{"id":39452,"date":"2020-08-12T16:01:37","date_gmt":"2020-08-12T19:01:37","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=39452"},"modified":"2026-04-15T18:01:48","modified_gmt":"2026-04-15T21:01:48","slug":"tiago-santana","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/tiago-santana\/","title":{"rendered":"Tiago Sant’Ana"},"content":{"rendered":"","protected":false},"featured_media":69200,"template":"","class_list":["post-39452","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"

Santo Ant\u00f4nio de Jesus, Brasil, 1990<\/h3>\r\nLives and works in Salvador, Brazil.\r\n

Tiago Sant\u2019Ana, recognized as a visual artist, curator, and PhD in Culture and Society from the Federal University of Bahia, centers his artistic practice on the exploration of Afro-diasporic narratives, with a focus on memory and history. Moreover, the artist employs various mediums, such as photography, video, and painting, to develop an aesthetic investigation that combines conceptual and political approaches, bridging identity and imagination.<\/p>\r\n

Additionally, Tiago Sant\u2019Ana's works reflect a consistent effort to engage with contemporary social and cultural issues. On the other hand, his practice has been widely recognized by critics and curators, establishing him as one of the leading Brazilian artists of today. Consequently, the conceptual and aesthetic impact of Tiago Sant\u2019Ana<\/a> reaffirms his significance in the Brazilian visual arts scene. Thus, he remains a key reference in the discourse on contemporary art and culture.<\/p>","description":"

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EDUCATION<\/h2>\n

2023<\/p>\n

PhD in Culture and Society from Universidade Federal da Bahia, Salvador, Brazil<\/p>\n

2016<\/p>\n

Master in Culture and Society from Universidade Federal da Bahia, Ondina, Bahia, Brazil<\/p>\n

2011<\/p>\n

Graduated in Social Communication from Universidade Federal do Rec\u00f4ncavo da Bahia, Cachoeira, Bahia, Brazil<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2025<\/p>\n

Fulgor Atl\u00e2ntico, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2022<\/p>\n

Estrelas flamejantes em manh\u00e3 de sol, Roberto Alban Galeria, Salvador, Brazil<\/p>\n

2021<\/p>\n

Irm\u00e3os de Barco, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2019<\/p>\n

Aqu\u00e9m-mar, Senac Lapa Scipi\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2018<\/p>\n

Baixa dos Sapateiros (curated by Clarissa Diniz), Simone Cadinelli Arte Contempor\u00e2nea, Rio de Janeiro, Brazil<\/p>\n

Casa de Purgar (curated by Ayrson Her\u00e1clito), Pa\u00e7o Imperial, Rio de Janeiro, Brasil, Museu de Arte da Bahia, Salvador, Brazil<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

videoAR (Curated by Ana Carolina Ralston), Galeria Leme e Parques da Paulista (Trianon, M\u00e1rio Covas e Pra\u00e7a Alexandre Gusm\u00e3o), S\u00e3o Paulo, Brazil<\/p>\n

Die Welt im Geld (Curated by Christina Bach e Yi Liu), Historisches Museum Frankfurt, Frankfurt, Germany<\/p>\n

Pad\u00ea \u2013 Sentinela \u00e0 porta da mem\u00f3ria (Curated by Rosa Couto), Museu Afro Brasil Emanoel Ara\u00fajo, S\u00e3o Paulo, Brazil<\/p>\n

Constela\u00e7\u00f5es (Curated by Claudia Saldanha, Ivair Reinaldim, Aline Santos, Emmanuele Russel, Sandra Mazzoli e Sofia Sk), Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2025<\/p>\n

Complexo Brasil, Calouste Gulbenkian Foundation, Lisbon, Portugal<\/p>\n

Floresta de infinitos (curated by Ayrson Her\u00e1clito, Marcelo Campos, Tha\u00eds Darz\u00e9 and Tigan\u00e1 Santana), Casa das Hist\u00f3rias de Salvador, Salvador, Brazil<\/p>\n

Debret em quest\u00e3o (Curated by Jacques Leenhardt e Gabriela Longman), Museu do Ipiranga, S\u00e3o Paulo, Brazil<\/p>\n

The Earth, the Fire, the Water and the Winds: For a Museum of Errantry with \u00c9douard Glissant, Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\n

Br\u00e9sil Illustr\u00e9: l'h\u00e9ritage post colonial de J.B. Debret, Maison de l'Amerique Latine, Paris, France<\/p>\n

Afro-brasilidade, uma homenagem a dois Valentins e a um Emanoel (curated by Paulo Herkenhoff and Jo\u00e3o Victor Guimar\u00e3es), FGV Arte Botafogo, Rio de Janeiro, Brazil<\/p>\n

Ambient Threads (curated by Lu\u00eds Pinto Nunes), Kubikgallery + Galeria Leme at Espa\u00e7o Museol\u00f3gico Museu do Arroz, Comporta, Portugal<\/p>\n

2024<\/p>\n

El Dorado: Myths of Gold (curated by Aim\u00e9 Iglesias Lukin, Edward Sullivan e Tie Jojima), Americas Society, New York, United States<\/p>\n

Kristallisationspunkte (curated by Marco Hompes), Kunstmuseum Heidenheim, Heidenheim, Germany<\/p>\n

Invisible luggage (curated by Beth Rudin DeWoody, Maynard Monrow, Laura Dworkin, Zoe Lukov, Auttrianna Ward), Historic Hampton House, Miami, Estados Unidos<\/p>\n

Eyes that listen (curated by Keyna Eleison), Center for Art, Research and Alliances, New York, United States<\/p>\n

Antes e Agora (curated by Galciani Neves), Longe e Aqui Dentro, Museu Oscar Niemeyer, Curitiba, Brazil<\/p>\n

Necessidade Vontade Desejo (curated by Fernanda Lopes), Galeria Athena, Rio de Janeiro, Brazil<\/p>\n

Cais (curated by Alana Silveira e Tom\u00e1s Toledo), Galeria Galatea, Salvador, Brazil<\/p>\n

Iniciadas \u2013 ancestralidades contempor\u00e2neas (curated by Daniel Rangel), Museu de Arte Contempor\u00e2nea da Bahia, Salvador, Brazil<\/p>\n

Encruzilhadas da arte Afro-brasileira (curated by Deri Andrade), CCBB Rio de Janeiro, Rio de Janeiro, Brazil<\/p>\n

