{"id":40812,"date":"2012-01-26T12:46:00","date_gmt":"2012-01-26T14:46:00","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=40812"},"modified":"2026-08-06T13:53:51","modified_gmt":"2026-08-06T16:53:51","slug":"frank-thiel","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/frank-thiel\/","title":{"rendered":"Frank Thiel"},"content":{"rendered":"","protected":false},"featured_media":32298,"template":"","class_list":["post-40812","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"Kleinmachnow, Germany, 1966.<\/strong>\r\n\r\nLives and work in Berlin, Germany.\r\n

Frank Thiel is a renowned photographer, whose work is focused on chronicling Berlin\u2019s architectural evolution, embodying the city\u2019s turbulent history. Thiel\u2019s photography is documentary as he describes a architecture that is transition, either by human or natural form. His central axis is on the \u201cincomplete\u201d choosing to focus on the process rather than the result.<\/p>\r\n

As a photographer, Thiel pursuits to enhance the aesthetics of temporality and change. He has done this by capturing chipping and decaying walls around the city of Berlin in large-scale photographs, but he has also shifted his lens to the giant ice formations in the Parque Nacional Los Glaciares in Argentina. The resulting images are a haunting meditation on the majesty and resilience, as well as the fragility and endangerment of these natural edifices that are far more ancient than any human construction. In its abstract painterly quality, his work also explores the intimate and evolving relationship between painting and photography.<\/p>","description":"

\n

Kleinmachnow, Germany, 1966. Lives and works in Berlin, Germany.<\/p>\n\n

EDUCATION<\/h2>\n

1987 - 1989<\/p>\n

Training College for Photography, Berlin, Germany<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2018<\/p>\n

15 [Quince], Sean Kelly, New York, United States<\/p>\n

Frank Thiel: Quincea\u00f1eras, Blain|Southern, Berlin, Germany<\/p>\n

2014<\/p>\n

Frank Thiel: Nowhere is a Place, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Frank Thiel: Nowhere is a Place, Sean Kelly Gallery, New York, United States<\/p>\n

Los Arados de Dios, Galerie Krinzinger, Vienna, Austria<\/p>\n

2010<\/p>\n

Frank Thiel, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2009<\/p>\n

Frank Thiel, Galeria Helga de Alvear, Madrid, Spain<\/p>\n

Frank Thiel: New Work, Sean Kelly, New York, United States<\/p>\n

2006<\/p>\n

Frank Thiel: Void Territory, Sean Kelly Gallery, New York, USA<\/p>\n

Galerie Krinzinger, Vienna, Austria<\/p>\n

The Search For Distance, Goethe Institute Thessaloniki, Greece (traveling exhibition)<\/p>\n

2005<\/p>\n

National Art Museum, Kiev, Ukraine; Museum of Western and Eastern Art, Odessa, Ukraine<\/p>\n

2004<\/p>\n

Frank Thiel, Sean Kelly, New York, United States<\/p>\n

2003<\/p>\n

Frank Thiel \u2013 Fotografien der Jahre 1999-2003, Galerie Krizinger, Vienna, Austria<\/p>\n

Galeria Helga de Alvear, Madrid, Spain<\/p>\n

2002<\/p>\n

Frank Thiel, Sean Kelly, New York<\/p>\n

Galerie Art+Public, Geneva, Switzerland<\/p>\n

Kunstverein Ludwigsburg, Ludwigsburg, Germany<\/p>\n

2001<\/p>\n

Begijnhof II; Under Construction, Galeria Estrany de la Mota, Barcelona<\/p>\n

Espai Lucas, Valencia, Spain<\/p>\n

2000<\/p>\n

City TV (Berlin), Ileana Tounta Contemporary Art Center, Athens, Greece<\/p>\n

Street Level Gallery, Glasgow, Norway; Goethe-Institut Manchester, Manchester, United Kingdom; Dublin, Ireland<\/p>\n

1999<\/p>\n

City TV (Berlin), Galerie Haas und Fuchs, Berlin, Germany; Forum Kunst, Rottweil, Germany<\/p>\n

Galeria Helga de Alvear, Madrid, Spain<\/p>\n

Galerie Art+Public, Geneva, Switzerland<\/p>\n

Goethe Institutes Singapore; National Art Gallery, Kuala Lumpur, Malaysia; Jakarta, Indonesia; Bandung, Indonesia; Bratislava, Slovakia; Museum of Imaging Technology, Chulalongkorn University, Bangkok, Thailand<\/p>\n

IMAGO'99, Universidad de Salamanca, Centro de Fotografia, Patio de Escuelas, Salamanca, Spain<\/p>\n

1998<\/p>\n

Academy of Fine Arts, Izmir, Turkey; Goethe Institutes Ankara, Turkey and Seoul, Korea.<\/p>\n

Frank Thiel, Berl\u00edn, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

1997<\/p>\n

Galerie Art+Public, Geneva, Switzerland<\/p>\n

Goethe Institute Minsk, Minsk, Russia; Rosizo Gallery, Moscow, Russia<\/p>\n

Statements, Art28 Basel, Basel, Switzerland<\/p>\n

1996<\/p>\n

Frank Thiel, Centre Culturel le Parvis, Tarbes, France; Goethe Institute, Brussels, Belgium<\/p>\n

Heidelberger Kunstverein, Studio Gallery, Heidelberg, Germany<\/p>\n

Hotel Berolina, Galerie Michael Fuchs, Berlin, Germany<\/p>\n

1995<\/p>\n

Goethe Institute, Paris, France; Galerie Cond\u00e9, Paris, France<\/p>\n

Prison Gates, Ursula Blickle Foundation, Kraichtal, Germany<\/p>\n

1993<\/p>\n

Modulo, Centro Difusor de Arte, Lisbon, Portugal<\/p>\n

1992<\/p>\n

Galerie Zellermayer, Berlin, Germany<\/p>\n

1991<\/p>\n

Galerie Zellermayer, Berlin, Germany<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

The Audacity of Scale, Sean Kelly, New York, United States<\/p>\n

2025<\/p>\n

Despu\u00e9s de todo: Fotograf\u00eda en la Colecci\u00f3n Helga de Alvear, Espacio Cultural Serrer\u00eda Belga, Madri, Espanha<\/p>\n

Parsifal, Galeria Helga de Alvear, Madrid, Spain<\/p>\n

2024<\/p>\n

The Fog of War, Meckelhalle Freiburg, Germany (touring exhibition)<\/p>\n

2023<\/p>\n

The Fog of War, Goethe Institute in Tbilisi, Georgia; Goethe Institute Almaty, Kazakhstan; Meckelhalle, Freiburg, Germany (touring exhibition)<\/p>\n

Photography in Between: Photography in the IVAM collection after 1950, Institut Valenci\u00e0 d'Art Modern, Val\u00e9ncia, Spain<\/p>\n

The Whole Palette, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein<\/p>\n

Power of G.A.S., Gagliardi e Domke, Torino, Italy<\/p>\n

2022<\/p>\n

Belonging \u2013 works from the collection of the European Investment Bank, Bourn Vincent Gallery of the University of Limerick, Limerick, Ireland<\/p>\n

Perspectives: Recent Gifts of Contemporary Art, Eastman Museum, Rochester, New York, United States<\/p>\n

Matador 25 Years. Journey to the heart of a mythical magazine, Fern\u00e1n G\u00f3mez, Centro Cultural de la Villa, Madrid, Spain<\/p>\n

T\u00e1ctica Sint\u00e1ctica, Centro de Arte de Dos de Mayo, Madrid, Spain<\/p>\n

The Big Picture: Photography's Moment, Nassau County Museum of Art, Roslyn, New York, United States<\/p>\n

The Fog of War, Goethe-Center Baku, Kapellhaus, Baku, Azerbaijan (touring exhibition)<\/p>\n

The MAST Collection. A visual alphabet of industry, work and technology, MAST Foundation, Bologna, Italy<\/p>\n

2021<\/p>\n

Fotografo o que n\u00e3o vejo, Instituto Figueiredo Ferraz, S\u00e3o Paulo, Brazil<\/p>\n

Helga de Alvear Collection, Museum of Contemporary Art Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

Janelas para dentro (Inward Windows), Casa Mill\u00e1n, S\u00e3o Paulo, Brazil<\/p>\n

Moving Memories, Cocoon, Fi\u015fekhane, Istanbul, Turkey<\/p>\n

Photography in the middle, Photography in the IVAM collection after 1950, Valencian Institute of Modern Art, IVAM, Valencia, Spain<\/p>\n

Thousand Ways to Say City, Gagliardi and Somke Contemporary, Turin, Italy<\/p>\n

Water Reverie, Borusan Contemporary, Istanbul, Turkey<\/p>\n

What is a Collection made of?, Flux and Metamorphosis, Centro de Arte Contempor\u00e2nea e Coimbra, Coimbra, Portugal<\/p>\n

Wire Frame, A virtual exhibition curated by Mika Tajima, Hill Art Foundation, New York, United States<\/p>\n

2020<\/p>\n

Eclectic. Photography from the Gagliardi Collection, Gagliardi e Domke Contemporary, Torino, Italy<\/p>\n

Nach uns die Sintflut, Kunst Haus Wien, Vienna, Austria<\/p>\n

Parley Collective x Vortic, initiative by Parley for the Oceans and Vortic in collaboration with 12 galleries, New York, United States (digital exhibition)<\/p>\n

The Exhibition \u2013 Collect Wisely, Sean Kelly Gallery, New York, United States (digital exhibition)<\/p>\n

The World to Come: Art in the Age of the Anthropocene, DePaul Art Museum, Chicago, Unites States<\/p>\n

Water Reverie, Borusan Contemporary Art Collection, Istanbul, Turkey<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Art Palace, Minsk, Belarus (touring exhibition)<\/p>\n

World Peace, MoCA Westport, Connecticut, United States<\/p>\n

2019<\/p>\n

4th Montevideo Biennial - Traves\u00edas Atl\u00e1nticas (curated by Alfons Hug and Alejandro Cruz), Montevideo, Uruguay<\/p>\n

My Garden of Eden (curated by Bob van Orsouw), Christopher Guye Galerie, Z\u00fcrich, Switzerland<\/p>\n

A Doll's House (curated by Alfons Hug and Asli Samadova), Goethe Institut, German-Azerbaijani Cultural Association, Kapellhaus, Baku, Azerbaijan; Goethe Institut, Tbilsi, Georgia<\/p>\n

Epidermis \u2013 Conditio humana \u2013 Cosmos Works from the Hilti Art Foundation, Kunstmuseunm Liechntenstein, Vaduz, Liechtenstein<\/p>\n

The World to Come: Art in the Age of the Anthropocene, University of Michigan Museum of Art, Ann Arbor, Michigan, United States<\/p>\n

2018<\/p>\n

The World to Come: Art in the Age of the Anthropocene, Harn Museum of Art, University of Florida, Gainesville, United States<\/p>\n

Beyond Borders (curated by Delphine Munro and Michket Krifa), Boghossian Foundation, Brussels, Belgium<\/p>\n

11th Mercosul Biennial, O Tri\u00e2ngulo do Atl\u00e2ntico (curated by Alfons Hug and Paula Borghi), Porto Alegre, Brazil<\/p>\n

Before and Behind the Lens. Photography in the Collection, Moderna Museet, Stockholm, Sweden<\/p>\n

EDIFICE, COMPLEX, VISIONARY, STRUCTURE, Sean Kelly, New York, United States<\/p>\n

2017<\/p>\n

Remains of the Days, Borusan Contemporary, Istanbul, Turkey<\/p>\n

Selected, Sean Kelly, New York, United States<\/p>\n

Viajando Pelo Mundo, Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2016<\/p>\n

Viaje alrededor del mundo, Instituto Cultural Caba\u00f1as & Museo de Arte de Zapopan, Guadalajara, Mexico<\/p>\n

The Antarctic Sublime & Elements of Nature: Water, The Dayton Art Institute, Dayton, United States<\/p>\n

Deck Voyage (curated by Necmi S\u00f6nmez), Borusan Contemporary, Istanbul, Turkey<\/p>\n

Fora da ordem - Obras da Cole\u00e7\u00e3o Helga de Alvear, Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Zeitgeist: a Arte da Nova Berlim (curated by Alfons Hug), Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil<\/p>\n

2015<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Busan Museum of Art, Busan, South Korea (touring exhibition)<\/p>\n

Convergence(s), works from The European Investment Bank Collection, Cercle Cit\u00e9, Luxembourg<\/p>\n

Zeitgeist: a Arte da Nova Berlim (curated by Alfons Hug), Centro Cultura Banco do Brasil, Belo Horizonte, Rio de Janeiro, Brazil (touring exhibition)<\/p>\n

Framing Desire: Photography and Video, The Modern Art Museum of Fort Worth, Fort Worth, United States<\/p>\n

Landscape in My Mind. Landscape Photography Today, Kunstforum Vienna, Vienna, Austria<\/p>\n

2014<\/p>\n

Momento Contempor\u00e2neo (curated by Paulo Ven\u00e2ncio Filho), Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Las l\u00e1grimas de las cosas \/ The Tears of Things, Centro de Artes Visuales Fundaci\u00f3n Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

We, the Enemy \u2013 Leben unter Verdacht, European Media Art Festival, Kunsthalle Osnabr\u00fcck, Germany<\/p>\n

Forms of Attraction: Kjaerholm, Tenreiro and Selected Works, Sean Kelly, New York, United States<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Moscow Museum Of Modern Art, Moscow, Russia (touring exhibition)<\/p>\n

Accrochage, Galerie Michael Fuchs, Berlin, Germany<\/p>\n

Hatje Cantz & du Moulin im Bikini, Bikini, Berlin, Germany<\/p>\n

2013<\/p>\n

El Arte Del Presente, Colecci\u00f3n Helga de Alvear, Centro Cibeles de Cultura Ciudadan\u00eda, Palacio de Cibeles, Madrid, Spain<\/p>\n

Vues d'en haut \/ Views From Above, Centre Pompidou-Metz, Metz, France<\/p>\n

Inner Journeys, Maison Particuli\u00e8re, Brussels, Belgium<\/p>\n

Blider einer Stadt, Pavlov`s Dog, Berlin, Germany<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Museum f\u00fcr Neue Kunst, ZKM, Karlsruhe, Germany (touring exhibition)<\/p>\n

Stadt in Sicht - Werke aus der Sammlung Deutsche Bank. Von Feininger bis Gursky, Museum Ostwall, Dortmund, Germany<\/p>\n

2012<\/p>\n

Al\u00e9m da Forma, Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

CIFO: Una mirada m\u00faltiple. Selecciones de la Colecci\u00f3n Ella Fontanals-Cisneros, Museo Nacional de Bellas Artes, Havana, Cuba<\/p>\n

The Gallery Collection, Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

Elton John's AIDS Foundation Photography Portfolio II, Marian Goodman Gallery, New York, United States<\/p>\n

Juegos de Lenguaje, Una introducci\u00f3n al arte de nuestro tiempo, Centro de Artes Visuales Fundaci\u00f3n Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

Fotografia Contempor\u00e2nea, Galeria Cordeiros, Porto, Portugal<\/p>\n

Under Construction: Art and Architecture in the Collection Teixeira de Freitas, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Tenerife, Spain<\/p>\n

First Choice\u2014From Private Collections V, Galerie Carzaniga, Basel, Switzerland<\/p>\n

2011<\/p>\n

Left Behind: Selected Gifts from the Heather and Tony Podesta Collection, The Philips Collection, Washington, United States<\/p>\n

Portraits of Artists, Sean Kelly Gallery, New York, United States<\/p>\n

*Plus que vrai!, Genomic Center for the Arts, Saint Die des Vosges, France<\/p>\n

Ludwig Schwarz: On Painting, Dallas Contemporary, Dallas, United States<\/p>\n

Private Art Collection, Bob van Orsouw, Zurich, Switzerland<\/p>\n

Still (curated by Diedrich Diederichsen), Galerie Michael Fuchs, Berlin, Germany<\/p>\n

Gentes e Lugares \/ People and Places. O Novo Som e a Imagem na Colec\u00e7\u00e3o Berardo \/ The New Sound and Image in the Berardo Collection, Museu Colec\u00e7\u00e3o Berardo, Lisbon, Portugal<\/p>\n

Portraits & Faces, Heldart | Matthias Held, Berlin, Germany<\/p>\n

2010<\/p>\n

Schimmern\/ Shimmering, Magazin 4, Bregenzer Kunstverein, Bregenz, Austria<\/p>\n

*FOOTNOTE NUMBER FOUR: On Rem Koolhaas and Harald Szeemann, curated by Raimundas Malasauskas and Sophie von Olfers, Artists Space, New York, United States<\/p>\n

Nullpunkt \/ Ground Zero (curated by Martin Herbert), Magazin 4, Bregenzer Kunstverein, Bregenz, Austria<\/p>\n

Art and Architecture in Contemporary Photographs, Yossi Milo Gallery, New York, United States<\/p>\n

Building Blocks (curated by Diedrich Diederichsen), Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig, Germany<\/p>\n

Colecci\u00f3n Berg\u00e9, Heterotop\u00edas. Una aproximaci\u00f3n a las narrativas disidentes, MARCO Museo de Arte Contempor\u00e1neo de Vigo, Spain<\/p>\n

Accrochage, Michael Fuchs Galerie, Berlin, Germany<\/p>\n

Estancias, Residencias, Presencias. Una construcci\u00f3n particular, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Spain<\/p>\n

Inside Out, Photography After Form: Selections from the Ella Fontanals-Cisneros, Collection, Cisneros Fontanals Art Foundation, Miami, United States<\/p>\n

Menos Tiempo que Lugar, El Arte de la Independencia: Ecos Contempor\u00e1neos, Palais de Glace - Palacio Nacional de las Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; Museo de Antioquia, Medell\u00edn, Colombia (touring exhibition)<\/p>\n

Out of Control\u2014Berlin, BIP2010 - 7\u00e8me Biennale Internationale de la Photographie et des Arts visuels, Le Grand Curtius, Li\u00e8ge, Belgium<\/p>\n

