{"id":40326,"date":"2012-01-26T17:22:35","date_gmt":"2012-01-26T19:22:35","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=40326"},"modified":"2026-05-15T12:07:04","modified_gmt":"2026-05-15T15:07:04","slug":"sandra-gamarra","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/sandra-gamarra\/","title":{"rendered":"Sandra Gamarra Heshiki"},"content":{"rendered":"","protected":false},"featured_media":31846,"template":"","class_list":["post-40326","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"Lima, Peru, 1972.<\/strong>\r\nLives and works in Madrid, Spain.\r\n

Sandra Gamarra Heshiki's work employs the mechanisms of the art world \u2013 production processes, exhibition, dissemination, and commercialization \u2013 to reflect upon reality. For her, fiction, translation, and selection are essential ingredients of the reality we live in, but on a larger scale, these dissolve into spectacle, becoming imperceptible. Her work satirizes these procedures by making them visible in order to question our involvement in them. Her artwork suggests that one of the ways to respond and confront an overwhelming reality is to use its own mechanisms of \"creation,\" engaging with values such as novelty, authorship, originality, and uniqueness.<\/p>\r\n

Based on appropriation, her work acts as a mirror that shifts exhibition formats, alters the circulation of images, and subverts the ownership of culture as well as the narrative between art and the viewer. Within this realm of investigation, her Peruvian heritage adds a syncretic layer where pre-Columbian, colonial, and Western cultures converge. In 2002, due to the absence of an institutional presence in the field of contemporary arts, she created LiMac (Lima Contemporary Art Museum), a fictitious museum established through a logo on merchandise items (pencils, erasers, cups, bags).<\/p>","description":"

\nLima, Peru, 1972. Lives and works in Madrid, Spain.\n\n

EDUCATION<\/h2>\n

2003<\/p>\n

Doctorate, Facultad de Arte de Cuenca, Cuenca, Spain<\/p>\n

1990-1997<\/p>\n

BA in Fine Arts, Pontificia Universidad Catolica del Peru, Lima, Peru<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2026<\/p>\n

Sandra Gamarra Heshiki: r\u00e9plica (curated by Adriano Pedrosa, Florencia Portocarrero, Guilherme Giufrida and Sharon Lerner), Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil; Museu de Arte de Lima, Lima, Peru.<\/p>\n

2025<\/p>\n

Pinacoteca Migrante (curated by Augustin Perez Rubio), Biblioteca Nacional de Espana, Madrid, Spain<\/p>\n

2024<\/p>\n

Pinacoteca Migrante, Spanish Pavilion, 60th International Art Exhibition, Venice Biennale, Venice, Italy<\/p>\n

2023<\/p>\n

El mundo al rev\u00e9s, Livia Benavides 80m2, Lima, Peru<\/p>\n

2022<\/p>\n

En v\u00edas de desarollo, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Buen Gobierno (curated by Agust\u00edn P\u00e9rez Rubio), Centro Galego de Arte Contempor\u00e1nea (CGAC), Santiago de Compostela, Spain<\/p>\n

El orden de los factores (curated by Pamela Desjardins), Museo Amparo, Puebla, Mexico<\/p>\n

2021<\/p>\n

Producc\u00edon\/Reproducci\u00f3n, Museo de Arte de Lima (MALI), Lima, Peru<\/p>\n

Buen Gobierno (curated by Agust\u00edn P\u00e9rez Rubio), Sala Alcal\u00e1 31, Madrid, Spain<\/p>\n

2020<\/p>\n

Bodeg\u00f3n-Vitrina-Museo-Vitrina-Bodeg\u00f3n, Livia Benavides 80m2, Lima, Peru<\/p>\n

2018<\/p>\n

Corners. Walls. Floors (curated by Moritz K\u00fcng), Fundaci\u00f3n RAC, Pontevedra, Spain<\/p>\n

Rojo Indio, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

2017<\/p>\n

Landscape in Quotation Marks, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Hoja de Sala, Koob Gallery at Espacio M\u00faltiplos, Barcelona, Spain<\/p>\n

2016<\/p>\n

Cielo Raso, SITU #5 (curated by Bruno de Almeida), Galeria Leme, Sao Paulo, Brazil<\/p>\n

2015<\/p>\n

Paisaje entre comillas (Landscape in Quotation Marks), Galeria Lucia de la Puente, Lima, Peru<\/p>\n

2014<\/p>\n

La Quadrature du Cercle, Studio Sandra Recio, Geneva, Switzerland<\/p>\n

Grey Flag Project (commission), Artium Museum, Vitoria-Gasteiz, Spain<\/p>\n

What Made Us Modern \/ Sharp Images in Humid Environments, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2013<\/p>\n

Blanca, Galer\u00eda Juana de Aizpuru, Madrid, Spain; Palacio Molina, Cartagena, Spain<\/p>\n

2012<\/p>\n

Ver\u00f3nica, Carmen Araujo Arte, Caracas, Venezuela<\/p>\n

You Are Here, F\u00e1brica ASA, European Capital of Culture, Guimar\u00e3es, Portugal<\/p>\n

Self-Portrait \/ Natural History, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

2011<\/p>\n

Mantos, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

At the Same Time, Bass Museum of Art, Miami, USA<\/p>\n

2010<\/p>\n

In Order of Appearance, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

They Are to See You Better, Black Pilar, Madrid, Spain<\/p>\n

2009<\/p>\n

Natural Selection, OMR, Mexico City, Mexico<\/p>\n

The Guest, Rotwand Gallery, Zurich, Switzerland<\/p>\n

The Illusion of Use, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

2008<\/p>\n

Miracles, Galeria Leme, Sao Paulo, Brazil<\/p>\n

2007<\/p>\n

From A to K: C\u00e9sar Cervantes Collection, Aldaba Arte, Mexico City, Mexico<\/p>\n

2006<\/p>\n

Brazilian Acquisitions, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

New Acquisitions, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

Cabinet, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

2004<\/p>\n

Recent Works, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

2003<\/p>\n

Guided Tour, Casa de Am\u00e9rica, Madrid, Spain<\/p>\n

Correspondence Course, Galeria Wu Ediciones, Lima, Peru<\/p>\n

2002<\/p>\n

Souvenir, Galeria Wu Ediciones, Lima, Peru<\/p>\n

2001<\/p>\n

Living Room, Sala Luis Mir\u00f3 Quesada Garland, Lima, Peru<\/p>\n

Untitled, Galeria Wu Ediciones, Lima, Peru<\/p>\n

2000<\/p>\n

Recent Works, Galeria Wu Ediciones, Lima, Peru<\/p>\n

Kitchen (with Ivan Esquivel), Centro Cultural Ricardo Palma, Lima, Peru<\/p>\n

1999<\/p>\n

La casa: espacios internos, (with Roc\u00edo G\u00f3mez), Galer\u00eda Obsidiana, Lima, Peru<\/p>\n

1998<\/p>\n

Inventario. Galer\u00eda Praxis, Lima, Peru<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2005<\/p>\n

And\u00e9n 16: Heteronyms, Contempor\u00e1nea Condeduque, Madrid, Spain<\/p>\n

Emergencies, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

Exhibition And\u00e9n 12: Heteronyms, Condeduque, Madrid, Spain<\/p>\n

Itineraries, Fundaci\u00f3n Marcelino Bot\u00edn, Santander, Spain<\/p>\n

Still Life, Museo de Arte de Lima, Lima, Peru<\/p>\n

2019<\/p>\n

3rd Act: The Reverse \u2013 Louvre Pau-Brazyl Museum, Edif\u00edcio Louvre, S\u00e3o Paulo, Brazil<\/p>\n

Amazon\u00edas (curated by Gredna Landolt and Sharon Lerner), Matadero Madrid, Madrid, Spain<\/p>\n

In Order of Appearance (curated by Estrella de Diego and Luis P\u00e9rez-Oramas), Real Academia de Bellas Artes de San Fernando, Madrid, Spain<\/p>\n

Close Your Eyes and See (curated by Galciani Neves), Almeida & Dale Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Menu of the Day, Galeria 80m2 Livia Benavides, Lima, Peru<\/p>\n

Now Is the Time, Kunstmuseum Wolfsburg, Germany<\/p>\n

Without Chronicles (curated by Max Hern\u00e1ndez Calvo), El Instante Fundaci\u00f3n, Madrid, Spain<\/p>\n

Undefined Territories: Perspectives on the Colonial Legacy (curated by Hiuwai Chu), Museu d'Art Contemporani de Barcelona (MACBA), Barcelona, Spain<\/p>\n

Time for Change: Art and Social Unrest in the Jorge M. P\u00e9rez Collection, El Espacio 23, Miami, United States<\/p>\n

2026<\/p>\n

Debret in Question \u2013 Contemporary Perspectives, (curated by Jacques Leenhardt and Gabriela Longman), Museu do Ipiranga, S\u00e3o Paulo, Brazil<\/p>\n

More Beautiful Is the River That Flows, (curated by Marcelo Campos), Centro Cultural Sesc Quitandinha, Petr\u00f3polis, Rio de Janeiro, Brazil<\/p>\n