Encruzilhadas da arte Afro-brasileira (curated by Deri Andrade), CCBB Belo Horizonte, Belo Horizonte, Brazil<\/p>\n

Dos Brasis \u2013 arte e pensamento negro (curated by Igor Sim\u00f5es, Marcelo Campos e Lorraine Mendes), SESC Quitandinha, Petr\u00f3polis, Brazil<\/p>\n

Entre n\u00f3s: dez anos de bolsa ZUM\/IMS (curated by Thyago Nogueira, Daniele Queiroz e \u00c2ngelo Manjabosco), Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

Que mar se v\u00ea afinal da minha l\u00edngua? (curated by Margarida Saraiva), Casa Garden \u2013 Funda\u00e7\u00e3o Oriente, Macau<\/p>\n

R\u00e9gua e compasso (curated by Victor Gorgulho e Paulo Azeco), Galeria Nonada, Salvador, Brazil<\/p>\n

Quem conta a hist\u00f3ria (curated by Allan Yzumizawa), Pinacoteca Municipal Miguel Dutra, Piracicaba, Brazil<\/p>\n

Que mar se v\u00ea afinal da minha l\u00edngua? (curated by Margarida Saraiva), Centro Cultural do Mindelo, Mindelo, Cabo Verde<\/p>\n

Nordeste expandido: estrat\u00e9gias de (re)existir (curated by Jacqueline Medeiros e Cec\u00edlia Gallindo Corn\u00e9lio), Convento das Merc\u00eas, S\u00e3o Lu\u00eds, Brazil<\/p>\n

Del\u00edrio Tropical (curated by Orlando Maneschy), Pinacoteca do Cear\u00e1, Fortaleza, Brazil<\/p>\n

Nise da Silveira \u2013 a revolu\u00e7\u00e3o pelo afeto (curated by Est\u00fadio M'Barak\u00e1), CCBB Bras\u00edlia, Bras\u00edlia, Brazil<\/p>\n

Dona Ful\u00f4 e outras joias negras (curated by Carol Barreto, Eneida Sanches e Marilia Panitz), Museu de Arte Contempor\u00e2nea da Bahia, Salvador, Brazil<\/p>\n

\u00daltimo lote (curated by Daniel Rangel), Museu de Arte Contempor\u00e2nea da Bahia, Salvador, Brazil<\/p>\n

Um defeito de cor (curated by de Marcelo Campos, Amanda Bonan e Ana Maria Gon\u00e7alves), Sesc Pinheiros, S\u00e3o Paulo, Brazil<\/p>\n

2023<\/p>\n

Encruzilhadas da arte Afro-brasileira (curated by Deri Andrade), CCBB S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Rosas Brasileiras (curated by Giancarlo Latorraca and Paulo Von Poser), Farol Santander, S\u00e3o Paulo, Brazil<\/p>\n

Um defeito de cor (curated by Marcelo Campos, Amanda Bonan and Ana Maria Gon\u00e7alves), Museu Nacional de Cultura Afro-Brasileira - MUNCAB, Bahia, Brazil<\/p>\n

5th Bienal de Montevideo (curated by Alfons Hug), Palacio Legislativo, Uruguay<\/p>\n

History is not the past (curated by Oliver Hardt), Wolf Kino, Germany<\/p>\n

Essas pessoas na sala de jantar (curated by Raphael Fonseca), Museu Casa Ema Klabin, Rio de Janeiro, Brazil<\/p>\n

A casa no c\u00e9u, Galeria Vermelho, S\u00e3o Paulo, Brazil<\/p>\n

Dos Brasis: Arte e Pensamento Negro (curated by Igor Sim\u00f5es, Lorraine Mendes and Marcelo Campos), Sesc Belenzinho, S\u00e3o Paulo, Brazil<\/p>\n

Um oceano para lavar as m\u00e3os (curated by Marcelo Campos and Filipe Graciano), Sesc Quitandinha, Rio de Janeiro, Brazil<\/p>\n

Eu n\u00e3o enterrei meu umbigo aqui (curated by Galciani Neves), Galeria Marco Zero, Pernambuco, Brazil<\/p>\n

Novas aquisi\u00e7\u00f5es \u2013 Banco do Nordeste (curated by Jacqueline Medeiros and Cec\u00edlia Gallindo Corn\u00e9lio), Palacete das Artes, Bahia, Brazil<\/p>\n

Al\u00e9m-vista (curated by Kura Arte), Casa Gabriel, S\u00e3o Paulo, Brazil<\/p>\n

Entre n\u00f3s: dez anos da Bolsa ZUM\/IMS (curated by Thyago Nogueira), Piv\u00f4, S\u00e3o Paulo, Brazil<\/p>\n

Ch\u00e3o da pra\u00e7a: obras do acervo da Pinacoteca (curated by Ana Maria Maia and Yuri Quevedo), Pinacoteca de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Brasil futuro: as formas da democracia (curadoria de M\u00e1rcio Tavares, Lilia Schwarcz e Paulo Vieira), Museu Nacional da Rep\u00fablica, Casa das 11 Janelas, Museu Solar Ferr\u00e3o, Bras\u00edlia, Par\u00e1, Bahia, Brazil<\/p>\n

2022<\/p>\n

Nise da Silveira - a revolu\u00e7\u00e3o pelo afeto (curated by Est\u00fadio M'Barak\u00e1), Sesc Belenzinho, S\u00e3o Paulo, Brazil<\/p>\n

Quilombo: Vida, problemas e aspira\u00e7\u00f5es do negro, Instituto Inhotim, Minas Gerais, Brazil<\/p>\n

Atos de revolta: outros imagin\u00e1rios sobre independ\u00eancia (curated by Beatriz Lemos, Keyna Eleison, Pablo Lafuente and Thiago de Paula Souza), MAM Rio, Rio de Janeiro, Brazil<\/p>\n

Um defeito de cor (curated by Marcelo Campos, Amanda Bonan and Ana Maria Gon\u00e7alves), MAR, Rio de Janeiro, Brazil<\/p>\n

Tudo o que n\u00e3o foi dito (curated by Felipe Morozini), ESTAR, S\u00e3o Paulo, Brazil<\/p>\n

Hist\u00f3rias Brasileiras (curated by Adriano Pedrosa, Lilia Schwarcz, Amanda Carneiro, Andr\u00e9 Mesquita, Clarissa Diniz, Fernando Oliva, Glaucea Brito, Guilherme Giudrida, Isabella Rjeille, Sandra Benites and Tom\u00e1s Toledo), MASP, S\u00e3o Paulo, Brazil<\/p>\n

