{"id":39346,"date":"2021-06-16T16:04:43","date_gmt":"2021-06-16T19:04:43","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=39346"},"modified":"2026-10-23T12:37:34","modified_gmt":"2026-10-23T15:37:34","slug":"heloisa-hariadne","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/heloisa-hariadne\/","title":{"rendered":"Heloisa Hariadne"},"content":{"rendered":"","protected":false},"featured_media":64585,"template":"","class_list":["post-39346","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"Carapicu\u00edba, Brazil, 1998.<\/strong>\r\nLives and works in S\u00e3o Paulo, Brazil.\r\n

Heloisa Hariadne uses her paintings to build new imageries and narratives from different themes ranging from environmental topics to nutrition and the rescue of knowledge of native peoples. Her works connect into a single dance all the memories of her body.<\/p>\r\n

Her paintings explore her temptations and intentions in an intimate portrait, creating an intrinsically unique poem that is translated onto the canvas. In trying to answer the question \"who are we on the inside?\", Hariadne weaves paths that were once invisible, thus creating opportunities for dialogue about the multitude that makes up each individual. From this foray into our inner self, the artist puts us in reconnection with the natural as a form of freedom and desire for new understandings of the world.<\/p>","description":"

\r\n
\r\n\r\n

EDUCATION<\/h2>\r\n

2017-2020<\/p>\r\n

Centro Universit\u00e1rio Belas Artes De S\u00e3o Paulo \u2013 Bachelor in Visual Arts<\/p>\r\n

Oficina Oswald de Andrade \u2013 Artistic accompaniment course<\/p>\r\n

2017<\/p>\r\n

Escola MASP \u2013 Indigenous Histories<\/p>\r\n

2016<\/p>\r\n

Abenaf - Audiovisual<\/p>\r\n

2014-2015<\/p>\r\n

ETEC Carapicu\u00edba \u2013 Visual Communication<\/p>\r\n

SOLO EXHIBITIONS<\/h2>\r\n

2025<\/p>\r\n

A cor do ar (curated by Aldones Nino), Farol Santander, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

In focus: Heloisa Hariadne, Tiwani Contemporary, London, England<\/p>\r\n

2023<\/p>\r\n

Nem o c\u00e9u escapa da vida (curated by Priscyla Gomes), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2021<\/p>\r\n

Ouvindo o que se \u00e9 para ser e estar presente nas cores da vida, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Heloisa Hariadne (curated by Juliana Akina), Matilha Cultural, S\u00e3o Paulo, Brazil<\/p>\r\n

GROUP EXHIBITIONS<\/h2>\r\n

2026<\/p>\r\n

16th Gwangju Biennale, Devora\u00e7\u00f5es do amanh\u00e3, Brazilian Pavilion (curated by Aldones Nino and Bruna Levi)<\/p>\r\n

Que seja casa, o amor. Ainda que amar desabrigue (curated by Ana Carolina Ralston), MACS, Museu de arte contempor\u00e2nea de Sorocaba, Sorocaba, S\u00e3o Paulo, Brazil.<\/p>\r\n

2025<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas (curadoria de Ana Beatriz Almeida e Renato Ara\u00fajo da Silva e dire\u00e7\u00e3o art\u00edstica de Marcello Dantas), Centro Cultural Banco do Brasil, Belo Horizonte; Rio de Janeiro, Salvador, Bras\u00edlia.<\/p>\r\n

Sopra a ave-do-para\u00edso, voa longe a vi\u00fava negra (curated by Galciani Neves), IABsp - Instituto dos Arquitetos do Brasil de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas - Estados Unidos e Brasil (curated by Ana Beatriz Almeida and Lauren Haynes and artistic direction by Marcello Dantas), MAB FAAP, S\u00e3o Paulo, Brazil<\/p>\r\n

2023<\/p>\r\n

Whispers from the South (curated by Lucas Albuquerque), LAM Gallery, London, England<\/p>\r\n

2022<\/p>\r\n

Passado Presente - 200 anos depois (curated by Cec\u00edlia Fortes), Centro Cultural PGE \u2013 RJ, Rio de Janeiro, Brazil<\/p>\r\n