2025<\/p>\n

13th Leandre Cristofol Art Biennial, Barcelona, Spain<\/p>\n

47th Sal\u00f3n Nacional de Artistas, Colombia<\/p>\n

Ambient Threads (curated by Luis Pinto Nunes), Kubikgallery + Galeria Leme, Museu do Arroz Museum Space, Comporta, Portugal<\/p>\n

Incaesque Art in the Cooperative Collection, Puchipuli, Buenos Aires, Argentina<\/p>\n

Currents of Restitution: Abolish the Museum, Hangar, Lisbon, Portugal<\/p>\n

Eternal Fire: Visual Sovereignties, Ruffin Gallery, University of Virginia, Charlottesville, United States<\/p>\n

Streams of Dragonflies, Livia Benavides 80m2, Lima, Peru<\/p>\n

Three Variations of a Diasporic Landscape, David Rockefeller Center for Latin American Studies, Harvard University, Cambridge, United States<\/p>\n

Whispers of the Self, Prometeo Gallery, Milan, Italy<\/p>\n

2024<\/p>\n

Poli\/Grafica de Puerto Rico: Latin America and the Caribbean \u2013 Under Pressure, Instituto de Cultura Puertorrique\u00f1a, San Juan, Puerto Rico<\/p>\n

Art Against Gender Violence. So Many Women in One, Centre Cultural La Nau, Valencia, Spain<\/p>\n

Time in Things III, Museo Amparo, Puebla, Mexico<\/p>\n

The Production of Otherness, Foment de les Arts i del Disseny, Barcelona, Spain<\/p>\n

Territories: Latin American Contemporary Art in the Jorge M. P\u00e9rez Collection, Centro Andaluz de Arte Contempor\u00e1neo, Seville, Spain<\/p>\n

2023<\/p>\n

XVI Cuenca Biennial, Cuenca, Ecuador<\/p>\n

Before America, Fundaci\u00f3n Juan March, Madrid, Spain<\/p>\n

Quica Ma\u00f1ana (curated by Ferran Barenblit), XVI Cuenca Biennial, Ecuador<\/p>\n

Walking Along the Edges: Embroidery and Gender as Practices of Care (curated by Lilia Schwarcz), Galeria Arte 132, S\u00e3o Paulo, Brazil<\/p>\n

My Clothes, Those of Others, Those of Many (curated by Sergio Parra and Antonio Echeverria), Il Posto, Chile<\/p>\n

El Dorado. A Territory (curated by Adriana Rosenberg, Aime Iglesias Lukin and Ramiro Martinez), Fundaci\u00f3n Proa, Argentina<\/p>\n

Future Brazil: The Forms of Democracy (curated by Marcio Tavares, Lilia Schwarcz and Paulo Vieira), Museu Nacional da Rep\u00fablica; Casa das 11 Janelas; Centro Cultural Solar Ferr\u00e3o, Brazil<\/p>\n

MACBA Collection. Prelude. Poetic Intention, Museu d'Art Contemporani de Barcelona, Barcelona, Spain<\/p>\n

\u201cPachakuti: The World Turned Upside Down\u201d, Indigenous Histories, Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n

2022<\/p>\n

Brazilian Histories (curated by Adriano Pedrosa, Lilia Schwarcz, Amanda Carneiro, Andre Mesquita, Clarissa Diniz, Fernando Oliva, Glaucea Brito, Guilherme Giufrida, Isabella Rjeille, Sandra Benites and Tomas Toledo), Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n

Flowers and Fruits, Banco de Espa\u00f1a, Madrid, Spain<\/p>\n

Under Construction, Hamburger Bahnhof, Berlin, Germany<\/p>\n

2021<\/p>\n

Communicating Vessels: Collection 1881\u20132021, Museo Reina Sof\u00eda, Madrid, Spain<\/p>\n

Images from the Rearview Mirror, CentroCentro, Madrid, Spain<\/p>\n

For a Breath of Fury and Hope (curated by Galciani Neves and Natalie Unterstell), Museu Brasileiro da Escultura e da Ecologia, S\u00e3o Paulo, Brazil<\/p>\n

Contemporary Imaginaries, Museo de Arte de Lima, Lima, Peru<\/p>\n

From Voice to Voice Peru, Museu de Arte Contempor\u00e2nea de Lima, Lima, Peru<\/p>\n

Dialect CA2M, Centro de Arte Dos de Mayo, M\u00f3stoles, Spain<\/p>\n

The White Secrets of Your Womb, Museu Centro Gai\u00e1s, Santiago de Compostela, Spain<\/p>\n

Painting, Permanent Renewal, Museu Patio Herreriano, Valladolid, Spain<\/p>\n

2020<\/p>\n

11th Berlin Biennale for Contemporary Art, Berlin, Germany<\/p>\n

Mecar\u00f5: Amazonia in the Petitgas Collection, MO.CO, Montpellier, France<\/p>\n

Artists in the Banco Sabadell Art Collection, Sala de Exposiciones Sabadell Herrero, Oviedo, Spain<\/p>\n

How to Continue?, Centro Cultural de Espa\u00f1a, Lima, Peru<\/p>\n

2018<\/p>\n

Is It or Is It Not (curated by Alexandra Baures), Sala de Armas de la Ciudadela, Pamplona, Spain<\/p>\n

All the Shades of Rage (curated by Carolina Bustamante Gutierrez and Francisco Godoy Vega), Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

Dialogue de l'ombre double, Centro de Arte de Alcobendas, Madrid, Spain<\/p>\n

#iff2018, Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

STATES IN CRISIS. Exercising Citizenship Through Art, Museu de Arte Contempor\u00e2nea de Lima, Lima, Peru<\/p>\n

2017<\/p>\n

Juana de Aizpuru: Extract from a Collection, Museo Patio Herreriano, Madrid, Spain<\/p>\n

Raise the Curtain (curated by Antoine Henry Jonqu\u00e8res), LiMac at Galeria Mois\u00e9s P\u00e9rez de Alb\u00e9niz, Madrid, Spain<\/p>\n

A Thousand Beasts That Roar: Exhibition Devices for a Critical Modernity, Centro Andaluz de Arte Contempor\u00e1neo (CAAC), Seville, Spain<\/p>\n

Legacy and Divergence: 78 Years of Arts at PUCP, Espacio Germ\u00e1n Kr\u00fcger Espantoso, Instituto Cultural Peruano Norteamericano, Lima, Peru<\/p>\n

Art at the Turn of the Century (curated by Benjamin Weil), Centro Bot\u00edn, Santander, Spain<\/p>\n

Illuminate Our Border, Palacio Consistorial, Cartagena, Spain<\/p>\n

Doublethink Double Vision (curated by Alistair Hicks), Pera Museum, Istanbul, Turkey<\/p>\n

The Lilac Sun: Poetic Constellations of Luis Hern\u00e1ndez, Casa de la Literatura Peruana, Lima, Peru<\/p>\n

Agreement of Trust, Biblioteca M\u00e1rio de Andrade, S\u00e3o Paulo, Brazil<\/p>\n

Turning the Page: The Artist\u2019s Book in the 21st Century, Calcograf\u00eda Nacional de la Real Academia de Bellas Artes de San Fernando, Madrid, Spain<\/p>\n

Stone in the Sky: Art and Architecture of Paulo Mendes da Rocha (curated by Cau\u00ea Alves and Guilherme Wisnik), Museu Brasileiro da Escultura e Ecologia (MuBE), S\u00e3o Paulo, Brazil<\/p>\n

The Idea in a Sign. S\u00e1nchez-Ubir\u00eda Collection (curated by Sergio Rubira), Centro de Arte Alcobendas, Madrid, Spain<\/p>\n

Next Stop. Peruvian Artists in the Hochschild Collection (curated by Octavio Zaya), Sala Alcal\u00e1 31, Madrid, Spain<\/p>\n

Women Artists in the CAC, Museo Patio Herreriano, Valladolid, Spain<\/p>\n

The Middle Line (curated by Antoine Henry Jonqu\u00e8res), LiMac, Madrid, Spain<\/p>\n

Natural Selection \u2013 This Is the Cover of the Book (curated by Moritz K\u00fcng), Centro Cultural \u2013 Librer\u00eda Blanquerna, Madrid, Spain<\/p>\n

2016<\/p>\n

Juan Acha: Contemporary Latin American Reflections, Museo de Arte Contempor\u00e1neo de Lima (MAC Lima), Lima, Peru<\/p>\n

3rd Montevideo Biennial, Buried Mirror, Montevideo, Uruguay<\/p>\n

Museum Void: Half a Century of Peruvian Museotopias (1966\u20132016), Museo de Arte Contempor\u00e1neo de Lima, Lima, Peru<\/p>\n

Kaleidoscope and Puzzle: Latin America in the MUSAC Collection, Centro Atl\u00e1ntico de Arte Moderno, Las Palmas de Gran Canaria, Spain<\/p>\n

The Color of Brazil (curated by Paulo Herkenhoff, Marcelo Campos and Clarissa Diniz), Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil<\/p>\n

