{"id":39346,"date":"2021-06-16T16:04:43","date_gmt":"2021-06-16T19:04:43","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=39346"},"modified":"2026-09-04T12:23:20","modified_gmt":"2026-09-04T15:23:20","slug":"heloisa-hariadne","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/heloisa-hariadne\/","title":{"rendered":"Heloisa Hariadne"},"content":{"rendered":"","protected":false},"featured_media":64585,"template":"","class_list":["post-39346","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"Carapicu\u00edba, Brazil, 1998.<\/strong>\r\nLives and works in S\u00e3o Paulo, Brazil.\r\n

Heloisa Hariadne is a visual artist whose practice moves between painting, photography, and video, addressing themes that connect body, memory, and nature. Holding a Bachelor's degree in Visual Arts, Heloisa constructs visual narratives that explore subjects ranging from environmental issues to nutrition and the recovery of ancestral knowledge. Her poetics emerge at the intersection of the intimate and the collective, fostering dialogues on identity and belonging.<\/p>\r\n

Through a sensorial and symbolic approach, her works incorporate expressive pictorial gestures and mixed techniques that translate reflections on the inner self. The fusion of color, texture, and movement creates a dense visual language, where organic elements and abstractions intertwine. In this way, Heloisa<\/a>'s work invites the viewer to reconnect with nature, provoking new understandings of existence and the multiplicity of being.<\/p>","description":"

\r\n
\r\n\r\n

EDUCATION<\/h2>\r\n

2017-2020<\/p>\r\n

Centro Universit\u00e1rio Belas Artes De S\u00e3o Paulo \u2013 Bachelor in Visual Arts<\/p>\r\n

Oficina Oswald de Andrade \u2013 Artistic accompaniment course<\/p>\r\n

2017<\/p>\r\n

Escola MASP \u2013 Indigenous Histories<\/p>\r\n

2016<\/p>\r\n

Abenaf - Audiovisual<\/p>\r\n

2014-2015<\/p>\r\n

ETEC Carapicu\u00edba \u2013 Visual Communication<\/p>\r\n

SOLO EXHIBITIONS<\/h2>\r\n

2025<\/p>\r\n

A cor do ar (curated by Aldones Nino), Farol Santander, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

In focus: Heloisa Hariadne, Tiwani Contemporary, London, England<\/p>\r\n

2023<\/p>\r\n

Nem o c\u00e9u escapa da vida (curated by Priscyla Gomes), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2021<\/p>\r\n

Ouvindo o que se \u00e9 para ser e estar presente nas cores da vida, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Heloisa Hariadne (curated by Juliana Akina), Matilha Cultural, S\u00e3o Paulo, Brazil<\/p>\r\n

GROUP EXHIBITIONS<\/h2>\r\n

2025<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas (curadoria de Ana Beatriz Almeida e Renato Ara\u00fajo da Silva e dire\u00e7\u00e3o art\u00edstica de Marcello Dantas), Centro Cultural Banco do Brasil, Belo Horizonte; Rio de Janeiro, Salvador, Bras\u00edlia<\/p>\r\n

Sopra a ave-do-para\u00edso, voa longe a vi\u00fava negra (curated by Galciani Neves), IABsp - Instituto dos Arquitetos do Brasil de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas - Estados Unidos e Brasil (curated by Ana Beatriz Almeida and Lauren Haynes and artistic direction by Marcello Dantas), MAB FAAP, S\u00e3o Paulo, Brazil<\/p>\r\n

2023<\/p>\r\n

Whispers from the South (curated by Lucas Albuquerque), LAM Gallery, London, England<\/p>\r\n

2022<\/p>\r\n

Passado Presente - 200 anos depois (curated by Cec\u00edlia Fortes), Centro Cultural PGE \u2013 RJ, Rio de Janeiro, Brazil<\/p>\r\n

Chromatica, Red Gallerie, United States<\/p>\r\n

Entre a estrela e a serpente (curated by Galciani Neves), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

Arte Atual - Por muito tempo acreditei ter sonhado que era livre (curated by Priscyla Gomes), Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\r\n