Encruzilhada (curated by Ayrson Her\u00e1clito and Daniel Rangel), MAM-BA, Bahia, Brazil<\/p>\n

The Silence of Tired Tongues (curated by Raphael Fonseca), Framer Framed, Netherlands<\/p>\n

Cole\u00e7\u00e3o MAR + Enciclop\u00e9dia Negra (curated by Amanda Bonan, Fl\u00e1vio Gomes, Jaime Lauriano, Lilia Schwarcz e Marcelo Campos), Museu de Arte do Rio - MAR, Rio de Janeiro, Brazil<\/p>\n

Entre a estrela e a serpente (curated by Galciani Neves), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2021<\/p>\n

Enciclop\u00e9dia Negra (curated by Jaime Laurino e Lilia Schwarcz), Pinacoteca do Estado, S\u00e3o Paulo, Brazil<\/p>\n

Corpo-experimento (curated by Gilberto Alexandre Sobrinho), Museu de Arte do Esp\u00edrito Santo, Esp\u00edrito Santo, Brazil<\/p>\n

Nise da Silveira - a revolu\u00e7\u00e3o pelo afeto (curated by Est\u00fadio M'Barak\u00e1), Centro Cultural Branco do Brasil, Rio de Janeiro, Brazil<\/p>\n

Darwin: Origens & Evolu\u00e7\u00e3o (curated by Est\u00fadio M'Barak\u00e1), Centro Cultural FIESP, S\u00e3o Paulo, Brazil<\/p>\n

Carolina Maria de Jesus: um Brasil para os brasileiros (curated by Helio Menezes and Raquel Barreto), IMS, S\u00e3o Paulo, Brazil<\/p>\n

Cr\u00f4nicas Cariocas (curated by Marcelo Campos, Amanda Bonan, Luiz Ant\u00f4nio Simas and Concei\u00e7\u00e3o Evaristo), Museu de Arte do Rio, Rio de Janeiro, Brazil<\/p>\n

2020<\/p>\n

ArtDubai (curated by Marina Fokidis), Dubai, United Arab Emirates<\/p>\n

Rua! (curated by Marcelo Campos e MAR), Museu de Arte do Rio - MAR Rio, Rio de Janeiro, Brazil<\/p>\n

The Discovery What Means to Be Brazilian (curated by H\u00e9lio Menezes), Mariane Ibrahim Gallery, Chicago, USA<\/p>\n

2019<\/p>\n

Ontem, hoje, agora (curated by Catarina Duncan), Solar dos Abacaxis, Rio de Janeiro, Brazil<\/p>\n

Inunda\u00e7\u00e3o (curated by Marcelo Campos), Museu Casa do Pontal, Rio de Janeiro, Brazil<\/p>\n

MEDO\/ANGST (curated by Ben J. Riepe), Weltkunstzimmer, D\u00fcsseldotf, Germany<\/p>\n

O Rio dos navegantes (curated by Evandro Salles, Fernanda Terra, Marcelo Campos and Pollyana Quintella), Museu de Arte do Rio - MAR Rio, Rio de Janeiro, Brazil<\/p>\n

\u00c0 nortdeste (curated by Bitu Cassund\u00e9, Clarissa Diniz and Marcelo Campos), SESC 24 de maio, S\u00e3o Paulo, Brazil<\/p>\n

Ounj\u00e9 - A comida dos orix\u00e1s (curated by Ayrson Her\u00e1clito and Maria Lago), SESC Ipiranga, S\u00e3o Paulo, Brazil<\/p>\n

Virada Cultural de S\u00e3o Paulo (curated by Maur\u00edcio Ian\u00eas), Centro Cultural S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Baile da Aurora Sincera (curated by Bernardo Mosqueira), Solar dos Abacaxis, Rio de Janeiro, Brazil<\/p>\n

Uma delirante celebra\u00e7\u00e3o carnavalesca: o legado de Rosa Magalh\u00e3es (curated by Leonardo Antan), Centro Municipal de Arte H\u00e9lio Oiticica, Rio de Janeiro, Brazil<\/p>\n

2018<\/p>\n

Hist\u00f3rias Afro-Atl\u00e2nticas (curated by Adriano Pedrosa, Lila Schwarcz, Ayrson Her\u00e1clito, H\u00e9lio Menezes and Tom\u00e1s Toledo), MASP e Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\n

Luzes indiscretas entre colinas c\u00f4nicas (curated by Marcelo Campos), Simone Cadinelli Arte Contempor\u00e2nea, Rio de Janeiro, Brazil<\/p>\n

14\u00ba Sal\u00e3o Nacional de Artes de Itaja\u00ed (curated by C\u00e9lia Barros), Casa de Cultura Itaja\u00ed, Itaja\u00ed, Brazil<\/p>\n

2017<\/p>\n

Responder a tod_s (curated by Raphael Fonseca), Despina, Rio de Janeiro, Brazil<\/p>\n

Ax\u00e9 Bahia: The power of art in an afro-brazilian metropolis (curated by Patrick Polk, Roberto Conduru, Sabrina Gledhill and Randal Johnson), Fowler Museum at UCLA, Los Angeles, USA<\/p>\n

Negros Ind\u00edcios (curated by Roberto Conduru), Caixa Cultural, S\u00e3o Paulo, Brazil<\/p>\n

Festival Performe-se: Fronteiras borradas, fronteiras erguidas (curated by Philipe F. Augusto), Vit\u00f3ria, Brazil<\/p>\n

Novas Po\u00e9ticas (curated by Philipe F. Augusto), Galeria Ca\u00f1izares, Salvador, Brazil<\/p>\n

Amewa (curated by Marcelo Campos e Thiago Ortiz), Galeria Gustavo Schnoor, Rio de Janeiro, Brazil<\/p>\n

2016<\/p>\n

Orix\u00e1s (curated by Marcelo Campo), Casa Fran\u00e7a-Brasil, Rio de Janeiro, Brazil<\/p>\n

Reply All (curated by Raphael Fonseca), Grosvenor Gallery, Manchester, United Kingdom<\/p>\n

2014<\/p>\n

Sal\u00e3o de Artes Visuais da Bahia - Edi\u00e7\u00e3o Especial, Museu de Arte Contempor\u00e2nea da Bahia - MAM-BA, Salvador, Brazil<\/p>\n