Danger: Expansion and Cut (curated by Jorge Villacorta), Hochschild Collection, UTEC \u2013 Universidad de Ingenier\u00eda y Tecnolog\u00eda, Lima, Peru<\/p>\n

Permit Yourself... (curated by Moritz K\u00fcng), Centre d'Arts Santa M\u00f2nica, Barcelona, Spain<\/p>\n

Con-Text (curated by Francine Birbragher-Rozencwaig and Oscar Rold\u00e1n Alzate), Museo de la Universidad de Antioquia and Universidad Nacional de Medell\u00edn, Colombia<\/p>\n

Remember to Remember (curated by Alexia Tala), Carbono Galeria, S\u00e3o Paulo, Brazil<\/p>\n

The Way Things Go (curated by Patrick Hamilton & The 9.99), The 9.99, Guatemala City, Guatemala<\/p>\n

The Lost Hours, ArtistaXArtista, Havana, Cuba<\/p>\n

Louvre Museum \u2013 Pau Brazyl, Edif\u00edcio Louvre, S\u00e3o Paulo, Brazil<\/p>\n

2015<\/p>\n

Beautiful Thursdays, Museo Nacional de Bellas Artes, Buenos Aires, Argentina<\/p>\n

Don\u2019t Shoot the Painter \/ Paintings from the UBS Art Collection, Galleria d\u2019Arte Moderna Milano, Milan, Italy<\/p>\n

Transfer Exercises, Centro de Arte Alcobendas, Madrid, Spain<\/p>\n

Grafizaci\u00f3n, LiMac \/ Espacio Trapezio, Madrid, Spain<\/p>\n

Polyvalences, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

18th-Century Rio: When Rio Became the Capital, Museu de Arte do Rio, Rio de Janeiro, Brazil<\/p>\n

A Glimpse at the Vistacorta Collection, Centro Cultural Ricardo Palma, Lima, Peru<\/p>\n

unplace, networked art: places-between-places. Guided Visit: artist, museum, spectator, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

2014<\/p>\n

Taipa-Tapume, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Contra\/cto, Galeria 3+1, Lisbon, Portugal<\/p>\n

30 Years of Contemporary Art, Sala Mir\u00f3 Quesada, Lima, Peru<\/p>\n

Horror Vacui, Espacio L\u00edquido, Gij\u00f3n, Spain<\/p>\n

Contemporary Moment (curated by Paulo Venancio Filho), Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

History Is Written by the Victors, OTR, espacio de arte, Madrid, Spain<\/p>\n

The Marvelous Real: Contemporary Spanish and Latin American Art from the MUSAC Collection, Museum of Contemporary Art Tokyo (MOT), Tokyo, Japan<\/p>\n

Grey Flag Project, Artium Museum, Vitoria-Gasteiz, Spain<\/p>\n

2013<\/p>\n

Silhouettes and Portraits of Women, Galeria Pepe Cobo, Lima, Peru<\/p>\n

Suspicious Minds, Galeria Vermelho, S\u00e3o Paulo, Brazil<\/p>\n

Identity, A Window in Berlin, Berlin, Germany<\/p>\n

Los Bragales Collection, Central Library and Historical Archive of Cantabria, Santander, Spain<\/p>\n

From Madonna to Madonna: (De)constructions of the Feminine in Contemporary Society, DA2 Domus Artium 2002, Salamanca, Spain<\/p>\n

On Painting, Centro Atl\u00e1ntico de Arte Moderno, Las Palmas de Gran Canaria, Spain<\/p>\n

2012<\/p>\n

So What If Democracy Happens?, 80m2 Livia Benavides, Lima, Peru<\/p>\n

Collection: The Foundational Crime, Museo Universitario de Ciencias y Artes ROMA, Mexico City, Mexico<\/p>\n

Autonomous Essays, OTR Espacio de Arte, Madrid, Spain<\/p>\n

Printed Remains, LiMac, Madrid, Spain<\/p>\n

Setting the Scene, Tate Modern, London, United Kingdom<\/p>\n

Transition, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2011<\/p>\n

An Other Place, Galeria Lelong, New York, United States<\/p>\n

The Dream Collector, Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Kreemart, Haunch of Venison, New York, United States<\/p>\n

Country Report, Centro Gabriela Mistral, Santiago, Chile<\/p>\n

11th Cuenca Biennial, Cuenca, Ecuador<\/p>\n

The End of History... and the Return of History Painting, DA2 Domus Artium 2002, Salamanca, Spain; MMKA Museum Arnhem, Arnhem, Netherlands<\/p>\n

Art on the Move: Contemporary Collection of the Lima Museum of Art, Esta\u00e7\u00e3o Pinacoteca, S\u00e3o Paulo, Brazil<\/p>\n

Fiction and Reality, Moscow Museum of Modern Art (MMOMA), Moscow, Russia<\/p>\n

The Draughtsman\u2019s Contract, Estudio Carlos Garaicoa, Madrid, Spain<\/p>\n

Traveling Program of the 29th S\u00e3o Paulo Biennial, Funda\u00e7\u00e3o Joaquim Nabuco, Recife; Museu Oscar Niemeyer; Pal\u00e1cio das Artes, Brazil<\/p>\n

Art and Institution, K\u00fcnstlerhaus Wien, Vienna, Austria<\/p>\n

2010<\/p>\n

There Is Always a Cup of Sea for a Man to Sail, 29th S\u00e3o Paulo Biennial, Funda\u00e7\u00e3o Bienal, S\u00e3o Paulo, Brazil<\/p>\n

Synergy: Current Latin American Art in Spain, Museo de Arte Contempor\u00e1neo Gas Natural Fenosa, A Coru\u00f1a, Spain; Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo, Badajoz, Spain<\/p>\n

Issued, Rendez View, Darsa Comfort, Zurich, Switzerland<\/p>\n

Models to Assemble: Thinking Latin America Through the MUSAC Collection, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

2009<\/p>\n

Globalized, Exhibition Hall of the Provincial Council of Huesca, Huesca, Spain<\/p>\n

Uninhabitable, OTR Espacio de Arte, Madrid, Spain<\/p>\n

31st Panorama da Arte Brasileira, Museu de Arte Moderna de S\u00e3o Paulo (MAM), S\u00e3o Paulo, Brazil<\/p>\n

Mundus Novus \/ New World, Pavilion of the Istituto Italo-Latino Americano (IILA), 53rd Venice Biennale, Venice, Italy<\/p>\n

The Impure and the Contaminated III: (Neo)Baroque Drives in the Routes of MICROMUSEO, Chile Triennial, Museo de Arte Contempor\u00e1neo de Chile, Santiago, Chile<\/p>\n

The Tropics: Views from the Middle of the Globe, Iziko South African National Gallery, Cape Town, South Africa<\/p>\n

Transversal Readings of the Fundaci\u00f3n Marcelo Bot\u00edn Collection, Santander, Spain<\/p>\n

Mundus Novus \/ New Worlds, Pavilion of the Istituto Italo-Latino Americano (IILA), 53rd Venice Biennale, Venice, Italy<\/p>\n

2008<\/p>\n

Visions of Contemporary Art in Peru, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

Portrait 2, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Regarding Space, OTR Espacio de Arte, Madrid, Spain<\/p>\n

Pipe, Glass, Bottle of Rum: The Art of Appropriation, Museum of Modern Art (MoMA), New York, United States<\/p>\n

The Tropics: Views from the Middle of the Globe, Martin-Gropius-Bau, Berlin, Germany; Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil<\/p>\n

Relics and Ruins, SESC S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Located Work Project (coordinated by Joseph Kosuth), La Casa Encendida, Madrid, Spain<\/p>\n

2007<\/p>\n

Relics and Ruins, Goethe-Institut, Espa\u00e7o Cultural Oi Futuro, Rio de Janeiro, Brazil<\/p>\n

The Tropics: Views from the Middle of the Globe, Centro Cultural Banco do Brasil, Bras\u00edlia, Brazil<\/p>\n

Existences \u2013 MUSAC Collection, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

10\u00ba00 S \/ 76\u00ba00 W., Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Future Destination, Sala de Exposiciones del Jard\u00edn Bot\u00e1nico, Madrid, Spain<\/p>\n

2006<\/p>\n

TINTA, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Homage, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

City and Art, Museo de la Naci\u00f3n, Lima, Peru<\/p>\n

Re-Shuffle: Notions of an Itinerant Museum, Art in General, New York, United States<\/p>\n

2004<\/p>\n

NeoPortraits, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

Traveling Exhibitions, Generaci\u00f3n 2004, Caja Madrid, Madrid, Spain<\/p>\n

White Cube, Sala Luis Mir\u00f3 Quesada Garland, Lima, Peru<\/p>\n

Trait d\u2019Union, Crac Occitanie, S\u00e8te, France<\/p>\n

2003<\/p>\n

Proyecto Boda, Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo (MEIAC), Badajoz, Spain<\/p>\n

2002<\/p>\n

Thanks for Coming, La F\u00e1brica de Pan, Madrid, Spain<\/p>\n

Young Latin American Art, Universidade Candido Mendes, Rio de Janeiro, Brazil<\/p>\n

