondriaan","video_description":"","video_utl":"https:\/\/youtu.be\/bWPGhimjchk"},{"video_title":"Chromolocomotion","video_description":"","video_utl":"https:\/\/youtu.be\/zYCkczs4q2k"},{"video_title":"David Batchelor: The Fear of Colour | HENI Talks","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=syrOAKvfJ_c"}],"text_artist":"","files":[{"file_title":"Curating the Contemporary | 2017","file_item":40972},{"file_title":"The Guardian | 2017","file_item":40974},{"file_title":"The New York Times | 2016","file_item":40976},{"file_title":"Art World | 2007","file_item":40970},{"file_title":"Artforum | 2004","file_item":40968}],"artist_works":"","artist_expo":null},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1777819272:7"],"_edit_last":["7"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["translation-editor"],"description":["

\n

Dundee, Scotland, 1955. \r\nLives and works in London, England<\/p>\n\n

EDUCATION<\/h2>\n

1978-80<\/p>\n

MA Cultural Studies Centre of Contemporary Cultural Studies University of Birmingham, Birmingham, England<\/p>\n

1975-78<\/p>\n

BA (Hons) Fine Art Trent Polytechnic, Nottingham, England<\/p>\n

1973-75<\/p>\n

Foundation Course Watford College of Art, Hertfordshire, England<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2026<\/p>\n

Chromocopia, Mandranova Societ\u00e0 Agricola, Palma di Montechiaro, Italy<\/p>\n

2024<\/p>\n

Woven Things, Cecilia Brunson Projects, London, England<\/p>\n

Transparent Things, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2023<\/p>\n

I-Cons and Ex-Cons, Kestle Barton, England<\/p>\n

2022<\/p>\n

Colour is, Compton Verney, England<\/p>\n

David Batchelor | Alfredo Volpi, Cecilia Brunson Projects, England<\/p>\n

Disco Mecanique, Salisbury Cathedral, England<\/p>\n

2020<\/p>\n

New Work, Waddington Custot, Londond, England<\/p>\n

2019<\/p>\n

My Own Private Bauhaus, Ingleby Gallery, Edinburgh, Scotland<\/p>\n

2018<\/p>\n

Psychogeometry 2 (curated by David Thomas), Site Eight Gallery, RMIT University, Melbourne, Australia<\/p>\n

2017<\/p>\n

Psychogeometry, Matt's Gallery, London, England<\/p>\n

Chromatology, Ab-Anbar Gallery, Tehran, Iran<\/p>\n

2016<\/p>\n

Reef, Handel Street Projects, London, England<\/p>\n

Glowsticks, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2015<\/p>\n

Monochrome Archive 1997-2015, Whitechapel Gallery, London, England<\/p>\n

Flatlands Remix,Virginia Commonwealth University in Qatar, Doha, Qatar<\/p>\n

2014<\/p>\n

Chromolocomotion, Terrace Wires Commission, St Pancras Station, London, England<\/p>\n

David Batchelor:Concretos, New Art Centre, Wiltshire; Salisbury, England<\/p>\n

2013<\/p>\n

Wall to Wall (curated by Jo\u00e3o Bandeira), Centro Universit\u00e1rio Maria Antonia, S\u00e3o Paulo, Brazil<\/p>\n

Flatlands, Fruitmarket Gallery, Endiburgh, Scotland; Spike Island, Bristol, England<\/p>\n

2012<\/p>\n

Magic Hour, GEM, Gemeentemuseum, Den Haag, The Netherlands<\/p>\n

Brighton-Palermo ReMix, Brighton Festival, Brighton, England<\/p>\n

Slugfest, Galeria Leme, S\u00e3o Paulo, SP, Brazil<\/p>\n

Magic Pavement , Pavement Gallery, Manchester, England<\/p>\n

2011<\/p>\n

2D3D, Karsten Schubert, London, England<\/p>\n

2010<\/p>\n

Chromophilia, Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2008<\/p>\n

The Backlights, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2007<\/p>\n

Unplugged, Talbot Rice Gallery, University of Edinburgh, Scotland<\/p>\n

Unplugged (Remix) Wilkinson Gallery, London, England<\/p>\n

David Batchelor & Nikolai Suetin, Ingleby Gallery,Edinburgh, Scotland<\/p>\n

2006<\/p>\n

Festival Remix (Christmas Lights Commission), South Bank Centre, London, England<\/p>\n