2009<\/p>\n

Atlas Cartographie du don (curated by Elia Pijollet), Mus\u00e9e de la Civilisation, Quebec, Canada<\/p>\n

La luz en la Colecci\u00f3n Helga de Alvear \/ Light in the Helga de Alvear Collection, Centro de Artes Visuales Fundaci\u00f3n Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

The Poetic Document, National Gallery of Canada, Ottawa, Canada<\/p>\n

Heimat Moderne. Die Fotografie von Arno Fischer bis Frank Thiel, Stadtmuseum Oldenburg, Oldenburg, Germany<\/p>\n

Arbeiten in Berlin, Werke aus der Berlinischen Galerie (curated by J\u00f6rn Merkert), W\u00fcrttembergischer Kunstverein, Stuttgart, Germany<\/p>\n

Universos Desdoblados, MARCO Museo de Arte Contempor\u00e1neo de Monterrey, Monterrey, Mexico<\/p>\n

Landpartie II. Kunst in und aus Brandenburg 1999 \u2013 2009, Brandenburgischer Kunstverein Potsdam e.V., Potsdam, Germany<\/p>\n

Artists Of The Gallery, A Special Selection, Galerie Krinzinger, Vienna, Austria<\/p>\n

As Time Goes By, Kunstwerke \u00fcber Zeit, Berlinische Galerie, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Berlin 89\/09 \u2013 Kunst zwischen Spurensuche und Utopie, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Berlin Now, Gallery Camera Work, Berlin, Germany<\/p>\n

Intersecciones: Memoria, Realidad y Nuevos Tiempos, X Bienal de Cuenca, Cuenca, Ecuador<\/p>\n

Kunst und \u00d6ffentlichkeit. 40 Jahre Neuer Berliner Kunstverein, Neuer Berliner Kunstverein, Berlin, Germany<\/p>\n

private view, St\u00e4dtische Galerie Villingen-Schwenningen, Villingen-Schwenningen, Germany<\/p>\n

2008<\/p>\n

Artist-Citizen, Contextual Art Practices, 49th October Salon, Belgrade, Serbia<\/p>\n

Constructio, Galer\u00eda Antonio de Barnola, Barcelona, Spain<\/p>\n

The Prisoner's Dilemma: How Artists Respond to the Exercise of Power in Contemporary Life, Selections from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, United States<\/p>\n

Rel\u00edquias & Ru\u00ednas, SESC Paulista, S\u00e3o Paulo, Brazil<\/p>\n

Paix\u00f3ns Privadas, Visi\u00f3ns P\u00fablicas, MARCO, Museo de Arte Contempor\u00e1neo de Vigo, Vigo, Spain<\/p>\n

Atemporalidad, Colecci\u00f3n PECAR, Museo de Bellas Artes de Santander, Santander, Spain<\/p>\n

Summer Exhibition, Cook Fine Art, New York, United States<\/p>\n

En face \/ surface, Grita Insam Gallery, Vienna, Austria<\/p>\n

Generational Issue, CGAC Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

2007<\/p>\n

Janus\u2014The Double Face of Photography, Holdings from the Permanent Collection, Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid, Spain<\/p>\n

Rel\u00edquias & Ru\u00ednas, Centro Cultural Oi Futuro, Rio de Janeiro, Brazil; SESC Paulista, S\u00e3o Paulo, Brazil<\/p>\n

Global Anxieties: Perspectives on a Changing Planet, The College of Wooster Art Museum, Wooster, United States<\/p>\n

A Generational Question, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

La vida privada: Representations of Tragedy and Contemporary Banalities, Colecci\u00f3n Josep Ma Civit, CDAN Centro de Arte y Naturaleza \u2013 Fundaci\u00f3n Beulas, Huesca, Spain<\/p>\n

Poul Kj\u00e6rholm: Structures and Surfaces, Sean Kelly and R Gallery, New York, United States<\/p>\n

Spectacular Space, Galerie Bob van Orsow, Z\u00fcrich, Switzerland<\/p>\n

Pure, Sean Kelly, New York, United States<\/p>\n

Fa\u00e7ade, Architecture, Space, Cook Fine Art, New York, United States<\/p>\n

Guests, Galer\u00eda Juan Sili\u00f3, Santander, Spain<\/p>\n

2006<\/p>\n

Berlin-Tokyo\/Tokyo-Berlin. A Tale of Two Cities, Mori Art Museum, Tokyo, Japan; Neue Nationalgalerie, Berlin, Germany<\/p>\n

Big City Lab, Art Forum Berlin, Berlin, Germany<\/p>\n

Constructing New Berlin, Phoenix Art Museum, Phoenix, Arizona; Bass Museum of Art, Miami Beach, United States<\/p>\n

Flic Flac, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Glasskultur: What Became of Transparence? Koldo Mitxelena, San Sebasti\u00e1n, Spain; Centre d'Art La Panera, L\u00e9rida, Spain<\/p>\n

Helga de Alvear \u2013 Concepts for a Collection, Exhibition Centre of Centro Cultural de Bel\u00e9m, Brazil<\/p>\n

Hundred Kisses Are Better Than One, Krinzinger Projects, Vienna, Austria<\/p>\n

Landscape in Contemporary Photography, Briggs Robinson Gallery, Southampton, United States<\/p>\n

Metropolitanscape, Palazzo Cavour, Turin, Italy<\/p>\n

Photo-Septiembre, Jacob Karpio Galer\u00eda, San Jos\u00e9, Costa Rica<\/p>\n

Photosynkria 2006: Contemporary Trends in Documentary Photography, Museum for Photography, Thessaloniki, Greece<\/p>\n

Post-Doc, Museum for Photography, Thessaloniki, Greece<\/p>\n

Suspension, Dunn and Brown Contemporary, Dallas, United States<\/p>\n

2005<\/p>\n

Architektur mobil, Rudolf-Scharpf-Galerie, Ludwigshafen, Germany<\/p>\n

Beyond Delirious, Indeterminate States, Cisneros Fontanals Art Foundation, Miami, United States<\/p>\n

Contemporary Visions, Photographs and Videos from the Helga de Alvear Collection, Oulun City Art Museum, Oulu, Finland; Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo (MEIAC), Badajoz, Spain<\/p>\n

Gegenwelten. The 20th Century in the Neue Nationalgalerie, Neue Nationalgalerie, Berlin, Germany<\/p>\n

Miradas y Conceptos en la Colecci\u00f3n Helga de Alvear, Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo (MEIAC), Badajoz, Spain<\/p>\n

Passion Beyond Reason, Wallstreet One, Berlin, Germany<\/p>\n

Private View 1980\/2000: Collection Pierre Huber, Mus\u00e9e Cantonal des Beaux-Arts de Lausanne, Lausanne, Switzerland<\/p>\n

Zur Vorstellung des Terrors: Die RAF-Ausstellung, Kunst-Werke Berlin, Institute for Contemporary Art, Berlin, Germany; Landesmuseum Joanneum, Graz, Austria<\/p>\n

2004<\/p>\n

On Reason and Emotion, 14th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia<\/p>\n

Faces, Places, Traces: New Acquisitions to the Photographs Collection, National Gallery of Canada, Ottawa, Canada<\/p>\n

Return to Realism. Contemporary Art from the UBS Art Collection, Boca Raton Museum of Art, Boca Raton, United States<\/p>\n

Building the Collection, New and Future Acquisitions, Art Gallery of Ontario, Toronto, Canada<\/p>\n

A Ara\u00f1eira. 100 Artists from the CGAC Collection, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

durchBlicke durchBr\u00fcche, The Collection of Berlinische Galerie, Berlinische Galerie, Museum for Modern Art, Photography and Architecture, Berlin, Germany<\/p>\n

COLD PLAY Set 1 from the Collection of the Fotomuseum Winterthur, Paris Photo, Paris, France<\/p>\n

La Collection Ord\u00f3\u00f1ez Falc\u00f3n \u2014 Une Passion Partag\u00e9e, Le Botanique, Cultural Center of the Wallonia-Brussels Community, Brussels, Belgium<\/p>\n

Contemporary Visions, Photographs and Videos from the Helga de Alvear Collection, W\u00e4in\u00f6 Aaltonen Museum, Turku, Finland<\/p>\n

Querschnitt_Selezione Trasversale, Gas Art Gallery, Turin, Italy<\/p>\n

The Furniture of Poul Kjaerholm and Selected Artwork, Sean Kelly Gallery, New York, United States<\/p>\n

Castastrofi minima, Museo de Arte de Nuoro, Sardinia, Italy<\/p>\n

2003<\/p>\n

O Del\u00edrio do Chimborazo, 4th Mercosul Visual Arts Biennial, Porto Alegre, Brazil<\/p>\n

Cold Play, Fotomuseum Winterthur, Winterthur, Switzerland<\/p>\n

Arquivo e Simula\u00e7\u00e3o, Centro Cultural de Bel\u00e9m, Lisbon, Portugal<\/p>\n

Embracing the Present: The UBS Art Collection, Austin Museum of Art, Austin, United States \/ Phoenix Art Museum, Phoenix, United States<\/p>\n

A Nova Geometria, Galeria Fortes Vila\u00e7a, S\u00e3o Paulo, Brazil<\/p>\n

La Ciudad Radiante, 2nd Biennale of Valencia, Fundaci\u00f3n Bancaixa, Valencia, Spain<\/p>\n

Xogos de Escala, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

Raum, Zeit\u2014Architektur in der Fotografie, Works from the DZ Bank Collection, Oldenburger Kunstverein, and Landesmuseum f\u00fcr Kunst und Kulturgeschichte Oldenburg, Oldenburg, Germany<\/p>\n

Realidad y Representaci\u00f3n, Collecting Landscapes Today, Fundaci\u00f3 Foto Colectania, Barcelona, Spain<\/p>\n

La Photographie Allemande, Galerie Art+Public, Geneva, Switzerland<\/p>\n

Tra Est e Ovest\u2014From East to West, Gas Art Gallery, Turin, Italy<\/p>\n

Complicidades II. Aspectos ret\u00f3ricos de la fotograf\u00eda actual, Centro Nacional de Fotograf\u00eda de Torrelavega, Torrelavega, Spain<\/p>\n

Catastrofi Minime, Museo d'Arte di Nuoro, Nuoro, Italy<\/p>\n

2002<\/p>\n

Iconografias Metropolitanas, Cidades, 25th Bienal de S\u00e3o Paulo, Pavilh\u00e3o Ciccillo Matarazzo, Parque Ibirapuera, S\u00e3o Paulo, Brazil<\/p>\n

Embracing the Present: The UBS Art Collection, Portland Museum of Art, Portland, United States; Fundaci\u00f3n Sa Nostra de Palma de Mallorca, Palma de Mallorca, Spain; Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

Human Park, An Exhibition of Global Creatures, Palau de la Virreina, Barcelona, Spain; Fundaci\u00f3n Sa Nostra de Palma de Mallorca, Palma de Mallorca, Spain; Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

Divine the Grid, Vedanta Gallery, Chicago, United States<\/p>\n

Bras\u00edlia \u2014 Ruina e Utopia, Centro Cultural Banco do Brasil, Bras\u00edlia, Brazil<\/p>\n

Sans Consentement, Centre d'Art Neuch\u00e2tel, Neuch\u00e2tel, Switzerland<\/p>\n

Agua \u2014 Wasser, Antigua Facultad de Medicina \/ Tribunal del Santo Oficio, Mexico City, Mexico<\/p>\n

La Collection Ord\u00f3\u00f1ez Falc\u00f3n, Rencontres Internationales de la Photographie, IRPA, Arles, France<\/p>\n

In Szene Gesetzt, Architektur in der Fotografie der Gegenwart, Museum f\u00fcr Neue Kunst, ZKM, Karlsruhe, Germany; St\u00e4dtische Galerie Erlangen, Erlangen, Germany; Kunsthaus Kaufbeuren, Kaufbeuren, Germany<\/p>\n

Grace & Gravity, Galeria Estrany de la Mota, Barcelona, Spain<\/p>\n

Paisajes Contempor\u00e1neos, Colecci\u00f3n Helga de Alvear, Fundaci\u00f3 Foto Colectania, Barcelona, Spain<\/p>\n

Frank Thiel \/ Bernard Vo\u00efta, Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

2001<\/p>\n

CTRL [Space] Rhetorics of Surveillance from Bentham to Big Brother, Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

Remake Berlin, Neuer Berliner Kunstverein, Berlin, Germany; DAAD Galerie, Berlin, Germany; Rencontres Internationales de la Photographie, Arles, France<\/p>\n

SK 76 \/ 2-Mp (XIII), Art Unlimited, Art 32 Basel, Basel, Switzerland<\/p>\n

Brave New World, Galeria OMR, Mexico City, Mexico<\/p>\n

Begijnhof II; Under Construction, Galeria Estrany de la Mota, Barcelona, Spain<\/p>\n

Crisis. Reflexiones Conceptuales en la Arte Contempor\u00e1neo Internacional, Fundaci\u00f3n Picasso, Museo Casa Natal, M\u00e1laga, Spain<\/p>\n

Casas y ciudades, Salas de Armas de la Ciudadela, Pamplona, Spain<\/p>\n

Taking Care, SMART Projekt Space, Amsterdam, Netherlands<\/p>\n

Fotograf\u00eda Internacional en las colecciones privadas de Cantabria, Sala Robayera, Cantabria, Spain<\/p>\n

Im\u00e1genes de un tiempo, Sala La Granja, Casa de Cultura, Santa Cruz de Tenerife, Spain<\/p>\n

2000<\/p>\n

90 60 90, Museo Jacobo Borges, Caracas, Venezuela<\/p>\n

After The Wall, Ludwig M\u00fazeum Budapest, Budapest, Hungary; Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart, Berlin, Germany<\/p>\n

Arquitectura de Colecci\u00f3n, Sala de Exposiciones del Ministerio de Fomento, Madrid, Spain<\/p>\n

Berlin \u2014 Binnendifferenz, Benger-Areal, Bregenz, Austria; 7-Kapellen-Areal, Innsbruck, Austria; Galerie Krinzinger, Vienna, Austria<\/p>\n

Hans Hemmert, Tracey Moffat, Andr\u00e9s Pinal, Frank Thiel. Fot\u00f3grafos de los a\u00f1os noventa en la colecci\u00f3n CGAC, Sala Alameda de la Diputaci\u00f3n de M\u00e1laga, M\u00e1laga, Spain<\/p>\n

Remake Berlin, Fotomuseum Winterthur, Winterthur, Switzerland<\/p>\n

Urban Landscapes, Galeria Joan Prats, Barcelona, Spain<\/p>\n

1999<\/p>\n

dAPPERTutto, 48th Biennale di Venezia, Venice, Italy<\/p>\n

After The Wall, Moderna Museet, Stockholm, Sweden<\/p>\n

Le corps \u00e9vanoui, les images subites, Mus\u00e9e de l'Elys\u00e9e, Lausanne, Switzerland<\/p>\n

New Works, Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart, Berlin, Germany<\/p>\n

999, Centro d'Arte Contemporanea Ticino, B\u00e2timent Ex Troesch, Bellinzona, Switzerland<\/p>\n

Nuevas Visiones \/ Nuevas Pasiones. Artistas de la Colecci\u00f3n Helga de Alvear en Villa Iris, Fundaci\u00f3n Marcelino Bot\u00edn, Villa Iris, Santander, Spain<\/p>\n

The Edge of Awareness, WHO Regional Office and The Rabindra Bahvan Lalitkala Academy, New Delhi, India<\/p>\n

Einigkeit und Recht und Freiheit \u2013 Wege der Deutschen 1949\u20131999, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

1998<\/p>\n

Blickwechsel, Museum f\u00fcr Neue Kunst im Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

The Edge of Awareness, WHO Headquarters, Geneva, Switzerland; P.S.1 Contemporary Art Center, Long Island City, United States; SESC Pomp\u00e9ia, S\u00e3o Paulo, Brazil<\/p>\n

Die Unruhe und die Zufriedenheit oder Die Trag\u00f6die des Scheiterns, Badischer Kunstverein, Karlsruhe, Germany<\/p>\n

Luz y Fotograf\u00eda en la Colecci\u00f3n Helga de Alvear, Fundaci\u00f3n Caja Vital Kutxa, Vitoria, Spain<\/p>\n

Gesichter und Dinge \u2013 Zeitgen\u00f6ssische Fotografie, Neue Gesellschaft f\u00fcr Bildende Kunst, Berlin, Germany<\/p>\n

100 Jahre Kunst im Aufbruch, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany<\/p>\n

1997<\/p>\n

In Medias Res, Atat\u00fcrk Cultural Center, Istanbul, Turkey<\/p>\n

Kunst der Gegenwart, Museum f\u00fcr Neue Kunst im Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

Sous le signe de Renger-Patzsch, Mus\u00e9e de l'Elys\u00e9e, Lausanne, Switzerland<\/p>\n

1996<\/p>\n

Never shown before, Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

Junge Kunst, Wilhelm Hack Museum, Ludwigshafen, Germany<\/p>\n

1995<\/p>\n

Galerie Lutz Teutloff, Cologne, Germany<\/p>\n

IN-TRANSIT, Zeitgen\u00f6ssische Kunst aus Deutschland, Kunstsammlung Gera, Gera, Germany; Haus am Waldsee, Berlin, Germany<\/p>\n

1994<\/p>\n

Diario, Museu de Arte Moderna, Rio de Janeiro, Brazil; Galerie Hohenthal und Bergen, Cologne, Germany<\/p>\n

The Day After Tomorrow, Centro Cultural de Bel\u00e9m, Lisbon, Portugal<\/p>\n

IN-TRANSIT, Zeitgen\u00f6ssische Kunst aus Deutschland, Immeuble Charlemagne, Conseil des Communaut\u00e9s Europ\u00e9ennes, Brussels, Belgium<\/p>\n

Zeitgen\u00f6ssische Fotografie '94, Ursula Blickle Foundation, Kraichtal, Germany<\/p>\n

1993<\/p>\n

Emigration \u2014 Bilder von Abschied, Reise und Tod, Galerie Mosel und Tschechow, Munich, Germany<\/p>\n