The Impure and the Contaminated, Centro Cultural de Espa\u00f1a, Lima, Peru<\/p>\n

An Impeccable Solitude, Centro Cultural de Espa\u00f1a, Lima, P<\/p>\n

2001<\/p>\n

3rd Mercosur Biennial, Porto Alegre, Brazil<\/p>\n

Unzip, Galeria John Harriman, Lima, Peru<\/p>\n

Drawing on Canvas, Galeria Forum, Lima, Peru<\/p>\n

Presence of Women in Peruvian Art, Art Gallery of the Embassy of Peru, Washington, D.C., United States<\/p>\n

Co-Reason, Centro Cultural de Espa\u00f1a, Lima, Peru<\/p>\n

Peruvian Submission for the Mercosur Biennial, Porto Alegre, Brazil<\/p>\n

2000<\/p>\n

Winsor & Newton Worldwide Millennium Painting Exhibition, Mall Galleries, London, England; New York, United States; World Trade Center, Stockholm, Sweden<\/p>\n

Art Night, Residence of the United States Embassy in Peru, Lima, Peru<\/p>\n

Nexo: Young Artists from Latin America and Spain, Convenio Andr\u00e9s Bello Cultural Center, Bogot\u00e1, Colombia<\/p>\n

Drawing on Canvas, Galeria Forum, Lima, Peru<\/p>\n

Nexo: Encounters of Young Artists from Latin America and Spain, Convenio Andr\u00e9s Bello, Bogot\u00e1, Colombia<\/p>\n

1999<\/p>\n

Reality, Centro Cultural Ricardo Palma, Lima, Peru<\/p>\n

Drawing on Canvas, Galeria Forum, Lima, Peru<\/p>\n

Labyrinth of Solitude: Lima Open City, Casona de San Marcos, Lima, Peru<\/p>\n

1998<\/p>\n

Arte Praxis 98, Galeria Praxis, Lima, Peru<\/p>\n

The New Angels, Galeria 2V's, Lima, Peru<\/p>\n

Contemporary Peruvian Painting, Sala de Arte Petro Peru, Lima, Peru<\/p>\n

COMMISSIONS<\/h2>\n

2014<\/p>\n

Grey Flag Project, Museu Artium, Vitoria, Espanha<\/p>\n

AWARDS<\/h2>\n

2025<\/p>\n

Fundaci\u00f3n MACBA Award, finalist<\/p>\n

2024<\/p>\n

Gold Medal for Merit in the Fine Arts. Ministry of Culture, Spain<\/p>\n

2006<\/p>\n

VI Bienal Internacional de Artes Plasticas Ciudad de Alcorcon Prize, Madrid, Spain<\/p>\n

2004<\/p>\n

Marcelino Botin, Beca de Proyectos, Santander, Spain<\/p>\n

Concurso Generacion 2004, Seleccion, Caja Madrid, Spain<\/p>\n

2003<\/p>\n

MUSAC, Beca de Creacion Artistica, Museo de Arte Contemporaneo de Castilla y Leon , Leon, Spain<\/p>\n

2002<\/p>\n

Fundacion Carolina, Beca de Creacion, Madrid, Spain<\/p>\n

2001<\/p>\n

V Concurso Artes Plasticas Patronato de Telefonica, Honor Mention, Madrid, Spain<\/p>\n

2000<\/p>\n

Concurso Pasaporte para un Artista, French Embassy, Honor Mention, Lima, Peru<\/p>\n

1999<\/p>\n

III Concurso Artes Plasticas Patronato de Telefonica, Finalist, Madrid, Spain<\/p>\n

Concurso Winsor & Newton Millenium Painting Competition, Finalist<\/p>\n

V Concurso de Pintura Johnie Walker, Second Prize<\/p>\n

1998<\/p>\n

II Concurso Artes Plasticas Patronato de Telefonica, Finalist<\/p>\n

1997<\/p>\n

Premio Galeria 2V's, Second Honor Mention<\/p>\n

IV Concurso Nuevos Artistas, Banco de Credito del Peru, Double First Prize, Lima<\/p>\n

1996<\/p>\n

Premio Pontificia Universidad Catolica de Peru, Honor Mention in Painting, Lima, Peru<\/p>\n

COLLECTIONS<\/h2>\n

Alcorcon city hall, Spain<\/p>\n

ARTIUM, Basque Museum Art Center, Vitoria, Spain<\/p>\n

Banco de Espana, Madrid, Spain<\/p>\n

CA2M Centro de Arte Dos de Mayo, Espana.<\/p>\n

CGAC, Centro Galego de Arte Contemporanea, Santiago de Compostela, Espana.<\/p>\n

Deutsche Bank Art Collection<\/p>\n

Fundacion Botin, Santander, Spain<\/p>\n

Hamburger Bahnhof - Museum fur Gegenwart, Germany<\/p>\n

Inelcom Art Collection, Spain<\/p>\n

Instituto Inhotim, Brumadinho - MG, Brazil<\/p>\n

Instituto Figueiredo Ferraz, Ribeirao Preto, Brazil<\/p>\n

Kunstmuseum Wolfsburg, Germany<\/p>\n

LiMAC, Peru<\/p>\n

MACBA - Museu d'Art Contemporani de Barcelona, Barcelona, Spain<\/p>\n

MALI- Museo de Arte de Lima, Peru<\/p>\n

MAR - Museu de Arte do Rio, Rio de Janeiro, Brazil<\/p>\n

MASP - Museu de Arte de Sao Paulo, Sao Paulo, Brazil<\/p>\n

Micromuseo, Lima, Peru<\/p>\n

MoMA, New York, U.S.A.<\/p>\n

MUSAC, Leon, Spain<\/p>\n

Museo Amparo, Puebla, Mexico.<\/p>\n

Museo Nacional Centro de Arte Reina Sofia, Espana.<\/p>\n

PAAM, Miami, USA<\/p>\n

Patio Herreriano Museum, Valladolid, Spain<\/p>\n

Tate Modern, London, England<\/p>\n

UBS Art Collection<\/p>\n

Universidad Candido Mendez, Rio de Janeiro, Brazil<\/p>\n

Universidad Castilla La Mancha, Spain<\/p>\n<\/div>","curriculo":73411,"gallery":[40329,40331,40333,40335,40337,40339,40341,40343,40345,40347,40351,40353,40355,40357,40359,40361,40363,40365,40367,40369,40371,40373,40375,40377,40379,40381,40383,40385,40387,40389,40391,40393,40395,40397,40399,40401,40403,40405,40407,40409,40411,40413,40415,40417,40419,40421,40423,40425,40427,40429,40431,40433,40435,40437,40439,40441,40443,40445,40447,40449,40453,40455,40457,40459,40461,40463,40467,40469,40473,40475,40477,40479,40483,40485,40487],"videos":[{"video_title":"Sandra Gamarra. Finalista del Premio Julius Baer. Artistas latinoamericanas","video_description":"Agosto, 2020","video_utl":"https:\/\/youtu.be\/52EamYYAhU8"},{"video_title":"Expo Buen Gobierno","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=Ipi0d5b7jq0"}],"text_artist":[40525,40527,40529],"files":[{"file_title":"ArtNexus | 2018","file_item":40523},{"file_title":"ArtNexus | 2016","file_item":40521},{"file_title":"ArtNexus | 2011","file_item":40519},{"file_title":"On View Magazine | 2011","file_item":40517},{"file_title":"ArtNexus | 2010","file_item":40515},{"file_title":"ArtNexus | 2009","file_item":40513},{"file_title":"ArtNexus | 2007","file_item":40511}],"artist_works":"","artist_expo":null},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1769521837:7"],"_edit_last":["7"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["translation-editor"],"description":["

\nLima, Peru, 1972. Lives and works in Madrid, Spain.\n\n

EDUCATION<\/h2>\n

2003<\/p>\n

Doctorate, Facultad de Arte de Cuenca, Cuenca, Spain<\/p>\n

1990-1997<\/p>\n

BA in Fine Arts, Pontificia Universidad Catolica del Peru, Lima, Peru<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2026<\/p>\n

Sandra Gamarra Heshiki: r\u00e9plica (curated by Adriano Pedrosa, Florencia Portocarrero, Guilherme Giufrida and Sharon Lerner), Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil; Museu de Arte de Lima, Lima, Peru.<\/p>\n

2025<\/p>\n

Pinacoteca Migrante (curated by Augustin Perez Rubio), Biblioteca Nacional de Espana, Madrid, Spain<\/p>\n

2024<\/p>\n

Pinacoteca Migrante, Spanish Pavilion, 60th International Art Exhibition, Venice Biennale, Venice, Italy<\/p>\n

2023<\/p>\n

El mundo al rev\u00e9s, Livia Benavides 80m2, Lima, Peru<\/p>\n

2022<\/p>\n

En v\u00edas de desarollo, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Buen Gobierno (curated by Agust\u00edn P\u00e9rez Rubio), Centro Galego de Arte Contempor\u00e1nea (CGAC), Santiago de Compostela, Spain<\/p>\n

