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Exhibition view
Brinquedo de furar moletom, 2018
Museu de Arte Contemporânea, Niterói, Brazil
Credits: Rafael Adorján <>
Exhibition view
Brinquedo de furar moletom, 2018
Museu de Arte Contemporânea, Niterói, Brazil
Credits: Rafael Adorján <>
Exhibition view
Brinquedo de furar moletom, 2018
Museu de Arte Contemporânea, Niterói, Brazil
Credits: Rafael Adorján <>
Exhibition view
Brinquedo de furar moletom, 2018
Museu de Arte Contemporânea, Niterói, Brazil
Credits: Rafael Adorján <>
Exhibition view
Ao Norte do Rio, 2018
SESC Santana, São Paulo, Brazil
Credits: Filipe Berndt <>
Exhibition view
Ao Norte do Rio, 2018
SESC Santana, São Paulo, Brazil
Credits: Filipe Berndt <>
Exhibition view
Ao Norte do Rio, 2018
SESC Santana, São Paulo, Brazil
Credits: Filipe Berndt <>
Marco Zero, 2018
Colonial brick base and replica of the plate of São Paulo’s Marco Zero cast in brass and ammunition cartridges used by the Military Police and Brazilian Armed Forces
25 x 75 x 72 cm
Credits: Filipe Berndt <>
Combate #1, 2017
Hammers, hatchet, machete, pick ax, rake, shovels, sickle, hoes, trident and saw
550 x 200 cm
Credits: Filipe Berndt <>
Experiência concreta #5, 2017
Silver tape on wall
Variable dimensions
Credits: Filipe Berndt <>
Trabalho, 2017
Objects that portray the naturalization of slavery in Brazil (calendars, t-shirts, postcards, money bills, garbage basket, sculpture, porcelain, tapestries and jigsaw); laser engraving of the list of professions with the highest incidence of black people in Brazil; statements that report structural racism in Brazil.
250 x 500 x 35 cm
Credits: Filipe Berndt <>
Experiência concreta #2 (diálogo de mãos), 2017
Plastic rope, adhesive tape, plastic clamp, wire, bicycle padlock, flexible electric cable and navy plywood box
74 x 101,5 x 10 cm
Credits: Filipe Berndt <>
Pedras portuguesas #1, 2017
Portuguese stones, iron box and cement
100 x 150 x 10 cm
Credits: Filipe Berndt <>
Pedras portuguesas #3, 2017
Portuguese stones, iron box and cement
100 x 150 x 10 cm
Credits: Filipe Berndt <>
Experiência concreta #1 (diálogo de mãos), 2017
Printing of images extracted from digital newspapers, catalog of exhibitions of visual arts and manuals of survival and box of naval hardboard
60 x 60 x 4 cm
Credits: Filipe Berndt <>
Gargantilhas, 2016
7 resin cubes (containing hardwoods, gold, sugarcane, coffee, cassava, rubber and fabric), steel chains, pins, dermatographic pencil and charcoal on raw cotton.
80 x 100 cm <>
Artefatos #1, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm
Credits: Filipe Berndt <>
Artefatos #2, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm
Credits: Filipe Berndt <>
Artefatos #3, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
95 x 57 cm
Credits: Filipe Berndt <>
Artefatos #4, 2016
Silkscreen of instruments of torture and dermatographic pencil on bag used to transport grains between Africa and America
57 x 95 cm
Credits: Filipe Berndt <>
Novus Brasilia Typus: invasão, etnocídio, democracia racial e apropriação cultural, 2016
Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
116 x 151 cm
Credits: Filipe Berndt <>
Meridionalis Americae: invasão, etnocídio, democracia racial e apropriação cultural, 2016
Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
119 x 156 cm
Credits: Filipe Berndt <>
Brasil: invasão, etnocídio, democracia racial e apropriação cultural, 2016
Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
117 x 153 cm
Credits: Filipe Berndt <>
Mercadores, 2016
Drawing made with white Pemba (chalk used in rituals of Umbanda) and dermatographic pencil on black cotton
57 x 76 cm
Credits: Filipe Berndt <>
National Flag #10, 2016
Cotton, polyester and inkjet printing on cotton paper
90 x 90 x 4 cm
Credits: Filipe Berndt <>
National Flag #7, 2016
Cotton, polyester and inkjet printing on cotton paper
90 x 90 x 4 cm
Credits: Filipe Berndt <>
O QUE NOS UNE NOS SEPARA – LO QUE NOS UNE NOS SEPARA, 2015
Dermatographic pencil and white Pemba (chalk used in rituals of Umbanda) on black cotton
110 x 50 cm <>
Colonização, 2016
Wooden pestle, Portuguese stones and palm oil
Variable dimensions (approx. 27 x 16,5 cm)
Credits: Filipe Berndt <>
Êxodo, 2015
Dermatographic pencil and white Pemba (chalk used in rituals of Umbanda) on black cotton
76 x 70 cm <>
Tratado #3, 2015
Iron board and map of the americas etched with fire on wood (imbuia)
37 x 32 x 43 cm <>
Suplicio #3 , 2015
Shop window containing stones, rubble and glass pieces
80 x 120 x 60 cm <>
Genocidio #4, 2015
Gravação a laser e pirografia em Imbuia
44,3 x 66 x 3 cm <>
Ordem e progresso, 2015
Transformer, timer, thermostat wire and iron
160 x 100 x 100 cm <>
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