Candela V & VI, Ingleby Gallery (off-site) Old Royal High School, Edinburgh, Scotland<\/p>\n

Candela 7\/450 (For the Death Star), Victorian Palmhouse, Royal Botanic Garden, Edinburgh, Scotland<\/p>\n

Wilkinson Gallery, London, England<\/p>\n

2005<\/p>\n

Ten Silhouettes, Gloucester Road Undergound Station, London, England<\/p>\n

2004<\/p>\n

Shiny Dirty, Ikon Gallery, Birmingham, England<\/p>\n

2003<\/p>\n

Spectrum of Hackney Road, Wilkinson Gallery, London, England<\/p>\n

2002<\/p>\n

Barrier, 38 Langham Street, London, England<\/p>\n

2001<\/p>\n

Shiny Dirty, Habitat, London, England<\/p>\n

2000<\/p>\n

Electric Colour Tower, Sadlers Wells Theatre, London, England<\/p>\n

Apocalypstick, Anthony Wilkinson Gallery, London, England<\/p>\n

1998<\/p>\n

Monochromobiles, The Economist Plaza, London, England<\/p>\n

1997<\/p>\n

Shelf-Like, Frame-Like, Note-Like, Byam Shaw School of Art, London, England<\/p>\n

Polymonochromes, Henry Moore Institute, Leeds, England<\/p>\n

1996<\/p>\n

Polymonochrome Drawings, Soho House, London, England<\/p>\n

1995<\/p>\n

Serial Color, Curtain Road Arts, London, England<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

Notes on Colour, Robert Cripps Gallery, Cambridge, United Kingdom<\/p>\n

Turner: The Enchantment of Lake Como and the Italian Landscape (Curator Elizabeth Brooke), Palazzo Volpi, Como, Italy<\/p>\n

Jim Lambie and David Batchelor - Feeling Colour, Contemporary Works from the Tate Collection, San Pietro in Atrio, Como, Italy<\/p>\n

videoAR (curator Ana Carolina Ralston), Galeria Leme and Trianon, M\u00e1rio Covas and Alexandre Gusm\u00e3o parks, S\u00e3o Paulo, Brazil<\/p>\n

Atrav\u00e9s (curator Lara Maia), Galeria MITS, S\u00e3o Paulo, Brazil<\/p>\n

2025<\/p>\n

Lo tienes que ver \u2014 La autonom\u00eda del color en el arte abstracto, Fundaci\u00f3n Juan March, Madrid, Spain<\/p>\n

2024<\/p>\n

Positions, part three (Curated by John Slyce), Alma Pearl, London, UK<\/p>\n

Summer Exhibition (Curated by Cornelia Parker), Royal Academy, London, UK<\/p>\n

2023<\/p>\n

Light: Works from the Tate Collection, The National Art Centre, Japan<\/p>\n

Colours in the Air (with Richard Deacon), Handel Street Projects, England<\/p>\n

Modern and Contemporary, Waddington Custot, England<\/p>\n

2022<\/p>\n

Hello MONO-HA!, White Conduit Projects, Inglaterra<\/p>\n

Chromophilia (curated by Tanya Barson), Hauser and Wirth, Switzerland<\/p>\n

Art is the Antidote, Museum Voorlinden, Netherlands<\/p>\n

2021<\/p>\n

Colour Space, Galleria Mucciaccia, Rome, Italy.<\/p>\n

House Share, Firstsite, Colchester, England.<\/p>\n

2018<\/p>\n

PRISM (curated by Chris Clarke and Fiona Kearney), Lewis Glucksman Gallery, Cork, Ireland<\/p>\n