El orden de los factores (curated by Pamela Desjardins), Museo Amparo, Puebla, Mexico<\/p>\n

2021<\/p>\n

Producc\u00edon\/Reproducci\u00f3n, Museo de Arte de Lima (MALI), Lima, Peru<\/p>\n

Buen Gobierno (curated by Agust\u00edn P\u00e9rez Rubio), Sala Alcal\u00e1 31, Madrid, Spain<\/p>\n

2020<\/p>\n

Bodeg\u00f3n-Vitrina-Museo-Vitrina-Bodeg\u00f3n, Livia Benavides 80m2, Lima, Peru<\/p>\n

2018<\/p>\n

Corners. Walls. Floors (curated by Moritz K\u00fcng), Fundaci\u00f3n RAC, Pontevedra, Spain<\/p>\n

Rojo Indio, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

2017<\/p>\n

Landscape in Quotation Marks, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Hoja de Sala, Koob Gallery at Espacio M\u00faltiplos, Barcelona, Spain<\/p>\n

2016<\/p>\n

Cielo Raso, SITU #5 (curated by Bruno de Almeida), Galeria Leme, Sao Paulo, Brazil<\/p>\n

2015<\/p>\n

Paisaje entre comillas (Landscape in Quotation Marks), Galeria Lucia de la Puente, Lima, Peru<\/p>\n

2014<\/p>\n

La Quadrature du Cercle, Studio Sandra Recio, Geneva, Switzerland<\/p>\n

Grey Flag Project (commission), Artium Museum, Vitoria-Gasteiz, Spain<\/p>\n

What Made Us Modern \/ Sharp Images in Humid Environments, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2013<\/p>\n

Blanca, Galer\u00eda Juana de Aizpuru, Madrid, Spain; Palacio Molina, Cartagena, Spain<\/p>\n

2012<\/p>\n

Ver\u00f3nica, Carmen Araujo Arte, Caracas, Venezuela<\/p>\n

You Are Here, F\u00e1brica ASA, European Capital of Culture, Guimar\u00e3es, Portugal<\/p>\n

Self-Portrait \/ Natural History, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

2011<\/p>\n

Mantos, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

At the Same Time, Bass Museum of Art, Miami, USA<\/p>\n

2010<\/p>\n

In Order of Appearance, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

They Are to See You Better, Black Pilar, Madrid, Spain<\/p>\n

2009<\/p>\n

Natural Selection, OMR, Mexico City, Mexico<\/p>\n

The Guest, Rotwand Gallery, Zurich, Switzerland<\/p>\n

The Illusion of Use, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

2008<\/p>\n

Miracles, Galeria Leme, Sao Paulo, Brazil<\/p>\n

2007<\/p>\n

From A to K: C\u00e9sar Cervantes Collection, Aldaba Arte, Mexico City, Mexico<\/p>\n

2006<\/p>\n

Brazilian Acquisitions, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

New Acquisitions, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

Cabinet, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

2004<\/p>\n

Recent Works, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

2003<\/p>\n

Guided Tour, Casa de Am\u00e9rica, Madrid, Spain<\/p>\n

Correspondence Course, Galeria Wu Ediciones, Lima, Peru<\/p>\n

2002<\/p>\n

Souvenir, Galeria Wu Ediciones, Lima, Peru<\/p>\n

2001<\/p>\n

Living Room, Sala Luis Mir\u00f3 Quesada Garland, Lima, Peru<\/p>\n

Untitled, Galeria Wu Ediciones, Lima, Peru<\/p>\n

2000<\/p>\n

Recent Works, Galeria Wu Ediciones, Lima, Peru<\/p>\n

Kitchen (with Ivan Esquivel), Centro Cultural Ricardo Palma, Lima, Peru<\/p>\n

1999<\/p>\n

La casa: espacios internos, (with Roc\u00edo G\u00f3mez), Galer\u00eda Obsidiana, Lima, Peru<\/p>\n

1998<\/p>\n

Inventario. Galer\u00eda Praxis, Lima, Peru<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2005<\/p>\n

And\u00e9n 16: Heteronyms, Contempor\u00e1nea Condeduque, Madrid, Spain<\/p>\n

Emergencies, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

Exhibition And\u00e9n 12: Heteronyms, Condeduque, Madrid, Spain<\/p>\n

Itineraries, Fundaci\u00f3n Marcelino Bot\u00edn, Santander, Spain<\/p>\n

Still Life, Museo de Arte de Lima, Lima, Peru<\/p>\n

2019<\/p>\n

3rd Act: The Reverse \u2013 Louvre Pau-Brazyl Museum, Edif\u00edcio Louvre, S\u00e3o Paulo, Brazil<\/p>\n

Amazon\u00edas (curated by Gredna Landolt and Sharon Lerner), Matadero Madrid, Madrid, Spain<\/p>\n

In Order of Appearance (curated by Estrella de Diego and Luis P\u00e9rez-Oramas), Real Academia de Bellas Artes de San Fernando, Madrid, Spain<\/p>\n

Close Your Eyes and See (curated by Galciani Neves), Almeida & Dale Galeria de Arte, S\u00e3o Paulo, Brazil<\/p>\n

Menu of the Day, Galeria 80m2 Livia Benavides, Lima, Peru<\/p>\n

Now Is the Time, Kunstmuseum Wolfsburg, Germany<\/p>\n

Without Chronicles (curated by Max Hern\u00e1ndez Calvo), El Instante Fundaci\u00f3n, Madrid, Spain<\/p>\n

Undefined Territories: Perspectives on the Colonial Legacy (curated by Hiuwai Chu), Museu d'Art Contemporani de Barcelona (MACBA), Barcelona, Spain<\/p>\n

Time for Change: Art and Social Unrest in the Jorge M. P\u00e9rez Collection, El Espacio 23, Miami, United States<\/p>\n

2026<\/p>\n

Debret in Question \u2013 Contemporary Perspectives, (curated by Jacques Leenhardt and Gabriela Longman), Museu do Ipiranga, S\u00e3o Paulo, Brazil<\/p>\n

More Beautiful Is the River That Flows, (curated by Marcelo Campos), Centro Cultural Sesc Quitandinha, Petr\u00f3polis, Rio de Janeiro, Brazil<\/p>\n

2025<\/p>\n

13th Leandre Cristofol Art Biennial, Barcelona, Spain<\/p>\n

47th Sal\u00f3n Nacional de Artistas, Colombia<\/p>\n

Ambient Threads (curated by Luis Pinto Nunes), Kubikgallery + Galeria Leme, Museu do Arroz Museum Space, Comporta, Portugal<\/p>\n

Incaesque Art in the Cooperative Collection, Puchipuli, Buenos Aires, Argentina<\/p>\n

Currents of Restitution: Abolish the Museum, Hangar, Lisbon, Portugal<\/p>\n

Eternal Fire: Visual Sovereignties, Ruffin Gallery, University of Virginia, Charlottesville, United States<\/p>\n

Streams of Dragonflies, Livia Benavides 80m2, Lima, Peru<\/p>\n

Three Variations of a Diasporic Landscape, David Rockefeller Center for Latin American Studies, Harvard University, Cambridge, United States<\/p>\n

Whispers of the Self, Prometeo Gallery, Milan, Italy<\/p>\n

2024<\/p>\n

Poli\/Grafica de Puerto Rico: Latin America and the Caribbean \u2013 Under Pressure, Instituto de Cultura Puertorrique\u00f1a, San Juan, Puerto Rico<\/p>\n

Art Against Gender Violence. So Many Women in One, Centre Cultural La Nau, Valencia, Spain<\/p>\n

Time in Things III, Museo Amparo, Puebla, Mexico<\/p>\n

The Production of Otherness, Foment de les Arts i del Disseny, Barcelona, Spain<\/p>\n

Territories: Latin American Contemporary Art in the Jorge M. P\u00e9rez Collection, Centro Andaluz de Arte Contempor\u00e1neo, Seville, Spain<\/p>\n

2023<\/p>\n

XVI Cuenca Biennial, Cuenca, Ecuador<\/p>\n

Before America, Fundaci\u00f3n Juan March, Madrid, Spain<\/p>\n

Quica Ma\u00f1ana (curated by Ferran Barenblit), XVI Cuenca Biennial, Ecuador<\/p>\n

Walking Along the Edges: Embroidery and Gender as Practices of Care (curated by Lilia Schwarcz), Galeria Arte 132, S\u00e3o Paulo, Brazil<\/p>\n

My Clothes, Those of Others, Those of Many (curated by Sergio Parra and Antonio Echeverria), Il Posto, Chile<\/p>\n

El Dorado. A Territory (curated by Adriana Rosenberg, Aime Iglesias Lukin and Ramiro Martinez), Fundaci\u00f3n Proa, Argentina<\/p>\n

Future Brazil: The Forms of Democracy (curated by Marcio Tavares, Lilia Schwarcz and Paulo Vieira), Museu Nacional da Rep\u00fablica; Casa das 11 Janelas; Centro Cultural Solar Ferr\u00e3o, Brazil<\/p>\n