Sal\u00e3o de Artes Visuais da Bahia - Cama\u00e7ari, Cidade do Saber, Cama\u00e7ari, Brazil<\/p>\n

2013<\/p>\n

5\u00ba Encuentro de Acci\u00f3n en Vivo y Diferido (curated by Tzitzi Barrantes), Bogota, Colombia<\/p>\n

13\u00ba Sal\u00e3o Nacional de Artes de Itaja\u00ed (curated by Josu\u00e9 Matos), Casa da Cultural Itaja\u00ed, Itaja\u00ed, Brazil<\/p>\n

Mostra OSSO Latino Americana de Performances Urbanas, Trancoso, Brasil, Arraial D'Ajuda, Brazil<\/p>\n

Sal\u00e3o de Artes Visuais da Bahia, Centro Cultural de Teixeira de Freitas, Teixeira de Freitas, Brazil<\/p>\n

2012<\/p>\n

XI Bienal do Rec\u00f4ncavo, Centro Cultural Dannemann, S\u00e3o F\u00e9lix, Brazil<\/p>\n

XI Parada Gay de Salvador, Beco dos Artistas, Salvador, Brazil<\/p>\n

O performer e sua imagem (curated by Ricardo Biriba), Galeria Ca\u00f1izares, Salvador, Brazil<\/p>\n

2011<\/p>\n

I Circuito Regional de Performance Bode Arte, Tecesol, Natal, Brazil<\/p>\n

Corpo aberto Corpo fechado, Galeria Ca\u00f1izares, Salvador, Brazil<\/p>\n

2010<\/p>\n

I Virada Cultural do Rec\u00f4ncavo, Centro Cultural Dannemann, S\u00e3o Felix, Brazil<\/p>\n

Mostra Mandu de Performances Urbanas, Casa de C\u00e2mara e Cadeia, Cachoeira, Brazil<\/p>\n

Corpo em prospec\u00e7\u00e3o, Centro de Artes, Humanidade e Letras, Cachoeira, Brazil<\/p>\n

Instalativa, Centro de Artes, Humanidades e Letras, Cachoeira, Brazil<\/p>\n

AWARDS<\/h2>\n

2023<\/p>\n

Nominated for PIPA Prize, Rio de Janeiro, Brazil<\/p>\n

2021<\/p>\n

Photograph Prize ZUM, Instituto Moreira Salles, S\u00e3o Paulo, Brazil<\/p>\n

2020<\/p>\n

Soros Arts Fellowship, United States<\/p>\n

2019<\/p>\n

Foco ArtRio Prize, Rio de Janeiro, Brazil<\/p>\n

2018<\/p>\n

Nominated for PIPA Prize, Rio de Janeiro, Brazil<\/p>\n

2014<\/p>\n

Special mention, Sal\u00e3o de Artes Visuais da Bahia, Cama\u00e7ari, Brazil<\/p>\n

2013<\/p>\n

Special mention, Sal\u00e3o de Artes Visuais da Bahia, Teixeira de Freitas, Brazil<\/p>\n

Portas abertas para as Artes Visuais, Funda\u00e7\u00e3o Cultural do Estado da Bahia, Salvador, Brazil<\/p>\n

RESIDENCIES<\/h2>\n

2020<\/p>\n

Capacete, Rio de Janeiro, Brazil<\/p>\n

2018<\/p>\n

HANGAR - Centro de Investiga\u00e7\u00e3o Art\u00edstica, Lisboa, Portugal<\/p>\n

2016<\/p>\n

Casa Comum, Rio de Janeiro, Brazil<\/p>\n

COLLECTIONS<\/h2>\n

Instituto Inhotim, Minas Gerais, Brazil<\/p>\n

Denver Art Museum, United States<\/p>\n

Museu de Arte de S\u00e3o Paulo - MASP, S\u00e3o Paulo, Brazil<\/p>\n

Pinacoteca de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Instituto Moreira Salles, Rio de Janeiro, Brazil<\/p>\n

Cole\u00e7\u00e3o Moraes Barbosa, S\u00e3o Paulo, Brazil<\/p>\n

Museu de Arte do Rio - MAR Rio, Rio de Janeiro, Brazil<\/p>\n

Museu de Arte Moderna da Bahia - MAM-BA, Salvador, Brazil<\/p>\n

Casa da Cultura da Am\u00e9rica Latina, Bras\u00edlia, Brazil<\/p>\n

Cole\u00e7\u00e3o Banco do Nordeste, Fortaleza, Brazil<\/p>\n<\/div>","curriculo":69348,"gallery":[61267,61281,61269,61305,61279,61273,61271,61283,63502,61289,63344,63346,63342,61255,61291,61261,61257,63336,63338,63340,63366,63348,63350,63352,63354,63358,63360,63362,63364,63368,63370,63372],"videos":[{"video_title":"\"Irm\u00e3os de Barco\" de Tiago Sant'Ana reflete passado colonial no Brasil","video_description":"Arte1 Minuto","video_utl":"https:\/\/youtu.be\/zstsykTOW2c"},{"video_title":"Tiago Sant'Ana - Curta!","video_description":"ArtRio","video_utl":"https:\/\/youtu.be\/vrSjiezFWXo"},{"video_title":"Casa de Purgar, 2018","video_description":"","video_utl":"https:\/\/youtu.be\/9prbtyTn798"}],"text_artist":"","files":null,"artist_works":"","artist_expo":[{"artist_expo_title":"","artist_expo_description":"

Throughout his career, Tiago Sant\u2019Ana has held significant solo exhibitions that highlight his artistic research and his ability to delve into themes such as memory, identity, and Afro-diasporic narratives. Among the most notable exhibitions are Estrelas Flamejantes em Manh\u00e3 de Sol, presented at Galeria Alban in Salvador, Brazil (2022), and Irm\u00e3os de Barco, held at Galeria Leme in S\u00e3o Paulo, Brazil (2021). Additionally, his previous exhibitions, such as Aqu\u00e9m-mar at Senac Lapa in S\u00e3o Paulo (2019) and Baixa dos Sapateiros (curated by Clarissa Diniz) at Simone Cadinelli Arte Contempor\u00e2nea in Rio de Janeiro (2018), reinforce his commitment to aesthetic and conceptual investigation. Another noteworthy exhibition was Casa de Purgar (curated by Ayrson Her\u00e1clito), showcased at Pa\u00e7o Imperial in Rio de Janeiro in 2018. These solo shows collectively establish Tiago Sant\u2019Ana as one of the leading figures in Brazilian visual arts.<\/p>\r\nYou can take a Virtual Tour<\/a> of the solo exhibition \"Irm\u00e3os de Barco,\" 2021<\/em>, featuring text by Moacir dos Anjos, at Galeria Leme.","artist_expo_gallery":[63383,63401,63403,63385,63381,63379,63387,63389,63391,63393,63396,63399]}]},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1769523586:7"],"_edit_last":["7"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["translation-editor"],"description":["

