Jaime Lauriano

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Experiência concreta #2 (diálogo de mãos), 2017

Plastic rope, adhesive tape, plastic clamp, wire, bicycle padlock, flexible electric cable and navy plywood box
74 x 101,5 x 10 cm

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Experiência concreta #1 (diálogo de mãos), 2017

Printing of images extracted from digital newspapers, catalog of exhibitions of visual arts and manuals of survival and box of naval hardboard
60 x 60 x 4 cm

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Artefatos #1, 2016

Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm

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Artefatos #2, 2016

Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm

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Artefatos #3, 2016

Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm

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Artefatos #4, 2016

Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
57 x 95 cm

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Hyspanus, 2016

Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
56 x 76 cm

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Americae Novissima Desciptio, 2016

Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
57 x 78 cm

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Novus Brasilia Typus: invasão, etnocídio, democracia racial e apropriação cultural, 2016

Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
116 x 151 cm

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Gargantilhas, 2016

7 resin cubes (containing hardwoods, gold, sugarcane, coffee, cassava, rubber and fabric), steel chains, pins, dermatographic pencil and charcoal on raw cotton.
80 x 100 cm

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Aculturação, 2015

Dermatographic pencil and white Pemba (chalk used in rituals of Umbanda) on black cotton
110 x 105 cm

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Accuratissima Brasilia Tabula: invasão, etnocídio, democracia racial e apropriação cultural, 2016

Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
116 x 155 cm

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Brasil: invasão, etnocídio, democracia racial e apropriação cultural, 2016

Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
117 x 153 cm

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Meridionalis Americae: invasão, etnocídio, democracia racial e apropriação cultural, 2016

Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
119 x 156 cm

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Mercadores, 2016

Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
57 x 76 cm

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National Flag #10, 2016

Cotton, polyester and inkjet printing on cotton paper
90 x 90 x 4 cm

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Êxodo, 2015

Dermatographic pencil and white Pemba (chalk used in rituals of Umbanda) on black cotton
76 x 70 cm

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National Flag #7, 2016

Cotton, polyester and inkjet printing on cotton paper
90 x 90 x 4 cm

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60 dias, 2015

White Pemba (chalk used in Umbanda rituals) on black cotton
50 x 110 cm

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Colonização, 2016

Wooden pestle, Portuguese stones and palm oil
Variable dimensions (approx. 27 x 16,5 cm)

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Tratado #3, 2015

Iron board and map of the americas etched with fire on wood (imbuia)
37 x 32 x 43 cm

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Genocidio #4, 2015

Gravação a laser e pirografia em Imbuia
44,3 x 66 x 3 cm

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Genocídio #2, 2015

Mixed media
24 x 80 x 20 cm

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Nessa terra, em se plantando, tudo dá, 2015

Mixed media
200 x 50 x 50 cm

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Nessa terra, em se plantando, tuda dá

Exhibition view, CCBB Rio de Janeiro, Brazil

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Tratado #2, 2015

Mirror and wood (cumaru)
70 x 70 x 200 cm

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Quem não reagiu está vivo, 2015

Inkjet printing on paper
48 x 440 x 0,5 cm (48 x 35 each - total 11 pieces)

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Vocês nunca terão direitos sobre seus corpos, 2015

notch on wood (cedrinho)
30 x 80 x 2,5 cm

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Suplicio #3 , 2015

Shop window containing stones, rubble and glass pieces
80 x 120 x 60 cm

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Suplício, 2015

showcase containing chain, plastic rope, tape, plastic clamp, halogen lamps, iron bar
80 x 80 x 60 cm

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Ordem e progresso, 2015

Transformer, timer, thermostat wire and iron
160 x 100 x 100 cm

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Calimba, 2015

brazilian newspaper headlines etched with laser and fire on wood
30 x 50 x 1 cm (each)

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Calimba, 2015

brazilian newspaper headlines etched with laser and fire on wood
30 x 50 x 1 cm (each)

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República (democracia racial), 2015

Dermatograph pencil and white Pemba (chalk used in rituals of Umbanda) on black cotton
145 x 180 cm

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O QUE NOS UNE NOS SEPARA – LO QUE NOS UNE NOS SEPARA, 2015

Dermatographic pencil and white Pemba (chalk used in rituals of Umbanda) on black cotton
110 x 50 cm

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Pavilhão #3 (proteção), 2014

Hammer, nail, protection screen, plumb, cable ties and mason Line
200 x 100 x 120 cm

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Pavilhão #2 (tapume), 2014

Nail, construction-screen, plumbs, cable ties and mason Line
75 x 220 x 50 cm

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Pavilhão #4 (tapume), 2015

Nail, construction-screen, plumbs, cable ties and mason Line
200 x 70 x 50 cm

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Morte Subita, 2014

Video projection

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Resistencia, 2014

Electrical cords, lamp, mug agate, gasoline
variable dimensions

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Untitled, 2013

Mirrors and concrete blocks
70 x 110 x 80 cm

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A história se encerra em mim, 2013

60 x 60 cm

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Pavilhão, 2012

Hammer, nail, embroidered fabric, bob and mason line
100 x 185 x 120 cm

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Pesadão, 2012

Glass bottles, gasoline, cotton, elastic brace, tape, styrofoam box, transport cart
60 x 65 x 120 cm

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Queime depois de ler, 2012

Silkscreen on flannel
28 x 38 cm

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Tentativa Falida #1 de frear a especulacao financeira, 2012

Offset on paper
21 x 29,7 cm

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Pra te conhecer (Edicao Piracicaba), 2011

Video
10 min 20 sec

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Sem Título 1 (trabalho), 2010

Welded Wheelbarrows
124 x 64 x100 cm

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Sem Título 2 (trabalho), 2010

_Welded mallets
150 x 44 x 9 cm

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Vestigio 1, 2008

Inkjet on cotton paper
120 x 90 cm

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Untitled #3 (a casa), 2010

Vídeo
1’49’’ (loop)

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Em exposicao 02, 2006

Inkjet on cotton paper
100 x 65 cm