MACBA Collection. Prelude. Poetic Intention, Museu d'Art Contemporani de Barcelona, Barcelona, Spain<\/p>\n

\u201cPachakuti: The World Turned Upside Down\u201d, Indigenous Histories, Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n

2022<\/p>\n

Brazilian Histories (curated by Adriano Pedrosa, Lilia Schwarcz, Amanda Carneiro, Andre Mesquita, Clarissa Diniz, Fernando Oliva, Glaucea Brito, Guilherme Giufrida, Isabella Rjeille, Sandra Benites and Tomas Toledo), Museu de Arte de S\u00e3o Paulo Assis Chateaubriand, S\u00e3o Paulo, Brazil<\/p>\n

Flowers and Fruits, Banco de Espa\u00f1a, Madrid, Spain<\/p>\n

Under Construction, Hamburger Bahnhof, Berlin, Germany<\/p>\n

2021<\/p>\n

Communicating Vessels: Collection 1881\u20132021, Museo Reina Sof\u00eda, Madrid, Spain<\/p>\n

Images from the Rearview Mirror, CentroCentro, Madrid, Spain<\/p>\n

For a Breath of Fury and Hope (curated by Galciani Neves and Natalie Unterstell), Museu Brasileiro da Escultura e da Ecologia, S\u00e3o Paulo, Brazil<\/p>\n

Contemporary Imaginaries, Museo de Arte de Lima, Lima, Peru<\/p>\n

From Voice to Voice Peru, Museu de Arte Contempor\u00e2nea de Lima, Lima, Peru<\/p>\n

Dialect CA2M, Centro de Arte Dos de Mayo, M\u00f3stoles, Spain<\/p>\n

The White Secrets of Your Womb, Museu Centro Gai\u00e1s, Santiago de Compostela, Spain<\/p>\n

Painting, Permanent Renewal, Museu Patio Herreriano, Valladolid, Spain<\/p>\n

2020<\/p>\n

11th Berlin Biennale for Contemporary Art, Berlin, Germany<\/p>\n

Mecar\u00f5: Amazonia in the Petitgas Collection, MO.CO, Montpellier, France<\/p>\n

Artists in the Banco Sabadell Art Collection, Sala de Exposiciones Sabadell Herrero, Oviedo, Spain<\/p>\n

How to Continue?, Centro Cultural de Espa\u00f1a, Lima, Peru<\/p>\n

2018<\/p>\n

Is It or Is It Not (curated by Alexandra Baures), Sala de Armas de la Ciudadela, Pamplona, Spain<\/p>\n

All the Shades of Rage (curated by Carolina Bustamante Gutierrez and Francisco Godoy Vega), Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

Dialogue de l'ombre double, Centro de Arte de Alcobendas, Madrid, Spain<\/p>\n

#iff2018, Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

STATES IN CRISIS. Exercising Citizenship Through Art, Museu de Arte Contempor\u00e2nea de Lima, Lima, Peru<\/p>\n

2017<\/p>\n

Juana de Aizpuru: Extract from a Collection, Museo Patio Herreriano, Madrid, Spain<\/p>\n

Raise the Curtain (curated by Antoine Henry Jonqu\u00e8res), LiMac at Galeria Mois\u00e9s P\u00e9rez de Alb\u00e9niz, Madrid, Spain<\/p>\n

A Thousand Beasts That Roar: Exhibition Devices for a Critical Modernity, Centro Andaluz de Arte Contempor\u00e1neo (CAAC), Seville, Spain<\/p>\n

Legacy and Divergence: 78 Years of Arts at PUCP, Espacio Germ\u00e1n Kr\u00fcger Espantoso, Instituto Cultural Peruano Norteamericano, Lima, Peru<\/p>\n

Art at the Turn of the Century (curated by Benjamin Weil), Centro Bot\u00edn, Santander, Spain<\/p>\n

Illuminate Our Border, Palacio Consistorial, Cartagena, Spain<\/p>\n

Doublethink Double Vision (curated by Alistair Hicks), Pera Museum, Istanbul, Turkey<\/p>\n

The Lilac Sun: Poetic Constellations of Luis Hern\u00e1ndez, Casa de la Literatura Peruana, Lima, Peru<\/p>\n

Agreement of Trust, Biblioteca M\u00e1rio de Andrade, S\u00e3o Paulo, Brazil<\/p>\n

Turning the Page: The Artist\u2019s Book in the 21st Century, Calcograf\u00eda Nacional de la Real Academia de Bellas Artes de San Fernando, Madrid, Spain<\/p>\n

Stone in the Sky: Art and Architecture of Paulo Mendes da Rocha (curated by Cau\u00ea Alves and Guilherme Wisnik), Museu Brasileiro da Escultura e Ecologia (MuBE), S\u00e3o Paulo, Brazil<\/p>\n

The Idea in a Sign. S\u00e1nchez-Ubir\u00eda Collection (curated by Sergio Rubira), Centro de Arte Alcobendas, Madrid, Spain<\/p>\n

Next Stop. Peruvian Artists in the Hochschild Collection (curated by Octavio Zaya), Sala Alcal\u00e1 31, Madrid, Spain<\/p>\n

Women Artists in the CAC, Museo Patio Herreriano, Valladolid, Spain<\/p>\n

The Middle Line (curated by Antoine Henry Jonqu\u00e8res), LiMac, Madrid, Spain<\/p>\n

Natural Selection \u2013 This Is the Cover of the Book (curated by Moritz K\u00fcng), Centro Cultural \u2013 Librer\u00eda Blanquerna, Madrid, Spain<\/p>\n

2016<\/p>\n

Juan Acha: Contemporary Latin American Reflections, Museo de Arte Contempor\u00e1neo de Lima (MAC Lima), Lima, Peru<\/p>\n

3rd Montevideo Biennial, Buried Mirror, Montevideo, Uruguay<\/p>\n

Museum Void: Half a Century of Peruvian Museotopias (1966\u20132016), Museo de Arte Contempor\u00e1neo de Lima, Lima, Peru<\/p>\n

Kaleidoscope and Puzzle: Latin America in the MUSAC Collection, Centro Atl\u00e1ntico de Arte Moderno, Las Palmas de Gran Canaria, Spain<\/p>\n

The Color of Brazil (curated by Paulo Herkenhoff, Marcelo Campos and Clarissa Diniz), Museu de Arte do Rio (MAR), Rio de Janeiro, Brazil<\/p>\n

Danger: Expansion and Cut (curated by Jorge Villacorta), Hochschild Collection, UTEC \u2013 Universidad de Ingenier\u00eda y Tecnolog\u00eda, Lima, Peru<\/p>\n

Permit Yourself... (curated by Moritz K\u00fcng), Centre d'Arts Santa M\u00f2nica, Barcelona, Spain<\/p>\n

Con-Text (curated by Francine Birbragher-Rozencwaig and Oscar Rold\u00e1n Alzate), Museo de la Universidad de Antioquia and Universidad Nacional de Medell\u00edn, Colombia<\/p>\n

Remember to Remember (curated by Alexia Tala), Carbono Galeria, S\u00e3o Paulo, Brazil<\/p>\n

The Way Things Go (curated by Patrick Hamilton & The 9.99), The 9.99, Guatemala City, Guatemala<\/p>\n

The Lost Hours, ArtistaXArtista, Havana, Cuba<\/p>\n

Louvre Museum \u2013 Pau Brazyl, Edif\u00edcio Louvre, S\u00e3o Paulo, Brazil<\/p>\n

2015<\/p>\n

Beautiful Thursdays, Museo Nacional de Bellas Artes, Buenos Aires, Argentina<\/p>\n

Don\u2019t Shoot the Painter \/ Paintings from the UBS Art Collection, Galleria d\u2019Arte Moderna Milano, Milan, Italy<\/p>\n

Transfer Exercises, Centro de Arte Alcobendas, Madrid, Spain<\/p>\n

Grafizaci\u00f3n, LiMac \/ Espacio Trapezio, Madrid, Spain<\/p>\n

Polyvalences, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

18th-Century Rio: When Rio Became the Capital, Museu de Arte do Rio, Rio de Janeiro, Brazil<\/p>\n

A Glimpse at the Vistacorta Collection, Centro Cultural Ricardo Palma, Lima, Peru<\/p>\n

unplace, networked art: places-between-places. Guided Visit: artist, museum, spectator, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

2014<\/p>\n

Taipa-Tapume, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Contra\/cto, Galeria 3+1, Lisbon, Portugal<\/p>\n

30 Years of Contemporary Art, Sala Mir\u00f3 Quesada, Lima, Peru<\/p>\n

Horror Vacui, Espacio L\u00edquido, Gij\u00f3n, Spain<\/p>\n

Contemporary Moment (curated by Paulo Venancio Filho), Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

History Is Written by the Victors, OTR, espacio de arte, Madrid, Spain<\/p>\n

The Marvelous Real: Contemporary Spanish and Latin American Art from the MUSAC Collection, Museum of Contemporary Art Tokyo (MOT), Tokyo, Japan<\/p>\n