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EDUCATION<\/h2>\n

2023<\/p>\n

PhD in Culture and Society from Universidade Federal da Bahia, Salvador, Brazil<\/p>\n

2016<\/p>\n

Master in Culture and Society from Universidade Federal da Bahia, Ondina, Bahia, Brazil<\/p>\n

2011<\/p>\n

Graduated in Social Communication from Universidade Federal do Rec\u00f4ncavo da Bahia, Cachoeira, Bahia, Brazil<\/p>\n

SOLO EXHIBITIONS<\/h2>\n

2025<\/p>\n

Fulgor Atl\u00e2ntico, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2022<\/p>\n

Estrelas flamejantes em manh\u00e3 de sol, Roberto Alban Galeria, Salvador, Brazil<\/p>\n

2021<\/p>\n

Irm\u00e3os de Barco, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2019<\/p>\n

Aqu\u00e9m-mar, Senac Lapa Scipi\u00e3o, S\u00e3o Paulo, Brazil<\/p>\n

2018<\/p>\n

Baixa dos Sapateiros (curated by Clarissa Diniz), Simone Cadinelli Arte Contempor\u00e2nea, Rio de Janeiro, Brazil<\/p>\n

Casa de Purgar (curated by Ayrson Her\u00e1clito), Pa\u00e7o Imperial, Rio de Janeiro, Brasil, Museu de Arte da Bahia, Salvador, Brazil<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

videoAR (Curated by Ana Carolina Ralston), Galeria Leme e Parques da Paulista (Trianon, M\u00e1rio Covas e Pra\u00e7a Alexandre Gusm\u00e3o), S\u00e3o Paulo, Brazil<\/p>\n

Die Welt im Geld (Curated by Christina Bach e Yi Liu), Historisches Museum Frankfurt, Frankfurt, Germany<\/p>\n

Pad\u00ea \u2013 Sentinela \u00e0 porta da mem\u00f3ria (Curated by Rosa Couto), Museu Afro Brasil Emanoel Ara\u00fajo, S\u00e3o Paulo, Brazil<\/p>\n

Constela\u00e7\u00f5es (Curated by Claudia Saldanha, Ivair Reinaldim, Aline Santos, Emmanuele Russel, Sandra Mazzoli e Sofia Sk), Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

2025<\/p>\n

Complexo Brasil, Calouste Gulbenkian Foundation, Lisbon, Portugal<\/p>\n

Floresta de infinitos (curated by Ayrson Her\u00e1clito, Marcelo Campos, Tha\u00eds Darz\u00e9 and Tigan\u00e1 Santana), Casa das Hist\u00f3rias de Salvador, Salvador, Brazil<\/p>\n

Debret em quest\u00e3o (Curated by Jacques Leenhardt e Gabriela Longman), Museu do Ipiranga, S\u00e3o Paulo, Brazil<\/p>\n

The Earth, the Fire, the Water and the Winds: For a Museum of Errantry with \u00c9douard Glissant, Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\n

Br\u00e9sil Illustr\u00e9: l'h\u00e9ritage post colonial de J.B. Debret, Maison de l'Amerique Latine, Paris, France<\/p>\n

Afro-brasilidade, uma homenagem a dois Valentins e a um Emanoel (curated by Paulo Herkenhoff and Jo\u00e3o Victor Guimar\u00e3es), FGV Arte Botafogo, Rio de Janeiro, Brazil<\/p>\n

Ambient Threads (curated by Lu\u00eds Pinto Nunes), Kubikgallery + Galeria Leme at Espa\u00e7o Museol\u00f3gico Museu do Arroz, Comporta, Portugal<\/p>\n

2024<\/p>\n

El Dorado: Myths of Gold (curated by Aim\u00e9 Iglesias Lukin, Edward Sullivan e Tie Jojima), Americas Society, New York, United States<\/p>\n

Kristallisationspunkte (curated by Marco Hompes), Kunstmuseum Heidenheim, Heidenheim, Germany<\/p>\n

Invisible luggage (curated by Beth Rudin DeWoody, Maynard Monrow, Laura Dworkin, Zoe Lukov, Auttrianna Ward), Historic Hampton House, Miami, Estados Unidos<\/p>\n

Eyes that listen (curated by Keyna Eleison), Center for Art, Research and Alliances, New York, United States<\/p>\n

Antes e Agora (curated by Galciani Neves), Longe e Aqui Dentro, Museu Oscar Niemeyer, Curitiba, Brazil<\/p>\n

Necessidade Vontade Desejo (curated by Fernanda Lopes), Galeria Athena, Rio de Janeiro, Brazil<\/p>\n

Cais (curated by Alana Silveira e Tom\u00e1s Toledo), Galeria Galatea, Salvador, Brazil<\/p>\n

Iniciadas \u2013 ancestralidades contempor\u00e2neas (curated by Daniel Rangel), Museu de Arte Contempor\u00e2nea da Bahia, Salvador, Brazil<\/p>\n

Encruzilhadas da arte Afro-brasileira (curated by Deri Andrade), CCBB Rio de Janeiro, Rio de Janeiro, Brazil<\/p>\n

Encruzilhadas da arte Afro-brasileira (curated by Deri Andrade), CCBB Belo Horizonte, Belo Horizonte, Brazil<\/p>\n

Dos Brasis \u2013 arte e pensamento negro (curated by Igor Sim\u00f5es, Marcelo Campos e Lorraine Mendes), SESC Quitandinha, Petr\u00f3polis, Brazil<\/p>\n

Entre n\u00f3s: dez anos de bolsa ZUM\/IMS (curated by Thyago Nogueira, Daniele Queiroz e \u00c2ngelo Manjabosco), Pa\u00e7o Imperial, Rio de Janeiro, Brazil<\/p>\n

Que mar se v\u00ea afinal da minha l\u00edngua? (curated by Margarida Saraiva), Casa Garden \u2013 Funda\u00e7\u00e3o Oriente, Macau<\/p>\n