Galerie Zellermayer, Berlin, Germany<\/p>\n

1992<\/p>\n

Humpty Dumpty's Kaleidoscope \u2014 A New Generation of German Artists, Museum of Contemporary Art, Sydney, Australia<\/p>\n

Einsamkeit \u2014 A German Sensation, Monasterio de Veruela, Veruela, Spain; Fundaci\u00f3n "La Caixa," Madrid, Spain; Sala Catalunya de la Fundaci\u00f3 "La Caixa," Barcelona, Spain; Casal Solleric, Palma de Mallorca, Spain<\/p>\n

Jahreslabor. Ein Bericht, Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

1991<\/p>\n

Panorama des Panoramas, Centre National de la Photographie, Palais de Tokyo, Paris, France<\/p>\n

Papier \u2014 Von der Linie zum Objekt, Kunsthalle Darmstadt, Germany<\/p>\n

Interferenzen \u2014 Kunst aus Westberlin 1960\u20131990, National Art Museum, Riga, Latvia<\/p>\n

Neue Aspekte in der Sammlung, Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

1990<\/p>\n

European Kodak Award, Rencontres Internationales de la Photographie, Arles, France; Museo Ken Damy di Fotografia Contemporanea, Brescia, Italy<\/p>\n

COLLECTIONS<\/h2>\n

Art Collection of the Federal Republic of Germany<\/p>\n

Art Gallery of Ontario, Toronto, Canada<\/p>\n

Berlinische Galerie, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Borusan Contemporary Art Collection, Istanbul, Turkey<\/p>\n

Cal Cego Contemporary Art Collection, Barcelona, Spain<\/p>\n

Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

Collection Allianz Versicherungs AG, Munich, Germany<\/p>\n

Collection Bank of America, New York, United States<\/p>\n

Collection Bayerische Hypo- und Vereinsbank AG, Munich, Germany<\/p>\n

Collection DZ Bank, Frankfurt am Main \/ Berlin, Germany<\/p>\n

Collection Deutsche Bank, Frankfurt am Main, Germany<\/p>\n

Collection Hypo Vereinsbank, New York, United States<\/p>\n

Collection of the City of Geneva, Switzerland<\/p>\n

Collection University of Salamanca, Salamanca, Spain<\/p>\n

Contemporary Art Collection of the Region of Madrid, CA2M Centro de Arte Dos de Mayo, Madrid, Spain<\/p>\n

Corcoran Gallery of Art, Washington D.C., United States<\/p>\n

Eastman Museum, Rochester, United States<\/p>\n

Ella Fontanals-Cisneros Collection, Miami, United States<\/p>\n

European Investment Bank Collection, Luxembourg, Luxembourg<\/p>\n

European Parliament Art Collection, Brussels, Belgium<\/p>\n

Fotomuseum Winterthur, Winterthur, Switzerland<\/p>\n

Fundaci\u00f3n Helga de Alvear, Madrid \/ C\u00e1ceres, Spain<\/p>\n

Hamburger Bahnhof, Museum f\u00fcr Gegenwart (Marx Collection), Berlin, Germany<\/p>\n

HBC Global Art Collection, New York, United States<\/p>\n

Hilti Art Foundation at Kunstmuseum Liechtenstein, Vaduz, Liechtenstein<\/p>\n

Hill Art Collection, New York, United States<\/p>\n

Hirshhorn Museum and Sculpture Garden, Washington D.C., United States<\/p>\n

ifa (Institut f\u00fcr Auslandsbeziehungen) Collection, Stuttgart, Germany<\/p>\n

IVAM, Institut Valenci\u00e0 d'Art Modern, Valencia, Spain<\/p>\n

Lhoist Collection, Limelette, Belgium<\/p>\n

MAST Foundation, Bologna, Italy<\/p>\n

The Martin Z. Margulies Collection, Miami, United States<\/p>\n

Moderna Museet, Stockholm, Sweden<\/p>\n

Modern Art Museum of Fort Worth, Fort Worth, United States<\/p>\n

Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid, Spain<\/p>\n

Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria<\/p>\n

Museum of Contemporary Art, Los Angeles, United States<\/p>\n

Museum f\u00fcr Neue Kunst im Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

Mus\u00e9e de l'Elys\u00e9e, Lausanne, Switzerland<\/p>\n

National Gallery of Art, Washington D.C., United States<\/p>\n

National Gallery of Canada, Ottawa, Canada<\/p>\n

National Gallery of Victoria, Melbourne, Australia<\/p>\n

Phillips Collection, Washington D.C., United States<\/p>\n

Portuguese State Contemporary Art Collection, Portugal<\/p>\n

Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia<\/p>\n

Speed Art Museum, Louisville, United States<\/p>\n

UBS Art Collection, Switzerland<\/p>\n

Villa Empain \u2013 Boghossian Foundation, Brussels, Belgium<\/p>\n

ZegnArt Collection, Milan, Italy<\/p>\n

PRIZES<\/h2>\n

1999<\/p>\n

Kunstfonds e.V. Bonn, Bonn, Germany<\/p>\n

1996<\/p>\n

Berlin Senate for Cultural Affairs, Berlin, Germany<\/p>\n

1995<\/p>\n

Kulturfonds Foundation Berlin, Berlin, Germany<\/p>\n

Award of the Helmut Kraft Foundation, Stuttgart, Germany<\/p>\n

Berlin Senate for Cultural Affairs, Berlin, Germany<\/p>\n

1994<\/p>\n

Award of the Ursula Blickle Foundation, Kraichtal, Germany<\/p>\n

1990<\/p>\n

German Kodak Award, Germany<\/p>\n<\/div>","curriculo":74284,"gallery":[40815,40817,40819,40821,40823,40825,40827,40829,40831,40833,40835,40837,40839,40841,40843,40845,40847,40849,40851,40853,40855,40857,40859,40861,40863,40865,40867,40869,40871,40873,40875],"videos":null,"text_artist":"","files":[{"file_title":"The Cut | 2018","file_item":40879},{"file_title":"BLOUIN ARTINFO | 2012","file_item":40881},{"file_title":"Traffic Magazine | 2010","file_item":40883}],"artist_works":"","artist_expo":null},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1780084691:7"],"_edit_last":["7"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["translation-editor"],"description":["

\n

Kleinmachnow, Germany, 1966. Lives and works in Berlin, Germany.<\/p>\n\n

EDUCATION<\/h2>\n

1987 - 1989<\/p>\n

Training College for Photography, Berlin, Germany<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2018<\/p>\n

15 [Quince], Sean Kelly, New York, United States<\/p>\n

Frank Thiel: Quincea\u00f1eras, Blain|Southern, Berlin, Germany<\/p>\n

2014<\/p>\n

Frank Thiel: Nowhere is a Place, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Frank Thiel: Nowhere is a Place, Sean Kelly Gallery, New York, United States<\/p>\n

Los Arados de Dios, Galerie Krinzinger, Vienna, Austria<\/p>\n

2010<\/p>\n

Frank Thiel, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2009<\/p>\n

Frank Thiel, Galeria Helga de Alvear, Madrid, Spain<\/p>\n

Frank Thiel: New Work, Sean Kelly, New York, United States<\/p>\n

2006<\/p>\n

Frank Thiel: Void Territory, Sean Kelly Gallery, New York, USA<\/p>\n

Galerie Krinzinger, Vienna, Austria<\/p>\n

The Search For Distance, Goethe Institute Thessaloniki, Greece (traveling exhibition)<\/p>\n

2005<\/p>\n

National Art Museum, Kiev, Ukraine; Museum of Western and Eastern Art, Odessa, Ukraine<\/p>\n

2004<\/p>\n

Frank Thiel, Sean Kelly, New York, United States<\/p>\n

2003<\/p>\n

Frank Thiel \u2013 Fotografien der Jahre 1999-2003, Galerie Krizinger, Vienna, Austria<\/p>\n

Galeria Helga de Alvear, Madrid, Spain<\/p>\n

2002<\/p>\n

Frank Thiel, Sean Kelly, New York<\/p>\n

Galerie Art+Public, Geneva, Switzerland<\/p>\n

Kunstverein Ludwigsburg, Ludwigsburg, Germany<\/p>\n

2001<\/p>\n

Begijnhof II; Under Construction, Galeria Estrany de la Mota, Barcelona<\/p>\n

Espai Lucas, Valencia, Spain<\/p>\n

2000<\/p>\n

City TV (Berlin), Ileana Tounta Contemporary Art Center, Athens, Greece<\/p>\n

Street Level Gallery, Glasgow, Norway; Goethe-Institut Manchester, Manchester, United Kingdom; Dublin, Ireland<\/p>\n

1999<\/p>\n

City TV (Berlin), Galerie Haas und Fuchs, Berlin, Germany; Forum Kunst, Rottweil, Germany<\/p>\n

Galeria Helga de Alvear, Madrid, Spain<\/p>\n

Galerie Art+Public, Geneva, Switzerland<\/p>\n

Goethe Institutes Singapore; National Art Gallery, Kuala Lumpur, Malaysia; Jakarta, Indonesia; Bandung, Indonesia; Bratislava, Slovakia; Museum of Imaging Technology, Chulalongkorn University, Bangkok, Thailand<\/p>\n

IMAGO'99, Universidad de Salamanca, Centro de Fotografia, Patio de Escuelas, Salamanca, Spain<\/p>\n

1998<\/p>\n

Academy of Fine Arts, Izmir, Turkey; Goethe Institutes Ankara, Turkey and Seoul, Korea.<\/p>\n

Frank Thiel, Berl\u00edn, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

1997<\/p>\n

Galerie Art+Public, Geneva, Switzerland<\/p>\n

Goethe Institute Minsk, Minsk, Russia; Rosizo Gallery, Moscow, Russia<\/p>\n

Statements, Art28 Basel, Basel, Switzerland<\/p>\n

1996<\/p>\n

Frank Thiel, Centre Culturel le Parvis, Tarbes, France; Goethe Institute, Brussels, Belgium<\/p>\n

Heidelberger Kunstverein, Studio Gallery, Heidelberg, Germany<\/p>\n

Hotel Berolina, Galerie Michael Fuchs, Berlin, Germany<\/p>\n

1995<\/p>\n

Goethe Institute, Paris, France; Galerie Cond\u00e9, Paris, France<\/p>\n

Prison Gates, Ursula Blickle Foundation, Kraichtal, Germany<\/p>\n

1993<\/p>\n

Modulo, Centro Difusor de Arte, Lisbon, Portugal<\/p>\n

1992<\/p>\n

Galerie Zellermayer, Berlin, Germany<\/p>\n

1991<\/p>\n

Galerie Zellermayer, Berlin, Germany<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

The Audacity of Scale, Sean Kelly, New York, United States<\/p>\n

2025<\/p>\n

Despu\u00e9s de todo: Fotograf\u00eda en la Colecci\u00f3n Helga de Alvear, Espacio Cultural Serrer\u00eda Belga, Madri, Espanha<\/p>\n

Parsifal, Galeria Helga de Alvear, Madrid, Spain<\/p>\n

2024<\/p>\n

The Fog of War, Meckelhalle Freiburg, Germany (touring exhibition)<\/p>\n

2023<\/p>\n

The Fog of War, Goethe Institute in Tbilisi, Georgia; Goethe Institute Almaty, Kazakhstan; Meckelhalle, Freiburg, Germany (touring exhibition)<\/p>\n

Photography in Between: Photography in the IVAM collection after 1950, Institut Valenci\u00e0 d'Art Modern, Val\u00e9ncia, Spain<\/p>\n

The Whole Palette, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein<\/p>\n

Power of G.A.S., Gagliardi e Domke, Torino, Italy<\/p>\n

2022<\/p>\n

Belonging \u2013 works from the collection of the European Investment Bank, Bourn Vincent Gallery of the University of Limerick, Limerick, Ireland<\/p>\n

Perspectives: Recent Gifts of Contemporary Art, Eastman Museum, Rochester, New York, United States<\/p>\n

Matador 25 Years. Journey to the heart of a mythical magazine, Fern\u00e1n G\u00f3mez, Centro Cultural de la Villa, Madrid, Spain<\/p>\n

T\u00e1ctica Sint\u00e1ctica, Centro de Arte de Dos de Mayo, Madrid, Spain<\/p>\n

The Big Picture: Photography's Moment, Nassau County Museum of Art, Roslyn, New York, United States<\/p>\n

The Fog of War, Goethe-Center Baku, Kapellhaus, Baku, Azerbaijan (touring exhibition)<\/p>\n

The MAST Collection. A visual alphabet of industry, work and technology, MAST Foundation, Bologna, Italy<\/p>\n

2021<\/p>\n

Fotografo o que n\u00e3o vejo, Instituto Figueiredo Ferraz, S\u00e3o Paulo, Brazil<\/p>\n

Helga de Alvear Collection, Museum of Contemporary Art Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

Janelas para dentro (Inward Windows), Casa Mill\u00e1n, S\u00e3o Paulo, Brazil<\/p>\n

Moving Memories, Cocoon, Fi\u015fekhane, Istanbul, Turkey<\/p>\n

Photography in the middle, Photography in the IVAM collection after 1950, Valencian Institute of Modern Art, IVAM, Valencia, Spain<\/p>\n

Thousand Ways to Say City, Gagliardi and Somke Contemporary, Turin, Italy<\/p>\n

Water Reverie, Borusan Contemporary, Istanbul, Turkey<\/p>\n

What is a Collection made of?, Flux and Metamorphosis, Centro de Arte Contempor\u00e2nea e Coimbra, Coimbra, Portugal<\/p>\n

Wire Frame, A virtual exhibition curated by Mika Tajima, Hill Art Foundation, New York, United States<\/p>\n

2020<\/p>\n

Eclectic. Photography from the Gagliardi Collection, Gagliardi e Domke Contemporary, Torino, Italy<\/p>\n

Nach uns die Sintflut, Kunst Haus Wien, Vienna, Austria<\/p>\n

Parley Collective x Vortic, initiative by Parley for the Oceans and Vortic in collaboration with 12 galleries, New York, United States (digital exhibition)<\/p>\n

The Exhibition \u2013 Collect Wisely, Sean Kelly Gallery, New York, United States (digital exhibition)<\/p>\n

The World to Come: Art in the Age of the Anthropocene, DePaul Art Museum, Chicago, Unites States<\/p>\n

Water Reverie, Borusan Contemporary Art Collection, Istanbul, Turkey<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Art Palace, Minsk, Belarus (touring exhibition)<\/p>\n

World Peace, MoCA Westport, Connecticut, United States<\/p>\n

2019<\/p>\n

4th Montevideo Biennial - Traves\u00edas Atl\u00e1nticas (curated by Alfons Hug and Alejandro Cruz), Montevideo, Uruguay<\/p>\n

My Garden of Eden (curated by Bob van Orsouw), Christopher Guye Galerie, Z\u00fcrich, Switzerland<\/p>\n

A Doll's House (curated by Alfons Hug and Asli Samadova), Goethe Institut, German-Azerbaijani Cultural Association, Kapellhaus, Baku, Azerbaijan; Goethe Institut, Tbilsi, Georgia<\/p>\n

Epidermis \u2013 Conditio humana \u2013 Cosmos Works from the Hilti Art Foundation, Kunstmuseunm Liechntenstein, Vaduz, Liechtenstein<\/p>\n

The World to Come: Art in the Age of the Anthropocene, University of Michigan Museum of Art, Ann Arbor, Michigan, United States<\/p>\n

2018<\/p>\n

The World to Come: Art in the Age of the Anthropocene, Harn Museum of Art, University of Florida, Gainesville, United States<\/p>\n

Beyond Borders (curated by Delphine Munro and Michket Krifa), Boghossian Foundation, Brussels, Belgium<\/p>\n

11th Mercosul Biennial, O Tri\u00e2ngulo do Atl\u00e2ntico (curated by Alfons Hug and Paula Borghi), Porto Alegre, Brazil<\/p>\n

Before and Behind the Lens. Photography in the Collection, Moderna Museet, Stockholm, Sweden<\/p>\n

EDIFICE, COMPLEX, VISIONARY, STRUCTURE, Sean Kelly, New York, United States<\/p>\n

2017<\/p>\n

Remains of the Days, Borusan Contemporary, Istanbul, Turkey<\/p>\n

Selected, Sean Kelly, New York, United States<\/p>\n

Viajando Pelo Mundo, Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2016<\/p>\n

Viaje alrededor del mundo, Instituto Cultural Caba\u00f1as & Museo de Arte de Zapopan, Guadalajara, Mexico<\/p>\n

The Antarctic Sublime & Elements of Nature: Water, The Dayton Art Institute, Dayton, United States<\/p>\n

Deck Voyage (curated by Necmi S\u00f6nmez), Borusan Contemporary, Istanbul, Turkey<\/p>\n

Fora da ordem - Obras da Cole\u00e7\u00e3o Helga de Alvear, Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Zeitgeist: a Arte da Nova Berlim (curated by Alfons Hug), Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil<\/p>\n

2015<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Busan Museum of Art, Busan, South Korea (touring exhibition)<\/p>\n

Convergence(s), works from The European Investment Bank Collection, Cercle Cit\u00e9, Luxembourg<\/p>\n

Zeitgeist: a Arte da Nova Berlim (curated by Alfons Hug), Centro Cultura Banco do Brasil, Belo Horizonte, Rio de Janeiro, Brazil (touring exhibition)<\/p>\n

Framing Desire: Photography and Video, The Modern Art Museum of Fort Worth, Fort Worth, United States<\/p>\n

Landscape in My Mind. Landscape Photography Today, Kunstforum Vienna, Vienna, Austria<\/p>\n

2014<\/p>\n

Momento Contempor\u00e2neo (curated by Paulo Ven\u00e2ncio Filho), Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Las l\u00e1grimas de las cosas \/ The Tears of Things, Centro de Artes Visuales Fundaci\u00f3n Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

We, the Enemy \u2013 Leben unter Verdacht, European Media Art Festival, Kunsthalle Osnabr\u00fcck, Germany<\/p>\n

Forms of Attraction: Kjaerholm, Tenreiro and Selected Works, Sean Kelly, New York, United States<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Moscow Museum Of Modern Art, Moscow, Russia (touring exhibition)<\/p>\n