Grey Flag Project, Artium Museum, Vitoria-Gasteiz, Spain<\/p>\n

2013<\/p>\n

Silhouettes and Portraits of Women, Galeria Pepe Cobo, Lima, Peru<\/p>\n

Suspicious Minds, Galeria Vermelho, S\u00e3o Paulo, Brazil<\/p>\n

Identity, A Window in Berlin, Berlin, Germany<\/p>\n

Los Bragales Collection, Central Library and Historical Archive of Cantabria, Santander, Spain<\/p>\n

From Madonna to Madonna: (De)constructions of the Feminine in Contemporary Society, DA2 Domus Artium 2002, Salamanca, Spain<\/p>\n

On Painting, Centro Atl\u00e1ntico de Arte Moderno, Las Palmas de Gran Canaria, Spain<\/p>\n

2012<\/p>\n

So What If Democracy Happens?, 80m2 Livia Benavides, Lima, Peru<\/p>\n

Collection: The Foundational Crime, Museo Universitario de Ciencias y Artes ROMA, Mexico City, Mexico<\/p>\n

Autonomous Essays, OTR Espacio de Arte, Madrid, Spain<\/p>\n

Printed Remains, LiMac, Madrid, Spain<\/p>\n

Setting the Scene, Tate Modern, London, United Kingdom<\/p>\n

Transition, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2011<\/p>\n

An Other Place, Galeria Lelong, New York, United States<\/p>\n

The Dream Collector, Instituto Figueiredo Ferraz, Ribeir\u00e3o Preto, Brazil<\/p>\n

Kreemart, Haunch of Venison, New York, United States<\/p>\n

Country Report, Centro Gabriela Mistral, Santiago, Chile<\/p>\n

11th Cuenca Biennial, Cuenca, Ecuador<\/p>\n

The End of History... and the Return of History Painting, DA2 Domus Artium 2002, Salamanca, Spain; MMKA Museum Arnhem, Arnhem, Netherlands<\/p>\n

Art on the Move: Contemporary Collection of the Lima Museum of Art, Esta\u00e7\u00e3o Pinacoteca, S\u00e3o Paulo, Brazil<\/p>\n

Fiction and Reality, Moscow Museum of Modern Art (MMOMA), Moscow, Russia<\/p>\n

The Draughtsman\u2019s Contract, Estudio Carlos Garaicoa, Madrid, Spain<\/p>\n

Traveling Program of the 29th S\u00e3o Paulo Biennial, Funda\u00e7\u00e3o Joaquim Nabuco, Recife; Museu Oscar Niemeyer; Pal\u00e1cio das Artes, Brazil<\/p>\n

Art and Institution, K\u00fcnstlerhaus Wien, Vienna, Austria<\/p>\n

2010<\/p>\n

There Is Always a Cup of Sea for a Man to Sail, 29th S\u00e3o Paulo Biennial, Funda\u00e7\u00e3o Bienal, S\u00e3o Paulo, Brazil<\/p>\n

Synergy: Current Latin American Art in Spain, Museo de Arte Contempor\u00e1neo Gas Natural Fenosa, A Coru\u00f1a, Spain; Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo, Badajoz, Spain<\/p>\n

Issued, Rendez View, Darsa Comfort, Zurich, Switzerland<\/p>\n

Models to Assemble: Thinking Latin America Through the MUSAC Collection, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

2009<\/p>\n

Globalized, Exhibition Hall of the Provincial Council of Huesca, Huesca, Spain<\/p>\n

Uninhabitable, OTR Espacio de Arte, Madrid, Spain<\/p>\n

31st Panorama da Arte Brasileira, Museu de Arte Moderna de S\u00e3o Paulo (MAM), S\u00e3o Paulo, Brazil<\/p>\n

Mundus Novus \/ New World, Pavilion of the Istituto Italo-Latino Americano (IILA), 53rd Venice Biennale, Venice, Italy<\/p>\n

The Impure and the Contaminated III: (Neo)Baroque Drives in the Routes of MICROMUSEO, Chile Triennial, Museo de Arte Contempor\u00e1neo de Chile, Santiago, Chile<\/p>\n

The Tropics: Views from the Middle of the Globe, Iziko South African National Gallery, Cape Town, South Africa<\/p>\n

Transversal Readings of the Fundaci\u00f3n Marcelo Bot\u00edn Collection, Santander, Spain<\/p>\n

Mundus Novus \/ New Worlds, Pavilion of the Istituto Italo-Latino Americano (IILA), 53rd Venice Biennale, Venice, Italy<\/p>\n

2008<\/p>\n

Visions of Contemporary Art in Peru, Galer\u00eda Luc\u00eda de la Puente, Lima, Peru<\/p>\n

Portrait 2, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Regarding Space, OTR Espacio de Arte, Madrid, Spain<\/p>\n

Pipe, Glass, Bottle of Rum: The Art of Appropriation, Museum of Modern Art (MoMA), New York, United States<\/p>\n

The Tropics: Views from the Middle of the Globe, Martin-Gropius-Bau, Berlin, Germany; Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil<\/p>\n

Relics and Ruins, SESC S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Located Work Project (coordinated by Joseph Kosuth), La Casa Encendida, Madrid, Spain<\/p>\n

2007<\/p>\n

Relics and Ruins, Goethe-Institut, Espa\u00e7o Cultural Oi Futuro, Rio de Janeiro, Brazil<\/p>\n

The Tropics: Views from the Middle of the Globe, Centro Cultural Banco do Brasil, Bras\u00edlia, Brazil<\/p>\n

Existences \u2013 MUSAC Collection, Museo de Arte Contempor\u00e1neo de Castilla y Le\u00f3n, Le\u00f3n, Spain<\/p>\n

10\u00ba00 S \/ 76\u00ba00 W., Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Future Destination, Sala de Exposiciones del Jard\u00edn Bot\u00e1nico, Madrid, Spain<\/p>\n

2006<\/p>\n

TINTA, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

Homage, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

City and Art, Museo de la Naci\u00f3n, Lima, Peru<\/p>\n

Re-Shuffle: Notions of an Itinerant Museum, Art in General, New York, United States<\/p>\n

2004<\/p>\n

NeoPortraits, Galer\u00eda Juana de Aizpuru, Madrid, Spain<\/p>\n

Traveling Exhibitions, Generaci\u00f3n 2004, Caja Madrid, Madrid, Spain<\/p>\n

White Cube, Sala Luis Mir\u00f3 Quesada Garland, Lima, Peru<\/p>\n

Trait d\u2019Union, Crac Occitanie, S\u00e8te, France<\/p>\n

2003<\/p>\n

Proyecto Boda, Museo Extreme\u00f1o e Iberoamericano de Arte Contempor\u00e1neo (MEIAC), Badajoz, Spain<\/p>\n

2002<\/p>\n

Thanks for Coming, La F\u00e1brica de Pan, Madrid, Spain<\/p>\n

Young Latin American Art, Universidade Candido Mendes, Rio de Janeiro, Brazil<\/p>\n

The Impure and the Contaminated, Centro Cultural de Espa\u00f1a, Lima, Peru<\/p>\n

An Impeccable Solitude, Centro Cultural de Espa\u00f1a, Lima, P<\/p>\n

2001<\/p>\n

3rd Mercosur Biennial, Porto Alegre, Brazil<\/p>\n

Unzip, Galeria John Harriman, Lima, Peru<\/p>\n

Drawing on Canvas, Galeria Forum, Lima, Peru<\/p>\n

Presence of Women in Peruvian Art, Art Gallery of the Embassy of Peru, Washington, D.C., United States<\/p>\n

Co-Reason, Centro Cultural de Espa\u00f1a, Lima, Peru<\/p>\n

Peruvian Submission for the Mercosur Biennial, Porto Alegre, Brazil<\/p>\n

2000<\/p>\n

Winsor & Newton Worldwide Millennium Painting Exhibition, Mall Galleries, London, England; New York, United States; World Trade Center, Stockholm, Sweden<\/p>\n

Art Night, Residence of the United States Embassy in Peru, Lima, Peru<\/p>\n

Nexo: Young Artists from Latin America and Spain, Convenio Andr\u00e9s Bello Cultural Center, Bogot\u00e1, Colombia<\/p>\n

Drawing on Canvas, Galeria Forum, Lima, Peru<\/p>\n

Nexo: Encounters of Young Artists from Latin America and Spain, Convenio Andr\u00e9s Bello, Bogot\u00e1, Colombia<\/p>\n

1999<\/p>\n

Reality, Centro Cultural Ricardo Palma, Lima, Peru<\/p>\n

Drawing on Canvas, Galeria Forum, Lima, Peru<\/p>\n

Labyrinth of Solitude: Lima Open City, Casona de San Marcos, Lima, Peru<\/p>\n

1998<\/p>\n

Arte Praxis 98, Galeria Praxis, Lima, Peru<\/p>\n

The New Angels, Galeria 2V's, Lima, Peru<\/p>\n

Contemporary Peruvian Painting, Sala de Arte Petro Peru, Lima, Peru<\/p>\n

COMMISSIONS<\/h2>\n

2014<\/p>\n

Grey Flag Project, Museu Artium, Vitoria, Espanha<\/p>\n

AWARDS<\/h2>\n

2025<\/p>\n

Fundaci\u00f3n MACBA Award, finalist<\/p>\n

2024<\/p>\n

Gold Medal for Merit in the Fine Arts. Ministry of Culture, Spain<\/p>\n

2006<\/p>\n

VI Bienal Internacional de Artes Plasticas Ciudad de Alcorcon Prize, Madrid, Spain<\/p>\n