Chromatica, Red Gallerie, United States<\/p>\r\n

Entre a estrela e a serpente (curated by Galciani Neves), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

Arte Atual - Por muito tempo acreditei ter sonhado que era livre (curated by Priscyla Gomes), Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\r\n

Estamos aqui (curated by Thais Rivitti), Sesc Pinheiros, S\u00e3o Paulo, Brazil<\/p>\r\n

Nova Vanguarda Carioca (curated by Gringo Cardia), Cidade das Artes, Rio de Janeiro, Brazil<\/p>\r\n

Cole\u00e7\u00e3o MAR + Enciclop\u00e9dia Negra (curated by Amanda Bonan, Fl\u00e1vio Gomes, Jaime Lauriano, Lilia Schwarcz and Marcelo Campos), Museu de Arte do Rio - MAR, Rio de Janeiro, Brazil<\/p>\r\n

2021<\/p>\r\n

NaLata Festival (curated by Luan Cardoso), S\u00e3o Paulo, Brazil<\/p>\r\n

Enciclop\u00e9dia Negra (curated by Jaime Lauriano and Lilia Schwarcz), Pinacoteca do Estado, S\u00e3o Paulo, Brazil<\/p>\r\n

2020<\/p>\r\n

Design e tecnologia na escravid\u00e3o, Museu Afro on Google Art Culture<\/p>\r\n

Monster High, Olh\u00e3o Space, S\u00e3o Paulo, Brazil<\/p>\r\n

Montagem Povera, Centro Cultural Bernardo Mascarenhas, Minas Gerais, Brazil<\/p>\r\n

2019<\/p>\r\n

A garota mais feia da classe, Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

A noite n\u00e3o adormecer\u00e1 jamais aos olhos nossos, Galeria Bar\u00f3, S\u00e3o Paulo, Brazil<\/p>\r\n

2018<\/p>\r\n

I Festival de Pintura da Unesp, Instituto de Artes da UNESP, S\u00e3o Paulo, Brazil<\/p>\r\n

Corpo Regular, Instituto Criar de Cinema, Tv e novas m\u00eddias, S\u00e3o Paulo, Brazil<\/p>\r\n

RESIDENCES<\/h2>\r\n

2022<\/p>\r\n

Bubblegum Gallery, South Africa<\/p>\r\n

2020<\/p>\r\n

Kaays\u00e1 Art Residency, S\u00e3o Paulo, Brazil<\/p>\r\n

Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Valongo Festival Internacional da Imagem, S\u00e3o Paulo, Brazil<\/p>\r\n

Centro Cultural Forte do Barbalho, Salvador, Brazil<\/p>\r\n

Coletivo Kheniisha, Hoa, S\u00e3o Paulo, Brazil<\/p>\r\n

COLLECTIONS<\/h2>\r\n

Instituto Inclusartiz, Rio de Janeiro, Brazil<\/p>\r\n

Instituto Paz, Minas Gerais, Brazil<\/p>\r\n

Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

Underdog Collection, Italy<\/p>\r\n<\/div>","curriculo":75048,"gallery":[64710,64712,64714,64717,64719,64721,64723,64725,64728,64730,64732,64734,64736,64740,64742,64744,64746,64748,64750,64752,64755,64757,64759,64761,64608],"videos":[{"video_title":"\u201cI use the art to understand who I'am!\u201d, says Heloisa Hariadne","video_description":"Interview with the artist Heloisa Hariadne to the portalCatraca Livre, January 2021.\r\n\r\n","video_utl":"https:\/\/youtu.be\/WoldJlL6Pz0"},{"video_title":"Tiwani Contemporary, em Londres.","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=ri7zRWdiGoY"},{"video_title":"Heloisa Hariadne: \"a cor do ar\", no Farol Santander S\u00e3o Paulo. ","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=IZ7gm6TcaQc"}],"text_artist":"","files":null,"artist_works":"","artist_expo":[{"artist_expo_title":"Bienal de Gwangju 2026","artist_expo_description":"