Accrochage, Galerie Michael Fuchs, Berlin, Germany<\/p>\n

Hatje Cantz & du Moulin im Bikini, Bikini, Berlin, Germany<\/p>\n

2013<\/p>\n

El Arte Del Presente, Colecci\u00f3n Helga de Alvear, Centro Cibeles de Cultura Ciudadan\u00eda, Palacio de Cibeles, Madrid, Spain<\/p>\n

Vues d'en haut \/ Views From Above, Centre Pompidou-Metz, Metz, France<\/p>\n

Inner Journeys, Maison Particuli\u00e8re, Brussels, Belgium<\/p>\n

Blider einer Stadt, Pavlov`s Dog, Berlin, Germany<\/p>\n

WELTREISE. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des IFA 1949 \u2014 heute, Museum f\u00fcr Neue Kunst, ZKM, Karlsruhe, Germany (touring exhibition)<\/p>\n

Stadt in Sicht - Werke aus der Sammlung Deutsche Bank. Von Feininger bis Gursky, Museum Ostwall, Dortmund, Germany<\/p>\n

2012<\/p>\n

Al\u00e9m da Forma, Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

CIFO: Una mirada m\u00faltiple. Selecciones de la Colecci\u00f3n Ella Fontanals-Cisneros, Museo Nacional de Bellas Artes, Havana, Cuba<\/p>\n

The Gallery Collection, Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

Elton John's AIDS Foundation Photography Portfolio II, Marian Goodman Gallery, New York, United States<\/p>\n

Juegos de Lenguaje, Una introducci\u00f3n al arte de nuestro tiempo, Centro de Artes Visuales Fundaci\u00f3n Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

Fotografia Contempor\u00e2nea, Galeria Cordeiros, Porto, Portugal<\/p>\n

Under Construction: Art and Architecture in the Collection Teixeira de Freitas, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Tenerife, Spain<\/p>\n

First Choice\u2014From Private Collections V, Galerie Carzaniga, Basel, Switzerland<\/p>\n

2011<\/p>\n

Left Behind: Selected Gifts from the Heather and Tony Podesta Collection, The Philips Collection, Washington, United States<\/p>\n

Portraits of Artists, Sean Kelly Gallery, New York, United States<\/p>\n

*Plus que vrai!, Genomic Center for the Arts, Saint Die des Vosges, France<\/p>\n

Ludwig Schwarz: On Painting, Dallas Contemporary, Dallas, United States<\/p>\n

Private Art Collection, Bob van Orsouw, Zurich, Switzerland<\/p>\n

Still (curated by Diedrich Diederichsen), Galerie Michael Fuchs, Berlin, Germany<\/p>\n

Gentes e Lugares \/ People and Places. O Novo Som e a Imagem na Colec\u00e7\u00e3o Berardo \/ The New Sound and Image in the Berardo Collection, Museu Colec\u00e7\u00e3o Berardo, Lisbon, Portugal<\/p>\n

Portraits & Faces, Heldart | Matthias Held, Berlin, Germany<\/p>\n

2010<\/p>\n

Schimmern\/ Shimmering, Magazin 4, Bregenzer Kunstverein, Bregenz, Austria<\/p>\n

*FOOTNOTE NUMBER FOUR: On Rem Koolhaas and Harald Szeemann, curated by Raimundas Malasauskas and Sophie von Olfers, Artists Space, New York, United States<\/p>\n

Nullpunkt \/ Ground Zero (curated by Martin Herbert), Magazin 4, Bregenzer Kunstverein, Bregenz, Austria<\/p>\n

Art and Architecture in Contemporary Photographs, Yossi Milo Gallery, New York, United States<\/p>\n

Building Blocks (curated by Diedrich Diederichsen), Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig, Germany<\/p>\n

Colecci\u00f3n Berg\u00e9, Heterotop\u00edas. Una aproximaci\u00f3n a las narrativas disidentes, MARCO Museo de Arte Contempor\u00e1neo de Vigo, Spain<\/p>\n

Accrochage, Michael Fuchs Galerie, Berlin, Germany<\/p>\n

Estancias, Residencias, Presencias. Una construcci\u00f3n particular, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Spain<\/p>\n

Inside Out, Photography After Form: Selections from the Ella Fontanals-Cisneros, Collection, Cisneros Fontanals Art Foundation, Miami, United States<\/p>\n

Menos Tiempo que Lugar, El Arte de la Independencia: Ecos Contempor\u00e1neos, Palais de Glace - Palacio Nacional de las Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; Museo de Antioquia, Medell\u00edn, Colombia (touring exhibition)<\/p>\n

Out of Control\u2014Berlin, BIP2010 - 7\u00e8me Biennale Internationale de la Photographie et des Arts visuels, Le Grand Curtius, Li\u00e8ge, Belgium<\/p>\n

2009<\/p>\n

Atlas Cartographie du don (curated by Elia Pijollet), Mus\u00e9e de la Civilisation, Quebec, Canada<\/p>\n

La luz en la Colecci\u00f3n Helga de Alvear \/ Light in the Helga de Alvear Collection, Centro de Artes Visuales Fundaci\u00f3n Helga de Alvear, C\u00e1ceres, Spain<\/p>\n

The Poetic Document, National Gallery of Canada, Ottawa, Canada<\/p>\n

Heimat Moderne. Die Fotografie von Arno Fischer bis Frank Thiel, Stadtmuseum Oldenburg, Oldenburg, Germany<\/p>\n

Arbeiten in Berlin, Werke aus der Berlinischen Galerie (curated by J\u00f6rn Merkert), W\u00fcrttembergischer Kunstverein, Stuttgart, Germany<\/p>\n

Universos Desdoblados, MARCO Museo de Arte Contempor\u00e1neo de Monterrey, Monterrey, Mexico<\/p>\n

Landpartie II. Kunst in und aus Brandenburg 1999 \u2013 2009, Brandenburgischer Kunstverein Potsdam e.V., Potsdam, Germany<\/p>\n

Artists Of The Gallery, A Special Selection, Galerie Krinzinger, Vienna, Austria<\/p>\n

As Time Goes By, Kunstwerke \u00fcber Zeit, Berlinische Galerie, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Berlin 89\/09 \u2013 Kunst zwischen Spurensuche und Utopie, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Berlin Now, Gallery Camera Work, Berlin, Germany<\/p>\n

Intersecciones: Memoria, Realidad y Nuevos Tiempos, X Bienal de Cuenca, Cuenca, Ecuador<\/p>\n

Kunst und \u00d6ffentlichkeit. 40 Jahre Neuer Berliner Kunstverein, Neuer Berliner Kunstverein, Berlin, Germany<\/p>\n

private view, St\u00e4dtische Galerie Villingen-Schwenningen, Villingen-Schwenningen, Germany<\/p>\n

2008<\/p>\n

Artist-Citizen, Contextual Art Practices, 49th October Salon, Belgrade, Serbia<\/p>\n

Constructio, Galer\u00eda Antonio de Barnola, Barcelona, Spain<\/p>\n

The Prisoner's Dilemma: How Artists Respond to the Exercise of Power in Contemporary Life, Selections from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, United States<\/p>\n

Rel\u00edquias & Ru\u00ednas, SESC Paulista, S\u00e3o Paulo, Brazil<\/p>\n

Paix\u00f3ns Privadas, Visi\u00f3ns P\u00fablicas, MARCO, Museo de Arte Contempor\u00e1neo de Vigo, Vigo, Spain<\/p>\n

Atemporalidad, Colecci\u00f3n PECAR, Museo de Bellas Artes de Santander, Santander, Spain<\/p>\n

Summer Exhibition, Cook Fine Art, New York, United States<\/p>\n

En face \/ surface, Grita Insam Gallery, Vienna, Austria<\/p>\n

Generational Issue, CGAC Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

2007<\/p>\n

Janus\u2014The Double Face of Photography, Holdings from the Permanent Collection, Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid, Spain<\/p>\n

Rel\u00edquias & Ru\u00ednas, Centro Cultural Oi Futuro, Rio de Janeiro, Brazil; SESC Paulista, S\u00e3o Paulo, Brazil<\/p>\n

Global Anxieties: Perspectives on a Changing Planet, The College of Wooster Art Museum, Wooster, United States<\/p>\n

A Generational Question, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

La vida privada: Representations of Tragedy and Contemporary Banalities, Colecci\u00f3n Josep Ma Civit, CDAN Centro de Arte y Naturaleza \u2013 Fundaci\u00f3n Beulas, Huesca, Spain<\/p>\n

Poul Kj\u00e6rholm: Structures and Surfaces, Sean Kelly and R Gallery, New York, United States<\/p>\n

Spectacular Space, Galerie Bob van Orsow, Z\u00fcrich, Switzerland<\/p>\n

Pure, Sean Kelly, New York, United States<\/p>\n

Fa\u00e7ade, Architecture, Space, Cook Fine Art, New York, United States<\/p>\n

Guests, Galer\u00eda Juan Sili\u00f3, Santander, Spain<\/p>\n

2006<\/p>\n

Berlin-Tokyo\/Tokyo-Berlin. A Tale of Two Cities, Mori Art Museum, Tokyo, Japan; Neue Nationalgalerie, Berlin, Germany<\/p>\n

Big City Lab, Art Forum Berlin, Berlin, Germany<\/p>\n

Constructing New Berlin, Phoenix Art Museum, Phoenix, Arizona; Bass Museum of Art, Miami Beach, United States<\/p>\n

Flic Flac, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Glasskultur: What Became of Transparence? Koldo Mitxelena, San Sebasti\u00e1n, Spain; Centre d'Art La Panera, L\u00e9rida, Spain<\/p>\n

Helga de Alvear \u2013 Concepts for a Collection, Exhibition Centre of Centro Cultural de Bel\u00e9m, Brazil<\/p>\n

Hundred Kisses Are Better Than One, Krinzinger Projects, Vienna, Austria<\/p>\n

Landscape in Contemporary Photography, Briggs Robinson Gallery, Southampton, United States<\/p>\n

Metropolitanscape, Palazzo Cavour, Turin, Italy<\/p>\n

Photo-Septiembre, Jacob Karpio Galer\u00eda, San Jos\u00e9, Costa Rica<\/p>\n

Photosynkria 2006: Contemporary Trends in Documentary Photography, Museum for Photography, Thessaloniki, Greece<\/p>\n

Post-Doc, Museum for Photography, Thessaloniki, Greece<\/p>\n

Suspension, Dunn and Brown Contemporary, Dallas, United States<\/p>\n

2005<\/p>\n

Architektur mobil, Rudolf-Scharpf-Galerie, Ludwigshafen, Germany<\/p>\n

Beyond Delirious, Indeterminate States, Cisneros Fontanals Art Foundation, Miami, United States<\/p>\n

Contemporary Visions, Photographs and Videos from the Helga de Alvear Collection, Oulun City Art Museum, Oulu, Finland; Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo (MEIAC), Badajoz, Spain<\/p>\n

Gegenwelten. The 20th Century in the Neue Nationalgalerie, Neue Nationalgalerie, Berlin, Germany<\/p>\n

Miradas y Conceptos en la Colecci\u00f3n Helga de Alvear, Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo (MEIAC), Badajoz, Spain<\/p>\n

Passion Beyond Reason, Wallstreet One, Berlin, Germany<\/p>\n

Private View 1980\/2000: Collection Pierre Huber, Mus\u00e9e Cantonal des Beaux-Arts de Lausanne, Lausanne, Switzerland<\/p>\n

Zur Vorstellung des Terrors: Die RAF-Ausstellung, Kunst-Werke Berlin, Institute for Contemporary Art, Berlin, Germany; Landesmuseum Joanneum, Graz, Austria<\/p>\n

2004<\/p>\n

On Reason and Emotion, 14th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia<\/p>\n

Faces, Places, Traces: New Acquisitions to the Photographs Collection, National Gallery of Canada, Ottawa, Canada<\/p>\n

Return to Realism. Contemporary Art from the UBS Art Collection, Boca Raton Museum of Art, Boca Raton, United States<\/p>\n

Building the Collection, New and Future Acquisitions, Art Gallery of Ontario, Toronto, Canada<\/p>\n

A Ara\u00f1eira. 100 Artists from the CGAC Collection, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

durchBlicke durchBr\u00fcche, The Collection of Berlinische Galerie, Berlinische Galerie, Museum for Modern Art, Photography and Architecture, Berlin, Germany<\/p>\n

COLD PLAY Set 1 from the Collection of the Fotomuseum Winterthur, Paris Photo, Paris, France<\/p>\n

La Collection Ord\u00f3\u00f1ez Falc\u00f3n \u2014 Une Passion Partag\u00e9e, Le Botanique, Cultural Center of the Wallonia-Brussels Community, Brussels, Belgium<\/p>\n

Contemporary Visions, Photographs and Videos from the Helga de Alvear Collection, W\u00e4in\u00f6 Aaltonen Museum, Turku, Finland<\/p>\n

Querschnitt_Selezione Trasversale, Gas Art Gallery, Turin, Italy<\/p>\n

The Furniture of Poul Kjaerholm and Selected Artwork, Sean Kelly Gallery, New York, United States<\/p>\n

Castastrofi minima, Museo de Arte de Nuoro, Sardinia, Italy<\/p>\n

2003<\/p>\n

O Del\u00edrio do Chimborazo, 4th Mercosul Visual Arts Biennial, Porto Alegre, Brazil<\/p>\n

Cold Play, Fotomuseum Winterthur, Winterthur, Switzerland<\/p>\n

Arquivo e Simula\u00e7\u00e3o, Centro Cultural de Bel\u00e9m, Lisbon, Portugal<\/p>\n

Embracing the Present: The UBS Art Collection, Austin Museum of Art, Austin, United States \/ Phoenix Art Museum, Phoenix, United States<\/p>\n

A Nova Geometria, Galeria Fortes Vila\u00e7a, S\u00e3o Paulo, Brazil<\/p>\n

La Ciudad Radiante, 2nd Biennale of Valencia, Fundaci\u00f3n Bancaixa, Valencia, Spain<\/p>\n

Xogos de Escala, Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

Raum, Zeit\u2014Architektur in der Fotografie, Works from the DZ Bank Collection, Oldenburger Kunstverein, and Landesmuseum f\u00fcr Kunst und Kulturgeschichte Oldenburg, Oldenburg, Germany<\/p>\n

Realidad y Representaci\u00f3n, Collecting Landscapes Today, Fundaci\u00f3 Foto Colectania, Barcelona, Spain<\/p>\n

La Photographie Allemande, Galerie Art+Public, Geneva, Switzerland<\/p>\n

Tra Est e Ovest\u2014From East to West, Gas Art Gallery, Turin, Italy<\/p>\n

Complicidades II. Aspectos ret\u00f3ricos de la fotograf\u00eda actual, Centro Nacional de Fotograf\u00eda de Torrelavega, Torrelavega, Spain<\/p>\n

Catastrofi Minime, Museo d'Arte di Nuoro, Nuoro, Italy<\/p>\n

2002<\/p>\n

Iconografias Metropolitanas, Cidades, 25th Bienal de S\u00e3o Paulo, Pavilh\u00e3o Ciccillo Matarazzo, Parque Ibirapuera, S\u00e3o Paulo, Brazil<\/p>\n

Embracing the Present: The UBS Art Collection, Portland Museum of Art, Portland, United States; Fundaci\u00f3n Sa Nostra de Palma de Mallorca, Palma de Mallorca, Spain; Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

Human Park, An Exhibition of Global Creatures, Palau de la Virreina, Barcelona, Spain; Fundaci\u00f3n Sa Nostra de Palma de Mallorca, Palma de Mallorca, Spain; Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

Divine the Grid, Vedanta Gallery, Chicago, United States<\/p>\n

Bras\u00edlia \u2014 Ruina e Utopia, Centro Cultural Banco do Brasil, Bras\u00edlia, Brazil<\/p>\n

Sans Consentement, Centre d'Art Neuch\u00e2tel, Neuch\u00e2tel, Switzerland<\/p>\n

Agua \u2014 Wasser, Antigua Facultad de Medicina \/ Tribunal del Santo Oficio, Mexico City, Mexico<\/p>\n

La Collection Ord\u00f3\u00f1ez Falc\u00f3n, Rencontres Internationales de la Photographie, IRPA, Arles, France<\/p>\n

In Szene Gesetzt, Architektur in der Fotografie der Gegenwart, Museum f\u00fcr Neue Kunst, ZKM, Karlsruhe, Germany; St\u00e4dtische Galerie Erlangen, Erlangen, Germany; Kunsthaus Kaufbeuren, Kaufbeuren, Germany<\/p>\n

Grace & Gravity, Galeria Estrany de la Mota, Barcelona, Spain<\/p>\n

Paisajes Contempor\u00e1neos, Colecci\u00f3n Helga de Alvear, Fundaci\u00f3 Foto Colectania, Barcelona, Spain<\/p>\n

Frank Thiel \/ Bernard Vo\u00efta, Galerie Bob van Orsouw, Zurich, Switzerland<\/p>\n

2001<\/p>\n

CTRL [Space] Rhetorics of Surveillance from Bentham to Big Brother, Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

Remake Berlin, Neuer Berliner Kunstverein, Berlin, Germany; DAAD Galerie, Berlin, Germany; Rencontres Internationales de la Photographie, Arles, France<\/p>\n

SK 76 \/ 2-Mp (XIII), Art Unlimited, Art 32 Basel, Basel, Switzerland<\/p>\n

Brave New World, Galeria OMR, Mexico City, Mexico<\/p>\n

Begijnhof II; Under Construction, Galeria Estrany de la Mota, Barcelona, Spain<\/p>\n

Crisis. Reflexiones Conceptuales en la Arte Contempor\u00e1neo Internacional, Fundaci\u00f3n Picasso, Museo Casa Natal, M\u00e1laga, Spain<\/p>\n

Casas y ciudades, Salas de Armas de la Ciudadela, Pamplona, Spain<\/p>\n

Taking Care, SMART Projekt Space, Amsterdam, Netherlands<\/p>\n

Fotograf\u00eda Internacional en las colecciones privadas de Cantabria, Sala Robayera, Cantabria, Spain<\/p>\n