Estamos aqui (curated by Thais Rivitti), Sesc Pinheiros, S\u00e3o Paulo, Brazil<\/p>\r\n

Nova Vanguarda Carioca (curated by Gringo Cardia), Cidade das Artes, Rio de Janeiro, Brazil<\/p>\r\n

Cole\u00e7\u00e3o MAR + Enciclop\u00e9dia Negra (curated by Amanda Bonan, Fl\u00e1vio Gomes, Jaime Lauriano, Lilia Schwarcz and Marcelo Campos), Museu de Arte do Rio - MAR, Rio de Janeiro, Brazil<\/p>\r\n

2021<\/p>\r\n

NaLata Festival (curated by Luan Cardoso), S\u00e3o Paulo, Brazil<\/p>\r\n

Enciclop\u00e9dia Negra (curated by Jaime Lauriano and Lilia Schwarcz), Pinacoteca do Estado, S\u00e3o Paulo, Brazil<\/p>\r\n

2020<\/p>\r\n

Design e tecnologia na escravid\u00e3o, Museu Afro on Google Art Culture<\/p>\r\n

Monster High, Olh\u00e3o Space, S\u00e3o Paulo, Brazil<\/p>\r\n

Montagem Povera, Centro Cultural Bernardo Mascarenhas, Minas Gerais, Brazil<\/p>\r\n

2019<\/p>\r\n

A garota mais feia da classe, Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

A noite n\u00e3o adormecer\u00e1 jamais aos olhos nossos, Galeria Bar\u00f3, S\u00e3o Paulo, Brazil<\/p>\r\n

2018<\/p>\r\n

I Festival de Pintura da Unesp, Instituto de Artes da UNESP, S\u00e3o Paulo, Brazil<\/p>\r\n

Corpo Regular, Instituto Criar de Cinema, Tv e novas m\u00eddias, S\u00e3o Paulo, Brazil<\/p>\r\n

RESIDENCES<\/h2>\r\n

2022<\/p>\r\n

Bubblegum Gallery, South Africa<\/p>\r\n

2020<\/p>\r\n

Kaays\u00e1 Art Residency, S\u00e3o Paulo, Brazil<\/p>\r\n

Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Valongo Festival Internacional da Imagem, S\u00e3o Paulo, Brazil<\/p>\r\n

Centro Cultural Forte do Barbalho, Salvador, Brazil<\/p>\r\n

Coletivo Kheniisha, Hoa, S\u00e3o Paulo, Brazil<\/p>\r\n

COLLECTIONS<\/h2>\r\n

Instituto Inclusartiz, Rio de Janeiro, Brazil<\/p>\r\n

Instituto Paz, Minas Gerais, Brazil<\/p>\r\n

Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

Underdog Collection, Italy<\/p>\r\n<\/div>","curriculo":72582,"gallery":[64710,64712,64714,64717,64719,64721,64723,64725,64728,64730,64732,64734,64736,64740,64742,64744,64746,64748,64750,64752,64755,64757,64759,64761,64608],"videos":[{"video_title":"\u201cI use the art to understand who I'am!\u201d, says Heloisa Hariadne","video_description":"Interview with the artist Heloisa Hariadne to the portalCatraca Livre, January 2021.\r\n\r\n","video_utl":"https:\/\/youtu.be\/WoldJlL6Pz0"},{"video_title":"Tiwani Contemporary, em Londres.","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=ri7zRWdiGoY"},{"video_title":"Heloisa Hariadne: \"a cor do ar\", no Farol Santander S\u00e3o Paulo. ","video_description":"","video_utl":"https:\/\/www.youtube.com\/watch?v=IZ7gm6TcaQc"}],"text_artist":"","files":null,"artist_works":"","artist_expo":[{"artist_expo_title":"Bienal de Gwangju 2026","artist_expo_description":"