Artist Heloisa Hariadne takes part in the 16th Gwangju Biennale, South Korea, as part of \"Devorations of Tomorrow \u2013 Brazil in Bloom\", the first-ever Brazil Pavilion in the event's history. Curated by Aldones Nino and Bruna Levi, the exhibition gathers 35 artists who draw on anthropophagic thought to revisit cultural heritage and imagine possible futures. Hariadne developed her work during a residency in Seoul, exploring body, memory, nature and ancestry. September 5 to November 15, at the Gwangju History & Folk Museum.<\/p>","artist_expo_gallery":[74921,74933,74929,74923,74925,74927,74943,74945,74907,74941,74931,74935,74937,74939,74947,74949,74951,74953,74955,74957]}]},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1792775477:7"],"_edit_last":["7"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["native-editor"],"description":["

\r\n
\r\n\r\n

EDUCATION<\/h2>\r\n

2017-2020<\/p>\r\n

Centro Universit\u00e1rio Belas Artes De S\u00e3o Paulo \u2013 Bachelor in Visual Arts<\/p>\r\n

Oficina Oswald de Andrade \u2013 Artistic accompaniment course<\/p>\r\n

2017<\/p>\r\n

Escola MASP \u2013 Indigenous Histories<\/p>\r\n

2016<\/p>\r\n

Abenaf - Audiovisual<\/p>\r\n

2014-2015<\/p>\r\n

ETEC Carapicu\u00edba \u2013 Visual Communication<\/p>\r\n

SOLO EXHIBITIONS<\/h2>\r\n

2025<\/p>\r\n

A cor do ar (curated by Aldones Nino), Farol Santander, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

In focus: Heloisa Hariadne, Tiwani Contemporary, London, England<\/p>\r\n

2023<\/p>\r\n

Nem o c\u00e9u escapa da vida (curated by Priscyla Gomes), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2021<\/p>\r\n

Ouvindo o que se \u00e9 para ser e estar presente nas cores da vida, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Heloisa Hariadne (curated by Juliana Akina), Matilha Cultural, S\u00e3o Paulo, Brazil<\/p>\r\n

GROUP EXHIBITIONS<\/h2>\r\n

2026<\/p>\r\n

16th Gwangju Biennale, Devora\u00e7\u00f5es do amanh\u00e3, Brazilian Pavilion (curated by Aldones Nino and Bruna Levi)<\/p>\r\n

Que seja casa, o amor. Ainda que amar desabrigue (curated by Ana Carolina Ralston), MACS, Museu de arte contempor\u00e2nea de Sorocaba, Sorocaba, S\u00e3o Paulo, Brazil.<\/p>\r\n

2025<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas (curadoria de Ana Beatriz Almeida e Renato Ara\u00fajo da Silva e dire\u00e7\u00e3o art\u00edstica de Marcello Dantas), Centro Cultural Banco do Brasil, Belo Horizonte; Rio de Janeiro, Salvador, Bras\u00edlia.<\/p>\r\n

Sopra a ave-do-para\u00edso, voa longe a vi\u00fava negra (curated by Galciani Neves), IABsp - Instituto dos Arquitetos do Brasil de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas - Estados Unidos e Brasil (curated by Ana Beatriz Almeida and Lauren Haynes and artistic direction by Marcello Dantas), MAB FAAP, S\u00e3o Paulo, Brazil<\/p>\r\n

2023<\/p>\r\n

Whispers from the South (curated by Lucas Albuquerque), LAM Gallery, London, England<\/p>\r\n

2022<\/p>\r\n

Passado Presente - 200 anos depois (curated by Cec\u00edlia Fortes), Centro Cultural PGE \u2013 RJ, Rio de Janeiro, Brazil<\/p>\r\n

Chromatica, Red Gallerie, United States<\/p>\r\n

Entre a estrela e a serpente (curated by Galciani Neves), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

Arte Atual - Por muito tempo acreditei ter sonhado que era livre (curated by Priscyla Gomes), Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\r\n

Estamos aqui (curated by Thais Rivitti), Sesc Pinheiros, S\u00e3o Paulo, Brazil<\/p>\r\n

Nova Vanguarda Carioca (curated by Gringo Cardia), Cidade das Artes, Rio de Janeiro, Brazil<\/p>\r\n