R\u00e9gua e compasso (curated by Victor Gorgulho e Paulo Azeco), Galeria Nonada, Salvador, Brazil<\/p>\n

Quem conta a hist\u00f3ria (curated by Allan Yzumizawa), Pinacoteca Municipal Miguel Dutra, Piracicaba, Brazil<\/p>\n

Que mar se v\u00ea afinal da minha l\u00edngua? (curated by Margarida Saraiva), Centro Cultural do Mindelo, Mindelo, Cabo Verde<\/p>\n

Nordeste expandido: estrat\u00e9gias de (re)existir (curated by Jacqueline Medeiros e Cec\u00edlia Gallindo Corn\u00e9lio), Convento das Merc\u00eas, S\u00e3o Lu\u00eds, Brazil<\/p>\n

Del\u00edrio Tropical (curated by Orlando Maneschy), Pinacoteca do Cear\u00e1, Fortaleza, Brazil<\/p>\n

Nise da Silveira \u2013 a revolu\u00e7\u00e3o pelo afeto (curated by Est\u00fadio M'Barak\u00e1), CCBB Bras\u00edlia, Bras\u00edlia, Brazil<\/p>\n

Dona Ful\u00f4 e outras joias negras (curated by Carol Barreto, Eneida Sanches e Marilia Panitz), Museu de Arte Contempor\u00e2nea da Bahia, Salvador, Brazil<\/p>\n

\u00daltimo lote (curated by Daniel Rangel), Museu de Arte Contempor\u00e2nea da Bahia, Salvador, Brazil<\/p>\n

Um defeito de cor (curated by de Marcelo Campos, Amanda Bonan e Ana Maria Gon\u00e7alves), Sesc Pinheiros, S\u00e3o Paulo, Brazil<\/p>\n

2023<\/p>\n

Encruzilhadas da arte Afro-brasileira (curated by Deri Andrade), CCBB S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Rosas Brasileiras (curated by Giancarlo Latorraca and Paulo Von Poser), Farol Santander, S\u00e3o Paulo, Brazil<\/p>\n

Um defeito de cor (curated by Marcelo Campos, Amanda Bonan and Ana Maria Gon\u00e7alves), Museu Nacional de Cultura Afro-Brasileira - MUNCAB, Bahia, Brazil<\/p>\n

5th Bienal de Montevideo (curated by Alfons Hug), Palacio Legislativo, Uruguay<\/p>\n

History is not the past (curated by Oliver Hardt), Wolf Kino, Germany<\/p>\n

Essas pessoas na sala de jantar (curated by Raphael Fonseca), Museu Casa Ema Klabin, Rio de Janeiro, Brazil<\/p>\n

A casa no c\u00e9u, Galeria Vermelho, S\u00e3o Paulo, Brazil<\/p>\n

Dos Brasis: Arte e Pensamento Negro (curated by Igor Sim\u00f5es, Lorraine Mendes and Marcelo Campos), Sesc Belenzinho, S\u00e3o Paulo, Brazil<\/p>\n

Um oceano para lavar as m\u00e3os (curated by Marcelo Campos and Filipe Graciano), Sesc Quitandinha, Rio de Janeiro, Brazil<\/p>\n

Eu n\u00e3o enterrei meu umbigo aqui (curated by Galciani Neves), Galeria Marco Zero, Pernambuco, Brazil<\/p>\n

Novas aquisi\u00e7\u00f5es \u2013 Banco do Nordeste (curated by Jacqueline Medeiros and Cec\u00edlia Gallindo Corn\u00e9lio), Palacete das Artes, Bahia, Brazil<\/p>\n

Al\u00e9m-vista (curated by Kura Arte), Casa Gabriel, S\u00e3o Paulo, Brazil<\/p>\n

Entre n\u00f3s: dez anos da Bolsa ZUM\/IMS (curated by Thyago Nogueira), Piv\u00f4, S\u00e3o Paulo, Brazil<\/p>\n

Ch\u00e3o da pra\u00e7a: obras do acervo da Pinacoteca (curated by Ana Maria Maia and Yuri Quevedo), Pinacoteca de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Brasil futuro: as formas da democracia (curadoria de M\u00e1rcio Tavares, Lilia Schwarcz e Paulo Vieira), Museu Nacional da Rep\u00fablica, Casa das 11 Janelas, Museu Solar Ferr\u00e3o, Bras\u00edlia, Par\u00e1, Bahia, Brazil<\/p>\n

2022<\/p>\n

Nise da Silveira - a revolu\u00e7\u00e3o pelo afeto (curated by Est\u00fadio M'Barak\u00e1), Sesc Belenzinho, S\u00e3o Paulo, Brazil<\/p>\n

Quilombo: Vida, problemas e aspira\u00e7\u00f5es do negro, Instituto Inhotim, Minas Gerais, Brazil<\/p>\n

Atos de revolta: outros imagin\u00e1rios sobre independ\u00eancia (curated by Beatriz Lemos, Keyna Eleison, Pablo Lafuente and Thiago de Paula Souza), MAM Rio, Rio de Janeiro, Brazil<\/p>\n

Um defeito de cor (curated by Marcelo Campos, Amanda Bonan and Ana Maria Gon\u00e7alves), MAR, Rio de Janeiro, Brazil<\/p>\n

Tudo o que n\u00e3o foi dito (curated by Felipe Morozini), ESTAR, S\u00e3o Paulo, Brazil<\/p>\n

Hist\u00f3rias Brasileiras (curated by Adriano Pedrosa, Lilia Schwarcz, Amanda Carneiro, Andr\u00e9 Mesquita, Clarissa Diniz, Fernando Oliva, Glaucea Brito, Guilherme Giudrida, Isabella Rjeille, Sandra Benites and Tom\u00e1s Toledo), MASP, S\u00e3o Paulo, Brazil<\/p>\n

Encruzilhada (curated by Ayrson Her\u00e1clito and Daniel Rangel), MAM-BA, Bahia, Brazil<\/p>\n

The Silence of Tired Tongues (curated by Raphael Fonseca), Framer Framed, Netherlands<\/p>\n

Cole\u00e7\u00e3o MAR + Enciclop\u00e9dia Negra (curated by Amanda Bonan, Fl\u00e1vio Gomes, Jaime Lauriano, Lilia Schwarcz e Marcelo Campos), Museu de Arte do Rio - MAR, Rio de Janeiro, Brazil<\/p>\n

Entre a estrela e a serpente (curated by Galciani Neves), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2021<\/p>\n