The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne, UK<\/p>\n

The Monochrome: New Beginnings, JPNF Museum, Dubai, United Arab Emirates<\/p>\n

Criminal Ornamentation (curated by Yinka Shonibare), Attenborough Arts Centre, Leicester, UK<\/p>\n

Great Artists | Great Teachers, The Levinsky Gallery, Plymouth, UK<\/p>\n

Una Cierta Oscuridad (curated by Alexandra Laudo), CaixaForum Barcelona, Barcelona, Spain<\/p>\n

The Everyday and Extraordinary, Birmingham Museum and Art Gallery, Birmingham, England<\/p>\n

Royal Academy Summer Exhibition, Royal Academy, London, England<\/p>\n

Sette Opere per la Misericordia (curated by Mario Codognato), Capella del Pio Monte della Misericordia, Naples, Italy<\/p>\n

Monochrome: Empty & Full (curated by David Sequeira), Victorian College of the Arts, Faculty of Fine Arts and Music, University of Melbourne, Melbourne, Australia<\/p>\n

2017<\/p>\n

Ingleby Gallery Presents, Fitzrovia Chapel, London,England<\/p>\n

Totem: Spirit Beings & Sacred Objects, Saatchi Gallery, London, England<\/p>\n

Art of the Postcard, Handel Street Projects, London, England<\/p>\n

Roesler Hotel: Purity is a Myth, (curated by Michael Asbury), Nara Roesler, S\u00e3o Paulo, Brazil<\/p>\n

Between Poles and Tides, Talbot Rice Gallery, Edinburgh, Scotland<\/p>\n

Seven Works for Mercy, Italian Cultural Institute, London, England<\/p>\n

colour is, Waddington Custot, London, England<\/p>\n

A Certain Kind of Light, Towner Gallery, Eastbourne, England<\/p>\n

2016<\/p>\n

5 Years at Heddon Street, Pippy Houldsworth Gallery, Londres, Inglaterra<\/p>\n

Three Triptychs (curated by Mario Codognato), Galleria d'arte contemporanea a Napoli, Naples, Italy<\/p>\n

Night in the Museum, The Gas Hall, Birmingham Museum and Art Gallery, Birmingham, England<\/p>\n

NEON: The Charged Line, Grundy Art Gallery, Blackpool, England<\/p>\n

Seeing Round Corners, Turner Contemporary, Margate, England<\/p>\n

Light Show, CorpArtes, Santiago, Chile<\/p>\n

FOUND, The Foundling Museum, London, England<\/p>\n

2015<\/p>\n

Drawing Biennial 2015, Drawing Room, London, England<\/p>\n

In Light of the Monochrome, Dye House Gallery, Bradford, England<\/p>\n

Trial\/Error\/Art, The Holden Gallery, University of Manchester, Manchester, England<\/p>\n

Sprayed, Gagosian Gallery, London, England<\/p>\n

Light Show International Tour, Auckland Art Gallery Toi o T\u0101maki, New Zealand; Museum of Contemporary Art, Sydney, Australia; Sharjah Art Foundation, Sharjah, UAE; Benaki Museum's, Pireos St Annexe, Athens, Greece<\/p>\n

Adventures of the Black Square: Abstract Art and Society 1915-2015, Whitechapel Gallery, London, England<\/p>\n

2014<\/p>\n

Colour on Paper, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

50 Years On: The Centre of Contemporary Cultural Studies, MAC Birmingham, England<\/p>\n

Black and White (curated by Cornelia Parker), Royal Academy Summer Exhibition, London, England<\/p>\n

Somewhat Abstract, Nottingham Contemporary, Nottingham, England<\/p>\n

Uniquo, Galeria Carbono, S\u00e3o Paulo, Brazil<\/p>\n

Shelf Show, Galerie Tom Christoffersen, Copenhagen, Denmark<\/p>\n

Abstract Drawing (curated by Richard Deacon), The Drawing Room, London, England<\/p>\n