Im\u00e1genes de un tiempo, Sala La Granja, Casa de Cultura, Santa Cruz de Tenerife, Spain<\/p>\n

2000<\/p>\n

90 60 90, Museo Jacobo Borges, Caracas, Venezuela<\/p>\n

After The Wall, Ludwig M\u00fazeum Budapest, Budapest, Hungary; Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart, Berlin, Germany<\/p>\n

Arquitectura de Colecci\u00f3n, Sala de Exposiciones del Ministerio de Fomento, Madrid, Spain<\/p>\n

Berlin \u2014 Binnendifferenz, Benger-Areal, Bregenz, Austria; 7-Kapellen-Areal, Innsbruck, Austria; Galerie Krinzinger, Vienna, Austria<\/p>\n

Hans Hemmert, Tracey Moffat, Andr\u00e9s Pinal, Frank Thiel. Fot\u00f3grafos de los a\u00f1os noventa en la colecci\u00f3n CGAC, Sala Alameda de la Diputaci\u00f3n de M\u00e1laga, M\u00e1laga, Spain<\/p>\n

Remake Berlin, Fotomuseum Winterthur, Winterthur, Switzerland<\/p>\n

Urban Landscapes, Galeria Joan Prats, Barcelona, Spain<\/p>\n

1999<\/p>\n

dAPPERTutto, 48th Biennale di Venezia, Venice, Italy<\/p>\n

After The Wall, Moderna Museet, Stockholm, Sweden<\/p>\n

Le corps \u00e9vanoui, les images subites, Mus\u00e9e de l'Elys\u00e9e, Lausanne, Switzerland<\/p>\n

New Works, Hamburger Bahnhof \u2013 Museum f\u00fcr Gegenwart, Berlin, Germany<\/p>\n

999, Centro d'Arte Contemporanea Ticino, B\u00e2timent Ex Troesch, Bellinzona, Switzerland<\/p>\n

Nuevas Visiones \/ Nuevas Pasiones. Artistas de la Colecci\u00f3n Helga de Alvear en Villa Iris, Fundaci\u00f3n Marcelino Bot\u00edn, Villa Iris, Santander, Spain<\/p>\n

The Edge of Awareness, WHO Regional Office and The Rabindra Bahvan Lalitkala Academy, New Delhi, India<\/p>\n

Einigkeit und Recht und Freiheit \u2013 Wege der Deutschen 1949\u20131999, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

1998<\/p>\n

Blickwechsel, Museum f\u00fcr Neue Kunst im Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

The Edge of Awareness, WHO Headquarters, Geneva, Switzerland; P.S.1 Contemporary Art Center, Long Island City, United States; SESC Pomp\u00e9ia, S\u00e3o Paulo, Brazil<\/p>\n

Die Unruhe und die Zufriedenheit oder Die Trag\u00f6die des Scheiterns, Badischer Kunstverein, Karlsruhe, Germany<\/p>\n

Luz y Fotograf\u00eda en la Colecci\u00f3n Helga de Alvear, Fundaci\u00f3n Caja Vital Kutxa, Vitoria, Spain<\/p>\n

Gesichter und Dinge \u2013 Zeitgen\u00f6ssische Fotografie, Neue Gesellschaft f\u00fcr Bildende Kunst, Berlin, Germany<\/p>\n

100 Jahre Kunst im Aufbruch, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany<\/p>\n

1997<\/p>\n

In Medias Res, Atat\u00fcrk Cultural Center, Istanbul, Turkey<\/p>\n

Kunst der Gegenwart, Museum f\u00fcr Neue Kunst im Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

Sous le signe de Renger-Patzsch, Mus\u00e9e de l'Elys\u00e9e, Lausanne, Switzerland<\/p>\n

1996<\/p>\n

Never shown before, Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

Junge Kunst, Wilhelm Hack Museum, Ludwigshafen, Germany<\/p>\n

1995<\/p>\n

Galerie Lutz Teutloff, Cologne, Germany<\/p>\n

IN-TRANSIT, Zeitgen\u00f6ssische Kunst aus Deutschland, Kunstsammlung Gera, Gera, Germany; Haus am Waldsee, Berlin, Germany<\/p>\n

1994<\/p>\n

Diario, Museu de Arte Moderna, Rio de Janeiro, Brazil; Galerie Hohenthal und Bergen, Cologne, Germany<\/p>\n

The Day After Tomorrow, Centro Cultural de Bel\u00e9m, Lisbon, Portugal<\/p>\n

IN-TRANSIT, Zeitgen\u00f6ssische Kunst aus Deutschland, Immeuble Charlemagne, Conseil des Communaut\u00e9s Europ\u00e9ennes, Brussels, Belgium<\/p>\n

Zeitgen\u00f6ssische Fotografie '94, Ursula Blickle Foundation, Kraichtal, Germany<\/p>\n

1993<\/p>\n

Emigration \u2014 Bilder von Abschied, Reise und Tod, Galerie Mosel und Tschechow, Munich, Germany<\/p>\n

Galerie Zellermayer, Berlin, Germany<\/p>\n

1992<\/p>\n

Humpty Dumpty's Kaleidoscope \u2014 A New Generation of German Artists, Museum of Contemporary Art, Sydney, Australia<\/p>\n

Einsamkeit \u2014 A German Sensation, Monasterio de Veruela, Veruela, Spain; Fundaci\u00f3n "La Caixa," Madrid, Spain; Sala Catalunya de la Fundaci\u00f3 "La Caixa," Barcelona, Spain; Casal Solleric, Palma de Mallorca, Spain<\/p>\n

Jahreslabor. Ein Bericht, Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

1991<\/p>\n

Panorama des Panoramas, Centre National de la Photographie, Palais de Tokyo, Paris, France<\/p>\n

Papier \u2014 Von der Linie zum Objekt, Kunsthalle Darmstadt, Germany<\/p>\n

Interferenzen \u2014 Kunst aus Westberlin 1960\u20131990, National Art Museum, Riga, Latvia<\/p>\n

Neue Aspekte in der Sammlung, Berlinische Galerie \u2013 Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Martin-Gropius-Bau, Berlin, Germany<\/p>\n

1990<\/p>\n

European Kodak Award, Rencontres Internationales de la Photographie, Arles, France; Museo Ken Damy di Fotografia Contemporanea, Brescia, Italy<\/p>\n

COLLECTIONS<\/h2>\n

Art Collection of the Federal Republic of Germany<\/p>\n

Art Gallery of Ontario, Toronto, Canada<\/p>\n

Berlinische Galerie, Museum f\u00fcr Moderne Kunst, Fotografie und Architektur, Berlin, Germany<\/p>\n

Borusan Contemporary Art Collection, Istanbul, Turkey<\/p>\n

Cal Cego Contemporary Art Collection, Barcelona, Spain<\/p>\n

Centro Galego de Arte Contempor\u00e1nea, Santiago de Compostela, Spain<\/p>\n

Collection Allianz Versicherungs AG, Munich, Germany<\/p>\n

Collection Bank of America, New York, United States<\/p>\n

Collection Bayerische Hypo- und Vereinsbank AG, Munich, Germany<\/p>\n

Collection DZ Bank, Frankfurt am Main \/ Berlin, Germany<\/p>\n

Collection Deutsche Bank, Frankfurt am Main, Germany<\/p>\n

Collection Hypo Vereinsbank, New York, United States<\/p>\n

Collection of the City of Geneva, Switzerland<\/p>\n

Collection University of Salamanca, Salamanca, Spain<\/p>\n

Contemporary Art Collection of the Region of Madrid, CA2M Centro de Arte Dos de Mayo, Madrid, Spain<\/p>\n

Corcoran Gallery of Art, Washington D.C., United States<\/p>\n

Eastman Museum, Rochester, United States<\/p>\n

Ella Fontanals-Cisneros Collection, Miami, United States<\/p>\n

European Investment Bank Collection, Luxembourg, Luxembourg<\/p>\n

European Parliament Art Collection, Brussels, Belgium<\/p>\n

Fotomuseum Winterthur, Winterthur, Switzerland<\/p>\n

Fundaci\u00f3n Helga de Alvear, Madrid \/ C\u00e1ceres, Spain<\/p>\n

Hamburger Bahnhof, Museum f\u00fcr Gegenwart (Marx Collection), Berlin, Germany<\/p>\n

HBC Global Art Collection, New York, United States<\/p>\n

Hilti Art Foundation at Kunstmuseum Liechtenstein, Vaduz, Liechtenstein<\/p>\n

Hill Art Collection, New York, United States<\/p>\n

Hirshhorn Museum and Sculpture Garden, Washington D.C., United States<\/p>\n

ifa (Institut f\u00fcr Auslandsbeziehungen) Collection, Stuttgart, Germany<\/p>\n

IVAM, Institut Valenci\u00e0 d'Art Modern, Valencia, Spain<\/p>\n

Lhoist Collection, Limelette, Belgium<\/p>\n

MAST Foundation, Bologna, Italy<\/p>\n

The Martin Z. Margulies Collection, Miami, United States<\/p>\n

Moderna Museet, Stockholm, Sweden<\/p>\n

Modern Art Museum of Fort Worth, Fort Worth, United States<\/p>\n

Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid, Spain<\/p>\n

Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria<\/p>\n

Museum of Contemporary Art, Los Angeles, United States<\/p>\n

Museum f\u00fcr Neue Kunst im Zentrum f\u00fcr Kunst und Medientechnologie, Karlsruhe, Germany<\/p>\n

Mus\u00e9e de l'Elys\u00e9e, Lausanne, Switzerland<\/p>\n

National Gallery of Art, Washington D.C., United States<\/p>\n

National Gallery of Canada, Ottawa, Canada<\/p>\n

National Gallery of Victoria, Melbourne, Australia<\/p>\n

Phillips Collection, Washington D.C., United States<\/p>\n

Portuguese State Contemporary Art Collection, Portugal<\/p>\n

Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia<\/p>\n

Speed Art Museum, Louisville, United States<\/p>\n

UBS Art Collection, Switzerland<\/p>\n

Villa Empain \u2013 Boghossian Foundation, Brussels, Belgium<\/p>\n

ZegnArt Collection, Milan, Italy<\/p>\n

PRIZES<\/h2>\n

1999<\/p>\n

Kunstfonds e.V. Bonn, Bonn, Germany<\/p>\n

1996<\/p>\n

Berlin Senate for Cultural Affairs, Berlin, Germany<\/p>\n

1995<\/p>\n

Kulturfonds Foundation Berlin, Berlin, Germany<\/p>\n

Award of the Helmut Kraft Foundation, Stuttgart, Germany<\/p>\n

Berlin Senate for Cultural Affairs, Berlin, Germany<\/p>\n

1994<\/p>\n

Award of the Ursula Blickle Foundation, Kraichtal, Germany<\/p>\n

1990<\/p>\n

German Kodak Award, Germany<\/p>\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["74284"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:31:{i:0;s:5:\"40815\";i:1;s:5:\"40817\";i:2;s:5:\"40819\";i:3;s:5:\"40821\";i:4;s:5:\"40823\";i:5;s:5:\"40825\";i:6;s:5:\"40827\";i:7;s:5:\"40829\";i:8;s:5:\"40831\";i:9;s:5:\"40833\";i:10;s:5:\"40835\";i:11;s:5:\"40837\";i:12;s:5:\"40839\";i:13;s:5:\"40841\";i:14;s:5:\"40843\";i:15;s:5:\"40845\";i:16;s:5:\"40847\";i:17;s:5:\"40849\";i:18;s:5:\"40851\";i:19;s:5:\"40853\";i:20;s:5:\"40855\";i:21;s:5:\"40857\";i:22;s:5:\"40859\";i:23;s:5:\"40861\";i:24;s:5:\"40863\";i:25;s:5:\"40865\";i:26;s:5:\"40867\";i:27;s:5:\"40869\";i:28;s:5:\"40871\";i:29;s:5:\"40873\";i:30;s:5:\"40875\";}"],"_gallery":["field_6436c1e6d2529"],"videos":[""],"_videos":["field_6436c1e6d252d"],"text_artist":[""],"_text_artist":["field_6436c1e6d2536"],"files_0_file_title":["The Cut | 2018"],"_files_0_file_title":["field_643ffc8c32593"],"files_0_file_item":["40879"],"_files_0_file_item":["field_643ffc9a32594"],"files_1_file_title":["BLOUIN ARTINFO | 2012"],"_files_1_file_title":["field_643ffc8c32593"],"files_1_file_item":["40881"],"_files_1_file_item":["field_643ffc9a32594"],"files_2_file_title":["Traffic Magazine | 2010"],"_files_2_file_title":["field_643ffc8c32593"],"files_2_file_item":["40883"],"_files_2_file_item":["field_643ffc9a32594"],"files":["3"],"_files":["field_6436c231c9725"],"_thumbnail_id":["32298"],"artist_works":[""],"_artist_works":["field_64c2815cc6039"],"use_new_template":["1"],"_use_new_template":["field_6752e381f9464"],"bio":["Kleinmachnow, Germany, 1966.<\/strong>\r\n\r\nLives and work in Berlin, Germany.\r\n

Frank Thiel is a renowned photographer, whose work is focused on chronicling Berlin\u2019s architectural evolution, embodying the city\u2019s turbulent history. Thiel\u2019s photography is documentary as he describes a architecture that is transition, either by human or natural form. His central axis is on the \u201cincomplete\u201d choosing to focus on the process rather than the result.<\/p>\r\n

