{"id":39256,"date":"2022-04-18T16:35:52","date_gmt":"2022-04-18T19:35:52","guid":{"rendered":"https:\/\/galerialeme.com\/?post_type=artist&p=39256"},"modified":"2026-06-02T19:22:26","modified_gmt":"2026-06-02T22:22:26","slug":"gabriel-giucci","status":"publish","type":"artist","link":"https:\/\/galerialeme.com\/en\/artist\/gabriel-giucci\/","title":{"rendered":"Gabriel Jaguaribe Giucci"},"content":{"rendered":"","protected":false},"featured_media":55992,"template":"","class_list":["post-39256","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":{"use_new_template":true,"bio":"Princeton, United States, 1987.<\/strong>\r\nLives and works in S\u00e3o Paulo, Brazil.\r\n

Gabriel Jaguaribe Giucci is a visual artist focused on drawing and painting. Giucci attended the Design program at PUC for a year, then transferred to the Fine Arts program at UFRJ, where he received training in figurative drawing and art history. He was awarded a scholarship to the Parsons School of Design and spent a semester there. Inspired by the city\u2019s museums and galleries, he concentrated on developing his own artistic work.<\/p>\r\n

Since 2021, the artist has been dedicated to painting landscapes. He combines photographic records from his walks through city streets with images sourced from the internet. By omitting urban elements, Giucci creates primitive landscapes of the Brazilian coast. His appreciation for technique, combined with the freedom of brushstrokes, results in works that induce a contemplative state.<\/p>","description":"

\n

Princeton, EUA, 1987. Lives and works between S\u00e3o Paulo, Brazil and New York, United States.<\/p>\n\n

SOLO EXHIBITIONS<\/h2>\n

2024<\/p>\n

Palmeira arcaica, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2021<\/p>\n

CHURASCO, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2018<\/p>\n

Farra dos Guardanapos (curadoria de Gabriela Davies), Villa Aymor\u00e9, Rio de Janeiro, Brazil<\/p>\n

2016<\/p>\n

DESVIO (curadoria de Daniela Labra), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

2011<\/p>\n

Monolitos (curadoria de Beatriz Lemos), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

Nossa Am\u00e9rica (curator Camilla Rocha Campos and Claudia Jaguaribe), Casa Museu Eva Klabin, Rio de Janeiro, Brazil<\/p>\n

2025<\/p>\n

Ambient Threads (curated by Lu\u00eds Pinto Nunes), Kubikgallery+ Galeria Leme no Espa\u00e7o Museol\u00f3gico Museu do Arroz, Comporta, Portugal<\/p>\n

2024<\/p>\n

Uma hist\u00f3ria Guanabara (curator Gabriela Davies), Instituto Inclusartiz, Rio de Janeiro, Brazil<\/p>\n

2015<\/p>\n

The Hunt of the Unicorn comes to West Harlem, Gitler &_____, New York, United States<\/p>\n

Transplantados, Casa Samambaia, S\u00e3o Paulo, Brazil<\/p>\n

Sitio, Espa\u00e7o Comuna-Frei Caneca, Rio de Janeiro, Brazil<\/p>\n

2014<\/p>\n

N\u00f3s Ningu\u00e9m (curated by Adriano Casanova), CASANOVA, S\u00e3o Paulo, Brazil<\/p>\n

In-Dissonance, The John Slade Ely House for Contemporary Art, United States<\/p>\n

2013<\/p>\n

Sitio, G\u00e1vea, Rio de Janeiro, Brazil<\/p>\n

Black and White, Fondazione Valerio Riva, Italy<\/p>\n

2012<\/p>\n

O que te escolhe, te move e alcan\u00e7a o mundo (curated by Daniela Labra), Espa\u00e7o Apis, Rio de Janeiro, Brazil<\/p>\n

[edi\u00e7\u00f5es] | UM (curated by Jaime Vilaseca), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

El Monitor Pl\u00e1stico, Uruguay<\/p>\n

2011<\/p>\n

Rio Nova Arte, BNDES, Rio de Janeiro, Brazil<\/p>\n

2010<\/p>\n

Registro de ocorr\u00eancia (curadoria de Daniela Labra), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