2013<\/p>\n

Why Painting Now?, Vienna, Austria<\/p>\n

White, Nederlands Fotomuseum, Rotterdam, the Netherlands<\/p>\n

Touching Colour, Hatton Gallery, Newcastle Upon Tyne, England<\/p>\n

Fragile?, Le Stanze del Vetro, Venice, Italy<\/p>\n

Tell me whom you haunt: Marcel Duchamp and the contemporary readymade, London, England<\/p>\n

Light Show, Hayward Gallery, London, England<\/p>\n

2012<\/p>\n

Illuminated - QUAD Gallery, Derby, England<\/p>\n

Luz na Cidade, Centro Cultural Justi\u00e7a Federal, Rio de Janeiro, Brazil<\/p>\n

Royal Academy Summer Exhibition, Royal Academy, London, England<\/p>\n

The Curator's Egg Altera Pars, Anthony Reynolds Gallery, London, England<\/p>\n

Phantom Limb, LiMAC, Museo de Arte Contemporaneo de Lima, Lima, Peru<\/p>\n

2011<\/p>\n

Gravity's Rainbow, Ingleby Gallery, Edinburgh, Scotland<\/p>\n

Lumiere, various venues, Durham, England<\/p>\n

Richard Of York Gave Battle In Vain, Whitechapel Gallery, London, England<\/p>\n

The Shape of Things to Come: New Sculpture Part 1, The Saatchi Gallery, London, England<\/p>\n

A Painting Show, Autocentre, Berlin, Germany<\/p>\n

2010<\/p>\n

Kupferstichkabinett: Between Thought and Action, White Cube, London, England<\/p>\n

Fast Forward \u2013 Arte Contempor\u00e2nea Brit\u00e2nica no Brasil, Espa\u00e7o David Ford, Centro Brit\u00e2nico Brasileiro, S\u00e3o Paulo, Brazil<\/p>\n

Biennale f\u00fcr Internationale Lichtkunst, Unna, Germany<\/p>\n

FIAT LUX, Museo de Arte Contempor\u00e1neo Gas Natural de La Coru\u00f1a, Spain<\/p>\n

Open Light in Private Spaces: Biennale fur Internationale Lichtkunst, multiple venues, Unna, Germany<\/p>\n

The Gathering, Longside Gallery, Yorkshire Sculpture Park, England<\/p>\n

Party, New Art Gallery, Walsall, England<\/p>\n

2009<\/p>\n

Almost Nothing, Laure Genillard Gallery, London, England<\/p>\n

Boule to Braid, Lisson Gallery, London, England<\/p>\n

Repeat Please, Stedelijk Museum's, Hertogenbosch, Holland<\/p>\n

Presque Rein III, Laure Genillard Gallery, London, England<\/p>\n

Colour Chart: Reinventing Colour, 1950 to Today,Tate Liverpool, Liverpool, England<\/p>\n

The Sculpture Show, V22, London, England<\/p>\n

Kaleidoscopic Revolver, Hanjiyun Contemporary Space, Beijing, China<\/p>\n

Better than Grey, Bury St Edmunds Art Gallery, London, England<\/p>\n

A Twilight Art, Harris Lieberman Gallery, New York, USA<\/p>\n

London Calling, Total Museum of Contemporary Art, Seoul, South Korea<\/p>\n

2008<\/p>\n

Sculpture from the Scrapyard, Henry Moore Institute, Leeds, England<\/p>\n

Conversations, Kettle's Yard Museum & Art Gallery, Cambridge, England<\/p>\n

The Color Chart, MoMA, New York, USA<\/p>\n

1st Folkestone Triennial \u2013 Tales of time and space, Folkestone, England<\/p>\n

2007<\/p>\n

Passion Complex \u2013 Selected Works from the Albright-Knox Art Gallery, 21st Century Museum of Contemporary Art, Kanazawa, Japan<\/p>\n