As a photographer, Thiel pursuits to enhance the aesthetics of temporality and change. He has done this by capturing chipping and decaying walls around the city of Berlin in large-scale photographs, but he has also shifted his lens to the giant ice formations in the Parque Nacional Los Glaciares in Argentina. The resulting images are a haunting meditation on the majesty and resilience, as well as the fragility and endangerment of these natural edifices that are far more ancient than any human construction. 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Fotograf\\u00eda en la Colecci\\u00f3n Helga de Alvear' muestra en Serrer\\u00eda Belga un siglo de historia de Europa a trav\\u00e9s de su arquitectura. Gabinete de imprensa, Madrid Destino. Madri, Espanha. Data: 2 de junho de 2025 An\\u00fancio da exposi\\u00e7\\u00e3o \\\"Despu\\u00e9s de todo. Fotograf\\u00eda en la Colecci\\u00f3n Helga de Alvear\\\" no Espa\\u00e7o Cultural Serrer\\u00eda Belga (PHotoESPA\\u00d1A 2025), reunindo fotografias da Cole\\u00e7\\u00e3o Helga de Alvear de artistas como Axel H\\u00fctte, Candida H\\u00f6fer, Frank Thiel e Andreas Gursky.\",\"title_en\":\"'Despu\\u00e9s de todo. Fotograf\\u00eda en la Colecci\\u00f3n Helga de Alvear' muestra en Serrer\\u00eda Belga un siglo de historia de Europa a trav\\u00e9s de su arquitectura. Gabinete de imprensa, Madrid Destino. Madri, Espanha. Data: 2 de junho de 2025 An\\u00fancio da exposi\\u00e7\\u00e3o \\\"Despu\\u00e9s de todo. Fotograf\\u00eda en la Colecci\\u00f3n Helga de Alvear\\\" no Espa\\u00e7o Cultural Serrer\\u00eda Belga (PHotoESPA\\u00d1A 2025), reunindo fotografias da Cole\\u00e7\\u00e3o Helga de Alvear de artistas como Axel H\\u00fctte, Candida H\\u00f6fer, Frank Thiel e Andreas Gursky.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2025-06-02\",\"cover_image_url\":\"https:\\\/\\\/phe.es\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Thiel_36375-329x500.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/f1128eec-47e2-4c2d-b746-de13fd8aefee.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/f1128eec-47e2-4c2d-b746-de13fd8aefee.pdf\",\"external_url\":\"\"},{\"id\":\"d9b3d690-6568-4de0-ac57-fb79b6c4809b\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Respondemos algumas perguntas sobre as obras de arte em Succession (trecho). Giovana Nacca para ARTEQUEACONTECE. S\\u00e3o Paulo, Brasil. Data: 28 de julho de 2022 Trecho de mat\\u00e9ria sobre obras de arte usadas nos cen\\u00e1rios da s\\u00e9rie Succession (HBO), incluindo a fotografia \\\"Spegazzini #01\\\" (2012-2013), de Frank Thiel, que aparece no escrit\\u00f3rio de Kendall Roy no primeiro epis\\u00f3dio.\",\"title_en\":\"Respondemos algumas perguntas sobre as obras de arte em Succession (trecho). Giovana Nacca para ARTEQUEACONTECE. S\\u00e3o Paulo, Brasil. Data: 28 de julho de 2022 Trecho de mat\\u00e9ria sobre obras de arte usadas nos cen\\u00e1rios da s\\u00e9rie Succession (HBO), incluindo a fotografia \\\"Spegazzini #01\\\" (2012-2013), de Frank Thiel, que aparece no escrit\\u00f3rio de Kendall Roy no primeiro epis\\u00f3dio.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2022-07-28\",\"cover_image_url\":\"https:\\\/\\\/artequeacontece.com.br\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/13fanny-tvcurator3-jumbo-v2.png.webp\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/e89d8f7b-567a-49d7-9f24-eb4ce92b4bc8.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/e89d8f7b-567a-49d7-9f24-eb4ce92b4bc8.pdf\",\"external_url\":\"\"},{\"id\":\"26499277-d639-4723-ac47-0cdfdf9a0485\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Avoir 15 ans \\u00e0 Cuba? La vie des Quincea\\u00f1eras vue par le photographe Frank Thiel. Marthe Rousseau para Num\\u00e9ro. Paris, Fran\\u00e7a. Data: 08\\\/06\\\/2018 Entrevista completa por ocasi\\u00e3o de \\\"Quincea\\u00f1eras\\\" na galeria Blain Southern (Berlim, at\\u00e9 23\\\/06\\\/2018). Thiel explica a g\\u00eanese do projeto a partir da chegada do Wi-Fi em Cuba, e comenta os projetos anteriores \\\"Allies\\\" (Checkpoint Charlie) e a s\\u00e9rie sobre Berlim.\",\"title_en\":\"Avoir 15 ans \\u00e0 Cuba? La vie des Quincea\\u00f1eras vue par le photographe Frank Thiel. Marthe Rousseau para Num\\u00e9ro. Paris, Fran\\u00e7a. Data: 08\\\/06\\\/2018 Entrevista completa por ocasi\\u00e3o de \\\"Quincea\\u00f1eras\\\" na galeria Blain Southern (Berlim, at\\u00e9 23\\\/06\\\/2018). Thiel explica a g\\u00eanese do projeto a partir da chegada do Wi-Fi em Cuba, e comenta os projetos anteriores \\\"Allies\\\" (Checkpoint Charlie) e a s\\u00e9rie sobre Berlim.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2018-06-08\",\"cover_image_url\":\"https:\\\/\\\/www.artatberlin.com\\\/wp-content\\\/uploads\\\/ART-at-Berlin-Blain-Southern-Frank-Thiel-Quinceaneras.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/fab97e45-8ce2-4cc5-b6d1-776a8cb0d762.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/fab97e45-8ce2-4cc5-b6d1-776a8cb0d762.pdf\",\"external_url\":\"\"},{\"id\":\"fc479b16-90e4-4a41-a7af-5a1d018eae00\",\"media_type\":\"youtube\",\"content_type\":\"Clipping\",\"title_pt\":\"Frank Thiel discusses his new body of work, Quincea\\u00f1eras, exhibited at Blain|Southern Berlin Laura Callendar. The artist explains his work in the context of his long-standing preoccupation with places undergoing transformation; from post-reunification Berlin to the glaciers of Patagonia, and now Cuba. For Thiel, his portraits of young Cuban women celebrating \\u2018los quinces\\u2019 \\u2013 their transition into adulthood \\u2013 act as a metaphor for the shifting identity of the unique island.\",\"title_en\":\"Frank Thiel discusses his new body of work, Quincea\\u00f1eras, exhibited at Blain|Southern Berlin Laura Callendar. The artist explains his work in the context of his long-standing preoccupation with places undergoing transformation; from post-reunification Berlin to the glaciers of Patagonia, and now Cuba. For Thiel, his portraits of young Cuban women celebrating \\u2018los quinces\\u2019 \\u2013 their transition into adulthood \\u2013 act as a metaphor for the shifting identity of the unique island.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2018-04-26\",\"cover_image_url\":\"\",\"file_url\":\"\",\"download_url\":\"\",\"external_url\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=-WYpwNOlUHw\"},{\"id\":\"7d412140-918c-4632-ad2b-a3a01ed3355c\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Frank Thiel: 'Quincea\\u00f1eras' (v\\u00eddeo). Zapote Productions \\\/ Frieze. Londres, Reino Unido. Data: 26 de abril de 2018 V\\u00eddeo sobre a exposi\\u00e7\\u00e3o \\\"Quincea\\u00f1eras\\\" na Blain | Southern (Berlim), com depoimento do artista sobre o projeto de retratar jovens cubanas em seu anivers\\u00e1rio de 15 anos como met\\u00e1fora do pa\\u00eds\",\"title_en\":\"Frank Thiel: 'Quincea\\u00f1eras' (v\\u00eddeo). Zapote Productions \\\/ Frieze. Londres, Reino Unido. Data: 26 de abril de 2018 V\\u00eddeo sobre a exposi\\u00e7\\u00e3o \\\"Quincea\\u00f1eras\\\" na Blain | Southern (Berlim), com depoimento do artista sobre o projeto de retratar jovens cubanas em seu anivers\\u00e1rio de 15 anos como met\\u00e1fora do pa\\u00eds\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2018-04-06\",\"cover_image_url\":\"https:\\\/\\\/static-assets.artlogic.net\\\/w_1600,h_960,c_limit\\\/exhibit-e\\\/62f52bf90af321abff00fe82\\\/f81c8eb22297bfa5f45cbcaed81c8e03.jpeg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/d82439f8-c40a-499c-86c0-4ede6a15fcef.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/d82439f8-c40a-499c-86c0-4ede6a15fcef.pdf\",\"external_url\":\"\"},{\"id\":\"b36e8709-f16c-4083-bf6f-f3199f1381a2\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"A German Photographer's Meditation on Havana's Quincea\\u00f1eras. Morgan Sykes para The Cut. Nova York, EUA. Apresenta a s\\u00e9rie \\\"15 [Quince]\\\" \\u2014 retratos de quincea\\u00f1eras cubanas fotografadas em seus bairros em Havana \\u2014 em contraste com a est\\u00e9tica idealizada tradicional desse g\\u00eanero fotogr\\u00e1fico. Relaciona o trabalho \\u00e0 trajet\\u00f3ria de Thiel (Berlim, Patag\\u00f4nia). Cita a mostra na Sean Kelly Gallery (10\\\/02 a 17\\\/03\\\/2018).\",\"title_en\":\"A German Photographer's Meditation on Havana's Quincea\\u00f1eras. Morgan Sykes para The Cut. Nova York, EUA. Apresenta a s\\u00e9rie \\\"15 [Quince]\\\" \\u2014 retratos de quincea\\u00f1eras cubanas fotografadas em seus bairros em Havana \\u2014 em contraste com a est\\u00e9tica idealizada tradicional desse g\\u00eanero fotogr\\u00e1fico. Relaciona o trabalho \\u00e0 trajet\\u00f3ria de Thiel (Berlim, Patag\\u00f4nia). Cita a mostra na Sean Kelly Gallery (10\\\/02 a 17\\\/03\\\/2018).\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2018-02-09\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcR0J8vuyEx1r7Wsysc3qsaG_JZsuEZCIsPt_O1aSlDooMxnnTgD-kacCj8&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/19a430ca-c4ed-49e9-83de-3419bc874026.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/19a430ca-c4ed-49e9-83de-3419bc874026.pdf\",\"external_url\":\"\"},{\"id\":\"0ea24dd1-4d0f-48e7-abd4-564f56b03c7f\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"O \\\"Zeitgeist da Nova Berlim\\\" no CCBB RJ: para ingl\\u00eas ver. F\\u00e1tima Lacerda para o Estado de S. Paulo. Rio de Janeiro, Brasil. Cr\\u00edtica da itiner\\u00e2ncia da mostra \\\"Zeitgeist \\u2014 A Arte da Nova Berlim\\\" (curadoria de Alfons Hug) ao CCBB Rio de Janeiro \\u2014 mesma exposi\\u00e7\\u00e3o j\\u00e1 registrada no item 20 (cobertura da abertura em Belo Horizonte pelo Estado de Minas). Cita a obra \\\"Fragmentos\\\" (Fragmente), de Frank Thiel, em tons past\\u00e9is, e o contraste entre a proposta underground da mostra e o pr\\u00e9dio institucional do CCBB.\",\"title_en\":\"O \\\"Zeitgeist da Nova Berlim\\\" no CCBB RJ: para ingl\\u00eas ver. F\\u00e1tima Lacerda para o Estado de S. Paulo. Rio de Janeiro, Brasil. Cr\\u00edtica da itiner\\u00e2ncia da mostra \\\"Zeitgeist \\u2014 A Arte da Nova Berlim\\\" (curadoria de Alfons Hug) ao CCBB Rio de Janeiro \\u2014 mesma exposi\\u00e7\\u00e3o j\\u00e1 registrada no item 20 (cobertura da abertura em Belo Horizonte pelo Estado de Minas). Cita a obra \\\"Fragmentos\\\" (Fragmente), de Frank Thiel, em tons past\\u00e9is, e o contraste entre a proposta underground da mostra e o pr\\u00e9dio institucional do CCBB.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2016-04-05\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcQsEtHUo_MfDT0HXVxrC65ZPzltDOBxw6x5ZPVEoNoWJ-qEQz-wUhdJo-Vt&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/adb0d867-17de-4882-af7f-c210b0911883.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/adb0d867-17de-4882-af7f-c210b0911883.pdf\",\"external_url\":\"\"},{\"id\":\"98fa91fd-b324-46f3-9a21-1fed9e387d5d\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Cidade Aberta (capa do caderno Cultura) + Reflexos das cenas de Berlim (Artes Visuais). Walter Sebasti\\u00e3o (mat\\u00e9ria principal; autoria da segunda nota n\\u00e3o identific\\u00e1vel no scan) para Estado de Minas. Belo Horizonte, Minas Gerais, Brasil. Data: 21\\\/10\\\/2015 Cobertura da abertura da mostra coletiva \\\"Zeitgeist \\u2013 A Arte da Nova Berlim\\\" no CCBB Belo Horizonte (curadoria de Alfons Hug, 29 artistas berlinenses). Frank Thiel consta na lista de artistas participantes; uma fotografia a\\u00e9rea de sua autoria ilustra a capa da mat\\u00e9ria, com legenda citando a \\\"ru\\u00edna como categoria est\\u00e9tica\\\". A segunda nota, sobre um bate-papo com o artista Sven Marquardt, tamb\\u00e9m cita a obra de Thiel na mostra.\",\"title_en\":\"Cidade Aberta (capa do caderno Cultura) + Reflexos das cenas de Berlim (Artes Visuais). Walter Sebasti\\u00e3o (mat\\u00e9ria principal; autoria da segunda nota n\\u00e3o identific\\u00e1vel no scan) para Estado de Minas. Belo Horizonte, Minas Gerais, Brasil. Data: 21\\\/10\\\/2015 Cobertura da abertura da mostra coletiva \\\"Zeitgeist \\u2013 A Arte da Nova Berlim\\\" no CCBB Belo Horizonte (curadoria de Alfons Hug, 29 artistas berlinenses). Frank Thiel consta na lista de artistas participantes; uma fotografia a\\u00e9rea de sua autoria ilustra a capa da mat\\u00e9ria, com legenda citando a \\\"ru\\u00edna como categoria est\\u00e9tica\\\". A segunda nota, sobre um bate-papo com o artista Sven Marquardt, tamb\\u00e9m cita a obra de Thiel na mostra.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2015-10-21\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcQy2RolQJGjMh50DMlrcadYNf1TKqHYX3OwCt32J9pu8uVM7GGRDN4Q75FT&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/426152f4-5bd5-42ec-b504-df76e578125d.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/426152f4-5bd5-42ec-b504-df76e578125d.pdf\",\"external_url\":\"\"},{\"id\":\"0d053dba-783b-48a0-b04b-f092ab7e3fe8\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Take a Look Inside Frank Thiel's 'Nowhere is a Place' Exhibition at Sean Kelly. Brian Farmer para Highsnobiety. Fundada em Berlim, hoje tamb\\u00e9m Nova York\\\/Los Angeles. Data: 31\\\/01\\\/2014 Cobertura fotogr\\u00e1fica da abertura de \\\"Nowhere Is a Place\\\", estreia da s\\u00e9rie sobre geleiras da Patag\\u00f4nia argentina (fotografadas em 2011-2012). Destaca o pol\\u00edptico de 5 pain\\u00e9is do Perito Moreno e uma imagem do glaciar Piedras Blancas.\",\"title_en\":\"Take a Look Inside Frank Thiel's 'Nowhere is a Place' Exhibition at Sean Kelly. Brian Farmer para Highsnobiety. Fundada em Berlim, hoje tamb\\u00e9m Nova York\\\/Los Angeles. Data: 31\\\/01\\\/2014 Cobertura fotogr\\u00e1fica da abertura de \\\"Nowhere Is a Place\\\", estreia da s\\u00e9rie sobre geleiras da Patag\\u00f4nia argentina (fotografadas em 2011-2012). Destaca o pol\\u00edptico de 5 pain\\u00e9is do Perito Moreno e uma imagem do glaciar Piedras Blancas.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-10-31\",\"cover_image_url\":\"https:\\\/\\\/static-assets.artlogic.net\\\/w_1600,h_960,c_limit\\\/exhibit-e\\\/62f52bf90af321abff00fe82\\\/852099b1bc98b324298b79daa24404b8.jpeg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/db1a50dd-08ca-45e5-aa20-9c8381f3fbeb.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/db1a50dd-08ca-45e5-aa20-9c8381f3fbeb.pdf\",\"external_url\":\"\"},{\"id\":\"46a51b66-7756-4333-8b32-bd28c459d61f\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Em feira, fot\\u00f3grafos aderem \\u00e0 moda de fazer pe\\u00e7as \\u00fanicas. Silas Mart\\u00ed para Folha de S. Paulo. S\\u00e3o Paulo, Brasil. Data: 20 de agosto de 2014\",\"title_en\":\"Em feira, fot\\u00f3grafos aderem \\u00e0 moda de fazer pe\\u00e7as \\u00fanicas. Silas Mart\\u00ed para Folha de S. Paulo. S\\u00e3o Paulo, Brasil. Data: 20 de agosto de 2014\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-08-20\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcSMKjHRiVbI6ug8d8gVpIxcssCbn6ji40xWXY8hQDccvsKvYAr4en39BFZy&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/89032097-fd37-4d40-b1f4-c4989721016f.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/89032097-fd37-4d40-b1f4-c4989721016f.pdf\",\"external_url\":\"\"},{\"id\":\"474ff4ce-a4ef-4316-934d-f5e386195e72\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"SP-Arte\\\/Foto abre nesta quarta sua oitava edi\\u00e7\\u00e3o com 30 galerias. Antonio Gon\\u00e7alves Filho. S\\u00e3o Paulo, Brasil. Data: 19 de agosto de 2014 Cobertura da 8\\u00aa edi\\u00e7\\u00e3o da SP-Arte\\\/Foto. Descreve Frank Thiel como \\\"nome concorrido\\\", mostrando paisagens geladas (s\\u00e9rie da Patag\\u00f4nia) no estande da Galeria Leme, ao lado de Candida H\\u00f6fer.\",\"title_en\":\"SP-Arte\\\/Foto abre nesta quarta sua oitava edi\\u00e7\\u00e3o com 30 galerias. Antonio Gon\\u00e7alves Filho. S\\u00e3o Paulo, Brasil. Data: 19 de agosto de 2014 Cobertura da 8\\u00aa edi\\u00e7\\u00e3o da SP-Arte\\\/Foto. Descreve Frank Thiel como \\\"nome concorrido\\\", mostrando paisagens geladas (s\\u00e9rie da Patag\\u00f4nia) no estande da Galeria Leme, ao lado de Candida H\\u00f6fer.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-08-19\",\"cover_image_url\":\"https:\\\/\\\/ogimg.infoglobo.com.br\\\/in\\\/8010096-69b-af4\\\/FT1086A\\\/2013-601856812-2013040222927.jpg_20130402.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/5d02cce3-ccf4-4f70-92dd-57a8e8e38a30.