2004<\/p>\n

Marcelino Botin, Beca de Proyectos, Santander, Spain<\/p>\n

Concurso Generacion 2004, Seleccion, Caja Madrid, Spain<\/p>\n

2003<\/p>\n

MUSAC, Beca de Creacion Artistica, Museo de Arte Contemporaneo de Castilla y Leon , Leon, Spain<\/p>\n

2002<\/p>\n

Fundacion Carolina, Beca de Creacion, Madrid, Spain<\/p>\n

2001<\/p>\n

V Concurso Artes Plasticas Patronato de Telefonica, Honor Mention, Madrid, Spain<\/p>\n

2000<\/p>\n

Concurso Pasaporte para un Artista, French Embassy, Honor Mention, Lima, Peru<\/p>\n

1999<\/p>\n

III Concurso Artes Plasticas Patronato de Telefonica, Finalist, Madrid, Spain<\/p>\n

Concurso Winsor & Newton Millenium Painting Competition, Finalist<\/p>\n

V Concurso de Pintura Johnie Walker, Second Prize<\/p>\n

1998<\/p>\n

II Concurso Artes Plasticas Patronato de Telefonica, Finalist<\/p>\n

1997<\/p>\n

Premio Galeria 2V's, Second Honor Mention<\/p>\n

IV Concurso Nuevos Artistas, Banco de Credito del Peru, Double First Prize, Lima<\/p>\n

1996<\/p>\n

Premio Pontificia Universidad Catolica de Peru, Honor Mention in Painting, Lima, Peru<\/p>\n

COLLECTIONS<\/h2>\n

Alcorcon city hall, Spain<\/p>\n

ARTIUM, Basque Museum Art Center, Vitoria, Spain<\/p>\n

Banco de Espana, Madrid, Spain<\/p>\n

CA2M Centro de Arte Dos de Mayo, Espana.<\/p>\n

CGAC, Centro Galego de Arte Contemporanea, Santiago de Compostela, Espana.<\/p>\n

Deutsche Bank Art Collection<\/p>\n

Fundacion Botin, Santander, Spain<\/p>\n

Hamburger Bahnhof - Museum fur Gegenwart, Germany<\/p>\n

Inelcom Art Collection, Spain<\/p>\n

Instituto Inhotim, Brumadinho - MG, Brazil<\/p>\n

Instituto Figueiredo Ferraz, Ribeirao Preto, Brazil<\/p>\n

Kunstmuseum Wolfsburg, Germany<\/p>\n

LiMAC, Peru<\/p>\n

MACBA - Museu d'Art Contemporani de Barcelona, Barcelona, Spain<\/p>\n

MALI- Museo de Arte de Lima, Peru<\/p>\n

MAR - Museu de Arte do Rio, Rio de Janeiro, Brazil<\/p>\n

MASP - Museu de Arte de Sao Paulo, Sao Paulo, Brazil<\/p>\n

Micromuseo, Lima, Peru<\/p>\n

MoMA, New York, U.S.A.<\/p>\n

MUSAC, Leon, Spain<\/p>\n

Museo Amparo, Puebla, Mexico.<\/p>\n

Museo Nacional Centro de Arte Reina Sofia, Espana.<\/p>\n

PAAM, Miami, USA<\/p>\n

Patio Herreriano Museum, Valladolid, Spain<\/p>\n

Tate Modern, London, England<\/p>\n

UBS Art Collection<\/p>\n

Universidad Candido Mendez, Rio de Janeiro, Brazil<\/p>\n

Universidad Castilla La Mancha, Spain<\/p>\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["73411"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:75:{i:0;s:5:\"40329\";i:1;s:5:\"40331\";i:2;s:5:\"40333\";i:3;s:5:\"40335\";i:4;s:5:\"40337\";i:5;s:5:\"40339\";i:6;s:5:\"40341\";i:7;s:5:\"40343\";i:8;s:5:\"40345\";i:9;s:5:\"40347\";i:10;s:5:\"40351\";i:11;s:5:\"40353\";i:12;s:5:\"40355\";i:13;s:5:\"40357\";i:14;s:5:\"40359\";i:15;s:5:\"40361\";i:16;s:5:\"40363\";i:17;s:5:\"40365\";i:18;s:5:\"40367\";i:19;s:5:\"40369\";i:20;s:5:\"40371\";i:21;s:5:\"40373\";i:22;s:5:\"40375\";i:23;s:5:\"40377\";i:24;s:5:\"40379\";i:25;s:5:\"40381\";i:26;s:5:\"40383\";i:27;s:5:\"40385\";i:28;s:5:\"40387\";i:29;s:5:\"40389\";i:30;s:5:\"40391\";i:31;s:5:\"40393\";i:32;s:5:\"40395\";i:33;s:5:\"40397\";i:34;s:5:\"40399\";i:35;s:5:\"40401\";i:36;s:5:\"40403\";i:37;s:5:\"40405\";i:38;s:5:\"40407\";i:39;s:5:\"40409\";i:40;s:5:\"40411\";i:41;s:5:\"40413\";i:42;s:5:\"40415\";i:43;s:5:\"40417\";i:44;s:5:\"40419\";i:45;s:5:\"40421\";i:46;s:5:\"40423\";i:47;s:5:\"40425\";i:48;s:5:\"40427\";i:49;s:5:\"40429\";i:50;s:5:\"40431\";i:51;s:5:\"40433\";i:52;s:5:\"40435\";i:53;s:5:\"40437\";i:54;s:5:\"40439\";i:55;s:5:\"40441\";i:56;s:5:\"40443\";i:57;s:5:\"40445\";i:58;s:5:\"40447\";i:59;s:5:\"40449\";i:60;s:5:\"40453\";i:61;s:5:\"40455\";i:62;s:5:\"40457\";i:63;s:5:\"40459\";i:64;s:5:\"40461\";i:65;s:5:\"40463\";i:66;s:5:\"40467\";i:67;s:5:\"40469\";i:68;s:5:\"40473\";i:69;s:5:\"40475\";i:70;s:5:\"40477\";i:71;s:5:\"40479\";i:72;s:5:\"40483\";i:73;s:5:\"40485\";i:74;s:5:\"40487\";}"],"_gallery":["field_6436c1e6d2529"],"videos_0_video_title":["Sandra Gamarra. Finalista del Premio Julius Baer. Artistas latinoamericanas"],"_videos_0_video_title":["field_64441a69b18df"],"videos_0_video_description":["Agosto, 2020"],"_videos_0_video_description":["field_644423879b4e4"],"videos_0_video_utl":["https:\/\/youtu.be\/52EamYYAhU8"],"_videos_0_video_utl":["field_64441a77b18e0"],"videos":["2"],"_videos":["field_6436c1e6d252d"],"text_artist":["a:3:{i:0;s:5:\"40525\";i:1;s:5:\"40527\";i:2;s:5:\"40529\";}"],"_text_artist":["field_6436c1e6d2536"],"files_0_file_title":["ArtNexus | 2018"],"_files_0_file_title":["field_643ffc8c32593"],"files_0_file_item":["40523"],"_files_0_file_item":["field_643ffc9a32594"],"files_1_file_title":["ArtNexus | 2016"],"_files_1_file_title":["field_643ffc8c32593"],"files_1_file_item":["40521"],"_files_1_file_item":["field_643ffc9a32594"],"files_2_file_title":["ArtNexus | 2011"],"_files_2_file_title":["field_643ffc8c32593"],"files_2_file_item":["40519"],"_files_2_file_item":["field_643ffc9a32594"],"files_3_file_title":["On View Magazine | 2011"],"_files_3_file_title":["field_643ffc8c32593"],"files_3_file_item":["40517"],"_files_3_file_item":["field_643ffc9a32594"],"files_4_file_title":["ArtNexus | 2010"],"_files_4_file_title":["field_643ffc8c32593"],"files_4_file_item":["40515"],"_files_4_file_item":["field_643ffc9a32594"],"files_5_file_title":["ArtNexus | 2009"],"_files_5_file_title":["field_643ffc8c32593"],"files_5_file_item":["40513"],"_files_5_file_item":["field_643ffc9a32594"],"files_6_file_title":["ArtNexus | 2007"],"_files_6_file_title":["field_643ffc8c32593"],"files_6_file_item":["40511"],"_files_6_file_item":["field_643ffc9a32594"],"files":["7"],"_files":["field_6436c231c9725"],"_thumbnail_id":["31846"],"artist_works":[""],"_artist_works":["field_64c2815cc6039"],"_oembed_2fb6d4bdbcf07cc97c82398182328608":["