Art Car Boot Fair 2007, London, England<\/p>\n

Front Room \/ Killing Room, David Risley Gallery, London, England<\/p>\n

Rummage: Sculptors' Drawings, The Winchester Gallery, Winchester, England<\/p>\n

Light, Winchester Cathedral, Winchester, England<\/p>\n

David Batchelor & Nikolai Suetin, Ingleby Gallery, Edinburgh, Scotland<\/p>\n

Echo Room, Alcala 31 (organized in collaboration with the British Council), Madrid, Spain<\/p>\n

Shifting Ground, Angel Row Gallery, Nottingham, England<\/p>\n

Abstraction: Extracting from the World, Millenium Galleries, Sheffield, England<\/p>\n

2006<\/p>\n

A noir, E blanc, l rouge, u vert, o bleu \u2013 Farben, Kunstmuseum Magdeburg \u2013 Germany<\/p>\n

off-site projects at the Palm House, Botanic Gardens and Old School, Edinburgh<\/p>\n

Thread, Ingleby Gallery, Edinburgh, England<\/p>\n

Backdrop, Bloomberg Space, London, England<\/p>\n

Multiplication, Museo de Arte Contempor\u00e1neo, Universidad de Chile, Santiago, Chile<\/p>\n

Materical World \u2013 Sculpture from the Arts Council Collection, Gallery of Modern Art, Glasgow, Scotland<\/p>\n

2005<\/p>\n

Radiance, Off-site projects in the Merchants' Quarter, Glasgow, Scotland<\/p>\n

Double Meaning, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Extreme Abstraction, Albright Knox Art Gallery, Buffalo, New York, USA<\/p>\n

Contrabandistas de Imagenes, Museum of Contemporary Art, Santiago, Chile<\/p>\n

Untitled, Marc Selwyn Gallery, Los Angeles, USA<\/p>\n

David Batchelor e Joao Paulo Feliciano, curadoria de Jacopo Crivelli Visconti, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

The Art of White, The Lowry, Salford, England<\/p>\n

Tall Stories, MOT, London, England<\/p>\n

Colour my World, Riflemaker, London, England<\/p>\n

2004<\/p>\n

26th Bienal de Sao Paulo, Sao Paulo, Brazil<\/p>\n

Sodium and Asphalt, Museo Rufino Tamayo, Mexico City, Mexico<\/p>\n

Chromosexuals, Galleri Bouhlou, Bergen, Norway<\/p>\n

Some Versions of Light, The Telephone Repeater Station, Richmond, North Yorkshire, England<\/p>\n

One Night Stand, PEARL at El Montan Motor Hotel, M\u00e9xico<\/p>\n

2003<\/p>\n

In Good Form: Recent Sculpture from the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park, England<\/p>\n

Embargo, Aubery Square, London, England<\/p>\n

Primary Colours, City Gallery, Leicester, England<\/p>\n

Days Like These \u2013 Tate Triennial of Contemporary British Art, Tate Gallery, London, England<\/p>\n

2002<\/p>\n

Furori Uso, Ferrotel, Pescara, Italy<\/p>\n

Colour Love, Johnson County Community College, Kansas, USA<\/p>\n

New Religious Art, Liverpool Biennial, Liverpool, England<\/p>\n

Henry Peacock Gallery, London, England<\/p>\n

2001<\/p>\n

Ruby, PEARL, London, England<\/p>\n

The Magic Hour: Art and Las Vegas, Neue Galerie, Graz, Austria<\/p>\n

Another Britannia, Tecla Sala, Barcelona touring to Foundacion Marcelino Botin, Santander, Spain<\/p>\n

Amidst Concrete, Clay and General Decay, Konstfack Gallery, Stockholm, Sweden<\/p>\n

2000<\/p>\n

Perfidy, Monastere de la Tourette, France and Kettles Yard, Cambridge, England<\/p>\n

British Art Show 5, Edinburgh, Southampton, Cardiff and Birmingham, England<\/p>\n