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/5d02cce3-ccf4-4f70-92dd-57a8e8e38a30.pdf\",\"external_url\":\"\"},{\"id\":\"c141a024-a4d7-4fec-8340-ac16ecc4330d\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Ilustr\\u00edssima semana: O melhor da cultura em 9 indica\\u00e7\\u00f5es \\u2014 item \\\"Exposi\\u00e7\\u00e3o | Frank Thiel\\\". Reda\\u00e7\\u00e3o (nota coletiva) para Ilustr\\u00edssima\\\/Folha de S.Paulo. S\\u00e3o Paulo, Brasil. Data: 08\\\/06\\\/2014\",\"title_en\":\"Ilustr\\u00edssima semana: O melhor da cultura em 9 indica\\u00e7\\u00f5es \\u2014 item \\\"Exposi\\u00e7\\u00e3o | Frank Thiel\\\". Reda\\u00e7\\u00e3o (nota coletiva) para Ilustr\\u00edssima\\\/Folha de S.Paulo. S\\u00e3o Paulo, Brasil. Data: 08\\\/06\\\/2014\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-06-08\",\"cover_image_url\":\"https:\\\/\\\/galerialeme.com\\\/wp-content\\\/uploads\\\/2012\\\/01\\\/145_3574.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/cc5a4d38-65bc-42bf-bb20-ca510e01f50a.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/cc5a4d38-65bc-42bf-bb20-ca510e01f50a.pdf\",\"external_url\":\"\"},{\"id\":\"bbbd47fc-1f4e-469d-a3e1-aeb69c27e0ab\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Transforma\\u00e7\\u00e3o glacial. Laura Ming para Veja S\\u00e3o Paulo. S\\u00e3o Paulo, Brasil. Data: 28\\\/05\\\/2014 Cr\\u00edtica (3 estrelas) de \\\"Nowhere Is a Place\\\" na Galeria Leme. Contextualiza a mudan\\u00e7a tem\\u00e1tica de Thiel \\u2014 de Berlim para as geleiras da Patag\\u00f4nia \\u2014 e descreve o processo de capta\\u00e7\\u00e3o e as diferentes escalas\\\/abstra\\u00e7\\u00f5es das imagens.\",\"title_en\":\"Transforma\\u00e7\\u00e3o glacial. Laura Ming para Veja S\\u00e3o Paulo. S\\u00e3o Paulo, Brasil. Data: 28\\\/05\\\/2014 Cr\\u00edtica (3 estrelas) de \\\"Nowhere Is a Place\\\" na Galeria Leme. Contextualiza a mudan\\u00e7a tem\\u00e1tica de Thiel \\u2014 de Berlim para as geleiras da Patag\\u00f4nia \\u2014 e descreve o processo de capta\\u00e7\\u00e3o e as diferentes escalas\\\/abstra\\u00e7\\u00f5es das imagens.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-05-28\",\"cover_image_url\":\"https:\\\/\\\/galerialeme.com\\\/wp-content\\\/uploads\\\/2014\\\/05\\\/frank.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/e8f23d99-5f1c-4ed1-8bd6-1b813bf2bdde.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/e8f23d99-5f1c-4ed1-8bd6-1b813bf2bdde.pdf\",\"external_url\":\"\"},{\"id\":\"347106be-c062-44b6-83d0-bb8c55a22307\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Vista Monumental (nota de agenda). Reda\\u00e7\\u00e3o para Elle Brasil. S\\u00e3o Paulo, Brasil. Data: maio de 2014 (exposi\\u00e7\\u00e3o com abertura no dia 13) Nota anunciando a abertura da individual de Thiel na Galeria Leme, com fotografias em grande escala da Patag\\u00f4nia. Destaca a monumentalidade das imagens.\",\"title_en\":\"Vista Monumental (nota de agenda). Reda\\u00e7\\u00e3o para Elle Brasil. S\\u00e3o Paulo, Brasil. Data: maio de 2014 (exposi\\u00e7\\u00e3o com abertura no dia 13) Nota anunciando a abertura da individual de Thiel na Galeria Leme, com fotografias em grande escala da Patag\\u00f4nia. Destaca a monumentalidade das imagens.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-05-13\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcSY4y_VlS-iBRDQKl8IVJEK1cTAIlsD9uISQ6J0MvlR_zaO35WtCve2hj5B&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/b58fdcb1-39bc-4a1e-ae17-03a559cef204.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/b58fdcb1-39bc-4a1e-ae17-03a559cef204.pdf\",\"external_url\":\"\"},{\"id\":\"c8c1b9e6-1b67-4316-92a6-d7a347a44d44\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Nowhere Is a Place (portf\\u00f3lio + capa). Traffic \\u2013 News to-go. Berlim, Alemanha. Data: abril\\\/maio de 2014 (edi\\u00e7\\u00e3o N\\u00b037) Capa e portf\\u00f3lio fotogr\\u00e1fico com imagens dos glaciares Perito Moreno e Piedras Blancas. Texto em alem\\u00e3o relaciona os quase 20 anos de documenta\\u00e7\\u00e3o de Berlim ao novo olhar \\\"arqueol\\u00f3gico\\\" sobre a Patag\\u00f4nia a partir de 2012\",\"title_en\":\"Nowhere Is a Place (portf\\u00f3lio + capa). Traffic \\u2013 News to-go. Berlim, Alemanha. Data: abril\\\/maio de 2014 (edi\\u00e7\\u00e3o N\\u00b037) Capa e portf\\u00f3lio fotogr\\u00e1fico com imagens dos glaciares Perito Moreno e Piedras Blancas. Texto em alem\\u00e3o relaciona os quase 20 anos de documenta\\u00e7\\u00e3o de Berlim ao novo olhar \\\"arqueol\\u00f3gico\\\" sobre a Patag\\u00f4nia a partir de 2012\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-04-01\",\"cover_image_url\":\"https:\\\/\\\/vejasp.abril.com.br\\\/wp-content\\\/uploads\\\/2016\\\/12\\\/frank-thiel_perito-moreno-03-2013_chromogenic-print_-ed-5-2-p-a-1-5-_210-x-180-cm.jpeg?quality=70&strip=info&w=522&w=636\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/7358deef-1d73-4a90-9897-802498fe30af.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/7358deef-1d73-4a90-9897-802498fe30af.pdf\",\"external_url\":\"\"},{\"id\":\"c7df658c-a9e5-468d-a95c-844352d9f915\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"New York \\u2013 Frank Thiel: 'Nowhere is a Place' at Sean Kelly Through March 22nd, 2014. Reda\\u00e7\\u00e3o da Art Observed. Nova York, EUA. Data: 16\\\/03\\\/2014 Resenha da quinta individual de Thiel na Sean Kelly. Detalha \\\"Perito Moreno #01\\\" (painel de 5 partes, ~9 m, 18 milhas de borda de glaciar) e outras pe\\u00e7as (\\\"Perito Moreno #91\\\", \\\"Spegazzini #11\\\"), relacionando o trabalho \\u00e0 tradi\\u00e7\\u00e3o paisag\\u00edstica americana (Hudson River School).\",\"title_en\":\"New York \\u2013 Frank Thiel: 'Nowhere is a Place' at Sean Kelly Through March 22nd, 2014. Reda\\u00e7\\u00e3o da Art Observed. Nova York, EUA. Data: 16\\\/03\\\/2014 Resenha da quinta individual de Thiel na Sean Kelly. Detalha \\\"Perito Moreno #01\\\" (painel de 5 partes, ~9 m, 18 milhas de borda de glaciar) e outras pe\\u00e7as (\\\"Perito Moreno #91\\\", \\\"Spegazzini #11\\\"), relacionando o trabalho \\u00e0 tradi\\u00e7\\u00e3o paisag\\u00edstica americana (Hudson River School).\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-03-16\",\"cover_image_url\":\"https:\\\/\\\/d7hftxdivxxvm.cloudfront.net\\\/?height=1020&quality=85&resize_to=fit&src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2FktJR2r5rmxMWPJvvbLBsjw%2Flarger.jpg&width=1800\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/c647788e-c19a-476e-ac60-1fa153296f71.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/c647788e-c19a-476e-ac60-1fa153296f71.pdf\",\"external_url\":\"\"},{\"id\":\"8823dc00-4387-4235-b596-c369fedfc982\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Images at the End of the Frozen World. Hrag Vartanian para Hyperallergic. Nova York, EUA. Data: 22\\\/01\\\/2014 An\\u00fancio da exposi\\u00e7\\u00e3o \\\"Nowhere Is a Place\\\" (Sean Kelly Gallery, abertura 31\\\/01\\\/2014). Detalha o pol\\u00edptico de 5 partes (~8,9 m) do glaciar Perito Moreno, no contexto de mudan\\u00e7a clim\\u00e1tica.\",\"title_en\":\"Images at the End of the Frozen World. Hrag Vartanian para Hyperallergic. Nova York, EUA. Data: 22\\\/01\\\/2014 An\\u00fancio da exposi\\u00e7\\u00e3o \\\"Nowhere Is a Place\\\" (Sean Kelly Gallery, abertura 31\\\/01\\\/2014). Detalha o pol\\u00edptico de 5 partes (~8,9 m) do glaciar Perito Moreno, no contexto de mudan\\u00e7a clim\\u00e1tica.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-01-22\",\"cover_image_url\":\"https:\\\/\\\/storage.ghost.io\\\/c\\\/51\\\/f8\\\/51f871d8-b6be-4a73-b958-0ca4fff0110a\\\/content\\\/images\\\/hyperallergic-newspack-s3-amazonaws-com\\\/uploads\\\/2014\\\/01\\\/frank-thiel_perito-moreno-640.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/ad03af8e-61a7-4dc1-9f9a-356c97fccb1b.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/ad03af8e-61a7-4dc1-9f9a-356c97fccb1b.pdf\",\"external_url\":\"\"},{\"id\":\"32b88d3f-0950-4095-b43d-ef660ab74f2c\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Frank Thiel's frozen landscapes. Reda\\u00e7\\u00e3o da Phaidon. Londres, Reino Unido (tamb\\u00e9m Nova York). Data: 2014 (janeiro\\\/fevereiro, coincidindo com a abertura em 31\\\/01) Apresenta \\\"Nowhere is a Place\\\" como mudan\\u00e7a de tema em rela\\u00e7\\u00e3o ao trabalho sobre Berlim. Detalha a fotografia de 9 m do Perito Moreno, um dos poucos glaciares que crescem em vez de recuar. Cita as datas da mostra (31\\\/01 a 22\\\/03\\\/2014).\",\"title_en\":\"Frank Thiel's frozen landscapes. Reda\\u00e7\\u00e3o da Phaidon. Londres, Reino Unido (tamb\\u00e9m Nova York). Data: 2014 (janeiro\\\/fevereiro, coincidindo com a abertura em 31\\\/01) Apresenta \\\"Nowhere is a Place\\\" como mudan\\u00e7a de tema em rela\\u00e7\\u00e3o ao trabalho sobre Berlim. Detalha a fotografia de 9 m do Perito Moreno, um dos poucos glaciares que crescem em vez de recuar. Cita as datas da mostra (31\\\/01 a 22\\\/03\\\/2014).\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2014-01-01\",\"cover_image_url\":\"https:\\\/\\\/static-assets.artlogic.net\\\/w_1600,h_960,c_limit\\\/exhibit-e\\\/62f52bf90af321abff00fe82\\\/166335ba98ee41131625c0ee96afd220.jpeg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/fea792ef-06a3-4f6a-80ee-c2b7aa4009fb.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/fea792ef-06a3-4f6a-80ee-c2b7aa4009fb.pdf\",\"external_url\":\"\"},{\"id\":\"af8927b0-aca8-4fa2-bfbe-e6b3dff52ab5\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Conhe\\u00e7a destaques das galerias da SP-Arte; evento termina hoje. Reda\\u00e7\\u00e3o (Guia Folha). S\\u00e3o Paulo, Brasil. Data: 7 de abril de 2013 Lista de galerias participantes da SP-Arte 2013 e artistas representados. Cita a Galeria Leme com Frank Thiel, Luiz Braga, Marcelo Moscheta, Sandra Gamarra e Candida H\\u00f6fer.\",\"title_en\":\"Conhe\\u00e7a destaques das galerias da SP-Arte; evento termina hoje. Reda\\u00e7\\u00e3o (Guia Folha). S\\u00e3o Paulo, Brasil. Data: 7 de abril de 2013 Lista de galerias participantes da SP-Arte 2013 e artistas representados. Cita a Galeria Leme com Frank Thiel, Luiz Braga, Marcelo Moscheta, Sandra Gamarra e Candida H\\u00f6fer.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2013-04-07\",\"cover_image_url\":\"https:\\\/\\\/f.i.uol.com.br\\\/guia\\\/exposicoes\\\/images\\\/130951066.jpeg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/ba1fc098-4c23-42ce-b4f5-fc1379c7ad5e.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/ba1fc098-4c23-42ce-b4f5-fc1379c7ad5e.pdf\",\"external_url\":\"\"},{\"id\":\"abb58ba5-8ee2-416f-86fa-bc58d00b29b7\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Next Most Collectible Artists. Reda\\u00e7\\u00e3o (equipe editorial) para Art+Auction. Nova York, EUA. Data: junho de 2012 Thiel integra a lista dos \\\"50 Next Most Collectible Artists\\\" de 2012.\",\"title_en\":\"Next Most Collectible Artists. Reda\\u00e7\\u00e3o (equipe editorial) para Art+Auction. Nova York, EUA. Data: junho de 2012 Thiel integra a lista dos \\\"50 Next Most Collectible Artists\\\" de 2012.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2012-06-01\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcTiHtQqJsqdCwN1H4CfZJEBsrDkYAPOAwlENwCZ0nFKBFErZFC1cYC5PMs&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/00f1200d-7517-4dd6-a9cf-14be21eea2a1.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/00f1200d-7517-4dd6-a9cf-14be21eea2a1.pdf\",\"external_url\":\"\"},{\"id\":\"bd2c87ab-2dea-4655-93cb-77b059a54c51\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Feira atesta alta de pre\\u00e7os da fotografia. Silas Mart\\u00ed. S\\u00e3o Paulo, Brasil. Data: 15 de setembro de 2011 Cobertura da 5\\u00aa edi\\u00e7\\u00e3o da SP-Arte\\\/Foto, citando Frank Thiel entre os nomes que \\\"carregam nas grifes\\\" no estande da Galeria Leme, ao lado de Candida H\\u00f6fer, Robert Polidori, Marina Abramovic e Geraldo de Barros.\",\"title_en\":\"Feira atesta alta de pre\\u00e7os da fotografia. Silas Mart\\u00ed. S\\u00e3o Paulo, Brasil. Data: 15 de setembro de 2011 Cobertura da 5\\u00aa edi\\u00e7\\u00e3o da SP-Arte\\\/Foto, citando Frank Thiel entre os nomes que \\\"carregam nas grifes\\\" no estande da Galeria Leme, ao lado de Candida H\\u00f6fer, Robert Polidori, Marina Abramovic e Geraldo de Barros.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2011-09-15\",\"cover_image_url\":\"https:\\\/\\\/vejasp.abril.com.br\\\/wp-content\\\/uploads\\\/2016\\\/11\\\/6144_sp-arte-foto-2.jpeg?quality=70&strip=info&w=324&h=352&crop=1\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/a04d6349-8d20-4a28-8ad2-74ec8ebdcf26.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/a04d6349-8d20-4a28-8ad2-74ec8ebdcf26.pdf\",\"external_url\":\"\"},{\"id\":\"d91ee6da-3939-4a36-a2c2-24bd688f7870\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Neue Sicht der Dinge (entrevista). Eric Aichinger para Traffic \\u2013 News to-go. Berlim, Alemanha. Data: outubro de 2010 (edi\\u00e7\\u00e3o N\\u00b09) Entrevista sobre a documenta\\u00e7\\u00e3o das transforma\\u00e7\\u00f5es urbanas de Berlim desde a reabertura do Muro, incluindo trabalho em andamento sobre os restos do Palast der Republik. **Confirma que, em 2010, Thiel era representado pela Sean Kelly Gallery (Nova York), pela Galeria Leme (S\\u00e3o Paulo), pela Galerie Krinzinger (Viena) e pela Galer\\u00eda Helga de Alvear (Madri).**\",\"title_en\":\"Neue Sicht der Dinge (entrevista). Eric Aichinger para Traffic \\u2013 News to-go. Berlim, Alemanha. Data: outubro de 2010 (edi\\u00e7\\u00e3o N\\u00b09) Entrevista sobre a documenta\\u00e7\\u00e3o das transforma\\u00e7\\u00f5es urbanas de Berlim desde a reabertura do Muro, incluindo trabalho em andamento sobre os restos do Palast der Republik. **Confirma que, em 2010, Thiel era representado pela Sean Kelly Gallery (Nova York), pela Galeria Leme (S\\u00e3o Paulo), pela Galerie Krinzinger (Viena) e pela Galer\\u00eda Helga de Alvear (Madri).**\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2010-10-01\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcRmkeAor9HbTORqH-dK2ySyZ9y9SO5qNRiup6RL5HuLbu58NyiPhlhXhjg&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/18221c33-9d34-45a4-bdc2-757661d49c38.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/18221c33-9d34-45a4-bdc2-757661d49c38.pdf\",\"external_url\":\"\"},{\"id\":\"ae001a74-8eeb-42d2-935a-247dab7fa364\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Frank Thiel. Pablo Sobisch para El Pa\\u00eds \\u2014 suplemento \\\"On Madrid\\\", p.36. Madri, Espanha. Data: 24\\\/07\\\/2009 Nota\\\/perfil breve sobre a mesma exposi\\u00e7\\u00e3o na Helga de Alvear, situando Thiel como um dos fot\\u00f3grafos mais referenciais da Alemanha atual, com foco nas cortinas de pr\\u00e9dios oficiais abandonados do Berlim Oriental.\",\"title_en\":\"Frank Thiel. Pablo Sobisch para El Pa\\u00eds \\u2014 suplemento \\\"On Madrid\\\", p.36. Madri, Espanha. Data: 24\\\/07\\\/2009 Nota\\\/perfil breve sobre a mesma exposi\\u00e7\\u00e3o na Helga de Alvear, situando Thiel como um dos fot\\u00f3grafos mais referenciais da Alemanha atual, com foco nas cortinas de pr\\u00e9dios oficiais abandonados do Berlim Oriental.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-07-24\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcQeKAxKT_H15E5WQtoiZ163Ah_YM1TwIclFtU6IL1yNWzxgIqwYCkzJWA&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/4d0607e1-6ee9-4b1a-8154-87e5cf256f66.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/4d0607e1-6ee9-4b1a-8154-87e5cf256f66.pdf\",\"external_url\":\"\"},{\"id\":\"f675a8e5-0ece-4256-9eda-c4d93af1f1b1\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Diafragmas de Frank Thiel. Jos\\u00e9 Mar\\u00edn-Medina para El Cultural. Madri, Espanha. Data: 24\\\/07\\\/2009 Cr\\u00edtica da exposi\\u00e7\\u00e3o \\\"Diafragmas\\\" na Helga de Alvear. Situa a trajet\\u00f3ria de Thiel \\u2014 \\\"o fot\\u00f3grafo de Berlim\\\" desde 1995 \\u2014 e relaciona a s\\u00e9rie de cortinas \\u00e0s s\\u00e9ries \\\"Prison Gates\\\" e \\\"Pregnant Women\\\", e \\u00e0 biografia de pris\\u00e3o pol\\u00edtica do artista antes de 1985.\",\"title_en\":\"Diafragmas de Frank Thiel. Jos\\u00e9 Mar\\u00edn-Medina para El Cultural. Madri, Espanha. Data: 24\\\/07\\\/2009 Cr\\u00edtica da exposi\\u00e7\\u00e3o \\\"Diafragmas\\\" na Helga de Alvear. Situa a trajet\\u00f3ria de Thiel \\u2014 \\\"o fot\\u00f3grafo de Berlim\\\" desde 1995 \\u2014 e relaciona a s\\u00e9rie de cortinas \\u00e0s s\\u00e9ries \\\"Prison Gates\\\" e \\\"Pregnant Women\\\", e \\u00e0 biografia de pris\\u00e3o pol\\u00edtica do artista antes de 1985.