Objects that portray the naturalization of slavery in Brazil (calendars, t-shirts, postcards, money bills, garbage basket, sculpture, porcelain, tapestries and jigsaw); laser engraving of the list of professions with the highest incidence of black people in Brazil; statements that report structural racism in Brazil.
250 x 500 x 35 cm <>
Pedras portuguesas #1, 2017
Portuguese stones, iron box and cement
100 x 150 x 10 cm <>
Pedras portuguesas #2, 2017
Portuguese stones, iron box and cement
100 x 150 x 10 cm <>
Pedras portuguesas #3, 2017
Portuguese stones, iron box and cement
100 x 150 x 10 cm <>
Experiência concreta #2 (diálogo de mãos), 2017
Plastic rope, adhesive tape, plastic clamp, wire, bicycle padlock, flexible electric cable and navy plywood box
74 x 101,5 x 10 cm <>
Experiência concreta #1 (diálogo de mãos), 2017
Printing of images extracted from digital newspapers, catalog of exhibitions of visual arts and manuals of survival and box of naval hardboard
60 x 60 x 4 cm <>
Artefatos #1, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm <>
Artefatos #2, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm <>
Artefatos #3, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm <>
Artefatos #4, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
57 x 95 cm <>
Hyspanus, 2016
Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
56 x 76 cm <>
Americae Novissima Desciptio, 2016
Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
57 x 78 cm <>
Novus Brasilia Typus: invasão, etnocídio, democracia racial e apropriação cultural, 2016
Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
116 x 151 cm <>
Gargantilhas, 2016
7 resin cubes (containing hardwoods, gold, sugarcane, coffee, cassava, rubber and fabric), steel chains, pins, dermatographic pencil and charcoal on raw cotton.
80 x 100 cm <>
Aculturação, 2015
Dermatographic pencil and white Pemba (chalk used in rituals of Umbanda) on black cotton
110 x 105 cm <>