2008<\/p>\n

Embaixada Pernambuco, Solar de Santa, Rio de Janeiro, Brazil<\/p>\n

2007<\/p>\n

20 e poucos anos, Galeria Bar\u00f3 Cruz, S\u00e3o Paulo, Brazil<\/p>\n<\/div>","curriculo":73583,"gallery":[55938,55942,55935,55929,55932,55922,55894,55914,55892,55900,55971,55910,55882,55884,55962,55960,55966,55964,55886,55916],"videos":null,"text_artist":"","files":[{"file_title":"ArtReview | Oliver Basciano","file_item":39294}],"artist_works":"","artist_expo":null},"spectra_custom_meta":{"_wpml_word_count":["{\"total\":0,\"to_translate\":{\"en\":2,\"pt-br\":2}}"],"_edit_lock":["1781293540:7"],"_edit_last":["7"],"description":["

\n

Princeton, EUA, 1987. Lives and works between S\u00e3o Paulo, Brazil and New York, United States.<\/p>\n\n

SOLO EXHIBITIONS<\/h2>\n

2024<\/p>\n

Palmeira arcaica, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2021<\/p>\n

CHURASCO, Galeria Leme, S\u00e3o Paulo, Brazil<\/p>\n

2018<\/p>\n

Farra dos Guardanapos (curadoria de Gabriela Davies), Villa Aymor\u00e9, Rio de Janeiro, Brazil<\/p>\n

2016<\/p>\n

DESVIO (curadoria de Daniela Labra), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

2011<\/p>\n

Monolitos (curadoria de Beatriz Lemos), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

GROUP EXHIBITIONS<\/h2>\n

2026<\/p>\n

Nossa Am\u00e9rica (curator Camilla Rocha Campos and Claudia Jaguaribe), Casa Museu Eva Klabin, Rio de Janeiro, Brazil<\/p>\n

2025<\/p>\n

Ambient Threads (curated by Lu\u00eds Pinto Nunes), Kubikgallery+ Galeria Leme no Espa\u00e7o Museol\u00f3gico Museu do Arroz, Comporta, Portugal<\/p>\n

2024<\/p>\n

Uma hist\u00f3ria Guanabara (curator Gabriela Davies), Instituto Inclusartiz, Rio de Janeiro, Brazil<\/p>\n

2015<\/p>\n

The Hunt of the Unicorn comes to West Harlem, Gitler &_____, New York, United States<\/p>\n

Transplantados, Casa Samambaia, S\u00e3o Paulo, Brazil<\/p>\n

Sitio, Espa\u00e7o Comuna-Frei Caneca, Rio de Janeiro, Brazil<\/p>\n

2014<\/p>\n

N\u00f3s Ningu\u00e9m (curated by Adriano Casanova), CASANOVA, S\u00e3o Paulo, Brazil<\/p>\n

In-Dissonance, The John Slade Ely House for Contemporary Art, United States<\/p>\n

2013<\/p>\n

Sitio, G\u00e1vea, Rio de Janeiro, Brazil<\/p>\n

Black and White, Fondazione Valerio Riva, Italy<\/p>\n

2012<\/p>\n

O que te escolhe, te move e alcan\u00e7a o mundo (curated by Daniela Labra), Espa\u00e7o Apis, Rio de Janeiro, Brazil<\/p>\n

[edi\u00e7\u00f5es] | UM (curated by Jaime Vilaseca), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

El Monitor Pl\u00e1stico, Uruguay<\/p>\n

2011<\/p>\n

Rio Nova Arte, BNDES, Rio de Janeiro, Brazil<\/p>\n

2010<\/p>\n

Registro de ocorr\u00eancia (curadoria de Daniela Labra), Portas Vilaseca Galeria, Rio de Janeiro, Brazil<\/p>\n