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-07-24\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcR7aO1qktN6sWBb16NROjB6HgLDL-BrQLjvPQV2PlSDKUPDeophMAUWu3M&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/b606720b-2617-430d-855a-cb3555af36b7.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/b606720b-2617-430d-855a-cb3555af36b7.pdf\",\"external_url\":\"\"},{\"id\":\"11abddc3-7fe4-46b2-b3a7-13f5e0523149\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Los telones de la historia. Javier Maderuelo para El Pa\\u00eds. Madri, Espanha. Data: 18\\\/07\\\/2009 (data de publica\\u00e7\\u00e3o no site); o arquivo est\\u00e1 datado de 31\\\/07\\\/2009, Cr\\u00edtica que aplica os conceitos de \\\"studium\\\" e \\\"punctum\\\" de Roland Barthes \\u00e0s fotografias de cortinas de Thiel na Helga de Alvear, descrevendo o processo t\\u00e9cnico (lavagem, passagem a ferro, ilumina\\u00e7\\u00e3o) e a carga de mem\\u00f3ria hist\\u00f3rica por tr\\u00e1s da est\\u00e9tica t\\u00eaxtil da Alemanha Oriental dos anos 60-70.\",\"title_en\":\"Los telones de la historia. Javier Maderuelo para El Pa\\u00eds. Madri, Espanha. Data: 18\\\/07\\\/2009 (data de publica\\u00e7\\u00e3o no site); o arquivo est\\u00e1 datado de 31\\\/07\\\/2009, Cr\\u00edtica que aplica os conceitos de \\\"studium\\\" e \\\"punctum\\\" de Roland Barthes \\u00e0s fotografias de cortinas de Thiel na Helga de Alvear, descrevendo o processo t\\u00e9cnico (lavagem, passagem a ferro, ilumina\\u00e7\\u00e3o) e a carga de mem\\u00f3ria hist\\u00f3rica por tr\\u00e1s da est\\u00e9tica t\\u00eaxtil da Alemanha Oriental dos anos 60-70.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-07-18\",\"cover_image_url\":\"https:\\\/\\\/galerialeme.com\\\/wp-content\\\/uploads\\\/2012\\\/01\\\/145_3569.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/b2857a76-1b7e-42d2-883a-62d893189fc2.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/b2857a76-1b7e-42d2-883a-62d893189fc2.pdf\",\"external_url\":\"\"},{\"id\":\"c8d51983-4e86-4c7a-a0b7-36e52197e5a4\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Frank Thiel: \\u00abPor primera vez, he inventado mi foto\\u00bb. Javier D\\u00edaz-Guardiola para ABC Cultural (suplemento do jornal ABC). Madri, Espanha. Data: 27\\\/06\\\/2009 Entrevista com Thiel sobre a mesma exposi\\u00e7\\u00e3o na Helga de Alvear. O artista explica a g\\u00eanese da s\\u00e9rie de cortinas, os conceitos de tempo\\\/mem\\u00f3ria\\\/arquitetura, refer\\u00eancias \\u00e0 pintura cubista e a mudan\\u00e7a de escala em rela\\u00e7\\u00e3o ao trabalho anterior sobre Berlim.\",\"title_en\":\"Frank Thiel: \\u00abPor primera vez, he inventado mi foto\\u00bb. Javier D\\u00edaz-Guardiola para ABC Cultural (suplemento do jornal ABC). Madri, Espanha. Data: 27\\\/06\\\/2009 Entrevista com Thiel sobre a mesma exposi\\u00e7\\u00e3o na Helga de Alvear. O artista explica a g\\u00eanese da s\\u00e9rie de cortinas, os conceitos de tempo\\\/mem\\u00f3ria\\\/arquitetura, refer\\u00eancias \\u00e0 pintura cubista e a mudan\\u00e7a de escala em rela\\u00e7\\u00e3o ao trabalho anterior sobre Berlim.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-06-27\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcSJYQPFMs65u0x66UIzdIEoNAwol1K4dX6V-rIMUHJ2vg&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/aacd28a7-2d2a-4260-895d-53cbcc00a8de.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/aacd28a7-2d2a-4260-895d-53cbcc00a8de.pdf\",\"external_url\":\"\"},{\"id\":\"d39d0774-d364-46d3-92a0-0b547eb76f93\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Helga de Alvear inaugura a Frank Thiel. hoyesarte.com. Madri, Espanha. Data: 23\\\/06\\\/2009 An\\u00fancio da exposi\\u00e7\\u00e3o de novos trabalhos na Galer\\u00eda Helga de Alvear (Madri, at\\u00e9 31\\\/07\\\/2009): s\\u00e9rie de cortinas fotografadas em pr\\u00e9dios abandonados do Berlim Oriental, exploradas como reflexo do tempo e da mem\\u00f3ria.\",\"title_en\":\"Helga de Alvear inaugura a Frank Thiel. hoyesarte.com. Madri, Espanha. Data: 23\\\/06\\\/2009 An\\u00fancio da exposi\\u00e7\\u00e3o de novos trabalhos na Galer\\u00eda Helga de Alvear (Madri, at\\u00e9 31\\\/07\\\/2009): s\\u00e9rie de cortinas fotografadas em pr\\u00e9dios abandonados do Berlim Oriental, exploradas como reflexo do tempo e da mem\\u00f3ria.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-06-23\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcTJlr9MjwjUTQt1Ft6O_OnPWPaJjtqGDLN8-6x1HSKy7w&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/c4463982-e8a8-4fda-b56f-eea993da1878.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/c4463982-e8a8-4fda-b56f-eea993da1878.pdf\",\"external_url\":\"\"},{\"id\":\"6ebc4569-5c0e-4e25-bcb7-b624bc6c6b1c\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Frank Thiel, New Work @Kelly. Blog \\\"dlkcollection\\\". Estados Unidos. Data: 22\\\/05\\\/2009 Resenha da exposi\\u00e7\\u00e3o \\\"New Work\\\" na Sean Kelly Gallery (Nova York, at\\u00e9 20\\\/06\\\/2009): 14 fotografias de cortinas de pr\\u00e9dios abandonados do Berlim Oriental, 96x71 pol., montadas em Plexiglas. Cita pre\\u00e7os (11.500\\u20ac\\\/23.000\\u20ac) e hist\\u00f3rico de leil\\u00e3o (US$ 8.000\\u201323.000).\",\"title_en\":\"Frank Thiel, New Work @Kelly. Blog \\\"dlkcollection\\\". Estados Unidos. Data: 22\\\/05\\\/2009 Resenha da exposi\\u00e7\\u00e3o \\\"New Work\\\" na Sean Kelly Gallery (Nova York, at\\u00e9 20\\\/06\\\/2009): 14 fotografias de cortinas de pr\\u00e9dios abandonados do Berlim Oriental, 96x71 pol., montadas em Plexiglas. Cita pre\\u00e7os (11.500\\u20ac\\\/23.000\\u20ac) e hist\\u00f3rico de leil\\u00e3o (US$ 8.000\\u201323.000).\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-05-22\",\"cover_image_url\":\"https:\\\/\\\/static-assets.artlogic.net\\\/w_1600,h_960,c_limit\\\/exhibit-e\\\/62f52bf90af321abff00fe82\\\/d810f5c23601b484dadf2bb1f36ba644.jpeg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/eb5431a3-bda6-40ba-a841-3e5f99b53884.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/eb5431a3-bda6-40ba-a841-3e5f99b53884.pdf\",\"external_url\":\"\"},{\"id\":\"f06c7dc8-714b-41f3-a016-c9c7c9011650\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Book: Frank Thiel, A Berlin Decade, 1995-2005. Blog \\\"dlkcollection\\\" (Loring Knoblauch, depois Collector Daily). Estados Unidos. Data: 25\\\/03\\\/2009 Resenha do livro ap\\u00f3s o autor ver obras de Thiel na feira Armory Show. Descreve as imagens de andaimes, concreto e fachadas de Berlim p\\u00f3s-reunifica\\u00e7\\u00e3o, e a s\\u00e9rie de tinta descascada. Cita representa\\u00e7\\u00e3o pela Sean Kelly Gallery (Nova York) e mostra futura em maio de 2009.\",\"title_en\":\"Book: Frank Thiel, A Berlin Decade, 1995-2005. Blog \\\"dlkcollection\\\" (Loring Knoblauch, depois Collector Daily). Estados Unidos. Data: 25\\\/03\\\/2009 Resenha do livro ap\\u00f3s o autor ver obras de Thiel na feira Armory Show. Descreve as imagens de andaimes, concreto e fachadas de Berlim p\\u00f3s-reunifica\\u00e7\\u00e3o, e a s\\u00e9rie de tinta descascada. Cita representa\\u00e7\\u00e3o pela Sean Kelly Gallery (Nova York) e mostra futura em maio de 2009.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-03-25\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcQ-WwSDVB1QTiFjdrjJxzQ5XvbPAk6G_7OtRTscwULkNA&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/67af7779-57a2-4371-9381-f1833b43f8ab.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/67af7779-57a2-4371-9381-f1833b43f8ab.pdf\",\"external_url\":\"\"},{\"id\":\"cdffba4a-fe9c-4888-8288-9f359a02a28a\",\"media_type\":\"youtube\",\"content_type\":\"Clipping\",\"title_pt\":\"LandmarkMediaInc. The spotlight falls on Berlin, an epicenter, of European contemporary art. When the Berlin wall came down in 1989, artists moved in attracted by the city's bohemian image and liberalism. Frank Thiel has documented the rapid rebirth and architectural changes in the reunified Berlin and Norbert Bisky's violent, but pastel scenes deal with disillusion in the utopia of a western world.\",\"title_en\":\"LandmarkMediaInc. The spotlight falls on Berlin, an epicenter, of European contemporary art. When the Berlin wall came down in 1989, artists moved in attracted by the city's bohemian image and liberalism. Frank Thiel has documented the rapid rebirth and architectural changes in the reunified Berlin and Norbert Bisky's violent, but pastel scenes deal with disillusion in the utopia of a western world.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2009-02-24\",\"cover_image_url\":\"\",\"file_url\":\"\",\"download_url\":\"\",\"external_url\":\"https:\\\/\\\/www.youtube.com\\\/watch?v=wgjInOUYv5Y\"},{\"id\":\"e526d4b9-3ec3-4872-8446-f953bfadfe43\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Mostra em SP retrata monumentos decadentes. Silas Mart\\u00ed. S\\u00e3o Paulo, Brasil. Data: 15 de maio de 2008 Resenha da coletiva \\\"Rel\\u00edquias e Ru\\u00ednas\\\" no Sesc Paulista (12 artistas), com men\\u00e7\\u00e3o pontual \\u00e0 obra de Frank Thiel sobre Berlim, ao lado de Mauro Restiffe, Caio Reisewitz, Hans-Christian Schink e Lida Abdul.\",\"title_en\":\"Mostra em SP retrata monumentos decadentes. Silas Mart\\u00ed. S\\u00e3o Paulo, Brasil. Data: 15 de maio de 2008 Resenha da coletiva \\\"Rel\\u00edquias e Ru\\u00ednas\\\" no Sesc Paulista (12 artistas), com men\\u00e7\\u00e3o pontual \\u00e0 obra de Frank Thiel sobre Berlim, ao lado de Mauro Restiffe, Caio Reisewitz, Hans-Christian Schink e Lida Abdul.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2008-05-15\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcTHI0L1a56ZAROhg5hGRlhpfIt_hvbmyXVIysfACWoehhmhZw9DF2FgpMw&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/a41ab13c-efae-4d76-b171-016c746eb6eb.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/a41ab13c-efae-4d76-b171-016c746eb6eb.pdf\",\"external_url\":\"\"},{\"id\":\"2d0fc10d-1439-467a-b528-10466af65e26\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Critical Nostalgia: Temporal Flux and the Image of Berlin Emerging. Eleanor Moseman (Colorado State University) para H-Net Reviews \\\/ rede H-German. Estados Unidos (rede acad\\u00eamica sediada na Michigan State University). Data: dezembro de 2007 Resenha acad\\u00eamica extensa do mesmo livro (Hatje Cantz), com ensaios de David Moos e Robert Hobbs. Analisa a biografia de Thiel, a s\\u00e9rie \\\"The Allies\\\" (1994), a instala\\u00e7\\u00e3o no Checkpoint Charlie e as s\\u00e9ries \\\"Stadt\\\" sobre o Palast der Republik, o Reichstag e a esta\\u00e7\\u00e3o de vigil\\u00e2ncia de Teufelsberg.\",\"title_en\":\"Critical Nostalgia: Temporal Flux and the Image of Berlin Emerging. Eleanor Moseman (Colorado State University) para H-Net Reviews \\\/ rede H-German. Estados Unidos (rede acad\\u00eamica sediada na Michigan State University). Data: dezembro de 2007 Resenha acad\\u00eamica extensa do mesmo livro (Hatje Cantz), com ensaios de David Moos e Robert Hobbs. Analisa a biografia de Thiel, a s\\u00e9rie \\\"The Allies\\\" (1994), a instala\\u00e7\\u00e3o no Checkpoint Charlie e as s\\u00e9ries \\\"Stadt\\\" sobre o Palast der Republik, o Reichstag e a esta\\u00e7\\u00e3o de vigil\\u00e2ncia de Teufelsberg.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2007-12-01\",\"cover_image_url\":\"https:\\\/\\\/encrypted-tbn0.gstatic.com\\\/images?q=tbn:ANd9GcScoCNkbi7toeRa7KUBf5g89IeRQdQAgavHoK3rZ2plFPRsU4fVxs6-i8g&s=10\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/8e814a9f-a69b-4fb3-9d31-cbc5ebed8aa3.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/8e814a9f-a69b-4fb3-9d31-cbc5ebed8aa3.pdf\",\"external_url\":\"\"},{\"id\":\"270033f0-2e60-423c-8d9e-a25cc46476ae\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"A Berlin Decade. Kieran Long para ICON Magazine (icon 045). Londres, Reino Unido. Data: mar\\u00e7o de 2007 Revista brit\\u00e2nica de arquitetura e design, fundada em 2003, hoje do grupo Media 10 \\u2014 publica\\u00e7\\u00e3o especializada e estabelecida no setor.\",\"title_en\":\"A Berlin Decade. Kieran Long para ICON Magazine (icon 045). Londres, Reino Unido. Data: mar\\u00e7o de 2007 Revista brit\\u00e2nica de arquitetura e design, fundada em 2003, hoje do grupo Media 10 \\u2014 publica\\u00e7\\u00e3o especializada e estabelecida no setor.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2007-03-01\",\"cover_image_url\":\"https:\\\/\\\/image.jimcdn.com\\\/app\\\/cms\\\/image\\\/transf\\\/none\\\/path\\\/se566f03ae9152c24\\\/image\\\/i354c5f71706e2f91\\\/version\\\/1528209333\\\/image.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/fac75992-8db4-42e2-88e9-39ce8b230275.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/fac75992-8db4-42e2-88e9-39ce8b230275.pdf\",\"external_url\":\"\"},{\"id\":\"20667ffb-863c-4153-8c70-7de324289dc2\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"\\\"Constructing New Berlin\\\". David Velasco para Artforum International. Phoenix, Arizona, EUA. Data: 9 de abril de 2006 Resenha da mostra coletiva no Phoenix Art Museum (curadoria de Brady Roberts), que abre com as fotografias de Frank Thiel sobre a paisagem urbana de Berlim, ao lado de obras de Thomas Demand, Janet Cardiff\\\/George Bures Miller, Carsten Nicolai e Olafur Eliasson.\",\"title_en\":\"\\\"Constructing New Berlin\\\". David Velasco para Artforum International. Phoenix, Arizona, EUA. Data: 9 de abril de 2006 Resenha da mostra coletiva no Phoenix Art Museum (curadoria de Brady Roberts), que abre com as fotografias de Frank Thiel sobre a paisagem urbana de Berlim, ao lado de obras de Thomas Demand, Janet Cardiff\\\/George Bures Miller, Carsten Nicolai e Olafur Eliasson.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2006-04-09\",\"cover_image_url\":\"https:\\\/\\\/www.artforum.com\\\/wp-content\\\/uploads\\\/2006\\\/05\\\/picksimg_large-11.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/7d6c3012-03f1-4d90-9d7e-971a1d9015c6.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/7d6c3012-03f1-4d90-9d7e-971a1d9015c6.pdf\",\"external_url\":\"\"},{\"id\":\"cc14ffe1-fd02-4c8f-b93a-0490f8e8da24\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Formalismo impera em \\\"Nova Geometria\\\". Felipe Chaimovich (cr\\u00edtico da Folha de S.Paulo). S\\u00e3o Paulo, Brasil. Data: 23 de dezembro de 2003 Cr\\u00edtica da coletiva \\\"Nova Geometria\\\" na galeria Fortes Vila\\u00e7a (44 artistas). Cita a obra de Frank Thiel \\\"City 2\\\/58\\\" (2002), sobre a reconstru\\u00e7\\u00e3o de Berlim p\\u00f3s-Muro, ao lado de trabalhos de Hiroshi Sugimoto e Luisa Lambri.\",\"title_en\":\"Formalismo impera em \\\"Nova Geometria\\\". Felipe Chaimovich (cr\\u00edtico da Folha de S.Paulo). S\\u00e3o Paulo, Brasil. Data: 23 de dezembro de 2003 Cr\\u00edtica da coletiva \\\"Nova Geometria\\\" na galeria Fortes Vila\\u00e7a (44 artistas). Cita a obra de Frank Thiel \\\"City 2\\\/58\\\" (2002), sobre a reconstru\\u00e7\\u00e3o de Berlim p\\u00f3s-Muro, ao lado de trabalhos de Hiroshi Sugimoto e Luisa Lambri.\",\"description_pt\":\"\",\"description_en\":\"\",\"source_name\":\"\",\"published_at\":\"2003-12-23\",\"cover_image_url\":\"https:\\\/\\\/fdag.com.br\\\/app\\\/uploads\\\/exposicoes\\\/18322900_big-760x512.jpg\",\"file_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/6ed7e7ad-ea76-4ea0-8a05-d24b001610f5.pdf\",\"download_url\":\"https:\\\/\\\/storage.googleapis.com\\\/galeria-leme-acervo\\\/artists\\\/clippings\\\/6ed7e7ad-ea76-4ea0-8a05-d24b001610f5.pdf\",\"external_url\":\"\"},{\"id\":\"7199be7c-561b-45f1-9a74-8fc04312e150\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"the XXV Bienal de S\\u00e3o Paulo (trecho). Nico Israel para Artforum International. S\\u00e3o Paulo, Brasil. Data: ver\\u00e3o (junho) de 2002 Trecho de uma resenha ampla da 25\\u00aa Bienal de S\\u00e3o Paulo (curadoria de Alfons Hug, tema \\\"Iconografias Metropolitanas\\\"). Cita Frank Thiel e Michael Wesely como representantes de Berlim na se\\u00e7\\u00e3o de representa\\u00e7\\u00e3o por cidades.\",\"title_en\":\"the XXV Bienal de S\\u00e3o Paulo (trecho). Nico Israel para Artforum International. S\\u00e3o Paulo, Brasil. Data: ver\\u00e3o (junho) de 2002 Trecho de uma resenha ampla da 25\\u00aa Bienal de S\\u00e3o Paulo (curadoria de Alfons Hug, tema \\\"Iconografias Metropolitanas\\\"). 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