Artist Heloisa Hariadne takes part in the 16th Gwangju Biennale, South Korea, as part of \"Devorations of Tomorrow \u2013 Brazil in Bloom\", the first-ever Brazil Pavilion in the event's history. Curated by Aldones Nino and Bruna Levi, the exhibition gathers 35 artists who draw on anthropophagic thought to revisit cultural heritage and imagine possible futures. Hariadne developed her work during a residency in Seoul, exploring body, memory, nature and ancestry. September 5 to November 15, at the Gwangju History & Folk Museum.<\/p>","artist_expo_gallery":[74921,74933,74929,74923,74925,74927,74943,74945,74907,74941,74931,74935,74937,74939,74947,74949,74951,74953,74955,74957]}]},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1788536114:7"],"_edit_last":["7"],"_wpml_media_featured":["1"],"_wpml_media_duplicate":["1"],"_last_translation_edit_mode":["native-editor"],"description":["

\r\n
\r\n\r\n

EDUCATION<\/h2>\r\n

2017-2020<\/p>\r\n

Centro Universit\u00e1rio Belas Artes De S\u00e3o Paulo \u2013 Bachelor in Visual Arts<\/p>\r\n

Oficina Oswald de Andrade \u2013 Artistic accompaniment course<\/p>\r\n

2017<\/p>\r\n

Escola MASP \u2013 Indigenous Histories<\/p>\r\n

2016<\/p>\r\n

Abenaf - Audiovisual<\/p>\r\n

2014-2015<\/p>\r\n

ETEC Carapicu\u00edba \u2013 Visual Communication<\/p>\r\n

SOLO EXHIBITIONS<\/h2>\r\n

2025<\/p>\r\n

A cor do ar (curated by Aldones Nino), Farol Santander, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

In focus: Heloisa Hariadne, Tiwani Contemporary, London, England<\/p>\r\n

2023<\/p>\r\n

Nem o c\u00e9u escapa da vida (curated by Priscyla Gomes), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2021<\/p>\r\n

Ouvindo o que se \u00e9 para ser e estar presente nas cores da vida, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Heloisa Hariadne (curated by Juliana Akina), Matilha Cultural, S\u00e3o Paulo, Brazil<\/p>\r\n

GROUP EXHIBITIONS<\/h2>\r\n

2025<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas (curadoria de Ana Beatriz Almeida e Renato Ara\u00fajo da Silva e dire\u00e7\u00e3o art\u00edstica de Marcello Dantas), Centro Cultural Banco do Brasil, Belo Horizonte; Rio de Janeiro, Salvador, Bras\u00edlia<\/p>\r\n

Sopra a ave-do-para\u00edso, voa longe a vi\u00fava negra (curated by Galciani Neves), IABsp - Instituto dos Arquitetos do Brasil de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

2024<\/p>\r\n

Ancestral: Afro-Am\u00e9ricas - Estados Unidos e Brasil (curated by Ana Beatriz Almeida and Lauren Haynes and artistic direction by Marcello Dantas), MAB FAAP, S\u00e3o Paulo, Brazil<\/p>\r\n

2023<\/p>\r\n

Whispers from the South (curated by Lucas Albuquerque), LAM Gallery, London, England<\/p>\r\n

2022<\/p>\r\n

Passado Presente - 200 anos depois (curated by Cec\u00edlia Fortes), Centro Cultural PGE \u2013 RJ, Rio de Janeiro, Brazil<\/p>\r\n

Chromatica, Red Gallerie, United States<\/p>\r\n

Entre a estrela e a serpente (curated by Galciani Neves), Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\r\n

Arte Atual - Por muito tempo acreditei ter sonhado que era livre (curated by Priscyla Gomes), Instituto Tomie Ohtake, S\u00e3o Paulo, Brazil<\/p>\r\n

Estamos aqui (curated by Thais Rivitti), Sesc Pinheiros, S\u00e3o Paulo, Brazil<\/p>\r\n

Nova Vanguarda Carioca (curated by Gringo Cardia), Cidade das Artes, Rio de Janeiro, Brazil<\/p>\r\n

Cole\u00e7\u00e3o MAR + Enciclop\u00e9dia Negra (curated by Amanda Bonan, Fl\u00e1vio Gomes, Jaime Lauriano, Lilia Schwarcz and Marcelo Campos), Museu de Arte do Rio - MAR, Rio de Janeiro, Brazil<\/p>\r\n