2008<\/p>\n

Embaixada Pernambuco, Solar de Santa, Rio de Janeiro, Brazil<\/p>\n

2007<\/p>\n

20 e poucos anos, Galeria Bar\u00f3 Cruz, S\u00e3o Paulo, Brazil<\/p>\n<\/div>"],"_description":["field_64441aaeb18e1"],"curriculo":["73583"],"_curriculo":["field_64429ebbb7fb8"],"gallery":["a:20:{i:0;s:5:\"55938\";i:1;s:5:\"55942\";i:2;s:5:\"55935\";i:3;s:5:\"55929\";i:4;s:5:\"55932\";i:5;s:5:\"55922\";i:6;s:5:\"55894\";i:7;s:5:\"55914\";i:8;s:5:\"55892\";i:9;s:5:\"55900\";i:10;s:5:\"55971\";i:11;s:5:\"55910\";i:12;s:5:\"55882\";i:13;s:5:\"55884\";i:14;s:5:\"55962\";i:15;s:5:\"55960\";i:16;s:5:\"55966\";i:17;s:5:\"55964\";i:18;s:5:\"55886\";i:19;s:5:\"55916\";}"],"_gallery":["field_6436c1e6d2529"],"videos":[""],"_videos":["field_6436c1e6d252d"],"text_artist":[""],"_text_artist":["field_6436c1e6d2536"],"files_0_file_title":["ArtReview | Oliver Basciano"],"_files_0_file_title":["field_643ffc8c32593"],"files_0_file_item":["39294"],"_files_0_file_item":["field_643ffc9a32594"],"files":["1"],"_files":["field_6436c231c9725"],"_wpml_media_duplicate":["1"],"_wpml_media_featured":["1"],"_thumbnail_id":["55992"],"_last_translation_edit_mode":["translation-editor"],"artist_works":[""],"_artist_works":["field_64c2815cc6039"],"_yoast_indexnow_last_ping":["1743839190"],"use_new_template":["1"],"_use_new_template":["field_6752e381f9464"],"bio":["Princeton, United States, 1987.<\/strong>\r\nLives and works in S\u00e3o Paulo, Brazil.\r\n

Gabriel Jaguaribe Giucci is a visual artist focused on drawing and painting. Giucci attended the Design program at PUC for a year, then transferred to the Fine Arts program at UFRJ, where he received training in figurative drawing and art history. He was awarded a scholarship to the Parsons School of Design and spent a semester there. Inspired by the city\u2019s museums and galleries, he concentrated on developing his own artistic work.<\/p>\r\n