Cole\u00e7\u00e3o MAR + Enciclop\u00e9dia Negra (curated by Amanda Bonan, Fl\u00e1vio Gomes, Jaime Lauriano, Lilia Schwarcz and Marcelo Campos), Museu de Arte do Rio - MAR, Rio de Janeiro, Brazil<\/p>\r\n

2021<\/p>\r\n

NaLata Festival (curated by Luan Cardoso), S\u00e3o Paulo, Brazil<\/p>\r\n

Enciclop\u00e9dia Negra (curated by Jaime Lauriano and Lilia Schwarcz), Pinacoteca do Estado, S\u00e3o Paulo, Brazil<\/p>\r\n

2020<\/p>\r\n

Design e tecnologia na escravid\u00e3o, Museu Afro on Google Art Culture<\/p>\r\n

Monster High, Olh\u00e3o Space, S\u00e3o Paulo, Brazil<\/p>\r\n

Montagem Povera, Centro Cultural Bernardo Mascarenhas, Minas Gerais, Brazil<\/p>\r\n

2019<\/p>\r\n

A garota mais feia da classe, Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

A noite n\u00e3o adormecer\u00e1 jamais aos olhos nossos, Galeria Bar\u00f3, S\u00e3o Paulo, Brazil<\/p>\r\n

2018<\/p>\r\n

I Festival de Pintura da Unesp, Instituto de Artes da UNESP, S\u00e3o Paulo, Brazil<\/p>\r\n

Corpo Regular, Instituto Criar de Cinema, Tv e novas m\u00eddias, S\u00e3o Paulo, Brazil<\/p>\r\n

RESIDENCES<\/h2>\r\n

2022<\/p>\r\n

Bubblegum Gallery, South Africa<\/p>\r\n

2020<\/p>\r\n

Kaays\u00e1 Art Residency, S\u00e3o Paulo, Brazil<\/p>\r\n

Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Valongo Festival Internacional da Imagem, S\u00e3o Paulo, Brazil<\/p>\r\n

Centro Cultural Forte do Barbalho, Salvador, Brazil<\/p>\r\n

Coletivo Kheniisha, Hoa, S\u00e3o Paulo, Brazil<\/p>\r\n

COLLECTIONS<\/h2>\r\n

Instituto Inclusartiz, Rio de Janeiro, Brazil<\/p>\r\n

Instituto Paz, Minas Gerais, Brazil<\/p>\r\n

Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

Underdog Collection, Italy<\/p>\r\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["75048"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:25:{i:0;s:5:\"64710\";i:1;s:5:\"64712\";i:2;s:5:\"64714\";i:3;s:5:\"64717\";i:4;s:5:\"64719\";i:5;s:5:\"64721\";i:6;s:5:\"64723\";i:7;s:5:\"64725\";i:8;s:5:\"64728\";i:9;s:5:\"64730\";i:10;s:5:\"64732\";i:11;s:5:\"64734\";i:12;s:5:\"64736\";i:13;s:5:\"64740\";i:14;s:5:\"64742\";i:15;s:5:\"64744\";i:16;s:5:\"64746\";i:17;s:5:\"64748\";i:18;s:5:\"64750\";i:19;s:5:\"64752\";i:20;s:5:\"64755\";i:21;s:5:\"64757\";i:22;s:5:\"64759\";i:23;s:5:\"64761\";i:24;s:5:\"64608\";}"],"_gallery":["field_6436c1e6d2529"],"videos_0_video_title":["\u201cI use the art to understand who I'am!\u201d, says Heloisa Hariadne"],"_videos_0_video_title":["field_64441a69b18df"],"videos_0_video_description":["Interview with the artist Heloisa Hariadne to the portalCatraca Livre, January 2021.\r\n\r\n"],"_videos_0_video_description":["field_644423879b4e4"],"videos_0_video_utl":["https:\/\/youtu.be\/WoldJlL6Pz0"],"_videos_0_video_utl":["field_64441a77b18e0"],"videos":["3"],"_videos":["field_6436c1e6d252d"],"text_artist":[""],"_text_artist":["field_6436c1e6d2536"],"files":[""],"_files":["field_6436c231c9725"],"_thumbnail_id":["64585"],"_oembed_dfe7cda2dcd28947d3e9f15524d9dfef":["