2021<\/p>\r\n

NaLata Festival (curated by Luan Cardoso), S\u00e3o Paulo, Brazil<\/p>\r\n

Enciclop\u00e9dia Negra (curated by Jaime Lauriano and Lilia Schwarcz), Pinacoteca do Estado, S\u00e3o Paulo, Brazil<\/p>\r\n

2020<\/p>\r\n

Design e tecnologia na escravid\u00e3o, Museu Afro on Google Art Culture<\/p>\r\n

Monster High, Olh\u00e3o Space, S\u00e3o Paulo, Brazil<\/p>\r\n

Montagem Povera, Centro Cultural Bernardo Mascarenhas, Minas Gerais, Brazil<\/p>\r\n

2019<\/p>\r\n

A garota mais feia da classe, Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

A noite n\u00e3o adormecer\u00e1 jamais aos olhos nossos, Galeria Bar\u00f3, S\u00e3o Paulo, Brazil<\/p>\r\n

2018<\/p>\r\n

I Festival de Pintura da Unesp, Instituto de Artes da UNESP, S\u00e3o Paulo, Brazil<\/p>\r\n

Corpo Regular, Instituto Criar de Cinema, Tv e novas m\u00eddias, S\u00e3o Paulo, Brazil<\/p>\r\n

RESIDENCES<\/h2>\r\n

2022<\/p>\r\n

Bubblegum Gallery, South Africa<\/p>\r\n

2020<\/p>\r\n

Kaays\u00e1 Art Residency, S\u00e3o Paulo, Brazil<\/p>\r\n

Ateli\u00ea 397, S\u00e3o Paulo, Brazil<\/p>\r\n

2019<\/p>\r\n

Valongo Festival Internacional da Imagem, S\u00e3o Paulo, Brazil<\/p>\r\n

Centro Cultural Forte do Barbalho, Salvador, Brazil<\/p>\r\n

Coletivo Kheniisha, Hoa, S\u00e3o Paulo, Brazil<\/p>\r\n

COLLECTIONS<\/h2>\r\n

Instituto Inclusartiz, Rio de Janeiro, Brazil<\/p>\r\n

Instituto Paz, Minas Gerais, Brazil<\/p>\r\n

Pinacoteca do Estado de S\u00e3o Paulo, S\u00e3o Paulo, Brazil<\/p>\r\n

Underdog Collection, Italy<\/p>\r\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["72582"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:25:{i:0;s:5:\"64710\";i:1;s:5:\"64712\";i:2;s:5:\"64714\";i:3;s:5:\"64717\";i:4;s:5:\"64719\";i:5;s:5:\"64721\";i:6;s:5:\"64723\";i:7;s:5:\"64725\";i:8;s:5:\"64728\";i:9;s:5:\"64730\";i:10;s:5:\"64732\";i:11;s:5:\"64734\";i:12;s:5:\"64736\";i:13;s:5:\"64740\";i:14;s:5:\"64742\";i:15;s:5:\"64744\";i:16;s:5:\"64746\";i:17;s:5:\"64748\";i:18;s:5:\"64750\";i:19;s:5:\"64752\";i:20;s:5:\"64755\";i:21;s:5:\"64757\";i:22;s:5:\"64759\";i:23;s:5:\"64761\";i:24;s:5:\"64608\";}"],"_gallery":["field_6436c1e6d2529"],"videos_0_video_title":["\u201cI use the art to understand who I'am!\u201d, says Heloisa Hariadne"],"_videos_0_video_title":["field_64441a69b18df"],"videos_0_video_description":["Interview with the artist Heloisa Hariadne to the portalCatraca Livre, January 2021.\r\n\r\n"],"_videos_0_video_description":["field_644423879b4e4"],"videos_0_video_utl":["https:\/\/youtu.be\/WoldJlL6Pz0"],"_videos_0_video_utl":["field_64441a77b18e0"],"videos":["3"],"_videos":["field_6436c1e6d252d"],"text_artist":[""],"_text_artist":["field_6436c1e6d2536"],"files":[""],"_files":["field_6436c231c9725"],"_thumbnail_id":["64585"],"_oembed_dfe7cda2dcd28947d3e9f15524d9dfef":["