Since 2021, the artist has been dedicated to painting landscapes. He combines photographic records from his walks through city streets with images sourced from the internet. By omitting urban elements, Giucci creates primitive landscapes of the Brazilian coast. His appreciation for technique, combined with the freedom of brushstrokes, results in works that induce a contemplative state.<\/p>"],"_bio":["field_6752e3cff9466"],"artist_expo":[""],"_artist_expo":["field_6752e404f9468"],"_uagb_previous_block_counts":["a:90:{s:21:\"uagb\/advanced-heading\";i:0;s:15:\"uagb\/blockquote\";i:0;s:12:\"uagb\/buttons\";i:0;s:18:\"uagb\/buttons-child\";i:0;s:19:\"uagb\/call-to-action\";i:0;s:15:\"uagb\/cf7-styler\";i:0;s:11:\"uagb\/column\";i:0;s:12:\"uagb\/columns\";i:0;s:14:\"uagb\/container\";i:0;s:21:\"uagb\/content-timeline\";i:0;s:27:\"uagb\/content-timeline-child\";i:0;s:14:\"uagb\/countdown\";i:0;s:12:\"uagb\/counter\";i:0;s:8:\"uagb\/faq\";i:0;s:14:\"uagb\/faq-child\";i:0;s:10:\"uagb\/forms\";i:0;s:17:\"uagb\/forms-accept\";i:0;s:19:\"uagb\/forms-checkbox\";i:0;s:15:\"uagb\/forms-date\";i:0;s:16:\"uagb\/forms-email\";i:0;s:17:\"uagb\/forms-hidden\";i:0;s:15:\"uagb\/forms-name\";i:0;s:16:\"uagb\/forms-phone\";i:0;s:16:\"uagb\/forms-radio\";i:0;s:17:\"uagb\/forms-select\";i:0;s:19:\"uagb\/forms-textarea\";i:0;s:17:\"uagb\/forms-toggle\";i:0;s:14:\"uagb\/forms-url\";i:0;s:14:\"uagb\/gf-styler\";i:0;s:15:\"uagb\/google-map\";i:0;s:11:\"uagb\/how-to\";i:0;s:16:\"uagb\/how-to-step\";i:0;s:9:\"uagb\/icon\";i:0;s:14:\"uagb\/icon-list\";i:0;s:20:\"uagb\/icon-list-child\";i:0;s:10:\"uagb\/image\";i:0;s:18:\"uagb\/image-gallery\";i:0;s:13:\"uagb\/info-box\";i:0;s:18:\"uagb\/inline-notice\";i:0;s:11:\"uagb\/lottie\";i:0;s:21:\"uagb\/marketing-button\";i:0;s:10:\"uagb\/modal\";i:0;s:18:\"uagb\/popup-builder\";i:0;s:16:\"uagb\/post-button\";i:0;s:18:\"uagb\/post-carousel\";i:0;s:17:\"uagb\/post-excerpt\";i:0;s:14:\"uagb\/post-grid\";i:0;s:15:\"uagb\/post-image\";i:0;s:17:\"uagb\/post-masonry\";i:0;s:14:\"uagb\/post-meta\";i:0;s:18:\"uagb\/post-taxonomy\";i:0;s:18:\"uagb\/post-timeline\";i:0;s:15:\"uagb\/post-title\";i:0;s:20:\"uagb\/restaurant-menu\";i:0;s:26:\"uagb\/restaurant-menu-child\";i:0;s:11:\"uagb\/review\";i:0;s:12:\"uagb\/section\";i:0;s:14:\"uagb\/separator\";i:0;s:11:\"uagb\/slider\";i:0;s:17:\"uagb\/slider-child\";i:0;s:17:\"uagb\/social-share\";i:0;s:23:\"uagb\/social-share-child\";i:0;s:16:\"uagb\/star-rating\";i:0;s:23:\"uagb\/sure-cart-checkout\";i:0;s:22:\"uagb\/sure-cart-product\";i:0;s:15:\"uagb\/sure-forms\";i:0;s:22:\"uagb\/table-of-contents\";i:0;s:9:\"uagb\/tabs\";i:0;s:15:\"uagb\/tabs-child\";i:0;s:18:\"uagb\/taxonomy-list\";i:0;s:9:\"uagb\/team\";i:0;s:16:\"uagb\/testimonial\";i:0;s:14:\"uagb\/wp-search\";i:0;s:19:\"uagb\/instagram-feed\";i:0;s:10:\"uagb\/login\";i:0;s:17:\"uagb\/loop-builder\";i:0;s:18:\"uagb\/loop-category\";i:0;s:20:\"uagb\/loop-pagination\";i:0;s:15:\"uagb\/loop-reset\";i:0;s:16:\"uagb\/loop-search\";i:0;s:14:\"uagb\/loop-sort\";i:0;s:17:\"uagb\/loop-wrapper\";i:0;s:13:\"uagb\/register\";i:0;s:19:\"uagb\/register-email\";i:0;s:24:\"uagb\/register-first-name\";i:0;s:23:\"uagb\/register-last-name\";i:0;s:22:\"uagb\/register-password\";i:0;s:30:\"uagb\/register-reenter-password\";i:0;s:19:\"uagb\/register-terms\";i:0;s:22:\"uagb\/register-username\";i:0;}"],"_uag_css_file_name":["uag-css-39256.css"],"codex_public_clippings_json":["[{\"id\":\"cd76ae25-5e8a-44fa-972d-caa1cd5a7aed\",\"media_type\":\"pdf\",\"content_type\":\"Clipping\",\"title_pt\":\"Danielian Rio apresenta duas exposi\\u00e7\\u00f5es simult\\u00e2neas: \\\"Verde que te quero ver-te\\\" de Rosina Becker do Valle e \\\"Amazoceno\\\" de Gabriel Giucci. Z\\u00e9 Ronaldo (Jos\\u00e9 Ronaldo M\\u00fcller). Rio de Janeiro, Brasil. https:\\\/\\\/zeronaldo.com.br\\\/2025\\\/verde-que-te-quero-ver-te-e-amazoceno\\\/\",\"title_en\":\"Danielian Rio apresenta duas exposi\\u00e7\\u00f5es simult\\u00e2neas: \\\"Verde que te quero ver-te\\\" de Rosina Becker do Valle e \\\"Amazoceno\\\" de Gabriel Giucci. Z\\u00e9 Ronaldo (Jos\\u00e9 Ronaldo M\\u00fcller). 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Dispon\\u00edvel em: https:\\\/\\\/artreview.com\\\/neocolonialism-a-history-of-death-and-richterian-melancholia-the-best-arts-and-culture-this-february\\\/>\",\"title_en\":\"Neocolonialism, a History of Death and Cursed Rings: the Best Arts and Culture this February. ArtReview, Previews. Oliver Basciano 01 February 2022. 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