Enciclop\u00e9dia Negra (curated by Jaime Laurino e Lilia Schwarcz), Pinacoteca do Estado, S\u00e3o Paulo, Brazil<\/p>\n

Corpo-experimento (curated by Gilberto Alexandre Sobrinho), Museu de Arte do Esp\u00edrito Santo, Esp\u00edrito Santo, Brazil<\/p>\n

Nise da Silveira - a revolu\u00e7\u00e3o pelo afeto (curated by Est\u00fadio M'Barak\u00e1), Centro Cultural Branco do Brasil, Rio de Janeiro, Brazil<\/p>\n

Darwin: Origens & Evolu\u00e7\u00e3o (curated by Est\u00fadio M'Barak\u00e1), Centro Cultural FIESP, S\u00e3o Paulo, Brazil<\/p>\n

Carolina Maria de Jesus: um Brasil para os brasileiros (curated by Helio Menezes and Raquel Barreto), IMS, S\u00e3o Paulo, Brazil<\/p>\n

Cr\u00f4nicas Cariocas (curated by Marcelo Campos, Amanda Bonan, Luiz Ant\u00f4nio Simas and Concei\u00e7\u00e3o Evaristo), Museu de Arte do Rio, Rio de Janeiro, Brazil<\/p>\n

2020<\/p>\n

ArtDubai (curated by Marina Fokidis), Dubai, United Arab Emirates<\/p>\n

Rua! (curated by Marcelo Campos e MAR), Museu de Arte do Rio - MAR Rio, Rio de Janeiro, Brazil<\/p>\n

The Discovery What Means to Be Brazilian (curated by H\u00e9lio Menezes), Mariane Ibrahim Gallery, Chicago, USA<\/p>\n

2019<\/p>\n

Ontem, hoje, agora (curated by Catarina Duncan), Solar dos Abacaxis, Rio de Janeiro, Brazil<\/p>\n

Inunda\u00e7\u00e3o (curated by Marcelo Campos), Museu Casa do Pontal, Rio de Janeiro, Brazil<\/p>\n

MEDO\/ANGST (curated by Ben J. Riepe), Weltkunstzimmer, D\u00fcsseldotf, Germany<\/p>\n

O Rio dos navegantes (curated by Evandro Salles, Fernanda Terra, Marcelo Campos and Pollyana Quintella), Museu de Arte do Rio - MAR Rio, Rio de Janeiro, Brazil<\/p>\n

\u00c0 nortdeste (curated by Bitu Cassund\u00e9, Clarissa Diniz and Marcelo Campos), SESC 24 de maio, S\u00e3o Paulo, Brazil<\/p>\n

Ounj\u00e9 - A comida dos orix\u00e1s (curated by Ayrson Her\u00e1clito and Maria Lago), SESC Ipiranga, S\u00e3o Paulo, Brazil<\/p>\n

Virada Cultural de S\u00e3o Paulo (curated by Maur\u00edcio Ian\u00eas), Centro Cultural S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Baile da Aurora Sincera (curated by Bernardo Mosqueira), Solar dos Abacaxis, Rio de Janeiro, Brazil<\/p>\n

Uma delirante celebra\u00e7\u00e3o carnavalesca: o legado de Rosa Magalh\u00e3es (curated by Leonardo Antan), Centro Municipal de Arte H\u00e9lio Oiticica, Rio de Janeiro, Brazil<\/p>\n

2018<\/p>\n

Hist\u00f3rias Afro-Atl\u00e2nticas (curated by Adriano Pedrosa, Lila Schwarcz, Ayrson Her\u00e1clito, H\u00e9lio Menezes and Tom\u00e1s Toledo), MASP e Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\n

Luzes indiscretas entre colinas c\u00f4nicas (curated by Marcelo Campos), Simone Cadinelli Arte Contempor\u00e2nea, Rio de Janeiro, Brazil<\/p>\n

14\u00ba Sal\u00e3o Nacional de Artes de Itaja\u00ed (curated by C\u00e9lia Barros), Casa de Cultura Itaja\u00ed, Itaja\u00ed, Brazil<\/p>\n

2017<\/p>\n

Responder a tod_s (curated by Raphael Fonseca), Despina, Rio de Janeiro, Brazil<\/p>\n

Ax\u00e9 Bahia: The power of art in an afro-brazilian metropolis (curated by Patrick Polk, Roberto Conduru, Sabrina Gledhill and Randal Johnson), Fowler Museum at UCLA, Los Angeles, USA<\/p>\n

Negros Ind\u00edcios (curated by Roberto Conduru), Caixa Cultural, S\u00e3o Paulo, Brazil<\/p>\n

Festival Performe-se: Fronteiras borradas, fronteiras erguidas (curated by Philipe F. Augusto), Vit\u00f3ria, Brazil<\/p>\n

Novas Po\u00e9ticas (curated by Philipe F. Augusto), Galeria Ca\u00f1izares, Salvador, Brazil<\/p>\n

Amewa (curated by Marcelo Campos e Thiago Ortiz), Galeria Gustavo Schnoor, Rio de Janeiro, Brazil<\/p>\n

2016<\/p>\n

Orix\u00e1s (curated by Marcelo Campo), Casa Fran\u00e7a-Brasil, Rio de Janeiro, Brazil<\/p>\n

Reply All (curated by Raphael Fonseca), Grosvenor Gallery, Manchester, United Kingdom<\/p>\n

2014<\/p>\n

Sal\u00e3o de Artes Visuais da Bahia - Edi\u00e7\u00e3o Especial, Museu de Arte Contempor\u00e2nea da Bahia - MAM-BA, Salvador, Brazil<\/p>\n

Sal\u00e3o de Artes Visuais da Bahia - Cama\u00e7ari, Cidade do Saber, Cama\u00e7ari, Brazil<\/p>\n

2013<\/p>\n

5\u00ba Encuentro de Acci\u00f3n en Vivo y Diferido (curated by Tzitzi Barrantes), Bogota, Colombia<\/p>\n

13\u00ba Sal\u00e3o Nacional de Artes de Itaja\u00ed (curated by Josu\u00e9 Matos), Casa da Cultural Itaja\u00ed, Itaja\u00ed, Brazil<\/p>\n

Mostra OSSO Latino Americana de Performances Urbanas, Trancoso, Brasil, Arraial D'Ajuda, Brazil<\/p>\n

Sal\u00e3o de Artes Visuais da Bahia, Centro Cultural de Teixeira de Freitas, Teixeira de Freitas, Brazil<\/p>\n