Fact and Value, Charlotttenberg Palace, Copenhagen, Denmark<\/p>\n

Give and Take, Jerwood Space, London, England<\/p>\n

1999<\/p>\n

NINENINENINETYNINE, Wilkinson Gallery, London, England<\/p>\n

Postmark \u2013 An Abstract Effect, Site Santa Fe, Santa Fe, USA<\/p>\n

Limit Less, curated by Matthew Higgs, Galerie Krinzinger, Vienna, Austria<\/p>\n

East Wing, Courtauld Institute, London, England<\/p>\n

1998<\/p>\n

Then and Now, Lisson Gallery, London, England<\/p>\n

One Wheel on my Monochromobile, Limited Edition for Camden Arts Centre, London, England<\/p>\n

1997<\/p>\n

East International, The Sainsbury Centre \/ Norwich School of Art, Norwich, England<\/p>\n

1996<\/p>\n

Station Transformation, Central Bus Station, Tel Aviv, Israel<\/p>\n

Abstractions, Byam Shaw, Concourse Gallery, London, England<\/p>\n

1993<\/p>\n

Victoria Miro Gallery, London, England<\/p>\n

1991<\/p>\n

Approaches to Realism, Bluecoat Gallery, Liverpool; Goldsmiths Gallery, London, England<\/p>\n

1990<\/p>\n

Rotation, Esther Schipper Gallery, Cologne, Germany<\/p>\n

COMMISSIONS<\/h2>\n

2019<\/p>\n

King's Xmas, Temporary site specific installation, Granary Square, England<\/p>\n

2018<\/p>\n

Richard Of York Gave Battle In Vain, Site specific sculpture, Eddington, England<\/p>\n

Homage to Doctor Mirabilis, Site specific sculpture, Westgate Centre, England<\/p>\n

2017<\/p>\n

Sixty Minute Spectrum, Hayward Gallery, London, England<\/p>\n

P-A-R-A-D-E, Summer in the Square, John Hansard Gallery, University of Southampton, Southampton, England<\/p>\n

2015<\/p>\n

Lyric Hammersmith, London, England<\/p>\n

2014<\/p>\n

Chromolocomotion, comissioned by Terrace Wires, ST. Pancras International Station, London, England<\/p>\n

2010<\/p>\n

Spectrum on the Hill, site specific installation, Haman the Hill, Seoul, South Korea<\/p>\n

Big Rock Candy Fountain, site specific installation, Archway Tower, London, England<\/p>\n

2009<\/p>\n

Spectrum of 1st Street, site specific installation, 1011 1st Street, Washington D.C., USA<\/p>\n

Walldella, Dundee, site specific installation, McManus Galleries, Dundee, Scotland<\/p>\n

2008<\/p>\n

Hong Kong Fesdalla, site specific installation, The British Council, Hong Kong, China<\/p>\n

2005<\/p>\n

Against Nature, site specific installation, University of Warwick, Coventry, England<\/p>\n

2004<\/p>\n

Treasury Magic Hour, site specific installation, The Treasury, London, England<\/p>\n

West Wing Spectrum, site specific installation, St Bart's Hospital, London, England<\/p>\n

2003<\/p>\n

Evergreen, site specific outdoor work, More London, Tower Bridge, London, England<\/p>\n

2001<\/p>\n

Electric Colour Picture, edition of 75 three-dimensional works, The Multiple Store, London, England<\/p>\n

1999<\/p>\n

Chromodesks, site specific installation, Pier Trust, London, England<\/p>\n

Quick Change Room, site specific installation, Sadler's Wells Theatre, London, England<\/p>\n