2012<\/p>\n

XI Bienal do Rec\u00f4ncavo, Centro Cultural Dannemann, S\u00e3o F\u00e9lix, Brazil<\/p>\n

XI Parada Gay de Salvador, Beco dos Artistas, Salvador, Brazil<\/p>\n

O performer e sua imagem (curated by Ricardo Biriba), Galeria Ca\u00f1izares, Salvador, Brazil<\/p>\n

2011<\/p>\n

I Circuito Regional de Performance Bode Arte, Tecesol, Natal, Brazil<\/p>\n

Corpo aberto Corpo fechado, Galeria Ca\u00f1izares, Salvador, Brazil<\/p>\n

2010<\/p>\n

I Virada Cultural do Rec\u00f4ncavo, Centro Cultural Dannemann, S\u00e3o Felix, Brazil<\/p>\n

Mostra Mandu de Performances Urbanas, Casa de C\u00e2mara e Cadeia, Cachoeira, Brazil<\/p>\n

Corpo em prospec\u00e7\u00e3o, Centro de Artes, Humanidade e Letras, Cachoeira, Brazil<\/p>\n

Instalativa, Centro de Artes, Humanidades e Letras, Cachoeira, Brazil<\/p>\n

AWARDS<\/h2>\n

2023<\/p>\n

Nominated for PIPA Prize, Rio de Janeiro, Brazil<\/p>\n

2021<\/p>\n

Photograph Prize ZUM, Instituto Moreira Salles, S\u00e3o Paulo, Brazil<\/p>\n

2020<\/p>\n

Soros Arts Fellowship, United States<\/p>\n

2019<\/p>\n

Foco ArtRio Prize, Rio de Janeiro, Brazil<\/p>\n

2018<\/p>\n

Nominated for PIPA Prize, Rio de Janeiro, Brazil<\/p>\n

2014<\/p>\n

Special mention, Sal\u00e3o de Artes Visuais da Bahia, Cama\u00e7ari, Brazil<\/p>\n

2013<\/p>\n

Special mention, Sal\u00e3o de Artes Visuais da Bahia, Teixeira de Freitas, Brazil<\/p>\n

Portas abertas para as Artes Visuais, Funda\u00e7\u00e3o Cultural do Estado da Bahia, Salvador, Brazil<\/p>\n

RESIDENCIES<\/h2>\n

2020<\/p>\n

Capacete, Rio de Janeiro, Brazil<\/p>\n

2018<\/p>\n

HANGAR - Centro de Investiga\u00e7\u00e3o Art\u00edstica, Lisboa, Portugal<\/p>\n

2016<\/p>\n

Casa Comum, Rio de Janeiro, Brazil<\/p>\n

COLLECTIONS<\/h2>\n

Instituto Inhotim, Minas Gerais, Brazil<\/p>\n

Denver Art Museum, United States<\/p>\n

Museu de Arte de S\u00e3o Paulo - MASP, S\u00e3o Paulo, Brazil<\/p>\n

Pinacoteca de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\n

Instituto Moreira Salles, Rio de Janeiro, Brazil<\/p>\n

Cole\u00e7\u00e3o Moraes Barbosa, S\u00e3o Paulo, Brazil<\/p>\n

Museu de Arte do Rio - MAR Rio, Rio de Janeiro, Brazil<\/p>\n

Museu de Arte Moderna da Bahia - MAM-BA, Salvador, Brazil<\/p>\n

Casa da Cultura da Am\u00e9rica Latina, Bras\u00edlia, Brazil<\/p>\n

Cole\u00e7\u00e3o Banco do Nordeste, Fortaleza, Brazil<\/p>\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["69348"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:32:{i:0;s:5:\"61267\";i:1;s:5:\"61281\";i:2;s:5:\"61269\";i:3;s:5:\"61305\";i:4;s:5:\"61279\";i:5;s:5:\"61273\";i:6;s:5:\"61271\";i:7;s:5:\"61283\";i:8;s:5:\"63502\";i:9;s:5:\"61289\";i:10;s:5:\"63344\";i:11;s:5:\"63346\";i:12;s:5:\"63342\";i:13;s:5:\"61255\";i:14;s:5:\"61291\";i:15;s:5:\"61261\";i:16;s:5:\"61257\";i:17;s:5:\"63336\";i:18;s:5:\"63338\";i:19;s:5:\"63340\";i:20;s:5:\"63366\";i:21;s:5:\"63348\";i:22;s:5:\"63350\";i:23;s:5:\"63352\";i:24;s:5:\"63354\";i:25;s:5:\"63358\";i:26;s:5:\"63360\";i:27;s:5:\"63362\";i:28;s:5:\"63364\";i:29;s:5:\"63368\";i:30;s:5:\"63370\";i:31;s:5:\"63372\";}"],"_gallery":["field_6436c1e6d2529"],"videos_0_video_title":["\"Irm\u00e3os de Barco\" de Tiago Sant'Ana reflete passado colonial no Brasil"],"_videos_0_video_title":["field_64441a69b18df"],"videos_0_video_description":["Arte1 Minuto"],"_videos_0_video_description":["field_644423879b4e4"],"videos_0_video_utl":["https:\/\/youtu.be\/zstsykTOW2c"],"_videos_0_video_utl":["field_64441a77b18e0"],"videos_1_video_title":["Tiago Sant'Ana - Curta!"],"_videos_1_video_title":["field_64441a69b18df"],"videos_1_video_description":["ArtRio"],"_videos_1_video_description":["field_644423879b4e4"],"videos_1_video_utl":["https:\/\/youtu.be\/vrSjiezFWXo"],"_videos_1_video_utl":["field_64441a77b18e0"],"videos_2_video_title":["Casa de Purgar, 2018"],"_videos_2_video_title":["field_64441a69b18df"],"videos_2_video_description":[""],"_videos_2_video_description":["field_644423879b4e4"],"videos_2_video_utl":["https:\/\/youtu.be\/9prbtyTn798"],"_videos_2_video_utl":["field_64441a77b18e0"],"videos":["3"],"_videos":["field_6436c1e6d252d"],"text_artist":[""],"_text_artist":["field_6436c1e6d2536"],"files":[""],"_files":["field_6436c231c9725"],"_thumbnail_id":["69200"],"_oembed_70855de751a31c0bf893e24047d9a1bb":["{{unknown}}"],"_oembed_cdfbd52e83eba4c43e662fd0838db1dd":["