COLLECTIONS<\/h2>\n

Aberdeen Art Gallery, Scotland<\/p>\n

British Council, England<\/p>\n

Government Art Collection, England<\/p>\n

Leeds City Art Gallery, England<\/p>\n

The Saatchi Gallery, England<\/p>\n

TATE, England<\/p>\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["74278"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:37:{i:0;s:5:\"40893\";i:1;s:5:\"40895\";i:2;s:5:\"40897\";i:3;s:5:\"40899\";i:4;s:5:\"40901\";i:5;s:5:\"40903\";i:6;s:5:\"40905\";i:7;s:5:\"40907\";i:8;s:5:\"40909\";i:9;s:5:\"40911\";i:10;s:5:\"40913\";i:11;s:5:\"40915\";i:12;s:5:\"40917\";i:13;s:5:\"40919\";i:14;s:5:\"40921\";i:15;s:5:\"40923\";i:16;s:5:\"40925\";i:17;s:5:\"40927\";i:18;s:5:\"40929\";i:19;s:5:\"40931\";i:20;s:5:\"40933\";i:21;s:5:\"40935\";i:22;s:5:\"40937\";i:23;s:5:\"40939\";i:24;s:5:\"40941\";i:25;s:5:\"40943\";i:26;s:5:\"40945\";i:27;s:5:\"40947\";i:28;s:5:\"40949\";i:29;s:5:\"40951\";i:30;s:5:\"40953\";i:31;s:5:\"40955\";i:32;s:5:\"40957\";i:33;s:5:\"40959\";i:34;s:5:\"40961\";i:35;s:5:\"40963\";i:36;s:5:\"46898\";}"],"_gallery":["field_6436c1e6d2529"],"videos_0_video_title":["Winter Light: David Batchelor, Sixty Minute Spectrum"],"_videos_0_video_title":["field_64441a69b18df"],"videos_0_video_description":["Southbank Centre\r\n\r\n"],"_videos_0_video_description":["field_644423879b4e4"],"videos_0_video_utl":["https:\/\/youtu.be\/LDTJfmQkYsU"],"_videos_0_video_utl":["field_64441a77b18e0"],"videos_1_video_title":["Discover : David Batchelor on the fear of color"],"_videos_1_video_title":["field_64441a69b18df"],"videos_1_video_description":[""],"_videos_1_video_description":["field_644423879b4e4"],"videos_1_video_utl":["https:\/\/youtu.be\/BvGvbH22rbo"],"_videos_1_video_utl":["field_64441a77b18e0"],"videos_2_video_title":["Gemeentemuseum Den Haag & GEM: David Batchelor Inspired by Mondriaan"],"_videos_2_video_title":["field_64441a69b18df"],"videos_2_video_description":[""],"_videos_2_video_description":["field_644423879b4e4"],"videos_2_video_utl":["https:\/\/youtu.be\/bWPGhimjchk"],"_videos_2_video_utl":["field_64441a77b18e0"],"videos_3_video_title":["Chromolocomotion"],"_videos_3_video_title":["field_64441a69b18df"],"videos_3_video_description":[""],"_videos_3_video_description":["field_644423879b4e4"],"videos_3_video_utl":["https:\/\/youtu.be\/zYCkczs4q2k"],"_videos_3_video_utl":["field_64441a77b18e0"],"videos":["5"],"_videos":["field_6436c1e6d252d"],"text_artist":[""],"_text_artist":["field_6436c1e6d2536"],"files_0_file_title":["Curating the Contemporary | 2017"],"_files_0_file_title":["field_643ffc8c32593"],"files_0_file_item":["40972"],"_files_0_file_item":["field_643ffc9a32594"],"files_1_file_title":["The Guardian | 2017"],"_files_1_file_title":["field_643ffc8c32593"],"files_1_file_item":["40974"],"_files_1_file_item":["field_643ffc9a32594"],"files_2_file_title":["The New York Times | 2016"],"_files_2_file_title":["field_643ffc8c32593"],"files_2_file_item":["40976"],"_files_2_file_item":["field_643ffc9a32594"],"files_3_file_title":["Art World | 2007"],"_files_3_file_title":["field_643ffc8c32593"],"files_3_file_item":["40970"],"_files_3_file_item":["field_643ffc9a32594"],"files_4_file_title":["Artforum | 2004"],"_files_4_file_title":["field_643ffc8c32593"],"files_4_file_item":["40968"],"_files_4_file_item":["field_643ffc9a32594"],"files":["5"],"_files":["field_6436c231c9725"],"_thumbnail_id":["52194"],"artist_works":[""],"_artist_works":["field_64c2815cc6039"],"_oembed_8e589c1ff4cdcf8edebccff0478c8c18":["